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Elizabeth FroodView profile

Associate Professor

• Ancient Egyptian self-presentation
• Biographical texts
• Graffiti
• +5 more

Elizabeth Frood is an Associate Professor of Egyptology at the University of Oxford, affiliated with the Faculty of Asian and Middle Eastern Studies. She holds dual college fellowships as a Fellow of St Cross College and Honorary Fellow of The Queen's College, with research centered on ancient Egyptian self-presentation, sacred landscapes, and social experience including gender and disability studies. Her academic journey began with first degrees completed in Aotearoa New Zealand, establishing her foundation in Egyptology before her current Oxford appointment. Professor Frood's scholarship uniquely reconstructs non-royal Egyptian lives through biographical texts, graffiti, and visual culture, specializing in the late New Kingdom and Third Intermediate Period (mid-second to early first millennium BCE). Her work bridges textual analysis with material culture studies, examining how individuals expressed identity through sacred spaces, ritual practices, and social interactions. This approach has generated significant insights into elite self-representation and non-elite participation in religious contexts. Analysis of her 14 most recent publications (2007-2023) reveals consistent thematic threads: sustained focus on Karnak temple graffiti projects, evolving methodologies in biographical text interpretation, and increasing interdisciplinary engagement with gender/disability studies. Her collaborative work with the Centre Franco-Égyptien d’Étude des Temples de Karnak demonstrates fieldwork integration with epigraphic analysis. Her academic distinctions include: Fellow of St Cross College Honorary Fellow of The Queen's College Professor Frood actively mentors doctoral researchers across diverse topics including Deir el-Medina statuary, Hatshepsut's iconoclasm, ancient graffiti contexts, gendered domestic spaces, and kinship practices. Her Karnak Graffiti Project (2011-present), co-directed with Chiara Salvador and supported by CFEETK, represents a major sustained research initiative involving fieldwork at the temple of Ptah and eighth pylon, yielding publications, media features, and international scholarly collaborations. She co-directs the Karnak Graffiti Project, a decade-long international collaboration with the Centre Franco-Égyptien d’Étude des Temples de Karnak and Montpellier-based scholars, combining archaeological documentation, epigraphic recording, and digital analysis of temple graffiti across multiple Karnak sectors.

Simon A. MorrisonView profile

Senior Lecturer

• Popular Music
• Musico-Literary Intermediality
• Electronic Dance Music Culture
• +4 more

Dr. Simon A. Morrison is a Senior Lecturer in the Division of Communication, Screen & Performance within the Faculty of Arts, Humanities and Social Sciences at the University of Chester. He serves as Programme Leader for the Music Journalism degree, which he helped design, build and deliver from its first cohort in 2014. With 25 years of experience as a writer, broadcaster, and academic, Morrison brings extensive industry knowledge to his teaching and research, having worked as a music journalist reporting from locations worldwide including Beijing, Brazil, Moscow, and Marrakech. Dr. Morrison holds a PhD from the University of Leeds (completed 2018), an MA from the University of Manchester (1995-1997), and a BA Hons from the University of Manchester (1989-1992). Prior to his position at Chester, he worked as an Associate Lecturer at Manchester Metropolitan University (2012-2014) and as a Visiting Lecturer at Leeds University (2011-2013). His academic journey follows a substantial career in media where he presented TV for Rapture TV, hosted radio shows in Ibiza, produced and presented for Kiss Radio, and appeared on BBC Breakfast and BBC 5 Live. Dr. Morrison's research centers on the intersection of words and music , with particular focus on Popular Music , Musico-Literary Intermediality , and Electronic Dance Music Culture . His work explores how music subcultures, particularly rave and dance music scenes, are represented in literature and journalism. He examines the connections between different countercultural movements, notably drawing parallels between the Beat Generation writers and contemporary 'Chemical Generation' authors who write about club culture. His research also investigates the relationship between music journalism and subcultural movements across different historical periods. His recent publications reveal a clear trajectory connecting historical dance music developments across continents and eras. Morrison's work traces the evolution of electronic dance music from its American roots in Chicago and Detroit through its transatlantic journey to Europe and back again, examining how cultural exchange shaped musical innovation. His analyses of Pink Floyd demonstrate how rock bands interact with media landscapes, while his investigations of music journalism document the changing nature of music criticism in digital eras. The recurring theme across his scholarship is the examination of how subcultural experiences are translated into written form, whether through journalism, fiction, or academic analysis. Dr. Morrison actively supervises undergraduate dissertation projects and Negotiated Study production projects across all three years of undergraduate study. He has successfully supervised an MRes project to completion and examined PhDs (including one internal and two external, one being an Australian PhD by Artefact & Exegesis). He has served as an External Examiner for Music Journalism programs at Southampton Solent University (2016-2019) and BIMM London, Birmingham and Manchester (2016-2020). His teaching spans modules including Introduction to Journalism, Live Journalism, Dancing About Architecture: Popular Music Media, Histories and Technologies, The Cultural Politics of Music Journalism, The Politics of Social Media, Magazine Publishing and Music PR and Promotional Writing.

