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Andrew Lynch serves as Professor and Associate Dean for Program Development in the Department of Modern Languages & Literatures within the College of Arts and Sciences at the University of Miami. His academic leadership extends beyond teaching responsibilities to include significant administrative contributions to program development across the institution. Lynch's research interests center on sociolinguistics with particular focus on Spanish language dynamics in Miami, heritage language socialization, bilingualism, and language ideology. His work examines how language functions within specific social contexts, especially in workplace environments where Spanish heritage speakers navigate linguistic demands. He investigates the complex interplay between language, identity, and social structures in postmodern urban settings, with special attention to the Cuban diaspora experience in South Florida. His publication record reveals consistent scholarly engagement with heritage language education, Spanish language variation, and the sociolinguistic landscape of global cities. Lynch's research demonstrates how language practices in Miami reflect broader patterns of linguistic adaptation and resistance within diasporic communities. His work often addresses the tension between linguistic heritage and social integration, examining how language ideologies shape educational practices and community identity. Lynch's scholarly contributions span multiple formats, including single-authored books, co-authored publications, handbook chapters, and journal articles in both English and Spanish. His work frequently appears in high-impact sociolinguistics and language education journals, reflecting his interdisciplinary approach that bridges theoretical linguistics with practical educational implications.

• Sociolinguistics
• Heritage Languages
• Spanish Language
• +7 more

Barbara Fuchs is a Professor in the Department of English at the University of California, Los Angeles, specializing in early modern European literature across Spanish, English, French, and Italian traditions from the 15th to 17th centuries. Her work emphasizes transnational contexts, theater and performance studies, and cultural production within imperial frameworks, with significant contributions to Mediterranean and transatlantic studies. Education Ph.D. in Comparative Literature, Stanford University (1997) B.A./M.A. in Comparative Literature (English, French, Spanish), summa cum laude, Yale University (1992) Research Interests Professor Fuchs' scholarship centers on transnationalism in early modern literature, examining how theater and performance negotiated imperial identities across Mediterranean and transatlantic contexts. Her work critically engages with race and religion in the early modern world, picaresque traditions, and Cervantes studies, revealing how cultural encounters shaped literary production. She bridges historical analysis with contemporary relevance through public humanities initiatives focused on classical Hispanic theater. Publication Trends Her recent publications demonstrate interdisciplinary innovation, merging literary analysis with performance studies and material culture. Recurring themes include transnational exchange mechanisms, racial formation processes, and textual materiality, while recent work addresses pandemic-era digital performance and modern adaptations of classical works. This trajectory highlights her commitment to connecting historical scholarship with current social and artistic practices. Scientific Awards Premio Ñ from the Instituto Cervantes (inaugural award) for promotion of Spanish language and culture Advising and Leadership Professor Fuchs mentors undergraduate and graduate students in early modern studies, translation, and performance. She leads the UCLA "Diversifying the Classics" initiative and LA Escena festival, securing institutional support for these collaborative projects. Her editorial leadership includes serving as articles editor for Renaissance Quarterly and co-editing the Norton Anthology of World Literature , demonstrating field-wide influence. Projects and Teams She directs the "Diversifying the Classics" initiative, which collaborates with theater professionals to adapt Hispanic classical works for contemporary Los Angeles audiences, and founded LA Escena—the biennial festival of Hispanic classical theater. These projects unite scholars, artists, and communities to explore historical texts through modern performance lenses, emphasizing accessibility and cultural relevance.

• Early Modern Literature
• Transnationalism
• Theater and Performance
• +7 more

Gustavo Verdesio serves as an Associate Professor of Spanish within the Department of Romance Languages & Literatures at the University of Michigan. He maintains significant interdisciplinary affiliations as a faculty member of the Program in Native American Studies and as a Faculty Associate for Latina/o Studies. His academic credentials include: Ph.D. in Hispanic Studies or Latin American Studies from Northwestern University (1992) Verdesio's research critically engages with Colonial Studies, Native American Studies, and Material Culture, focusing on Indigenous materialities in Uruguayan history. His current project examines the re-emergence of Indigenous groups previously declared extinct in Uruguay and non-Indigenous responses to Indigenous bodies within settler colonial structures. He investigates objects, agricultural practices, monumentality, and the political implications of Indigenous bodily recognition. Analysis of his 2018-2021 publications reveals consistent thematic focus on settler colonialism in Latin America, Indigenous rights frameworks, and decolonial approaches to archaeology and historical knowledge, with concentrated attention on Southern Cone nations including Uruguay and Argentina. Scientific Awards: No awards, fellowships, or medals were documented in available materials No information regarding graduate student advising, dissertation supervision, or specific research grants was provided in the source documentation. His academic activities appear centered on independent research and interdisciplinary collaboration rather than directed mentorship or externally funded projects as described. The available texts contain no references to laboratories, research centers, or formal collaborative teams associated with Professor Verdesio's work.

