Find Academic Supervisors

Sarah Wilson is Professor of Modern and Contemporary Art at The Courtauld Institute of Art, University of London. She has been a faculty member since 1982 and has held leadership roles including Head of the Modern and Contemporary Section (2005-2008) and Head of Diploma programmes (2014-2015). She is internationally recognized as the English-language expert on Post-War European art and has held visiting positions at Paris-IV Sorbonne and the University of Versailles-Saint Quentin. Wilson was educated at the University of Oxford (BA English Literature) and at the Courtauld Institute of Art (MA and PhD). She was awarded the title Chevalier des Arts et des Lettres in 1997 for services to French art and culture, and received the International Association of Art Critics' Award for Distinguished Contribution to Art Criticism in 2015. She has held visiting professorships at Paris-IV Sorbonne (2002-2004), École Nationale Supérieure des Beaux-Arts (2006-2007), and University of Versailles-Saint Quentin (2012-2013). Sarah Wilson's research spans post-war and Cold War European art, contemporary global art practices, and the intersections between conceptual art, political theory, and visual culture. Her work extends from European avant-gardes to contemporary art across the former Soviet Union and Asia. She is particularly known for her expertise in French Stalinism, neo-Marxism and the arts, and conceptual art practices beyond the 'first world.' Wilson has initiated important academic programs such as the 'Global Conceptualism' MA course with Boris Groys, which connects Anglo-American conceptual art with practices from Moscow and beyond. She has also expanded her research to include modern and contemporary Asian art since 2013. Her extensive publication record shows a consistent focus on European art history with increasing engagement with global perspectives, particularly Asian contemporary art since 2013. Wilson's scholarship bridges art historical analysis with philosophical inquiry, especially regarding French theory and its visual manifestations. Her major publications include 'Paris, Capital of the Arts, 1900-1968' (2002) and 'The Visual World of French Theory: Figurations' (2010), with a second volume 'The Visual World of French Theory II: Interventions' in preparation. Chevalier des Arts et des Lettres (1997) International Association of Art Critics' Award for Distinguished Contribution to Art Criticism (2015) Marie Curie Actions – RBUCE-UP, Chaire d'excellence, Université de Versailles-Saint Quentin (2012-2013) Professor Wilson has supervised 36 PhD students to completion and over 230 MA dissertations, creating what she describes as 'a unique English-language archive in the field of post-1945 European and global art history.' Her former students now hold prominent positions in major institutions worldwide including Tate, the British Museum, Design Museum, Scottish National Gallery of Modern Art, British Council, Centre Georges Pompidou, Kunsthalle Bremen, and universities across Europe and North America. She has received significant research funding including a Marie Curie Actions grant for her project 'Globalisation before globalisation: avant-gardes, academies, revolutions.' Wilson is actively involved with the Courtauld alumni's former East Wing Collection (now VS1, Vernon Square) and has contributed to the Research Forum's programmes. She has curated numerous exhibitions including the 'Global Conceptualism'-related projects and served on the curatorial team of the 1st Asian Biennale (China-Guangzhou) in 2014. Her commitment to women artists has led to early exhibitions of artists like Zofia Kulik and Alina Szapocznikow before their international prominence. She is involved with CCRAC (Cambridge-Courtauld Russian Art Centre), Calvert 22, and Pushkin House in London, reaching out to Russia and Eastern Europe.

• Post-war European art
• Cold War art
• Contemporary global art
• +7 more

Razan AlSalah is a Lecturer in Communication Studies at Concordia University, based in Tio'tia:ke/Montreal. She is a Palestinian artist and teacher co-directing the Feminist Media Studio with Krista Lynes, focusing on the material aesthetics of dis/appearance of places and people in colonial image worlds. Her research intersects film, media arts, and postcolonial critique, examining how colonial histories shape visual cultures. She has exhibited internationally at festivals and galleries including Art of the Real, Prismatic Ground, Sharjah Film Forum, and Sursock Museum. Razan is actively involved in academic leadership as co-director of the Feminist Media Studio, a platform for feminist research-creation in media arts.

