Théodora PSYCHOYOUView profile
Professor
Théodora PSYCHOYOU is Professor at the Department of Music and Musicology of Sorbonne University and a permanent member of the Institute for Research in Musicology (IReMus – UMR 8223), which she directed from 2022 to 2024. She currently serves as Director of the Collegium Musicæ institute of the Sorbonne University alliance and is responsible for two Master's programs: Interpretation of Early Music - Baroque Music track, and the Franco-Italian Master's in Musicology Research in partnership with the University of Palermo. Her research focuses on the history and mechanisms of discourse on music in 17th and early 18th century France, the economy and status of musical and theoretical sources, and religious music in the 17th century, particularly the works of Marc-Antoine Charpentier (1643-1704). Her specialty areas include early music (Baroque), historically informed practice, history of musical theory, music and science in the 17th and 18th centuries, religious music in the modern era, study of sources, musical ecdotics, reception of antiquity and Hellenism, and the Ancients and Moderns debate. She has organized numerous research seminars and conferences on these topics, including the Hellenism seminar and the ANR Agon project. Her recent publications demonstrate a strong focus on the intersection of music with science, philosophy, and cultural history from the 17th century to contemporary times. She has made significant contributions to understanding the reception of ancient musical thought in modern contexts, the relationship between music and scientific developments, and the cultural significance of musical practices across different historical periods and geographical contexts. Her work spans historical musicology, theoretical approaches, and contemporary applications. Mention spéciale du Prix des Muses 2010 Prix des Muses 2007 dans la catégorie ouvrage collectif As an academic leader, she has directed major research initiatives including the Hellenism seminar, ANR Agon project, and Baroque XXI Praxis. She serves as Vice President of the International Musicological Society (2022-2027) and has held significant administrative roles including Director of IReMus (2022-2024) and Director of Collegium Musicæ (2023-present). Her collaborative work extends to international partnerships, particularly with Greek institutions, reflecting her interest in Hellenism and Mediterranean musical cultures. Her laboratory work focuses on critical musical editions, performance practices, history of musical theories, historiography, gender studies in music, music and religion, iconography, organology, and aesthetics. She leads research teams investigating the intersection of music with other disciplines, particularly through the Collegium Musicæ which connects music with sciences.







