Winnie Wong is a Professor of Rhetoric at the University of California, Berkeley. Her research focuses on art history, particularly exploring themes of fakes, forgeries, and authorship through interdisciplinary approaches. She examines the global artistic networks of Hong Kong, Guangzhou, and Shenzhen, challenging Western narratives of Chinese artistic practices. Wong holds a PhD from MIT's History, Theory + Criticism program and was a Harvard Society of Fellows Junior Fellow. Her major works include Van Gogh on Demand: China and the Readymade (2014, Joseph Levenson Prize winner), Learning from Shenzhen (2017), and a forthcoming book on Canton trade portraitists. She teaches courses like Theory of the Copy and Rhetoric of the Image , mentoring undergraduates through the Undergraduate Research Apprentices program and advising PhD students in art history and visual studies. Wong's research has been supported by grants from Mellon Foundation, ACLS, SSRC, and others. Her work has been translated into multiple languages and appears in journals like Current Anthropology and Law & Literature . She frequently discusses her work on podcasts and collaborates with museums including M+ and the Asian Art Museum.
Prof. Ahmet Atay holds the rank of Professor of Communication Studies at the College of Wooster, serving as Program Chair of Global Media & Digital Studies and liaison to the Digital Visual Storytelling Pathway. His academic journey includes degrees from Marmara University (B.A., 1998), Ohio University (M.A., 2001), University of Northern Iowa (M.A., 2003), and Southern Illinois University (Ph.D., 2009). His research focuses on transnational communication, digital media's societal impact, cultural identity formation in global contexts, and queer diasporic experiences. He actively explores media representation of gender/sexuality, critical pedagogy, and autoethnography as research methodologies. Notable projects include editing works on millennial media ecology, intercultural communication pedagogy, and transnational queer cinema. Teaching responsibilities include courses on intercultural communication, mediated gender studies, and digital storytelling for social justice. He has held leadership roles in professional organizations like the National Communication Association and Central States Communication Association. Prof. Atay's recent publications emphasize digital ethnography, decolonizing communication studies, and queer pedagogy innovations. His work bridges theoretical frameworks with practical educational applications, addressing contemporary issues like diversity in academia and media's role in shaping cultural narratives.
Laurie Shannon is the Franklyn Bliss Snyder Professor of English at Northwestern University, with a J.D. from Harvard Law School and a Ph.D. from the University of Chicago. She studies English literature and culture in the long sixteenth century, focusing on the history of ideas in language, stakeholdership, embodiment, and cross-species relations. She serves as convener of The Anne Lister Society and is collaborating with Oxford University Press on a scholarly edition of Anne Lister’s Journal. Education: J.D., Harvard Law School; Ph.D., University of Chicago Shannon’s research explores the political imagination in early modern literature, particularly through friendship (Sovereign Amity: Figures of Friendship in Shakespearean Contexts) and animal studies (The Accommodated Animal: Cosmopolity in Shakespearean Locales). Her current monograph, 'Frailty’s Name: Shakespeare and the Natural History of Human Being,' examines human negative exceptionalism in Renaissance thought and its implications for climate crisis ethics. Her publications span Shakespeare studies, queer theory, environmental humanities, and textual editing. Notable awards include the Elizabeth Dietz Memorial Award, Robert B. Cox Teaching Award, and Dean’s Award for Graduate Mentoring. She has held NEH, ACLS, and Guggenheim fellowships. Scientific Awards: Elizabeth Dietz Memorial Award, Robert B. Cox Distinguished Undergraduate Teaching Award, Dean's Award for Graduate Mentoring, NEH Fellowship, ACLS Fellowship, Guggenheim Fellowship Shannon contributes to the Anne Lister Diary Transcription Project and has served as English Department Chair at Northwestern. Her recent articles focus on Shakespeare’s engagement with natural history, queer cosmology, and animal sovereignty, reflecting her interdisciplinary approach.
Genesea M. Carter serves as the Associate Director of Composition and Associate Professor in the English and University Composition Program at Colorado State University. She holds a PhD from the University of New Mexico. Her research focuses on administrative systems in higher education, including curriculum design, teacher training, and workload equity, and their impact on instructors’ well-being. She also investigates how students from diverse backgrounds navigate academia, with a focus on working-class pedagogy and identity development. Her recent co-edited collection Systems Shift: Creating and Navigating Change in Rhetoric and Composition Administration (2023) addresses institutional transformation. Earlier work includes Class in the Composition Classroom: Pedagogy and the Working Class (2017), exploring socioeconomic diversity in education. Her articles span topics like digital literacy, interdisciplinary pedagogy, and critical theory in composition studies. Dr. Carter’s scholarship emphasizes equity, intersectionality, and dismantling neoliberal structures in academia. She has contributed to journals such as Composition Studies , Journal of Teaching Writing , and Open Words , and her work bridges practical administration with theoretical frameworks in rhetoric and composition.