• Film Studies
• Media Arts
• Visual Culture
• +3 more

Vazira Fazila-Yacoobali Zamindar serves as Associate Professor of History at Brown University, specializing in modern South Asia, decolonization, and visual archives. Her interdisciplinary work bridges historical scholarship with contemporary art and public engagement, notably through her acclaimed book The Long Partition and the Making of Modern South Asia (2007). Her educational background includes a PhD from Columbia University (2003), MA from the University of Michigan Ann Arbor (1997), and BA from Wellesley College (1992). As Director of Brown's South Asian Studies Program (2012-2016), she co-organized the Brown-Harvard Pakistani Film Festivals and founded the Theory from the South reading group. Zamindar's research critically examines decolonization, displacement, and statelessness through visual and oral histories. Current projects include a graphic novel collaboration with Sarnath Banerjee on Gandhi and Abdul Ghaffar Khan (supported by the Salomon Research Grant) and the Anticolonial solo exhibition at Karachi's Canvas Gallery (2023), exploring anticolonial resistance on the Indo-Afghan border. Her publications reveal evolving interdisciplinary trends: early works focus on Partition refugees and borders, while recent scholarship (2020-2023) emphasizes repair, statelessness architectures, and secularism in South Asian art. Recurring themes include border politics, visual culture, and decolonial methodologies across historical and contemporary contexts. Scientific recognition includes: National Endowment for the Humanities Fellowship (2009-10) Fulbright Research Scholar (2008-9) Richard B. Salomon Faculty Research Award (2022-23) Visiting Fellow at FU Berlin's Center for Affective Societies (2020-21) She actively engages public scholarship through collaborations with Primary Source, RISD Museum, Lahore Museum, and media appearances on BBC Radio's Museum of Lost Objects . Her teaching portfolio includes courses like Resisting Empire: Gandhi and the Making of Modern South Asia and Art History from the South , reflecting commitment to decolonial pedagogy. Zamindar co-leads the Decolonial Initiative on Migration of Objects and People and continues developing her graphic novel project while expanding the Art History from the South series through collaborations with scholars like Tapati Guha-Thakurta.

• Anti-colonialism
• borders
• contemporary art
• +7 more

Abdon Pena-Francesch is an Assistant Professor in the Department of Materials Science and Engineering at the University of Michigan. He is also affiliated with the Macromolecular Science and Engineering Program, Chemical Engineering, and the Michigan Robotics Institute. His interdisciplinary research integrates biomaterials science, polymer chemistry, soft matter physics, and nanotechnology to develop programmable soft materials for applications in healthcare, robotics, and environmental science. Education: Ph.D. in Engineering Science and Mechanics, The Pennsylvania State University, 2017 M.Sc. in Chemical Engineering, Institut Químic de Sarrià (Barcelona, Spain), 2013 B.Sc. in Mechanical Engineering, Institut Químic de Sarrià (Barcelona, Spain), 2011 Research Interests: His work focuses on bioinspired materials , soft robotics , self-healing polymers , and biodegradable microrobots . By engineering molecular and nanoscale structures, his lab designs materials with programmable properties for soft robotic systems and biomedical devices. The group emphasizes both fundamental science and translational applications, including tissue repair, actuation, and environmental sensing. Awards and Honors: Humboldt Research Fellowship for Postdoctoral Researchers (2018–2020) Alumni Association Dissertation Award, Penn State University (2017) Rustum and Della Roy Innovation in Materials Research Award (2016) Materials Research Society Graduate Student Award (2016) First Prize, Penn State ESM Graduate Research Symposium (2015) AGAUR MOBINT Fellowship, Government of Catalunya (2012) Labs and Affiliations: He leads the Bioinspired Materials Lab , an interdisciplinary group within the University of Michigan’s Materials Science & Engineering Department. The lab collaborates with the Macromolecular Science & Engineering Program, Chemical Engineering, and the Michigan Robotics Institute.

