Find Academic Supervisors

• Cultural and Aesthetic Aspects of Auditory Media
• Historicity and Technicity of Listening Cultures
• Music and Digitality
• +5 more

Dr. Maximilian Haberer is a Researcher at the Department of Media and Cultural Studies, Faculty of Philosophy, Heinrich Heine University Düsseldorf. His work bridges media theory, sound studies, and technological subjectivity through academic research, editorial leadership, and international collaborations. PhD in Media and Cultural Studies (2017-2024, HHU Düsseldorf) Fulbright Exchange Graduate (Pennsylvania State University, 2015-2016) Master's in Media Culture Analysis (HHU Düsseldorf, 2014-2017) Erasmus Study Abroad (University of Vienna, 2013-2014) Bachelor's in Media and Music Studies (University of Freiburg, 2011-2014) His research focuses on auditory media aesthetics, algorithmic music reception, sonic subjectivity, and the materiality of sound technologies like magnetic tape. He explores intersections between historical listening cultures and contemporary machine listening systems. Recent publications and lectures examine topics such as Acoustic Intelligence , Sonic Architectures , and the cultural implications of music streaming platforms. Articles highlight theoretical frameworks for analyzing temporal sound regulation, voice synthesis, and algorithmic power. Haberer co-organizes major conferences like the annual German Society for Media Studies' Sonic Architectures (2023) and Acoustic Intelligence (2020), and founded the electroacoustic art platform Sonische Interferenzen e.V. He chairs the Working Group Auditory Culture and Sound Studies and coordinates the Fulbright Alumni Rhine-Ruhr chapter.

Dominik HlinkaView profile

Assistant Professor

• Contemporary Painting
• Experimental Art
• Digital Art
• +4 more

Dominik Hlinka is an Assistant Professor at the Department of Painting, Academy of Fine Arts and Design in Bratislava. Working between Bratislava and Hontianske Tesáre, Slovakia, he explores intersections of painting, digital media, and conceptual frameworks through solo exhibitions across Central Europe. Education: Doctorate (2015-2021), MFA/BFA (2008-2014) from AFAD Bratislava, and exchange studies (2011-2012) at HEAD Genéve. His research focuses on contemporary painting's evolution through digital contexts, memory representation, and rural/industrial narratives. Works like Science-rural fiction (2024) and The TimeLord (2024) blend scientific metaphors with traditional media, while projects like FISSION (2023) examine structural breakdowns. Recent exhibitions reveal trends in technological memory systems and existential spatial exploration. Notable projects include AUTOCALYPSE (2021) addressing personal digital collapse and REFLECTION - REFRACTION - DIFFRACTION (2021) visualizing physics concepts. Scientific Awards : Scholarship of the Novum Foundation (2017, 2015) Rector's Award - Diploma Project (2014) Jury's Selection at XI. Triennal of Aquarelle (2013) As a member of INSTITUT INSTITUT, Hlinka's work spans oil/paraffin canvases, robotic installations, and algorithmic collaborations. His teaching involves foundational painting techniques and experimental studio practices.

Rastislav PodhorskýView profile

Associate Professor

• Visual Arts
• Contemporary Painting
• Installation Art
• +3 more

Rastislav Podhorský is an Associate Professor and Studio Manager at the Department of Painting within the Academy of Fine Arts in Bratislava . He specializes in visual arts, with a focus on contemporary painting, installation art, and cultural context. Exhibitions (2012–2025): Notable works include The Possibilities of the Palm (2025) and Elegy, As It Stands (2025), exploring themes of cultural narratives, emotional expression, and spatial dynamics. Research Trends: His practice integrates experimental painting techniques, interdisciplinary collaboration, and critical engagement with historical and contemporary art theory. Contact: Email podhorsky@vsvu.sk for inquiries.