Rune NyordView profile

Associate Professor

• Ancient Egyptian mortuary religion
• Ancient Egyptian art and archaeology
• History of Egyptology
• +3 more

Rune Nyord is an Associate Professor of Ancient Egyptian Art and Archaeology at Emory University's Art History Department since 2018. He holds a Dr. phil. in Egyptology from the University of Copenhagen (2010) and has held academic positions at institutions including the University of Cambridge and Freie Universität Berlin. His research focuses on ancient Egyptian mortuary religion, conceptions of images, and the history of Egyptology, particularly examining Middle Kingdom (early 2nd millennium BCE) funerary culture through archaeological and textual sources. He has authored and edited multiple books, including Seeing Perfection: Ancient Egyptian Images beyond Representation (2020) and Yearning for Immortality: The European Invention of the Ancient Egyptian Afterlife (2025). Recent projects explore reinterpreting the 'Book of the Dead' through indigenous conceptual frameworks. His work bridges anthropology, cognitive approaches, and material culture studies. Rune Nyord has received notable awards such as the 2022 Senior Fellowship at the National Gallery of Art and the 2016 Lady Wallis Budge Junior Research Fellowship. He actively participates in academic service roles, including editorial work for journals like Papyrus and the UCLA Encyclopedia of Egyptology. His teaching spans undergraduate and graduate courses on ancient Egyptian art, language, and religion, integrating museum resources and object studies into his pedagogy.

Richard BussmannView profile

Professor

• Social archaeology of ancient Egypt
• Urbanism in North-Eastern Africa
• Cross-cultural comparison of early complex societies
• +6 more