Megan Sweeney is Arthur F. Thurnau Professor of English, Afroamerican and African Studies, and Women's and Gender Studies at the University of Michigan. Her research examines African American literature, reading practices in carceral settings, and autotheory through works like Reading Is My Window and the lyric essay collection Mendings . Her scholarship has been supported by the Radcliffe Institute for Advanced Study, Ford Foundation, and Woodrow Wilson Foundation. Sweeney received the university's highest teaching awards including the 2021 John D'Arms Award for graduate mentoring and 2014 Thurnau Professorship. She serves as Director of Graduate Studies in English and Interim Editorial Director for Feminist Studies .
Heidi R. Lewis is the David and Lucile Packard Professor of Feminist & Gender Studies at Colorado College. She serves as President of the National Women's Studies Association (2023-25) and Editor-in-Chief of the Oxford Bibliography in Women's & Gender Studies. Her research focuses on Black Feminisms, Hip Hop discourse, and Critical Media Studies, with a current project challenging narratives around Mumble Rap's authenticity. Lewis holds a Ph.D. in American Studies from Purdue University and has taught interdisciplinary courses including Hip Hop & Feminism and Critical Media Studies. Education: Ph.D., American Studies, Purdue University (2011) M.A., English Literature, Ohio University (2005) B.A., English Studies, Robert Morris University (2003) Research Interests: Lewis interrogates intersections of race, gender, and media through projects like her forthcoming book on Mumble Rap and a documentary on her experiences during the crack cocaine epidemic. She employs discourse analysis to challenge dominant narratives in Hip Hop and feminist theory, emphasizing marginalized voices and transnational collaborations. Service & Leadership: As Director of Feminist & Gender Studies, Lewis secured funding for new faculty lines, student programs, and community partnerships. Nationally, she co-created the #FemSTEMSymposium to bridge feminist inquiry and STEM fields. Her service prioritizes equity, including roles on promotion committees and external reviews for academic centers. Community Engagement: Lewis collaborates with organizations like the Kampagne für Opfer Rassistischer Polizeigewalt and the U.S. Olympic Committee. Her work extends beyond academia through public talks, media contributions, and initiatives like the Marsha P. Johnson Professorship.
Charles Athanasopoulos is an Assistant Professor of African American and African Studies & English at The Ohio State University. His research focuses on intersections of Black rhetorics, media, and culture, with expertise in The Black Radical Tradition, Rhetorical Theory, and Cultural Critique. He earned his Ph.D. in Rhetoric & Communication from the University of Pittsburgh. His work analyzes racial progress, public symbols, and post/Ferguson America through lenses of iconoclasm and critical race theory. Education: Ph.D., Rhetoric & Communication, University of Pittsburgh. Research interests span Black American and Diasporic Cinema, Afro-Caribbean and Greek-Roma identity critiques. He has published in venues like Lateral: The Journal of the Cultural Studies Association and Western Journal of Communication. His 2024 book Black Iconoclasm explores dismantling racial symbols in public discourse. Recent articles address Fanonian thought, anti-racist campus rhetoric, and transnational Blackness studies. His publications critically engage with visual activism, film analysis, and decolonial theories. Current projects include studies on sonic rhetorics in Black women’s music and global race discourses in Mediterranean contexts.
Virginia Polytechnic Institute and State UniversityUnited States
Justin Russell Greene serves as an Advanced Instructor in the Department of English within Virginia Tech's College of Liberal Arts and Human Sciences. With over 15 years of teaching experience across multiple institutions, he currently teaches courses in film, literature, and writing at Virginia Tech, where he has been employed since 2019. His academic journey spans various teaching positions at Virginia Tech, Hampden-Sydney College, Virginia Commonwealth University, and several community colleges. Greene earned his BA, MA, and PhD in English and Media, Art, and Text from Virginia Commonwealth University. His educational background reflects his interdisciplinary approach that bridges traditional literary studies with contemporary media and cultural analysis. He has also completed professional development certifications in Anti-Racist Teaching and Foundations of Online Teaching at Virginia Tech. His research focuses on the intersections of cinema, media, and cultural studies, with particular attention to authorship, celebrity, and gender performance. Greene examines how authors and celebrities construct their identities across various media platforms, exploring topics ranging from Quentin Tarantino's cinematic masculinity to Roxane Gay's digital presence. His work often analyzes the performative aspects of identity in contemporary culture, particularly through fashion, social media, and visual storytelling. Greene's scholarly output demonstrates a consistent focus on authorial identity construction across media platforms. His publications reveal a trajectory from examining literary authors' fashion choices to analyzing digital performances of identity on social media, and more recently to cinematic studies of directors like Quentin Tarantino and Jordan Peele. The evolution of his work reflects broader cultural shifts toward digital and visual media while maintaining a consistent theoretical framework centered on performance and identity construction. Joyce Gentry Smoot Award (2025) for Excellence in Teaching by an Instructor As an educator, Greene has served as a reader on graduate student capstones and has been actively involved in curriculum development and pedagogical innovation. He has participated in numerous professional development activities focused on writing instruction, anti-racist pedagogy, and the integration of AI in teaching. His teaching philosophy emphasizes building student confidence in writing abilities, recognizing diverse student backgrounds, and providing individualized feedback to help students develop their unique voices. Greene is currently working on projects examining Jordan Peele's Nope (2022) regarding point-of-view and gore, as well as speculative adaptations in contemporary US media. His research interests continue to evolve with cultural trends while maintaining his core focus on performance, identity, and media representation.