Laura RosserView profile

Senior Lecturer

• Expanded Print Practices
• Post-digital Print
• New Materialism
• +7 more

Laura Rosser is a Senior Lecturer and 3rd Year Lead on the BA Fine Art programme at Falmouth University, where she joined in 2021. Her academic journey includes a practice-based PhD from the University of Plymouth completed in 2023, a Post Graduate Certificate in Academic Practice (2017), an MA in Contemporary Art Practice (2015), and a BA (Hons) in Fine Art from Falmouth University (1998). Dr. Rosser's research investigates the tensions between different interpretations of error—from binary digital evaluations to abstract human approaches—positioning error as both activity and subject matter. Her work bridges expanded print practices, post-digital culture, and new materialist thought, creating spaces that disrupt computational logic through what she describes as 'the misadventurous and crooked path.' Her artistic practice spans analogue and low-tech print technologies, artist books, diagramming, textual practices, installation, and live events. She draws on Katherine N. Hayles' concepts of nonconscious cognition to explore how materials like paper, ink, and printer mechanisms 'think without thinking,' challenging techno-computational logics through relational methodologies. Honors and Awards 3d3 AHRC funded doctoral studentship (2017) Two honorary mentions at the International Printmaking Triennial (2017) RK Burt Exhibition Award – solo show (2016) Neo Print Prize (2016) #1 artwork of Salon des Refusés (public vote) (2016) Arts Club Charitable Trust Award for outstanding work (2015) Gwen May Bursary (2015) Associate Membership Royal Society of Painter-Printmakers (RE) (2015) A4 Printmakers prizewinner (2012) Dr. Rosser serves as third supervisor for Cari Edmunds' PhD research on 'Diagnosis Deficit - a practice-led enquiry into Female ADHD.' Her teaching encompasses studio practice and critical studies including printmaking, post-digital print, diagramming, textual practices, writing as practice, and critical theories specifically focusing on New Materialism and the expanded field of printmaking. Her work has been exhibited internationally at prestigious venues including the Royal Academy in London, Kronika Centre for Contemporary Art in Bytom Poland, Sydney Contemporary Art Fair in Australia, Gallery of Contemporary Fine Arts Serbia in Belgrade, and Yinchuan Museum of Contemporary Art in China, demonstrating the global recognition of her practice-based research.

Katarzyna JagodzińskaView profile

Assistant Professor

• Museology
• Cultural Heritage Studies
• Contemporary Art
• +3 more

Katarzyna Jagodzińska is an Assistant Professor at the Department of Society and Cultural Heritage of Europe within the Institute of European Studies at Jagiellonian University. She holds a PhD in Art History (2012) and two master’s degrees in Art History and Journalism & Social Communication. Currently also serving as Chief Specialist at the European Heritage Institute , she has authored books like Museums and Centers of Contemporary Art in Central Europe after 1989 (2020) and Czas muzeów w Europie Środkowej (2014). Research interests focus on museology, cultural heritage, and contemporary art, particularly examining participatory museum models, adaptive reuse of industrial architecture, and socio-economic impacts of heritage. Her work explores the post-1989 museum boom in Central Europe, museum-community dynamics, and the role of cultural institutions in urban regeneration. As Project Manager for grants like Atlas muzealnej partycypacji (2020-2021), she has shaped research on cultural democratization. Recent publications analyze participatory museums, war heritage, and post-museum concepts. Her 2014 monograph provides the first comprehensive analysis of 28 contemporary art institutions in Central Europe. Articles in RIHA Journal and Zarządzanie w Kulturze examine museum expansion, third-place theory, and audience agency. Scientific Awards : Clifford and Mary Corbridge Trust Grant (UK), Group of Eight Scholarship (Australia), Ashmolean Museum Internship (UK), Embassy of Poland Internship (USA). Grants : Cultural Heritage Counts for Europe (EU), ESPON HERIWELL (2020-2022), Phenomenon of Cross-Cultural Art Museum (Australia). Editorial Roles include co-editorship of HERITO. Heritage, Culture & the Present and contributions to Art&Business and ARTeon magazines. She has lectured at Krakow Academy and participated in international conferences on museum ethics and heritage policy.

