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Professor Agnieszka Zabłocka-Kos is a faculty member at the Institute of Art History, University of Wrocław, specializing in Central European architectural history and urbanism. Her work focuses on 19th-20th century architecture, with particular emphasis on Wrocław/Breslau, including post-war reconstruction, national identity construction, and sacred space design. Professor, University of Wrocław Specialist in 19th-20th century Central European architecture Director of postdoctoral internships (NCN FUGA III) Recipient of multiple Rector's awards for research and teaching Research Themes: Urban development in Central Europe, political architecture in Poland/Germany, sacred architecture of the 19th century, post-war modernism, industrial architecture revitalization. Her students have produced award-winning theses on topics like Wrocław urban blocks, Silesian architects, and post-industrial adaptations. Scientific Contributions: Notable works include the edited volume Architecture in the 'long' 19th century (2019), multiple articles on Breslau's architectural conflicts, and international projects on Central European sacred architecture. She has supervised 33 master's and 5 doctoral theses, with several student works published as books. Dettloff Prize for dissertation (1992) Rector's awards for research and didactic achievements International projects with universities in Berlin, Freiburg, and Leipzig Advisor for Wrocław's Monument Office and City Development Bureau Her teaching integrates interdisciplinary approaches, linking art history with political, economic, and social contexts. She promotes student research popularization through conferences, exhibitions, and publications.

• Architecture History
• Urban Planning
• Sacred Architecture
• +2 more

Dorota Jarecka is an Adjunct Professor at the Institute of Literary Research of the Polish Academy of Sciences (PAN), specializing in the social history of art and visual culture. She is also the director of Warsaw’s Galeria Studio since 2016, and a renowned curator and author. Her work focuses on 20th-century art, surrealism, and gender studies in Eastern Europe. Key professional roles include: Adiunkt (Adjunct Professor) at PAN’s Institute of Literary Research Kurator of major exhibitions including the Erna Rosenstein series (2011–2014) Editor of monographs on artists like Krystiana Robb-Narbutt, Natalia LL, and Ewa Zarzycka Research highlights include her 2021 monograph analyzing surrealism, realism, and Marxism in post-war Polish art, and a 2013 interview with Anda Rottenberg. Her 2022 article on Helena Berlewi explores avant-garde movements and gendered artistic identity. Her exhibitions and publications emphasize underrepresented female artists and political contexts shaping art production in communist Poland.

• Art History
• Visual Culture
• Social History of Art
• +3 more

Michał Pałasz, PhD, is an Associate Professor at Jagiellonian University's Faculty of Management and Social Communication, Institute of Culture. His research focuses on management in the Anthropocene, posthumanism, ecological humanities, and climate policy. He serves as a European Climate Pact Ambassador, advocating for socio-environmental change through academic and community engagement. His research interests include exploring non-human agency, degrowth, and critical management studies. He has published extensively on climate action, cultural management, and digital culture, with notable works like Culture Management Must Fuel Socioenvironmental Change (2024) and Language Affects Climate (2024). His work bridges theory and practice, emphasizing inclusive and planetary-bound solutions. Pałasz has collaborated on projects such as Tick-tock, the End of the World (2022), examining multidisciplinary responses to the climate crisis. His academic contributions span journal articles, edited books, and conference presentations, often addressing the intersection of management, culture, and environmental sustainability. He teaches courses on posthumanistic management and climate policy, integrating critical perspectives into education. His work highlights the urgency of rethinking management practices to address polycrisis challenges, advocating for more-than-human-centered approaches.

• Management in the Anthropocene
• Posthumanism
• Ecological Humanities
• +5 more

Dr. hab. Jolanta Szymkowska-Bartyzel, prof. UJ, is a Full Professor at Jagiellonian University's Faculty of International and Political Studies, specializing in American Studies and Polish Diaspora Research. She holds positions as the Erasmus PLUS Programme Coordinator and member of the Discipline Council for Cultural and Religious Studies, as well as the Faculty Electoral Commission. Education: Graduate in Film Studies from Jagiellonian University Doctoral dissertation on American myths and cultural motifs in television advertising Research Interests: Americanization and anti-Americanism American popular culture's impact in Poland Intercultural dialogue and transnational identity Cultural diplomacy and media analysis Key Contributions: Co-organized the American Dream exhibition at Kraków's National Museum (2009) Authored monographs like Our Imagined America (2015) and The American Myth - the Polish Consumer (2006) Presented globally at conferences in Hungary, Czech Republic, Malta, and Portugal Grants & Projects: Principal investigator in NCN-funded projects on transatlantic relations and cultural differences Coordinated international exchange programs with Radboud University and Universität Duisburg-Essen Labs/Teams: Active in the Institute of American Studies and Polish Diaspora’s research groups focusing on transnational cultural dynamics and media studies.