Sarah Bracke is a Professor in Sociology of Gender and Sexuality at the Faculty of Social and Behavioural Sciences, University of Amsterdam . Her work critically examines intersections of gender, sexuality, race, and secularism, particularly in European contexts. She is deeply engaged in analyzing systemic crises—capitalist, nationalist, and ecological—and their impact on marginalized communities. Current Affiliation : University of Amsterdam, Faculty of Social and Behavioural Sciences. Research Focus : Gender theory, reproductive rights, anti-LGBTQ+ mobilizations, secularism, and the political dimensions of care economies. Bracke’s research emphasizes the deliberate erosion of gender, reproductive, and LGBTQ+ rights, often highlighting transnational collaborations among far-right and mainstream political forces. She connects these issues to broader crises, including climate change, capitalist precarity, and nationalist rhetoric. Her work advocates for feminist coalitions that transcend traditional boundaries, prioritizing care ethics and collective solidarity over exclusionary frameworks. Her recent publications explore topics like the racialized dimensions of reproductive politics, the secularist underpinnings of European ‘Muslim Question’ discourse, and the role of academia in resisting oppressive systems. Although no specific awards or advisees are mentioned in the text, Bracke’s scholarship consistently bridges feminist theory, critical race analysis, and critiques of neoliberalism, urging transformative responses to global crises.
Gayle Salamon is a Professor of English and the Program in Gender and Sexuality Studies at Princeton University. She holds a PhD from UC Berkeley's Department of Rhetoric (2002) and serves as Associate Chair of the English Department. Her work bridges phenomenology, feminist philosophy, queer/transgender theory, disability studies, and Continental philosophy. Education: PhD, UC Berkeley, Department of Rhetoric, 2002 Her research explores materiality, embodiment, and critical phenomenology. Notable works include Assuming a Body (Lambda Literary Award-winning) and The Life and Death of Latisha King , analyzing transphobia through phenomenology. Recent articles engage critical phenomenology's methodologies and masculinity studies. Awards include the Iris Marion Young Prize for Feminist Philosophy (2017) and the Lambda Literary Award. Current projects address mid-century phenomenology’s ethics and pain narratives in disability memoirs.
Professor Stephen Chan is a faculty member at SOAS University of London in the Department of Politics and International Studies (POL) . With a focus on African political thought and international relations, his work critically examines postcolonialism, decoloniality, and global governance. Key research themes include: Decolonizing international relations theory Sino-African political dynamics Election observation and democratic processes Non-Western cosmopolitanism Comparative diplomatic practices His recent publications analyze the ideological ambiguity of decoloniality (2023), pluralist visions for global security (2017), and the legacy of African liberation movements (2021). He has advised multiple theses on topics ranging from parliamentary governance in Kenya/Zimbabwe to China-Africa media interactions. Notably: Critiqued the misuse of 'decoloniality' as ideological rhetoric (2023) Authored a poetic autobiography of political engagement (2022) Traced Africa's intellectual history of freedom (2021) Examined Zimbabwean elections (2017) Explored non-Western modernity (2018)
Eric Wilkinson is a Research Fellow in the Department of Philosophy at the University of British Columbia and previously served as a Visiting Assistant Professor at the University of Wisconsin-Milwaukee. He holds a PhD from McGill University and earned MAs in Political Science (York University) and Philosophy (University of Toronto). His research focuses on meta-ethics, normative ethics, political philosophy, and the history of philosophy, with notable work on Indigenous philosophy, multicultural nationhood, and logical rationalism. He is a Vanier Scholar and has contributed to debates on Canadian national identity, public policy, and the intersection of gender and historical philosophy. His teaching interests align with his research, emphasizing ethics, meta-ethics, and political philosophy. Education: PhD in Philosophy, McGill University MA in Political Science, York University MA in Philosophy, University of Toronto BA/BSc, University of Ottawa Research Highlights: Reconstructing Indigenous philosophical thought through oral traditions and European records. Advocating for multicultural nationhood as a cohesive framework for diverse societies. Exploring logical rationalism as a foundational theory in epistemology. Awards: Vanier Scholar (McGill University). Publications: Featured articles include work on Mersenne’s music theory, Anscombe’s philosophy of law, and the pragmatics of art ontology. Wilkinson’s work bridges academic philosophy with public engagement, as seen in his advocacy for accessible philosophy and potential interest in public office.