• Biomaterials science
• Polymer chemistry
• Soft matter physics
• +5 more

Lynda Jessup is Professor of Screen Cultures and Curatorial Studies in Film and Media at Queen's University's Faculty of Arts & Science. She currently serves as Vice Dean (2021-present), overseeing faculty relations across 30 departments, after previously holding Associate Dean (2014-2021) and Director of Cultural Studies (2009-2014) positions. Her research interrogates visual culture through exhibitions, museums, and art historiography, focusing on Canadian and Indigenous North American contexts within Western valuation systems. She critically examines "the national" as a category of cultural authority, with recent expansion into cultural diplomacy exploring art exhibitions' role in Canadian foreign policy. As Director of the North American Cultural Diplomacy Initiative (NACDI), she leads an international network connecting cultural practitioners with diplomacy scholars. Analysis of her publication trends reveals deep integration of art history with diplomatic studies, particularly through state-sponsored Canadian art exhibitions as instruments of international relations. Her collaborative work consistently bridges academic research and policy impact, with growing emphasis on decolonization, trust-building, and critical approaches to cultural exchange in global contexts. Dr. Jessup's scientific recognition includes: Universities Art Association of Canada Recognition Award (2018) Fulbright Scholar at Rockefeller Archive Center (2010–11) Queen’s University Graduate Supervision Excellence Award (2009) Queen’s University Teaching Excellence Award (1998) Massey College Visiting Scholarship (2019-20) National Gallery of Canada Research Fellowships (2002-03, 1994-95) Her funded research demonstrates sustained leadership in cultural diplomacy, including a SSHRC Partnership Development Grant (2019-25) for "The Cultural Relations Approach to Diplomacy" and MITACS Accelerate funding for Toronto's city diplomacy work. Major grants consistently address intersections of cultural policy, international relations, and visual representation through collaborative frameworks. Through NACDI, Jessup directs an international research network producing policy-shaping outputs like the "Cultural Diplomacy as Critical Practice" report series, fostering practitioner-scholar dialogue on decolonization and trust-building in global cultural relations.

• Visual Culture
• Art History
• Cultural Diplomacy
• +5 more

Oreet Ashery is Professor of Contemporary Art at the Ruskin School of Art, University of Oxford, where she serves as Director of the MFA programme and Director of Studies in Fine Art at Exeter College. A visual artist whose practice navigates both institutional and grassroots contexts, Ashery's work engages with bodies, worldbuilding, autoethnography, gender and technology through multiplatform projects spanning video, 2D image-making, performance and assemblage. Her research focuses on the intersection of digital culture and mortality, speculative fiction, and gender politics. Characterized by the use of speculative fiction and humor, her work often occupies utopian, discursive and incongruous spaces. She has developed significant projects exploring digital death, grief, and the politics of representation, particularly through her award-winning web-series Revisiting Genesis and her film Dying Under Your Eyes which documents her father's passing. Her practice bridges academic research and public engagement through projects like Death Cafés that bring conversations about mortality into community spaces. Ashery's artistic output shows a consistent trajectory from early performance works exploring identity and cultural politics to more recent projects examining digital legacy and mortality. Her work increasingly engages with medical humanities and the representation of illness, as evidenced by the Wellcome Collection-commissioned Misbehaving Bodies: Jo Spence & Oreet Ashery exhibition (2019-2020) which examined illness representation through collaborative work with the late photographer Jo Spence. Oxford- UdK Berlin Award (2022) Turner Prize Bursary (2020) 10th Jarman Film Award (2017) As a supervisor, Ashery guides doctoral students working at the intersections of performance, visual art, and critical theory. She has secured significant commissions from institutions including KW Institute for Contemporary Art, Wellcome Collection, and Stanley Picker Gallery. Her leadership of the MFA program at the Ruskin School of Art demonstrates her commitment to developing the next generation of artists while maintaining an active studio practice that informs her pedagogical approach.

• Contemporary Art
• Visual Art
• Performance Art
• +7 more

Eden K. Osucha is an Associate Professor of English at Bates College, specializing in 19th- and 20th-century American literature, African American studies, legal studies, and critical race theory. Her research examines intersections of race, privacy, and identity through law, literature, and media. She co-curated public humanities projects like Violence and Belonging: The 14th Amendment and American Literature and Site Seeing: 9/11 Through Documentary Shorts . Awards include the Mrs. Giles Whiting Fellowship and Ford Foundation Dissertation Fellowship. Her book manuscript, The Post-Racial Past: Race, Privacy and Identity Before the Obama Era , traces legal privacy’s racialized origins. She teaches courses on 9/11 literature, early American lit, and queer studies. As co-curator of the Literary Arts Live series, she brings prominent writers to campus including Colson Whitehead and Dinaw Mengestu. Key Affiliations: Programs in American Cultural Studies, African American Studies, Gender and Sexuality Studies Public Engagement: Maine Humanities Council collaborations, SPACE Gallery curation Recent Work: Explores 14th Amendment legacies, post-racial ideology, and surveillance studies Award-winning poet and creative writing advocate, Prof. Osucha’s interdisciplinary approach bridges literature, law, and visual culture. Her research highlights how racialized privacy frameworks shape contemporary discourses on race and identity.