• Native American Studies
• Colonial Studies
• Material Culture
• +4 more

Agnes Lugo-Ortiz serves as Associate Professor of Latin American Literature in the Department of Romance Languages and Literatures at the University of Chicago's Division of the Humanities. Her scholarly profile centers on nineteenth-century Latin American literatures and Caribbean cultural histories within transatlantic frameworks of modernity, with particular emphasis on slavery, visual culture, and archival epistemology. Her educational foundation includes a PhD from Princeton University (1990), followed by teaching appointments at Northwestern University and Dartmouth College before her tenure at Chicago. Her research trajectory examines cultural politics through lenses of national identity formation, anti-colonial projects, and diasporic community reconfigurations, notably through decades of affiliation with the Recovering the U.S. Hispanic Literary Heritage Project. Lugo-Ortiz's current book project "The Plantation Gaze: Slavery and Visual Culture in Colonial Cuba (1727–1886)" interrogates the imbrication of visual culture with plantation slavery, analyzing diverse artifacts from religious performances to medical treatises. Her co-edited volume "Slave Portraiture in the Atlantic World" and co-founding of the Working Group on Slavery and Visual Culture (2016) demonstrate her leadership in visual studies of enslavement, recently expanded through the digital exhibit "Palimpsests: Visual Idioms of Enslavement in the Nineteenth-Century and Their Afterlives". Her scholarly impact is recognized through awards including the Latin American Studies Association Prize for Best Essay in Nineteenth-century Studies and the Premio Alejandro Tapia y Rivera. Prestigious fellowships from Ford Foundation, Mellon Foundation, Franke Institute, and Clark Art Institute have supported her research. As co-founder and co-editor of the anti-colonial digital journal "Categoría Cinco. Revista de Política y Cultura", she actively engages Puerto Rican decolonial politics. Her editorial service spans PMLA and University of New England Press publications, while advisory roles include the Recovering the US Hispanic Literary Heritage Project and Hemispheric Institute of Performance and Politics. She maintains robust institutional engagement through affiliations with Chicago's Center for Latin American Studies, Center for Gender and Sexuality Studies, and Center for Race, Politics, and Culture.

• Latin American Literature
• Caribbean Cultural Histories
• Slavery and Visual Culture
• +5 more

Jaime Rodriguez Matos is an Assistant Professor in the Department of Modern and Classical Languages and Literatures at California State University, Fresno, where he has been employed since 2018. His academic career includes prior roles as Lecturer at Fresno State (2016-2018) and Assistant Professor at the University of Michigan (2007-2016). Education: Ph.D., Spanish and Portuguese, Columbia University M.Phil., Spanish and Portuguese, Columbia University M.A., Spanish and Portuguese, Columbia University B.A., Spanish Language and Literature, University of New Hampshire Rodriguez Matos specializes in Latin American poetry, nihilism, infrapolitics, and temporal theory. His work interrogates the intersections of philosophy and literary form, particularly focusing on the deconstruction of time in works by José Lezama Lima, Eduardo Lalo, and Álvaro García Linera. Current research explores neo-revolutionary rhetoric and anarchic political thought in Latin America. His published and forthcoming articles address themes such as Lacanian critiques of hegemony, the ontologies of the present, and the formless in Caribbean politics. Rodriguez Matos has presented at international conferences including the Latin American Studies Association and the University of California, Irvine Humanities Commons cluster. Selected Publications: Writing of the Formless: José Lezama Lima and the End of Time (Fordham University Press, 2017)