Professor Richard Bussmann is a Professor of Egyptology at the Institute for African Studies and Egyptology, University of Cologne. His office is located at Meister-Ekkehart-Str. 7, first floor, room 1.04 in Cologne, Germany. He has made significant contributions to the field of Egyptology, particularly in the areas of social archaeology of ancient Egypt, urbanism in North-Eastern Africa, and cross-cultural comparison of early complex societies. Professor Bussmann's research focuses on combining Egyptology with social archaeology, anthropology and cultural history. His work revolves around questions of ancient Egyptian society and culture at a local level, using material, visual and written sources to understand long-term transformations in North-Eastern Africa. His chronological focus spans from late prehistory to the New Kingdom (the Bronze Age), though he also examines earlier and later developments. His research includes a book on community shrines of the third millennium, examining how central administration penetrated into local milieus. He is currently writing "The Archaeology of Pharaonic Egypt," which synthesizes discussions of Egyptian society and culture from the Old to the Middle Kingdom. He directs a project on seals and seal impressions from Hierakonpolis to investigate administrative practice in early Egypt and co-directs the archaeological fieldwork project at Zawyet Sultan, exploring life of a local community from prehistory to the present day. Professor Bussmann has published extensively, with recent works including "The archaeology of pharaonic Egypt: society and culture, 2700-1700 BC" (2023) and "Zawyet Sultan: second preliminary report. Excavation season 2022" (2023). His publications demonstrate a strong focus on social structures, urban development, and cultural practices in ancient Egypt, particularly during the Old and Middle Kingdoms. His professional memberships include: Secretary General of the International Association of Egyptologists Full member of the German Archaeological Institute Member of scientific advisory board of the Cairo division of the German Archaeological Institute Speaker of the Association of archaeological institutions in Cologne and Bonn Deputy speaker of the Research Training Group 1878 "Archaeology of premodern economies" Member of the advisory board of the Competence Area IV, University of Cologne Member of the steering committee of the Friends of Egyptology in Cologne "Uschebti e.V." Member of the board of the German Association of Egyptology Professor Bussmann has supervised numerous PhD students, including Anouk Everts, Isabell Steinhardt-Sedlak, Lisa Augner, and others, working on diverse topics ranging from social networks in the Middle Kingdom to economic systems and resource management in ancient Egypt. His teaching focuses on Egyptian archaeology and language, with an emphasis on source critical skills and theoretically informed discussions of ancient Egyptian society and culture.

Thomas FranoschView profile

Professor

• Transport in crowded and disordered media
• Time-dependent nonlinear response
• Active and non-equilibrium systems
• +3 more

Prof. Dr. Thomas Franosch is a Full Professor of Theoretical Physics at the Universität Innsbruck, Department of Theoretical Physics. His research focuses on transport phenomena in complex systems, including crowded and disordered media, active matter, non-equilibrium systems, and the glass transition. He leads the Bio and Nano Physics research group and has held academic positions at institutions such as Friedrich-Alexander-Universität Erlangen-Nürnberg and Ludwig-Maximilians Universität München. His career includes a PhD from TU München (1996) and postdoctoral research at Harvard University (1998-2000). He has contributed extensively to understanding dynamics in confined colloidal systems, mode-coupling theories for glass transitions, and active particle dynamics. His work bridges theoretical frameworks with applications in soft matter and biophysics. Research interests emphasize time-dependent nonlinear response, anomalous transport, and the interplay between geometry and dynamics in confined environments. Recent publications explore light-induced caging effects in colloids, Anderson localization in fluctuating media, and stochastic dynamics of active particles. Publications span over two decades, with a focus on theoretical models explaining complex fluid behavior. Notable contributions include studies on confined hard-sphere fluids, Lorentz gas models, and active matter systems. His work frequently employs advanced simulation techniques and mode-coupling theory to analyze non-equilibrium phenomena.

Daniel González LeónView profile

Adjunct Professor

• Egyptology
• Ancient Egyptian Epigraphy
• Hieroglyphic Paleography
• +5 more

Daniel González León is an Adjunct Professor of Egyptology at the Autonomous University of Barcelona and currently a Visiting Fellow at Yale University’s Near Eastern Languages and Civilizations department. His research focuses on ancient Egyptian epigraphy, hieroglyphic paleography, and titles of the Old Kingdom elites. He holds a PhD in Egyptology (2023) from the Autonomous University of Barcelona, following a BA (2015) from the University of the Basque Country and an MA (2017) from the Autonomous University of Barcelona. His work includes a paleographic study of the 6th and 8th Dynasty Coptos decrees at The Metropolitan Museum of Art, funded by the Andrew W. Mellon Fellowship (2022–2023) and the Basque Government (2024–2028). He is also part of the Spanish-Egyptian Archaeological Mission in Saqqara (SEAMS), focusing on the Kom el-Khamaseen necropolis. His research on the title ỉmȝ-ʿ and the Memphite high priest Imy Nikauptah has contributed to understanding elite structures during the Old Kingdom’s collapse. Education: PhD in Egyptology, Autonomous University of Barcelona (2023) MA in Egyptology, Autonomous University of Barcelona (2017) BA in History, University of the Basque Country (2015) His research interests span prosopography, ancient Egyptian religion, and archaeological fieldwork. Notable achievements include editing monographs on Kom el-Khamaseen and co-authoring studies on Coptos decrees. He has taught Egyptian Epigraphy and Paleography since 2018 and serves as Assistant Editor of Aula Aegyptiaca-Studia . Key awards include the Basque Government Fellowship (2018–2022) and Mellon Fellowship (2022–2023). His current projects explore hieroglyphic script variability and the role of Memphite priests in societal transitions.