• Pollinator ecology and health
• Social behavior
• Entomology
• +2 more

Sarah Page Lawson, PhD, is an Assistant Professor in the Department of Biological Sciences at Quinnipiac University, where she has taught since 2019. She holds a BS in Biology from the University of New Mexico and a PhD in Biological Sciences (Ecology and Evolution) from Vanderbilt University. Following doctoral studies, she completed a National Science Foundation Postdoctoral Research Fellowship at the University of New Hampshire. Her research focuses on two primary domains: pollinator ecology (examining nutritional landscapes, floral resource impacts, and physiological responses in native bees) and social evolution (investigating ecological predictors of social behavior transitions in animals). Her work integrates field studies with experimental approaches to address conservation challenges and behavioral mechanisms. Publications demonstrate strong emphasis on native pollinator systems, particularly carpenter bees ( Ceratina calcarata ), with recurring themes in conservation biology, behavioral ecology, and nutritional physiology. Recent work shows expanded focus on neuroethological mechanisms (biogenic amines) and applied conservation (pollinator garden efficacy). Awards: National Science Foundation Postdoctoral Research Fellowship (2014-2018) She mentors multiple students in independent research projects, with advised work presented at regional and national conferences including the Eastern Colleges Science Conference and Entomological Society of America meetings. Current courses include Ecology and Biodiversity, Conservation Biology, Evolution, and Introduction to Environmental Studies. Leads the Lawson Lab specializing in pollinator health and social behavior research, with active field projects including pollinator garden installations and population monitoring initiatives at Quinnipiac.

Gabriel Dorfsman-HopkinsView profile

Assistant Professor

• Arithmetic Geometry
• p-adic Analytic Geometry
• Perfectoid Spaces
• +6 more

Gabriel Dorfsman-Hopkins is an Assistant Professor in the Math, Computer Science, and Statistics Department at St. Lawrence University. They specialize in arithmetic and p-adic analytic geometry, focusing on perfectoid spaces, while also bridging mathematics with art through 3D printing, fiber arts, electronics, and interactive installations. PhD, University of Washington Postdoctoral Research, Brown University Postdoctoral Research, University of California, Berkeley Contact details: Valentine Hall 212, email gdhopkins@stlawu.edu , office hours Wednesdays 1:00 PM to 4:00 PM in the PQRC Lounge during Fall 2024 (or by appointment).

Juan DuarteView profile

Researcher

• Media Art
• Sound Studies
• Environmental Awareness
• +4 more

Juan Duarte is a Doctoral Researcher at Aalto University's School of Arts, Design and Architecture, specializing in the Department of Art and Media. His work bridges media art, sound studies, and environmental awareness through innovative technological implementations. Focuses on atmospheric processes and climate communication Recipient of multiple international art grants and residencies Developed "Augury" - a groundbreaking multichannel sound system Active in Nordic and European art networks His research explores the intersection of sound spatialization technologies with environmental consciousness, creating interactive installations that transform meteorological data into sensory experiences. Recent projects demonstrate cross-disciplinary innovation, with articles examining resonance in atmospheric contexts, embodied listening techniques, and climate data interpretation through artistic frameworks. His work has been presented at major venues including Klaipeda Culture Communication Centre and Nida Art Colony. 2024: EUR 10,000 development funding for "Augury" from Aalto Studios 2024: Culture Moves Europe mobility grant for Lithuania residency 2024: Nordic Culture Point mobility funding 2024: Frame Contemporary Art Finland travel grant 2024: Taike Finland project grant Duarte's practice combines technical innovation with ecological philosophy, creating immersive sound environments that challenge conventional understandings of atmospheric interactions and environmental stewardship.