• Nineteenth- and Twentieth-Century American Literature and Culture
• African American Studies
• Legal Studies
• +8 more

Christina Lee is an Associate Professor in English and Cultural Studies at Curtin University, affiliated with the School of Media, Creative Arts and Social Inquiry and the Faculty of Humanities. She earned her PhD in Communication Studies from Murdoch University. Her research focuses on cultural memory, screen tourism, spectral spaces, and representations of gender/race in popular culture. Current projects explore affective landscapes in screen tourism (e.g., Bridgerton , Harry Potter ), urban ghost cities, and nostalgia in youth cinema. She edits peer-reviewed books and contributes to The Conversation . Teaching: Leads undergraduate units like Engaging Narratives and supervises postgraduate students in cultural/media studies. Active in curriculum development and assessment reform. Research Interests: Combines cultural theory with film/media analysis, emphasizing how spaces and spectrality shape cultural narratives. Recent projects include Screen Tourism and Affective Landscapes (2023) and Haunted Futures (2023). Her work often bridges academic critique with creative practice, as seen in video-installation collaborations. Memberships: Association for Cultural Studies, Cultural Studies Association of Australasia, and Graduate Women Western Australia. Her work has been showcased at venues like the John Curtin Gallery and PICA (Perth Institute of Contemporary Arts). Grants/Labs: Leads Curtin University’s tourism futures research (e.g., 2032 Western Australia Vision). Collaborates with interdisciplinary teams on projects like sustainable mining paradoxes (2018) and Hong Kong’s educational reforms (2016).

• Cultural Memory
• Screen Tourism
• Spectral Spaces
• +7 more

Joseph Leo Koerner serves as the Victor S. Thomas Professor of the History of Art and Architecture at Harvard University, where he also chairs the Department of History of Art and Architecture and holds a professorship in Germanic Languages and Literatures. As a Senior Fellow of Harvard's Society of Fellows, he maintains cross-disciplinary connections across the university. His institutional affiliations extend to the American Academy in Berlin, where he serves as a Trustee, and the Isabella Stewart Gardner Museum, where he is a Life Trustee. Koerner's scholarly focus spans from the late Middle Ages to the present, with particular expertise in Northern Renaissance art, Dutch seventeenth-century painting, European Romanticism, and German and Austrian Modernism. His research interests include iconoclasm, landscape painting, self-portraiture, visual evidence, monument studies, and most recently, art created in states of siege or exception. His work often bridges art history with personal history, particularly regarding his Viennese Jewish heritage and the Holocaust experiences of his family. His scholarly output reveals a trajectory from early work on Renaissance art through Romantic landscape painting to contemporary concerns with trauma and memory. Recent publications like Art in a State of Siege (2025) demonstrate his ongoing engagement with how art functions during periods of crisis, examining works by Bosch, Max Beckmann, and William Kentridge. His film work, particularly The Burning Child (2019), extends these scholarly interests into documentary form, exploring the dream and nightmare of homemaking in Vienna from 1900 to 1938. Jan Mitchell Prize for the History of Art (1992) Humboldt Fellowship (1991-2) Guggenheim Fellowship (2006-7) Andrew W. Mellon Distinguished Achievement Award (2009) Member of the American Academy of Arts and Sciences (since 1995) Member of the American Philosophical Society (since 2008) Koerner's teaching spans object-based courses at the Harvard Art Museums to thematic explorations of concepts like the enemy, witchcraft imagery, and monuments. His mentorship extends beyond formal students to collaborators on film projects and exhibitions. His current research projects include "Vienna Interior," examining the apartment as a unit of homemaking in Vienna from 1867 to 1942, and continued work on art in states of siege. Koerner has curated numerous exhibitions at Harvard, the Austrian National Gallery, and the Center for Art and Media in Karlsruhe, often collaborating with scholars like Bruno Latour on interdisciplinary projects that bridge art history with anthropology and science studies.

