Find Academic Supervisors

• Cinematography
• Photography
• Film Production
• +3 more

Maciej Błoński is a Polish cinematographer and lecturer at The Leon Schiller National Film School in Łódź. Born on February 6, 1973 in Łódź, he graduated from the Cinematography Department of the National Film School in Łódź in 1998. His educational background includes: 1998: Graduated from Cinematography Department, The Leon Schiller National Film School in Łódź Błoński is a professional photographer and film/television cinematographer specializing in creating still images for television theater productions and commercials. His work demonstrates expertise in visual storytelling and technical aspects of cinematography. He has contributed to numerous film and television projects, working both as a still photographer and camera operator across various formats including feature films, documentaries, and television series. As a lecturer at The Leon Schiller National Film School in Łódź, Błoński shares his professional experience with the next generation of filmmakers, focusing on practical aspects of cinematography and photography. His teaching bridges professional practice with academic instruction in film production. Błoński's career spans from the late 1990s through 2008, with documented work on projects such as 'FAR FROM THE STRETCH' (2003-2011) as camera operator and 'KASIA AND TOMEK' television series as still photographer. His filmography demonstrates versatility across multiple production formats from student etudes to commercial television productions.

• Film Direction
• Screenwriting
• Polish Television Drama
• +3 more

Grzegorz Jaroszuk (born July 3, 1983 in Warsaw) is a film director, screenwriter, and academic lecturer at The Leon Schiller National Film School in Łódź, where he graduated from the Directing Department in 2011 and earned his PhD in Film and Theatre Arts in 2020. As a member of the European Film Academy, he has established himself as both a creative filmmaker and educator in Polish cinema. His research and creative interests focus on film direction, screenwriting techniques, Polish television drama production, and film education methodologies. Jaroszuk's work demonstrates a strong commitment to narrative development, character creation, and visual storytelling across both feature films and television productions. His approach combines technical expertise with artistic vision, particularly evident in his supervision of student film projects. Over the past five years, Jaroszuk's creative output has been remarkably diverse, spanning television series direction (including multiple episodes of popular Polish series like 'BRZYDULA 2' and 'GĄSKA'), feature film production ('FANFIK', 'BLISCY'), and significant contributions to film education through pedagogical supervision of numerous student etudes. His work shows consistent engagement with contemporary Polish society while developing distinctive cinematic language. Among his notable achievements is the feature film 'BLISCY' (2020), which received the Grand Prix at the Lublin Film Festival for its 'courage to speak in one's own voice and ability to tell about painful family matters intelligently and with a sense of humor.' His earlier short film 'OPOWIEŚCI Z CHŁODNI' (2011) won multiple international awards including the Grand Prix at the International Film and Television Schools Festival 'Mediaschool' in Łódź. As an educator, Jaroszuk has provided pedagogical care for numerous student film projects since 2021, demonstrating his commitment to nurturing the next generation of Polish filmmakers. His supervisory approach appears to emphasize creative development, technical proficiency, and narrative coherence in student productions. His ongoing projects through 2025 indicate continued active engagement in both professional filmmaking and academic instruction, maintaining a productive balance between creative practice and educational responsibilities at Poland's premier film institution.

• Documentary Filmmaking
• Film History
• Polish Cinema
• +4 more

Jakub Mikurda (also known as Kuba Mikurda) is a Polish film scholar and documentary film director affiliated with The Leon Schiller National Film School in Łódź. He serves as a faculty member providing pedagogical supervision for student film productions and has directed several award-winning documentaries exploring Polish cinematic heritage. His research interests focus on documentary filmmaking, Polish cinema history, film restoration, dramaturgy, and cinematic narrative. Mikurda's scholarly work examines the intersection of film history and contemporary cinematic expression, with particular attention to influential Polish filmmakers like Andrzej Wajda and Walerian Borowczyk. Mikurda's filmography demonstrates consistent scholarly output with recent works including Solaris Mon Amour (2023), which received the award for best short film at the UnArchive Found Footage Fest in Rome, and Escape to the Silver Glob (2021), which received multiple nominations including at the Polish Film Awards (Orzeł). His films often blend archival research with contemporary cinematic techniques to explore Poland's rich film history. His scholarly contributions have been recognized through film festival awards including the Krzysztof Krauze Award nomination from the Polish Film Directors Guild and the Silver Scream Audience Award at the Imagine Fantastic Film Festival in Amsterdam. As an educator, Mikurda provides pedagogical supervision for student film productions at Poland's premier film school, mentoring the next generation of Polish filmmakers through hands-on guidance in documentary production, film analysis, and cinematic storytelling techniques.