Anne Herzberg-BeiersdorfView profile

Researcher

• Egyptology
• Prosopography
• Digital Humanities
• +5 more

Anne Herzberg-Beiersdorf is a Researcher at Humboldt University of Berlin's Institute of Archaeology, specializing in the Archaeology and Cultural History of Northeast Africa. She holds a PhD from the Berlin Graduate School of Ancient Studies (2020) where her dissertation Prosopographia Memphitica received summa cum laude honors. Her academic background includes an MA in Egyptology (2012) and BA in Ancient Studies/Egyptology (2009) from Freie Universität Berlin. Her research focuses on New Kingdom Egypt with interdisciplinary approaches combining: Prosopographic analysis of Memphis elites using network methodologies Digital reconstruction of ancient social structures Religious practices and sun cults of the New Kingdom Epigraphic documentation and museum collection studies Application of digital humanities in archaeological contexts She has received significant recognition including the Hedwig Hintze Women's Prize (2022) and multiple grants supporting her digital prosopography database development. Her fieldwork includes excavations at Asyut (2012) and epigraphic projects in Aswan (2009-2011). She actively contributes to academic conferences and museum exhibitions, including co-curating 'Klangbilder – Musik im Alten Ägypten' at Berlin's Neues Museum.

• Corporate Finance
• Financial Institutions
• International Financial Management
• +9 more

Chi-Wing Robert Fok is a Professor in the Business Department at the University of Wisconsin-Parkside. He earned his Ph.D. in Finance from the University of Alabama in 1992 and has held a full-time faculty position at the university. His areas of expertise include Corporate Finance, Financial Institutions, and International Financial Management. His research focuses on Initial Public Offerings (IPOs), efficiency of financial institutions, banking relationships, international financial markets, and pedagogical research in finance. His work spans topics like IPO underpricing, market anomalies in Asia, financial systems in China and Taiwan, and behavioral finance. Professor Fok has received notable scientific awards, including the Milton Mills Faculty Research Award (2001) and the Best Paper Award at the First Annual Conference on Empirical Economics, Taiwan (2000). He has also been nominated multiple times for the Advising Excellence Award at the University of Wisconsin-Parkside. He has actively contributed to the university through various service roles, such as chairing the Search and Screen Committee for finance faculty positions and participating in curriculum development and assessment committees. At the professional level, he has reviewed for academic journals and engaged with the Midwest Financial Association.

• Egyptology
• Ancient Egyptian funerary practices
• Gender studies in archaeology
• +3 more

Kathlyn Cooney is a Professor in the Department of Near Eastern Languages and Cultures at University of California, Los Angeles. She specializes in Egyptian art and archaeology with particular focus on 21st Dynasty funerary practices, coffin reuse strategies, and gender studies in ancient Egypt. Ph.D. in Egyptian Art and Archaeology, Johns Hopkins University (2002) B.A. in German and Humanities, University of Texas at Austin (1994) Her research explores the socioeconomic dimensions of funerary arts, craft specialization patterns, and gender dynamics in both governance (Hatshepsut studies) and funerary contexts. She has authored several influential books including Recycling for Death (2024), Ancient Egyptian Society (2022), and The Cost of Death (2007). Publications demonstrate consistent engagement with coffin reuse patterns (2018), funerary economy (2012), and gender transformation in death contexts (2010). Recent work analyzes 21st Dynasty coffin modifications and their sociohistorical implications. She teaches courses on ancient Egyptian civilization, art and architecture, and gender/power dynamics at both undergraduate and graduate levels. Active in public scholarship through lectures, book signings, and media appearances, she maintains a visible academic presence through platforms like Academia.edu (48,929 public views, Top 4% scholar).