• Latin American Literature
• Comparative Literature
• Nihilism
• +5 more

Ayendy Bonifacio is a Dominican American scholar, writer, and poet currently serving as Assistant Professor of English at the University of Toledo's College of Arts and Letters. Born in Santiago De Los Caballeros, Dominican Republic, and raised in East New York, Brooklyn, he earned his Ph.D. from Ohio State University and has established himself as a significant voice in American literature, Latine studies, and diaspora studies. His research focuses on the intersections of memory, migration, race, and colonial legacies in the Americas, with particular attention to nineteenth-century to contemporary print culture. Bonifacio's scholarly work bridges academic and public discourse, appearing in venues ranging from American Periodicals and ASAP/Journal to The New York Times and Slate . He explores how literary forms negotiate cultural identity across borders, with special emphasis on Dominican and Latinx experiences. Bonifacio's publications reveal a consistent trajectory examining transnational literary connections, particularly between Anglophone and Hispanophone traditions. His work frequently addresses anti-Blackness within Latinx communities, diasporic identity formation, and the material history of print culture. The 2024 monograph Paratextuality in Anglophone and Hispanophone Poems in the U.S. Press, 1855–1901 represents a significant contribution to understanding how multilingual poetry circulated in nineteenth-century American periodicals. Top ten best non-fiction books of 2017 (The Latino Author for Dique Dominican ) Bonifacio's writing has received support from prestigious organizations including the National Endowment for the Humanities (NEH), the Digital Media and Composition Institute (DMAC), the Ohio Arts Council, and the Society for Nineteenth-Century Americanists. His creative work spans multiple genres, including the memoir Dique Dominican (2017), poetry collection To the River, We Are Migrants (2020), and the forthcoming novel Bless Me, Papi (2025). He maintains an active presence in public intellectual discourse through contributions to major media outlets where he addresses contemporary issues of race, immigration, and academic labor.

• American Literature
• Latine Studies
• Diaspora Studies
• +7 more

Dr. Roseli Rojo is an Assistant Professor at the State University of New York at Oswego in the Department of Modern Languages and Literatures, specializing in Caribbean Studies and Spanish. Her research examines the agency of women and Afro-descendants in colonial Latin America and the Spanish Caribbean, with a focus on historical narratives, cultural production, and intersectional analysis. Education: Ph.D. in Spanish Literature and Culture, Rutgers University (2021); M.A. in Latin American Studies, National Autonomous University of Mexico (2016); B.A. in Hispanic and Classical Literature, University of Havana (2013) Her scholarly work spans colonial Havana urbanization, gendered representations in Caribbean literature, and environmental intersections with race and power. Recent publications analyze topics like 19th-century Cuban railroads, hysteria as a culture-bound syndrome, and Afro-Caribbean resilience narratives. Dr. Rojo’s research has earned recognition through fellowships such as the PRODiG Postdoctoral Fellowship (2022-2024) and the Goizueta Foundation Graduate Fellowship (2018). She has contributed to journals like Hispanic Review , Latin American Theatre Review , and Decimonónica , alongside book chapters published by Routledge and Hypermedia Press. Professional Experience: Assistant Professor at Jacksonville State University (2021-2022), Instructor at Rutgers University (2016-2021), Assistant Professor at University of Arts, Cuba (2013-2014)

• Caribbean Studies
• Colonial Literature
• Gender and Race Studies
• +4 more

Dr. George Cole is an Associate Professor of Spanish at Texas Tech University's Classical & Modern Languages & Literatures (CMLL) Department. He specializes in Hispanic Caribbean literature and culture (Cuba and Puerto Rico), Afro-Caribbean religious practices, and Hispanic speculative genres like fantasy, horror, and science fiction. His work bridges literature, theater, and cultural anthropology, with a focus on Yoruba religious traditions and their representation in art. Education: B.A. in French Language and Literature, University of Puerto Rico M.A., Washington State University Ph.D., Arizona State University (2005) Research Interests: Dr. Cole explores Afro-Cuban cultural identity, Latin American drama and poetry, and transgressive genres such as detective fiction and graphic novels. His recent projects examine intersections between supernatural elements and criminal narratives. He also investigates the role of Santería in Cuban cinema and literature. Awards: Nominated for AriZoni Theatre Award (Best Supporting Actor, 2002 & 2004) Three-time 'Outstanding Faculty Member' recognition from Texas Tech's College of Arts & Sciences (2005–2007) Leadership & Service: Dr. Cole has served as Director of Spanish and Portuguese Graduate Studies (2018–2025), Interim Director (2022), and Co-Director of the Hispanic Studies Collection. He also holds editorial roles at Dura and Revista Temas Americanistas . Creative Works: His poetry collections Círculos concéntricos (2014) and Hojas sueltas (2015), and the cyberpunk noir short story collection Cadáveres en la oscura ciudad y otros relatos (2023) showcase his narrative versatility. He has authored plays like La indocumentada (2008) and directed six theater productions at Texas Tech.