Jacqueline Vayntrub is an Associate Professor of Hebrew Bible at Yale University's Yale Divinity School (YDS). Her expertise spans the Hebrew Bible, wisdom literature, biblical poetry, philology, and the reception history of biblical scholarship. She holds a PhD in Near Eastern Languages and Civilizations from the University of Chicago (2015), along with earlier degrees from UCLA and Hebrew University. Dr. Vayntrub’s research examines biblical genres within ancient Near Eastern literary contexts, focusing on how textual values evolve through transmission and reception. Her first monograph, Beyond Orality: Biblical Poetry on its Own Terms (Routledge, 2019), critiques scholarly assumptions about biblical poetry’s oral origins. Her current projects include Reframing Biblical Poetry (Yale U.P.) and Seeking Eternity , exploring transmission and mortality in biblical texts. She directs the international Renewed Philology working group and chairs SBL units in Hebrew Bible and philology. Vayntrub has published widely in journals like Harvard Theological Review and Catholic Bible Quarterly , and her work has been reviewed at prestigious institutions including Yale and NYU. She received a 2019-20 Katz Center fellowship for her Seeking Eternity project. Her academic service includes organizing conferences at Yale, Harvard, and Princeton, and editorial roles for Studies in Cultural Contexts of the Bible . Her teaching and scholarship emphasize critical engagement with ancient texts and their enduring cultural impact.
Joanna Pawlik is an Associate Professor and Head of the Department of Art History at the University of Sussex, within the School of Media, Arts and Humanities. Her research focuses on modern art and literature, emphasizing transnationalism, avant-gardism, and protest movements. She has been funded by prestigious grants like the Leverhulme Trust and the AHRC. Her 2021 monograph Remade in America , awarded the MSA First Book Prize, examines Surrealism's role in American activism post-1940. Current research explores fascist iconography in American art (1945–1980), funded by a Leverhulme Fellowship. Education: PhD in Art History, University of Sussex (2003–2008) MA in Art History, York University, Canada (2021–2022) BA Hons in Art History, University of East Anglia (2018–2021) Research Interests: Her work investigates surrealism's transnational legacies, anti-fascist art, feminist/queer methodologies, and postwar American visual culture. She examines how surrealist principles intersect with race, gender, class, and activism in movements like the Beat Generation and Black Arts Movement. Grants & Awards: Leverhulme Research Fellowship (2020–2022) Leverhulme Trust Grant 'Radical America: Afterlives' (2016) MSA First Book Prize (2021) Professional Activities: Co-director of the SAVAnT Doctoral School promoting interdisciplinary American visual studies. Supervises PhD projects on postwar American art, anti-fascism, and feminist/queer art history. Engages in public scholarship through interviews and exhibitions.
Vicente Cervera Salinas is a Professor of Spanish Literature at the University of Murcia, affiliated with the Faculty of Arts and Humanities and the Department of Spanish Literature, Literary Theory and Comparative Literature. He has been a full professor since 2004 and specializes in Latin American literature, intertextuality, and literary theory. His research interests include: Spanish and Latin American Literature Comparative Literature and Intertextuality Poetry and the Essay as Literary Genres Classical Mythology and its Modern Reinterpretations Aesthetic Criticism and Cultural Memory Philosophical Dimensions in Literature His scholarly and creative work reflects deep engagement with figures like Jorge Luis Borges, Dante Alighieri, and George Santayana. His publications span poetry, critical essays, and editorial projects, often exploring the intersections between literature, philosophy, and cultural identity. The themes across his recent articles reveal a consistent focus on myth, authorship, and transatlantic literary traditions, particularly in Hispanic contexts. He has received recognition including the Second Prize in the America Poetry Prize (1993). He co-directs the journal Cartaphilus: Revista de investigación y crítica estética and has directed the Humanities Classroom at the University of Murcia. He served as president of the Association of Hispanic American Literary Studies (2014–2018). He has supervised at least one doctoral thesis and has been a visiting professor at institutions in Havana, San José (Costa Rica), Buenos Aires, and Vienna. His academic leadership includes editing multi-volume works on literary figures and movements, contributing significantly to the study of Hispanic intellectual and aesthetic traditions. He leads the research group Plural Scriptures: Intertextuality and Interdisciplinarity , continuing to influence both literary scholarship and creative writing in Spain and Latin America.