Jeremy BraddockView profile

Associate Professor

• Modernist Literature and Culture
• 20th Century American Literature
• 21st Century American Literature
• +5 more

Jeremy Braddock is an Associate Professor of Literatures in English at Cornell University, affiliated with the College of Arts & Sciences. He holds cross-appointments in the American Studies Program and the Milstein Program in Technology & Humanity. Braddock’s research focuses on modernist literature and culture, media studies, African American literature, and the history of material texts. He emphasizes collaboration, intermediality, and the social dimensions of cultural production. Education: Ph.D. in English, University of Pennsylvania MA in English, New York University BA in English, Middlebury College Braddock’s work examines private collections, media archaeology, and countercultural movements. His first monograph, Collecting as Modernist Practice , explores modernism’s institutionalization in the U.S., while his recent book Firesign: The Electromagnetic History... analyzes the Firesign Theatre’s multimedia experiments. His articles traverse topics like sound art, colonial archives, and Harlem Renaissance dynamics. Scientific Awards: Modernist Studies Association Book Prize (2012) Choice Outstanding Academic Title (2012) Braddock has served as co-chair of the University Faculty Library Board and currently leads the Media Studies Initiative and CIVIC, the Provost’s task force for arts and humanities collaboration. He has held fellowships at the Stanford Humanities Center and the Cornell Society for the Humanities. Labs/Teams: Media Studies Initiative, CIVIC, Milstein Program in Technology & Humanity.

Diane Wei LewisView profile

Associate Professor

• Japanese Cinema
• Early/Silent Cinema
• Mass Culture and Modernity
• +3 more

Diane Wei Lewis is an Associate Professor of Film and Media Studies at Washington University in St. Louis. She holds affiliate appointments in the Department of East Asian Languages and Cultures and the Performing Arts Department. Her work focuses on Japanese cinema, media, and their intersections with mass culture, modernity, and gender. Lewis earned her Ph.D. in Cinema and Media Studies from the University of Chicago in 2011. Her research examines the cultural politics of cinema in Japan, particularly during the interwar period, emphasizing emotion, labor, consumerism, and gender. Her first book, Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan (2019), explores how cinematic realism shaped public sentiment and gendered discourses in post-earthquake Japan. Current projects include studies on 1980s Japanese network technologies and the Proletarian Film League of Japan (Prokino). Notable awards include the Washington University Center for the Humanities Faculty Fellowship (2017) and a Fulbright-Hays DDRA Fellowship (2009-2010). Her interdisciplinary approach combines historical and theoretical frameworks to analyze media’s role in shaping social and cultural dynamics.

Claire ChevallierView profile

Professor

• Historical Keyboard Performance
• Period Performance Practice
• Fortepiano Specialization
• +5 more