• Hispanic Caribbean Literature and Culture
• Afro-Caribbean Religious Practices
• Hispanic Fantasy, Horror, and Science Fiction
• +7 more

Gustavo Faverón Patriau is Professor and Chair of the Department of Romance Languages and Literatures at Bowdoin College, with affiliations in Latin American, Caribbean, and Latinx Studies and Hispanic Studies. He holds a PhD from Cornell University and has held visiting positions at Stanford University, Middlebury College, and Universidad Cayetano Heredia. His academic work centers on Latin American contemporary literature and political history, with a focus on the limits of visual and linguistic representation, the portrayal of mental illness in narrative, and the writings of Jorge Luis Borges. His research spans literary theory, cultural criticism, and journalistic inquiry, often bridging scholarly and public intellectual spheres. His recent publications reveal a consistent engagement with themes of abjection, memory, trauma, and the philosophical dimensions of narrative. He frequently analyzes canonical and marginal texts through interdisciplinary lenses, drawing on philosophy, visual culture, and historiography. His scholarship often intersects with his creative work, which includes novels and editorial projects that explore similar intellectual terrain. Among his scientific awards and recognitions are being a finalist for the III Vargas Llosa Biennial Novel Prize, receiving accolades from Letras Corsarias and Rockdelux, and being recognized by the Spanish newspaper ABC for his blog Puente Aéreo as one of the most influential in the Hispanic world. He has served on the board of Diacritics , directed literary journals such as Dissidences , La Vaca Multicolor , Somos , and Visto & Bueno , and co-edited major volumes like Bolaño salvaje and Toda la sangre . He regularly presents at international literary festivals and academic conferences, and has conducted numerous interviews and media appearances across Latin America and Europe. His creative and scholarly work has been translated into ten languages, underscoring his transnational impact. He continues to publish prolifically in both academic and literary venues, maintaining a dynamic presence in contemporary Hispanic intellectual life.

• Latin American Literature
• Contemporary Literature
• Political History
• +12 more

Lanie Millar is an Associate Professor of Spanish and Portuguese in the School of Global Studies and Languages at the University of Oregon, with affiliations across multiple academic units including African Studies, Black Studies, Comparative Literature, IRES, Portuguese, and Romance Languages. She teaches courses in Spanish and Portuguese literature with a focus on the Global South, Caribbean, Latin American, and African contexts. Her educational background includes: Ph.D. in Comparative Literature, The University of Texas at Austin (2011) M.A. in Spanish, Middlebury College (2003) B.A. in English and Spanish, Baylor University (2002) Millar is a comparative scholar of the Global South working in Spanish and Portuguese, with particular expertise in the Luso-African-Brazilian world and the Caribbean. Her research focuses on South-South comparison and transnational solidarity networks, drawing from literary and cultural studies, postcolonial studies, and theories of racialization. She has made significant contributions to understanding the poetics of disappointment in Cuban and Angolan narratives after the Cold War, as well as examining feminist solidarities and revolutionary masculinities in cultural memories of African empires. Her work demonstrates how literature from the Global South creates new formal and affective relationships to histories of revolution, decolonization, and racialization. Millar's scholarly output reveals consistent engagement with revolutionary narratives across the South Atlantic, particularly examining connections between Cuba, Angola, Brazil, and Mozambique. Her work increasingly focuses on gender dimensions within postcolonial contexts while maintaining a strong emphasis on literary form as political expression. The trajectory of her publications shows a deepening exploration of transnational solidarity networks and the cultural dimensions of decolonization movements across the Global South. Millar has received research support from prestigious institutions including the Kluge Center at the U.S. Library of Congress and the Luso-American Development Foundation/Arquivo Nacional Torre do Tombo in Lisbon, Portugal. Her 2024 translation of Mário Pinto de Andrade's works represents a significant contribution to making foundational African decolonization thought accessible to English-speaking audiences. As an educator, Millar teaches a diverse range of courses including Caribbean Crossings, Theorizing the Plantation, Runaways Rebellions and Revolutions in the Black Atlantic, and Afro-Latin American Literature. Her teaching portfolio demonstrates a commitment to interdisciplinary approaches that connect literary studies with broader questions of race, empire, and decolonization. She has developed specialized courses examining Hispanic cultures through literature, narrative techniques, and the Chinese diaspora in Latin America, reflecting her broad scholarly interests and multilingual capabilities in Spanish and Portuguese.