• Northern Renaissance Art
• German and Austrian Modernism
• Art in States of Siege
• +7 more

Sonali Das is a Lecturer in the Department of Electrical and Computer Engineering at the University of Central Florida. She earned her Ph.D. in Electrical Engineering from the Indian Institute of Engineering Science and Technology, India, in 2017. Research Interests: Her work focuses on device electronics, RF and microwave MEMS, solar cells, phototransistors, optoelectronic synaptic and neuromorphic devices, and emerging micro-nano fabrication technologies. She investigates light-trapping mechanisms in solar cells, develops biomimetic photovoltaic structures, and explores 2D material-based memristors for neuromorphic computing. Professional Activities: Das has served as a technical reviewer for the UCF Seed Funding Program (2019), instructor for Camp Connect I and II lab tours (2017–2019), and mentor for Camp Connect III programs at UCF (2019). She is an IEEE member. Scientific Awards: GAP Award, UCF Research Foundation and UCF Office of Technology Transfer (2019) Fulbright Bhaskara Advanced Solar Energy (BASE) Fellowship (2015) Teaching: She teaches courses including Semiconductor Devices (EEE 3350), Electronics I and II (EEE 3307/4309), Linear Circuits II (EEL 3123), Electromagnetic Fields (EEL 3470), Signal Analysis & Analog Communication (EEL 3552), Linear Control Systems (EEL 3657), and Digital Systems (EEE 3342).

• Device Electronics
• RF and Microwave MEMS
• Solar Cells
• +3 more

Dr. Tianhua Xu is a Reader in the School of Engineering at the University of Warwick and an Honorary Lecturer in the Department of Electronic and Electrical Engineering at University College London (UCL). He holds a Ph.D. in Optical Communications and Intelligent Signal Processing from KTH Royal Institute of Technology in Sweden, followed by postdoctoral and research roles at KTH, RISE Acreo, DTU, and UCL. His research focuses on optical communication systems, intelligent signal processing, machine learning, optical sensing, and advanced energy systems. He has secured major grants, including a €1.8M EU Horizon Europe project (SPAR) and a £285K UK National Grid initiative. Dr. Xu serves as an Associate Editor for IEEE Transactions on Communications and the Journal of the European Optical Society-RP, and chairs technical groups in the Optical Society of America. He has authored over 200 publications, including invited book chapters, with a Google Scholar h-index of 32. Current projects involve smart photonic sensing, energy storage systems, and deep learning in optical networks. His lab oversees six PhD students and multiple postdoctoral researchers. He actively recruits students through global scholarships and oversees vibrant research teams in optical communications, sensing, and energy systems.

• Optical Communication Networks
• Optical Sensing Systems
• Optoelectronics
• +4 more

Ben Seymour is a Lecturer in Fine Art at the Department of Art, Goldsmiths, University of London. His research focuses on the intersections of urban regeneration, gentrification, and culture, alongside critical analyses of contemporary capitalism's ideologies, including precarious labor, creative economy, and financialization of art. He is also a writer and Deputy Editor of Mute Magazine , contributing to debates on digital culture, political economy, and artistic resistance. Position: Lecturer in Fine Art Institution: Goldsmiths, University of London Research Themes: Urban Regeneration, Gentrification, Art and Capitalism, Cultural Politics Email: b.seymour@gold.ac.uk Ben's academic and artistic work critically examines urban development processes, particularly in London's Hackney and other global cities, through films, articles, and visual essays. He has explored the socio-political consequences of regeneration projects, linking them to broader capitalist dynamics such as financialization and the erosion of community spaces. His practice extends to curatorial and editorial projects, including co-programming films on gentrification and organizing reading groups on Marx's Capital in Hackney and Brooklyn. His films have been internationally screened at festivals and galleries in Edinburgh, Leeds, NYC, Amsterdam, and Spain, addressing themes of urban utopianism and capitalist critique.