Claire Chevallier (born 1969) is a French pianist specializing in historical keyboard performance, currently teaching fortepiano at the Conservatoire Royal de Bruxelles since 2004. She maintains a significant collection of six historical pianos spanning 1842-1920 and is renowned for her expertise in period performance practice from the classical period through French masters of the 20th century. Chevallier studied piano at the musical academies of Nancy, Strasbourg (with Hélène Boschi), and Paris (with Bruno Rigutto), while simultaneously pursuing studies in mathematics and physics. She continued her musical education at the Conservatoire Royal de Bruxelles with Jean-Claude Vanden Eynden and Guy Van Waas, where she was awarded first prize in piano and chamber music. Her fascination with the fortepiano developed through a master class with Jos van Immerseel, leading her to independently study the historical background, construction, and maintenance of these instruments. As a performer, Chevallier is highly acclaimed for her solo recitals, chamber music, and concertos across major European venues including Cité de la Musique in Paris, Concertgebouw Amsterdam, and BOZAR in Brussels. She has developed significant expertise as both a fortepiano specialist and performer, bringing historical instruments to theater productions and interdisciplinary collaborations. Since 2013, she has focused research on Russian piano music and instruments, performing Moussorgsky's works on a Becker piano from 1875. Chevallier's recordings include award-winning albums dedicated to Satie (2008), Liszt (2011), and Moussorgski (2016), as well as the "Piano Works Debussy" (2020). Her work spans French composers like Ravel, Debussy, Satie, and Poulenc, with landmark recordings including Ravel's "Concerto pour la main gauche" with Anima Eterna orchestra. First prize in piano and chamber music, Conservatoire Royal de Bruxelles Member of jury, International Fortepiano Competition (2007, 2010) Member of jury, Liszt Competition Utrecht (2014) Chevallier is celebrated for her interdisciplinary collaborations with artists across dance, theater, and visual arts, including notable projects such as "Chez Bricktop" with Claron McFadden, "Mata-Hari," and "Piano Works Debussy" with dancer Lisbeth Gruwez. She has worked extensively with performing artists including Rosas, David Claerbout, Josse De Pauw, and Jan Lauwers (Needcompany), creating innovative performances that bridge historical music practice with contemporary artistic expression. Her expertise extends to piano tuning and maintenance of historical instruments, documented in her film "CLAIRE CHEVALLIER tunes." She has served as "Friend in Music" at Concertgebouw Brugge (2008-2009) and held a three-year residency at AMUZ Antwerp starting in 2009.

Adam FagboreView profile

Lecturer

• Egyptology
• Social and Economic History
• Labor and Work Relations
• +7 more

Adam Fagbore is a Lecturer in Egyptology at the University of Bonn, affiliated with the Institut für Archäologie und Kulturanthropologie and the Department of Egyptology. He is also a researcher at the Bonn Centre for Dependency and Slavery Studies, contributing to interdisciplinary studies on labor, punishment, and social control in ancient societies. He holds an MA with Distinction and a First Class BA in Egyptology from the University of Liverpool, where he was supervised by Ludwig Morenz and Christian de Vito. His academic journey reflects a strong foundation in both historical and archaeological aspects of ancient Egypt. His research interests center on social and economic history, particularly labor and work relations, social control mechanisms, and royal mortuary architecture in Pharaonic Egypt. He explores themes such as punishment as a tool of revenue extraction, labor mobility regulation, and the ideological significance of architectural archaism. His work bridges Egyptology with broader labor history and dependency studies. The recent publications and forthcoming chapters highlight a consistent focus on punitive labor systems, state control, and social hierarchies in ancient Egypt. His scholarly output spans peer-reviewed journal articles, chapters in edited volumes, and co-edited special issues, indicating a strong trajectory in academic publishing. He has been actively involved in organizing international conferences and workshops, including events on punishment, labor, and dependency. These activities underscore his role in fostering academic discourse and collaboration in his field. At the University of Bonn, he teaches courses such as 'Social and Economic Relations in Pharaonic Egypt' and various levels of Middle and New Egyptian language reading, demonstrating his commitment to both research and pedagogy. He has delivered numerous lectures at international conferences, presenting on topics like freedom in Pharaonic Egypt, punishment in rural settings, and labor coercion. His presentations reflect deep engagement with both textual and archaeological evidence. Adam Fagbore has no listed scientific awards in the provided text. However, his editorial roles and conference leadership suggest recognition within his academic community. He is not known to have advised any students based on the available information. His current research projects involve labor and punishment dynamics, with several forthcoming publications in the 'Punishment, Labour and the Legitimation of Power' series. He is based at the Ägyptisches Museum at the University of Bonn and collaborates with scholars across Europe and North America, contributing to a trans-cultural and trans-epochal understanding of labor coercion and state power.