• Film production management
• Location management
• Production coordination
• +3 more

Jakub Kopania is a lecturer at the Film and Television Directing Department of the National Film School in Łódź since 2021, where he also serves as the Dean's Representative for Film Production. Born on February 16, 1993, in Łódź, he graduated from the Department of Film Art Organization at the same institution in 2018. His primary areas of expertise include film production management, location scouting and management, production coordination, documentary filmmaking, and feature film production. With extensive experience across various film formats including feature films, documentaries, television series, and student etudes, Kopania has developed a comprehensive understanding of the film production process from pre-production through post-production. Over the past decade, Kopania has been involved in more than 40 film productions in various capacities. His recent work demonstrates a strong focus on both Polish and international film projects, with particular emphasis on location management and production coordination. His portfolio spans diverse genres including drama, historical films, comedy series, and documentaries, showcasing his versatility as a film production professional. Kopania's contributions to the film industry have supported emerging talent and established productions alike, with his work on student etudes providing valuable mentorship to the next generation of filmmakers while his involvement in professional productions has contributed to high-quality Polish cinema.

• Documentary Filmmaking
• Cinematography
• Artistic Photography
• +3 more

Bogdan Dziworski (born December 8, 1941) is a distinguished Polish cinematographer, artistic photographer, and documentary film director who has profoundly influenced Polish cinema for over six decades. Awarded the title of professor of film art in 2002, he has been a longstanding faculty member at the Faculty of Radio and Television at the University of Silesia in Katowice since the 1980s, where he also served as dean, shaping generations of filmmakers through his teaching and mentorship. Dziworski graduated from the Cinematography Department of the National Film, Television and Theatre School in Łódź in 1965, receiving his diploma in 1967. His academic career culminated in 2002 when he was awarded the title of professor of film art, recognizing his significant contributions to the field. Throughout his career, he has maintained strong connections with his alma mater while developing his distinctive voice in documentary filmmaking. Renowned for his ability to extract truth from reality—sometimes magical, sometimes cruel—Dziworski's work transcends conventional documentary forms. His camera is not merely a tool but a 'fully-fledged protagonist' that captures emotional depth and human essence with remarkable sensitivity. His approach to visual storytelling has been described as that of 'a painter of emotions,' with a unique ability to express through images what words cannot convey. This distinctive style has cemented his reputation as one of Poland's most important documentary filmmakers. His extensive filmography demonstrates remarkable consistency and evolution, with works spanning from the 1960s through 2025. Recent projects like 'PASSION ACCORDING TO AGNIESZKA' (2025) and 'OLD AGE IS WORSE THAN FASCISM' (2023) continue his exploration of profound human experiences, while his ongoing involvement in student etudes shows his enduring commitment to nurturing new talent. His work consistently examines the human condition through intimate, observational lenses that reveal universal truths in specific moments. Dziworski's exceptional contributions to Polish culture have been recognized with numerous prestigious awards: 2014 Special Award 'Dragon of Dragons' for lifetime achievement at the 54th Krakow Film Festival 2014 Decoration Gold Medal for Merit to Culture - Gloria Artis 2016 Prize 'Platinum Castle' from the International Documentary Film Festival 'Off Cinema' in Poznań 2016 PSC Lifetime Achievement Award 2020 Prize 'Złoty Glan' (Golden Glan) from Charlie cinema in Łódź, honoring his 'stubborn opposition to fashions and trends dominating popular culture' As an educator, Dziworski has profoundly influenced Polish cinema through his mentorship. His extensive involvement in student projects—providing 'pedagogical care' and artistic consultation for dozens of school etudes—demonstrates his commitment to nurturing the next generation of filmmakers. His legacy extends beyond his own filmography to the countless students whose work he has shaped, making him a central figure in the development of contemporary Polish documentary filmmaking.