• Art
• Media Art
• Artificial Intelligence in Art
• +8 more

Aurora Del Rio is a Doctoral Researcher at the Department of Art and Media, Aalto University, and a key member of Laura Beloff's RAT research group. Her work bridges art, media, and science through experimental and speculative practices. Current Affiliation: Department of Art and Media, Aalto University Contact: aurora.delrio@aalto.fi Research Interests Del Rio explores intersections between Art and Media Art through lenses like Artificial Intelligence , Radioactivity , and Environmental Sustainability . Her practice-based research investigates Transdisciplinary Knowledge Production and Quantum Art , often materialized in Performance Art and Video Installations . Projects like Atomic Kinship and Tree of Dawn exemplify her focus on reimagining scientific concepts through artistic frameworks. Scientific Awards Awarded 6,000 euros for Atomic Kinship video work (2023) Artist residency at Rucka (2021) Artist residency at Eskus (2022) Taike artist grant (2023) Scholarship for Tree of Dawn performance project (2022) Research Trends Del Rio's recent publications reveal a trajectory of Human-AI Collaboration , Eco-Critical Art , and Speculative Science-Art Integration . Her work interrogates materiality through Radioactive Aesthetics , Quantum Criticism , and Robotic Art Installations , while maintaining a strong focus on Transdisciplinary Methodologies and Temporal Narratives in artistic production.

• Human-Computer Interaction
• Futures Studies
• Prototyping
• +2 more

Camilo Sanchez is a Doctoral Researcher at the Department of Design, Aalto University. His work bridges Human-Computer Interaction (HCI), Futures Studies, and Prototyping, focusing on more-than-human design and anticipatory methodologies. Research Groups: Inuse Contact: camilo.sanchez@aalto.fi His research explores how uncertainty and anticipation can drive innovative design practices, particularly in speculative and critical design contexts. Recent publications highlight intersections between technology, sustainability, and non-human agency. Key publication trends include: (1) Expanding HCI into ecological and anthropocene-aware design, (2) Developing anticipatory frameworks for prototyping, (3) Critiquing digital surveillance and circular economy through wearable technology.

Thandi LoewensonView profile

Visiting Professor

• Architectural Design
• Urban Development
• Spatial Politics
• +3 more

Thandi Loewenson is a Visiting Professor at Aarhus School of Architecture (Denmark) and Graduate School of Architecture, University of Johannesburg (South Africa). She is a Researcher at EQUINET (Regional Network on Equity in Health in East and Southern Africa), co-founder of the architectural collective BREAK//LINE, and contributor to Radical Matter Research proto-Centre at the Royal College of Art. PhD in Architectural Design from The Bartlett, UCL (2019) Inaugural Black Digital South Artist in Residence at University of Johannesburg (2023) Her research focuses on urban development , spatial politics , and post-mining futures , using fiction as a design tool and participatory performance to challenge extractive agendas. Key projects include the Weird-Tender initiative with Lusaka City Council and Chunga Waste Recyclers Association. Scientific awards include: Sir Bannister Fletcher Medal, UCL Thandi collaborates with communities, policymakers, and artists, with notable outputs including policy documents, films, and the excavation of a spaceship from a city landfill. She co-curated the Race, Space & Architecture open-access curriculum and mentors research student Linn Phyllis Seeger .

Jo BarkerView profile

Lecturer

• Textile Arts
• Contemporary Art
• Tapestry Weaving
• +4 more

Jo Barker is a lecturer at The Glasgow School of Art’s School of Design, specializing in tapestry weaving and textile arts. Her practice bridges traditional techniques with contemporary explorations of color, spontaneity, and light. Key affiliations: School of Design (GSA), Scottish Gallery (Edinburgh) Research focuses on translation of drawings/paintings into yarn, color intensity, and material storytelling. Barker’s recent work includes collaborative exhibitions like Marking Time & Place (2024) and large-scale public commissions. Her tapestries have been showcased internationally in fairs such as SOFA Chicago and events like Artboom: Mid-Century, Mid-Career (2016). Scientific and Artistic Awards : Dulux Let's Colour Awards (2015) Scottish Arts Council Funding Theo Moorman Trust for Weavers Inches Carr Trust Support

Yuanmo XieView profile

Assistant Professor

• Community-focused social innovation
• Sustainable design
• Healthcare design
• +3 more