Joseph CermatoriView profile

Associate Professor

• Comparative Literature
• Philosophy
• Aesthetics
• +7 more

Joseph Cermatori is an Associate Professor and Director of Periclean Honors Forum in the English Department at Skidmore College. He holds an A.B. from Princeton University, an M.F.A. from Yale University, and a Ph.D. from Columbia University, establishing a robust foundation spanning literary studies, creative writing, and critical theory. Dr. Cermatori's educational trajectory reflects his interdisciplinary approach: A.B., Princeton University M.F.A., Yale University Ph.D., Columbia University His scholarly work centers on the philosophical dimensions of theatrical and literary forms, with research interests spanning Comparative Literature, Philosophy, Aesthetics, and Critical Theory , alongside Modern and Contemporary Drama, Shakespeare and Early Modern Drama, Opera and Music-Theatre, Media and Performance Studies, and Queer Theory and Gender Studies . Cermatori's approach consistently bridges historical periods, connecting early modern theatrical practices with contemporary performance innovations while maintaining critical engagement with questions of spectatorship, media, and political dimensions of performance. His scholarship demonstrates a unique ability to synthesize complex theoretical frameworks with close analysis of theatrical and literary works. Cermatori's recent publications reveal a sustained trajectory exploring the philosophical underpinnings of theatrical practice. His 2024 article "On Criticism: Seven Meditations" continues his longstanding engagement with critical theory, while his 2023 pieces on Walter Benjamin and Hans-Thies Lehmann demonstrate his deep connection to foundational theoretical frameworks in performance studies. His book "Baroque Modernity: An Aesthetics of Theater" (2021) represents a significant contribution connecting historical theatrical aesthetics with modern practice. His scholarship appears consistently across prestigious venues including CoSMO, Salmagundi, PMLA, and PAJ, reflecting his standing in both literary and performance studies communities. His scholarly recognition includes: Anna Balakian First Book Prize honorable mention, International Comparative Literature Association, 2022 Summer Research Fellowship, Yale University Beinecke Rare Book and Manuscript Library, 2022 Helen Tartar First Book Award and Subvention, American Comparative Literature Association, 2021 Multiple Faculty Development Grants from Skidmore College (2017, 2019, 2020, 2021) As Director of the Periclean Honors Forum, Cermatori plays a pivotal role in mentoring high-achieving students through interdisciplinary honors programs that connect academic work with social engagement. His extensive teaching portfolio spans foundational writing seminars to advanced courses in drama, Shakespeare, queer theory, and literature and philosophy. His critical work published in The New York Times and PAJ: A Journal of Performance and Art demonstrates his commitment to bridging scholarly and public discourse on contemporary performance.

• Psychiatry
• Clinical Psychology
• Women's Mental Health
• +3 more

Assoc. Prof. Imran Gokcen Yilmaz Karaman is an academic at Eskisehir Osmangazi University, Faculty of Medicine, Department of Internal Medical Sciences . He holds a B1 Intermediate Italian and C1 Advanced English proficiency. His research focuses on psychiatry and clinical psychology, particularly in areas such as women's mental health, trauma-related disorders, and digital mental health. Education : Undergraduate from Ankara University, Faculty of Medicine (2007-2013) His publications span topics including maternal mental health, cyber violence, forensic psychiatry, and pandemic-related stress in healthcare workers. Recent articles highlight intersections between technology-facilitated violence, posttraumatic growth in cancer survivors, and gender differences in suicidal behavior. Roles : Technical Editor, Archives of Neuropsychiatry (2024-) Committee Member, Osmangazi Medical Journal (2022-) Member, Psychiatric Association of Turkey (2014-) He has contributed to peer reviews for journals like International Journal of Mental Health Systems and Archives of Women's Mental Health. His work addresses structural barriers in healthcare, stigma in substance use disorders, and pandemic impacts on mental health systems.