• Film Directing
• Screenwriting
• Cinematography
• +4 more

Jan Jakub Kolski (born January 29, 1956 in Wrocław) is a distinguished Polish film director, screenwriter, cinematographer, and writer who holds the academic title of Professor of Art. He graduated from the Cinematography Department of the National Film School in Łódź in 1985 and has maintained a strong connection with the institution as both an alumnus and faculty member. Kolski earned his PhD in Film Arts in 2007 and was awarded the prestigious title of Professor of Art in 2019, recognizing his significant contributions to Polish cinema and film education. Kolski's research interests span across film directing, screenwriting, cinematography, Polish cinema, art house cinema, documentary film, and experimental film. His work consistently explores the relationship between good and evil, the human condition in contemporary society, and the creation of unique cinematic worlds filled with distinctive characters. His films are characterized by fairy-tale poetry, stark realism, warmth, gentle humor, and a constant struggle between darkness and light. Kolski has developed a distinctive visual style that blends uncompromising nature with childlike naivety, creating works that analyze Polish provinciality and cultural identity. Throughout his prolific career, Kolski has directed numerous feature films, documentaries, television series, and student film projects. His most recent works include 'STADO' (2024), 'WARIACI' (2023), and 'REPUBLIKA DZIECI' (2022), demonstrating his continued relevance and creative output in contemporary Polish cinema. His films often examine social structures, family dynamics, and the human experience through a uniquely Polish lens while maintaining universal appeal. Officer's Cross of the Order of Polonia Restituta (2011) for outstanding contributions to national culture Gold Medal 'Gloria Artis - For Merit to Culture' (2020) 'Paszport Polityki' award (1995) for originality and rediscovery of Polish provinciality Crystal Boar for outstanding achievements in film directing (2018) Numerous 'Jańcio Wodnik' awards at the National Film Festival 'Prowincjonalia' As an educator, Kolski has provided pedagogical supervision for dozens of student films at the National Film School in Łódź, mentoring the next generation of Polish filmmakers. His approach to film education emphasizes creative rebellion, technical mastery, and the development of a personal cinematic voice. Kolski is also a published author, with works including the short story collection 'Jańcio Wodnik i inne nowele' and novels 'Kulka z chleba' and 'Egzamin z oddechania', demonstrating his literary talents alongside his cinematic achievements.

• Documentary filmmaking
• Polish history (particularly March '68 events)
• Film direction
• +3 more

Maria Zmarz-Koczanowicz is a distinguished Professor of Film Arts at the National Film School in Łódź, where she has served as a lecturer at the Film and Television Directing Department and previously as deputy dean from 2008 to 2016. She is currently a member of the Program and Scientific Council of the National Film Archive – Audiovisual Institute since 2025. Her educational background spans fine arts and media studies, having graduated from the State Higher School of Fine Arts in Wrocław (1978) and the University of Silesia in Katowice (1982), before earning her PhD (2008) and habilitation (2011) in Film Arts from the National Film School in Łódź, where she was awarded the title of Professor in 2019. Zmarz-Koczanowicz specializes in documentary filmmaking with a particular focus on Polish history, especially the events of March '68, and has created an extensive body of work spanning over three decades. Her filmography demonstrates expertise in both feature-length documentaries and educational school etudes where she has provided pedagogical supervision to numerous students. Her work often explores themes of memory, historical documentation, and Polish cultural identity through a thoughtful visual approach. Her recent works show continued productivity and relevance in contemporary Polish cinema, with 2025 productions indicating her ongoing active engagement in the field. The thematic progression in her work reveals increasing sophistication in handling complex historical subjects while maintaining artistic integrity. Stanisław Wyspiański Award for achievements in directing documentary films (1988) Knight's Cross of the Order of Polonia Restituta (2013) for outstanding merits in researching, documenting and commemorating the history of March '68 "Laur Cisowy" prize (2023) at the Film-Music-Painting Festival "Summer with Muses" Multiple film festival awards including Złote Grono, Nagroda im. Aleksandra Kamińskiego, and Orzeł nomination Throughout her career, Professor Zmarz-Koczanowicz has been instrumental in mentoring successive generations of Polish filmmakers through her pedagogical supervision of numerous school etudes at the National Film School. Her work has been supported by various cultural institutions and film festivals that have recognized the significance of her contributions to Polish cinema and historical documentation. She maintains active involvement in both academic and professional film communities, continuing to influence Polish documentary filmmaking through her creative work and educational leadership.