• 20th-21st Century Caribbean Literature
• Latin American Literature
• African Literature
• +8 more

Marylyn D Ritchie, PhD, is the Edward Rose, M.D. and Elizabeth Kirk Rose, M.D. Professor at the Perelman School of Medicine, University of Pennsylvania. She concurrently serves as Director of the Institute for Biomedical Informatics, Vice President for Research Informatics for the University of Pennsylvania Health System, Director of the Division of Informatics in the Department of Biostatistics, Epidemiology, and Informatics, and Vice Dean of Artificial Intelligence and Computing. Education: BS in Biology, University of Pittsburgh at Johnstown, 1999 MS in Applied Statistics, Vanderbilt University, 2002 PhD in Statistical Genetics, Vanderbilt University, 2004 Research Interests Dr Ritchie’s work integrates computational genomics , bioinformatics , pharmacogenomics , and systems genomics to advance precision medicine. She develops statistical and machine-learning approaches to dissect epistasis , genetic epidemiology , and evolutionary computation in large-scale biobanks, with a special focus on cardiovascular disease and Alzheimer’s disease . Her group is also pioneering translational informatics methods that incorporate social determinants of health and fairness metrics into AI-driven clinical decision support. Publication Trends In 2025 alone, Dr Ritchie co-authored more than fifteen high-impact studies spanning vision-language models for 3D CT , multi-omics Alzheimer’s risk prediction , fairness in neuroimaging AI , ancestry-specific pharmacogenomics , and cloud-based polygenic risk score platforms . The collective work highlights a shift from single-omics discovery to integrative, equitable, and clinically actionable models across diverse ancestries. Awards & Honors While specific named awards were not detailed in the text, Dr Ritchie’s endowed professorship and multi-institutional leadership roles signify sustained recognition. Grants & Advising Dr Ritchie leads large NIH, foundation, and industry-funded initiatives that support interdisciplinary teams of postdocs, graduate students, and data scientists. Her lab actively mentors trainees from UPenn’s Cell and Molecular Biology and Genomics and Computational Biology graduate groups. Laboratories & Teams She directs the Ritchie Lab (ritchielab.org), which develops open-source visualization tools such as PhenoGram , PheWAS-View , and Synthesis-View for genome-wide and phenome-wide data exploration. The lab operates within the Institute for Biomedical Informatics and collaborates closely with the Penn Medicine BioBank and multiple clinical departments to translate big-data discoveries into precision medicine workflows.

• Computational Genomics
• Bioinformatics
• Pharmacogenomics
• +8 more

Professor Yolanda Martinez-San Miguel is a Marta S. Weeks Chair in Latin American Studies at the University of Miami 's College of Arts and Sciences , Department of Modern Languages and Literatures . She is an internationally recognized scholar in Colonial Latin American and Caribbean studies, with a focus on postcolonial theory, gender, sexuality, and migration. Ph.D., University of California at Berkeley (1996) M.A., University of California at Berkeley (1991) B.A., University of Puerto Rico, Summa cum Laude (1989) Her research interrogates colonial discourses, archipelagic methodologies, and decolonial frameworks across Caribbean and Latin American contexts. Recent projects include a book on comparative archipelagic studies from 1498-2010. She has co-edited anthologies on trans studies , critical Caribbean thought , and colonial Latin American archives . Scholarly awards include the Henry Rutgers Term Professorship in Hispanic and Latin@ Studies and a Postdoctoral Fellowship in Critical Caribbean Studies (2014-2015). Her teaching emphasizes comparative colonialities , queer Caribbean , and decolonial research methods . Decolonial Caribbean (2025) Queer Archipelagic (2024) Transatlantic Colonial Critique (2023)

• Colonial Latin American Studies
• Caribbean Studies
• Postcolonial and Decolonial Theory
• +4 more