• Urban Regeneration
• Gentrification
• Cultural Politics
• +4 more

Univ.-Prof. Dr. Marc Siegel has been Professor of Film Studies at Johannes Gutenberg University Mainz since October 2020. He is based at the Institute for Film, Theatre, Media and Cultural Studies and also serves as artistic director of ZOOM – Labor Ludwig Schönherr . In parallel, he works as a freelance curator for international film festivals, museums and galleries, and is a founding member of the Berlin-based artist collective CHEAP . Education & Qualification: Although the provided text does not enumerate earlier degrees, Siegel’s title “Dr.” and his appointment as “Universitäts-Professor” indicate the completion of doctoral and post-doctoral qualifications. Research Interests: Siegel’s scholarship is situated at the intersection of queer studies , experimental film , and moving-image art/performance . He interrogates how cinema and related media articulate questions of sexuality, gender, race and anti-Semitism, often employing archival, curatorial and critical methods to foreground marginalized histories and aesthetics. His forthcoming monograph A Gossip of Images (Duke University Press) crystallizes these concerns. Publications & Trends: Across more than two decades Siegel has produced a consistent body of work that re-reads canonical avant-gardists (Warhol, Jack Smith, Werner Schroeter) and contemporary queer media alike. Recent essays expand into digital dissemination, camp temporalities, and the politics of ageing bodies, evidencing a trajectory from close textual analysis toward broader cultural critique. Scientific Awards & Distinctions: Member, Academy of the Arts of the World , Cologne Advisory Board, Forum Expanded , Berlinale Principal Investigator, AHRC-UK funded project “Serge Daney and Queer Cinephilia” (2018-2021) Research Grants & Collaborative Projects: DFG Graduate School “Configurations of Film” (GRK 2279), Goethe University Frankfurt am Main – associate researcher Swiss National Science Foundation project “Moving in Every Direction” , Lucerne University of Applied Sciences and Arts – associate researcher Laboratories & Teams: As artistic director of ZOOM – Labor Ludwig Schönherr Siegel mentors experimental media practices; he also co-founded the artist collective CHEAP , which produces queer interventions in urban and digital space.

• Queer Studies
• Experimental Film
• Moving Image Art
• +3 more

Jez Coram is a Lecturer in Digital Media Practice at the University of Leeds , School of Media and Communication. He holds a practice-led PhD in Fine Art, Film, and Digital Cultures from Newcastle University, supervised by leading figures in the field. With a background in the third sector, he has extensive experience in multimedia design, research, and community engagement. Research Focus: Expanded essay film, socio-cultural-techno perceptions, climate futures, hybrid documentary practices, and sustainability. Current Projects: Co-Investigator on the Polycrisis Research Network (Horizons Institute); leads the longitudinal study Essaying the Gare with Mick Schofield. Teaching and Professional Roles: Currently teaches on the BA Digital Media programme. Previously a Teaching Assistant at Newcastle University and a facilitator in community art projects like For the Love of People . Professional memberships include the Priestley Centre for Climate Futures and Advance HE (FHEA). Artistic Outputs: 15+ films/installations (2012–present) blending personal testimony, archive material, and speculative environments. Notable works: The Black Prince , Capteur , The Derealisation Effect , and We're All Someone's Daughter, We're All Someone's Son (Grenfell solidarity project). Grants and Collaborations: Funded by Horizons Institute, Arts Council England, Screen Yorkshire, and Freedom Studios. Collaborations span institutions like West Yorkshire Playhouse, Justice4Grenfell Campaign, and Purple Patch Arts board.

• Digital Media Practice
• Expanded Essay Film
• Collective Storytelling
• +7 more

Maralie Armstrong Rial is an Adjunct Assistant Professor in the Department of Modern Culture and Media at Brown University, and also serves as a Critic in Digital + Media and Lecturer in the Film/Animation/Video Department at Rhode Island School of Design (RISD). Her practice spans intermedia art, performance, sound, and video, focusing on the refraction of self through media analogous to light/sound through water. She performs solo as VALISE and collaboratively as Humanbeast with Eli V Manuscript. Education BFA in Sculpture, Kansas City Art Institute MFA in Digital + Media, Rhode Island School of Design Research & Practice Her work integrates hydrophone recordings of industrial-impacted waterways (e.g., Blackstone Valley, East Rivers) to explore ecological memory and sonic legacies. Notable projects include AURA , an immersive soundwork documenting environmental soundscapes across seasons, set for release via Spectral Affect. She frequently performs in spatial audio formats, such as the 10.2-channel surround concert with RISD’s Studio for Research in Sound and Technology (SRST). Collaborations & Exhibitions Humanbeast: 10-year anniversary performance at Fourth World Festival VALISE performances at Pioneer Works, Lump Gallery, and Issue Project Room Residencies including Wedding Cake House and SRST spatial audio projects Labs & Affiliations Affiliated with RISD’s Studio for Research in Sound and Technology (SRST), focusing on experimental spatial audio and interdisciplinary sound practices.

• Intermedia Art
• Sound Art
• Performance Art
• +3 more