• Film Direction
• Cinematography
• Television Series Production
• +3 more

Leszek Dawid (born March 6, 1971 in Kluczbork) is a Polish film director and academic currently serving as Dean of the National Film School in Łódź since 2024. He graduated from the Faculty of Film and Television Directing at the National Film School in Łódź in 2003 and earned his PhD in film and theatre arts from the same institution in 2024. As a member of the European Film Academy (EFA), he has established himself as a significant figure in contemporary Polish cinema. Dawid's research and creative interests focus on film direction, cinematography, television series production, documentary filmmaking, and film education. His work demonstrates a consistent engagement with narrative structure, character development, and visual storytelling techniques across various formats from feature films to television series and documentaries. His filmography shows a progression from student etudes in the late 1990s through to major feature films and television productions in the 2010s and 2020s. Notable works include 'Broad Peak' (2022), 'You Are God' (2012), and 'KI' (2011), which have received critical acclaim and numerous award nominations including Orzeł (Polish Film Award) nominations for Best Direction and Best Film. Orzeł (Polish Film Award) Nomination for Best Direction (2013) Orzeł (Polish Film Award) Nomination for Best Film (2013) Gdynia Film Festival Award for Directorial Debut (2012) Kraków International Independent Film Festival Main Award (2012) Cottbus Festival of Young Eastern European Cinema Award for Direction (2012) Throughout his career, Dawid has maintained a strong connection with film education, providing pedagogical supervision for numerous student etudes since 2003, demonstrating his commitment to nurturing the next generation of filmmakers while maintaining an active professional directing career.

• Film Production
• Set Design
• Directing
• +2 more

Grzegorz Małecki (born November 22, 1950) is a Polish set designer and lecturer at the National Film School in Łódź, where he graduated from the Directing Department in 1981. He earned his Doctor of Fine Arts degree in 2015, cementing his academic credentials in the field of cinematic arts. Małecki has maintained a dual career as both a practitioner and educator in Polish cinema. His professional work spans set design, acting, and consultation across numerous film productions including feature films, documentaries, television programs, and especially student etudes. As a lecturer, he has provided pedagogical supervision for countless student film projects throughout his tenure at the film school. His filmography demonstrates remarkable breadth and longevity, with professional activity dating back to the late 1970s and continuing through to recent works like THE M WORD (2023). Małecki's work primarily focuses on Polish cinema, with significant contributions to both artistic and educational aspects of film production. Among his notable recognitions are awards for his work on HAMADRIA , including the Award for Plastic Design at the Kraków Film Festival (1982), Third Prize 'Bronze Pegasus' at the Zakopane Art Film Review (1982), Audience Award at the Białystok Film Festival (1983), and the prestigious Andrzej Munk Award (1981). His recent work shows continued engagement with the next generation of filmmakers through student productions, while maintaining professional activity in feature films and documentaries. In 1996, a documentary was made about him titled GRZEGORZ MAŁECKI - SCENOGRAF , highlighting his significance in Polish set design.

• Film Studies
• Cinema History
• Polish Cinema
• +3 more

Michał Oleszczyk is a film historian, script consultant, translator, film critic, and academic lecturer at the Faculty of Artes Liberales at the University of Warsaw. He served as artistic director of the Gdynia Film Festival from 2013 to 2017 and is an active member of both FIPRESCI and the European Film Academy, contributing to international film discourse. Dr. Oleszczyk earned his Film Studies degree from the Institute of Audiovisual Arts at Jagiellonian University in Krakow in 2006, followed by a PhD in humanities in the field of art sciences from the Faculty of Management and Social Communication at the same university in 2012. His scholarly work bridges academic film theory with practical industry applications. Oleszczyk's expertise spans Polish cinema history, film criticism methodology, and screenwriting practices. His dual role as both academic and industry professional creates a unique perspective that enriches his teaching and research. His work as script consultant on numerous Polish film productions demonstrates his ability to translate theoretical knowledge into practical filmmaking contexts. His award-winning career reflects significant contributions to Polish film culture: Krzysztof Mętrak Award for Young Film Critics (2005) Polish Film Institute Award in Film Criticism (2012) Jan Machulski Award for lifetime achievement in Polish independent cinema (2018) Nomination for Polish Film Institute Award in Film Criticism (2022) As a lecturer at one of Poland's premier academic institutions, Oleszczyk shapes the next generation of film scholars and practitioners. His extensive experience as artistic director of the Gdynia Film Festival provides students with valuable insights into festival operations, film selection processes, and industry networking. Through his membership in FIPRESCI, Oleszczyk participates in international film criticism networks that facilitate scholarly exchange and collaborative projects across European film studies communities.