Matthew Joseph Pettway is an Assistant Professor in the Department of Modern and Classical Languages and Literature at the University of South Alabama. He holds a Ph.D. in Hispanic Cultural Studies (2010) and M.A. (2001) from Michigan State University, and a B.A. (1999) from Eastern Michigan University in Business Spanish and Media Production. Education: Ph.D. in Hispanic Cultural Studies, Michigan State University (2010) M.A. in Spanish and Latin American Literatures, Michigan State University (2001) B.A. in Business Spanish and Media Production, Eastern Michigan University (1999) His research focuses on African-Cuban Studies , Afro-Caribbean Spirituality in Literature , and Critical Race Studies . He has published extensively in peer-reviewed journals like PALARA , Zora Neale Hurston Forum , and Afro-Hispanic Review , with recent work on Afro-Brazilian kinship and Cuban ethnographic interviews. Key publications include studies on Juan Francisco Manzano's poetry, Afro-Cuban ritual poetics, and comparative analyses of Caribbean literature. His forthcoming work explores Third-Gender Identity in Medieval Portugal and Afro-Cuban spirituality in Latinx literatures. Scientific Awards: Langston Hughes Visiting Professorship Pettway has taught at multiple institutions including College of Charleston and University of Kansas, offering courses on racial politics, African-based spirituality, and advanced Spanish literature. His teaching spans from 2007 to present, including team-taught courses on Cuban culture.

• African-Cuban Studies
• Afro-Caribbean Spirituality in Literature
• Black Cuban Colonial Narrative and Poetry
• +3 more

Cristina Ortiz Ceberio serves as a Professor in the Department of Humanistic Studies within the College of Arts, Humanities and Social Sciences at the University of Wisconsin-Green Bay. Her academic profile spans interdisciplinary teaching in contemporary culture, Spanish language instruction, and Spanish-language literature courses. Her educational foundation includes: Bachelor's Degree in Humanities from the University of the Basque Country (San Sebastián) PhD in Romance Languages and Literatures from the University of Cincinnati (Ohio, USA) Ortiz Ceberio's research centers on gender dynamics in Hispanic contexts with specialized focus on Basque cultural production. She examines artistic representations of violence through feminist lenses, particularly analyzing how Basque women process political conflict through literature and cinema. Her scholarly work bridges literary criticism, film studies, and critical theory while maintaining strong regional expertise in Iberian and Latin American cultural studies. Analysis of her publication trajectory reveals persistent engagement with memory politics, gendered violence, and cultural identity across diverse media forms. Her work consistently connects historical contexts with contemporary socio-political issues, demonstrating methodological versatility through analyses of diaries, films, literary texts, and cultural spaces like the Basque pelota court. Scientific awards: No awards documented in source materials Regarding academic mentoring and research funding, available documentation provides no specifics about graduate students or grant-supported projects. Her professional activities appear centered on independent scholarship and classroom instruction within the humanities curriculum. No institutional research facilities, laboratories, or collaborative teams were referenced in the source documentation.

• Gender Studies
• Basque Studies
• Spanish Literature
• +3 more

Carmen Lamas is an Associate Professor at the University of Virginia, jointly appointed to the Department of English and the Department of American Studies. Her work bridges Latinx literary traditions with hemispheric American and Latin American studies, focusing on 19th-century to contemporary scholarship. PhD, University of Pennsylvania M.A., Georgetown University B.S./B.A., Florida State University Lamas specializes in Latinx literary cultures, translation practices, and historiography of the Americas. Her research interrogates the intersections of race, migration, and transnational identity through 19th-century texts, digital humanities projects, and collaborative editorial work. Her recent publications highlight the enduring relevance of 19th-century Latinx literature, emphasizing translation as both a creative and political act. Themes include hemispheric transformations, Afro-Latinx representation, and archival recovery of marginalized voices. LASA 2022 Latinx Studies Book Award MLA 2023 Book Prize All-University Teaching Award, 2022 Buckner W. Clay Award, 2021 Henry Luce Project Course Development Award, 2018 As co-founder of the Latina/o Studies Association and editor of Pasados , Lamas champions interdisciplinary collaboration. She has presented widely, including plenary addresses at MACLAS and the MLA Conference, and serves on editorial boards like J19 and Recovering the US Hispanic Literary Heritage .

• Latinx Literary Cultures
• Hemispheric American Studies
• Latin American Studies
• +4 more