Yuanmo Xie is an Assistant Professor of Practice in Interactive Media and Business at New York University Shanghai, where she integrates architectural expertise with visual arts and social innovation to address community-centric challenges in sustainability and healthcare design. Education MA, Royal Danish Academy of Fine Arts, School of Architecture, Denmark BArch, Central Academy of Fine Arts, China Research Focus Her work centers on community-driven social innovation , particularly through sustainable lifestyle interventions and healthcare environments for vulnerable populations. Projects like Alzheimer's care design and waste management exhibitions demonstrate her applied approach to merging cultural traditions with modern societal needs, while her exploration of the gig economy reflects contemporary labor dynamics. Her architectural background informs tangible solutions for real-world problems. Publication Trends Xie's recent publications reveal a consistent trajectory toward socially engaged design, blending public art with environmental and healthcare advocacy. Her 2023 projects on Alzheimer's care and ecological awareness build upon earlier large-scale installations like the Empire State Building's Chinese New Year display (2013) and Milan Design Week exhibitions (2014), showing progressive deepening of community partnerships and cross-sector collaborations with organizations including Bottledream, WeWork, and Hilton. Professional Context As a Danish-certified architect and active social media creator, Xie bridges academic theory with public-facing creative practice. No information is available regarding student advising, research grants, laboratory affiliations, or scientific awards.

Maria HartmannView profile

Researcher

• Diaspora Studies
• Critical Migration Research
• Transnational Solidarity
• +4 more

Maria Hartmann is a Researcher at the Center for Conflict Research , Philipps University of Marburg, Germany. Her work bridges academic research, political activism, and public education, focusing on diaspora activism, dissident memory in post-migrant societies, and transnational solidarity networks. Currently, she pursues her doctorate on "Neue Allianzen? Dissidenz als geteilte Erinnerung in der postmigrantischen Gesellschaft," examining Syrian diaspora and DDR dissident movements. Key Affiliations: DFG Research Group MeDiMi (Human Rights in a Migration Society) Co-founder of MeDiMi's "Forum for Activism and Research" Alice Salomon University of Applied Sciences (collaborative teaching) Research Interests center on diaspora studies, transnational solidarity, feminist methodologies, and critical perspectives on transitional justice. She emphasizes how dissident experiences in authoritarian contexts (e.g., Syria, Iran) shape new political alliances in diaspora, challenging methodological nationalism in migration research. Her work integrates participatory research ethics and intersectional analysis to highlight marginalized voices. Recent Publications analyze: Decolonial approaches to Syrian justice Memory politics in post-conflict societies Transnational links between WANA (West Asia/North Africa) and European contexts Feminist and anti-authoritarian movements Digital and physical exhibitions as activism tools Scientific Awards: Recipient of the Hans-Böckler-Stiftung Scholarship (since 2021) for her dissertation work. Teaching & Public Engagement: Served as a lecturer at the Alice Salomon Hochschule (2021/22) and a tutor at Marburg's Center for Conflict Research (2014-2016). Organized panels, roundtables, and the student-led "Konferenz von Unten" on critical peace and conflict studies. Labs & Teams: Central to the DFG-funded MeDiMi research group and co-founder of its activist-researcher interface. Collaborates with institutions like the Rosa-Luxemburg-Stiftung and Adopt a Revolution.

Colin AndrewsView profile

Lecturer

• Art and Design
• Film and Television
• Technology and Perception
• +3 more

Colin Andrews is a Lecturer at the School of Arts and Creative Industries, Edinburgh Napier University. His practice spans video, photography, installation art, sound, and light media, with works presented in galleries, cinema screenings, commissions, and public art contexts. He employs metaphor and analogy to explore connections between past/present/future and disparate subjects through visual, narrative, and aural associations. Research focuses on perception, uncertainty, time, memory, and technology's impact on human identity Investigates technological mediation of experience through recording devices, social media, and algorithms Active in the Art and Design Research Centre and Centre for Creative Practice Research Scientific Awards Fellow of The Higher Education Academy AHRC film award finalist (Innovation category) Recipient of multiple visual arts awards International artist residency in Ingolstadt, Germany His recent publications include contributions to the Journal of Design Practice and Research , while his creative works demonstrate expertise in interactive installations, light-based art, and site-specific interventions.