LeAnn EricksonView profile

Professor

• Documentary Film
• Historical Film
• Interactive Media
• +2 more

LeAnn Erickson serves as Professor of film and video production in the Department of Film and Media Arts at Temple University, maintaining an active career as an independent media artist and filmmaker for over 30 years. Her work bridges academic instruction with professional creative practice in documentary filmmaking and interactive media development. Her research focuses on uncovering marginalized historical narratives through documentary film, particularly examining women's contributions in technological fields and community dynamics. Erickson's creative methodology emphasizes historical accuracy combined with accessible storytelling techniques, often targeting cross-generational audiences through multi-platform approaches including broadcast media, gallery installations, and digital applications. Erickson's filmography reveals consistent thematic threads exploring hidden histories and social structures, with increasing emphasis on interactive educational formats. Her recent projects demonstrate strategic evolution from traditional documentaries toward immersive media experiences designed to engage younger demographics while preserving historical rigor, particularly evident in the transition from her 2010 WWII documentary to the 2014 interactive bookapp adaptation.

Rikke Munck PetersenView profile

Associate Professor

• Landscape Architecture
• Sensory Studies
• Film and Media Mediations
• +4 more

Rikke Munck Petersen is an Associate Professor in Landscape Architecture and Sensory Conception at the University of Copenhagen's Department of Geosciences and Natural Resource Management. She leads research in sensory landscape methodologies and co-organizes the Copenhagen Landscape Lectures series as part of the 'Landscape Architecture and Urbanism' and 'Spatial Change and Planning' research groups. Her educational background includes a PhD (2010) and Cand. Arch. (2000) from the Royal Danish Academy of Fine Arts, School of Architecture, supplemented by studies at the University of Pennsylvania (1999) and Royal Agricultural University of Denmark (1998). PhD, Royal Danish Academy of Fine Arts, School of Architecture (2010) Cand. Arch., Royal Danish Academy of Fine Arts, School of Architecture (2000) Non-degree studies, University of Pennsylvania (1999) Plant use course, Royal Agricultural University of Denmark (1998) Her research pioneers sensory analysis and filmic mediations in landscape transformation, focusing on the body's sensorium, affective experience, and performativity in climate-resilient design. Current projects include multi-sensory river valley analysis (Archive for Becomings, 2025-27) and EU Water4All's INTERLAYER project (2024-27) developing 'slow hydrology' approaches for flood/drought resilience. Her methodology integrates drone footage, film editing, and participatory processes to stimulate sensory awareness in landscape planning. Recent publications reveal strong interdisciplinary convergence between landscape architecture, film studies, and environmental science, with emphasis on affective engagement in climate adaptation. Key trends include drone-mediated sensory co-creation (2020-2024), feminist landscape historiography (2024), and emergent design methodologies for regenerative landscapes (2025). Scientific recognition includes: ICAR-CORA Prize 2011 for PhD thesis 'Landscape transformations' Vola Prize 2000 for master project Frits Schlegel Honors 2003 for early-career architecture She supervises doctoral research including Hongxia Pu's 'Filmic Scroll' (2024) on Chinese desakota landscapes and Kristen Danielle van Haeren's 'Thickness of the Green' (2020) on Danish welfare landscapes. Major grants include Danish Arts Foundation funding (75,000 DKK for Archive for Becomings), EU Water4All (3 million DKK), and Danish Research Council support (6 million DKK for Drone Imaginaries project). As director of Surroundinglab.org and editorial board member for Emotion, Space and Society, she bridges academic research with professional practice. Her studio mupLA (founded 2003) has delivered award-winning landscape projects including Roskilde Festival area planning and Bornholm harbor designs, maintaining active engagement with municipalities and architecture offices.