• Americanization and anti-Americanism
• American popular culture
• Intercultural dialogue
• +3 more

Monika Rosińska is an Assistant Professor at SWPS University's Faculty of Design in Warsaw, where she serves as Head of the Department of Design Theory and Research and as Dean's Representative for Interdisciplinarity. She is affiliated with both the Institute of Social Sciences and the Design Institute within the university. Her research focuses on the socio-cultural dimensions of design practices, with particular expertise in non-anthropocentric design, science and technology studies (STS), and critical/speculative design approaches. She investigates the history of design within political, social and cultural contexts, and examines the sociology of objects in everyday life. Dr. Rosińska explores why the creative process extends beyond form and function, pursues definitions of "good design," and investigates what matters to contemporary designers. Her scholarly work reveals consistent themes across publications, with recent research increasingly focused on multi-species communities and non-anthropocentric approaches to design. Her 2019 paper "Zoepolis: Non-anthropocentric design as an experiment in multi-species care" represents a significant contribution to this emerging field, building on earlier work exploring urban revitalization and participatory design. Dr. Rosińska has curated exhibitions including "Zoepolis. Design for Plants and Animals," which serves as both research output and practical exploration of her theoretical frameworks. Her publications span from foundational works on collective behaviors ("Deindywiduacja. Socjologia zachowań zbiorowych") to cutting-edge explorations of AI in visual arts (2025). She actively contributes to academic discourse through platforms including Google Scholar, ResearchGate, Academia.edu, and ORCID, maintaining visibility across multiple scholarly networks. Her work bridges sociology and design in innovative ways that challenge traditional disciplinary boundaries.

• Sociology of Design
• Non-anthropocentric Design
• Science and Technology Studies
• +7 more

Dr. Sonia Rammer is a Professor at the University of Arts in Poznań, serving as Head of the Art Studio in an Intercultural Perspective at the Faculty of Artistic Education and Curating. She also holds significant administrative positions including Vice-Dean of the Faculty and Member of the Scientific Council. Her work uniquely bridges artistic practice with psychological insights, creating an interdisciplinary approach to art creation and education. Dr. Rammer's educational background demonstrates her dual expertise in both psychology and fine arts. She completed psychology studies at Adam Mickiewicz University (2003-2010), specializing in clinical psychology, alongside concurrent studies in painting and art education at the Academy of Fine Arts in Poznań. She earned her habilitation degree in visual arts and art conservation in 2019. Her research interests focus on the psychological dimensions of creativity, cross-cultural artistic exchange, and posthumanist perspectives. Rammer critically examines anthropocentric views through works that explore interspecies relationships and the fluid boundaries between human and non-human entities. Her art often emerges from international residencies in extreme environments like Greenland, Nepal, and Iceland, where she engages with local cultures and ecological contexts. Her recent artistic output shows a consistent exploration of Arctic themes, cultural translation, and identity transformation. The 'Woman Who Thought She Was a Dog' series (2022-2024) from her Greenland residency exemplifies her approach, using minimalist video installations to provoke reflection on species boundaries and human exceptionalism. Her work spans performance, video, photography, and installation, often incorporating cross-cultural misunderstandings as conceptual frameworks. As an educator since 2011, Rammer teaches psychology and psychology of creativity while mentoring students through her studio practice. Her leadership roles include chairing the Faculty Recruitment Committee and serving on the University Senate, demonstrating her commitment to academic development. Dr. Rammer maintains active international collaborations through prestigious residencies including Arctic Culture Lab (Greenland), Marpha Foundation (Nepal), and Baer Art Center (Iceland). She also collaborates with the Faculty of Geographical and Geological Sciences of Adam Mickiewicz University on artistic research in Spitsbergen, reflecting her commitment to interdisciplinary work.

• Cross-cultural Art
• Psychology of Creativity
• Posthumanism
• +5 more

Dr. hab. Gabriela Świtek is a Professor and Chair of Art Theory at the Institute of Art History, University of Warsaw (IHS UW), and Vice-President of its Scientific Council. She holds a post-doctoral habilitation from the Faculty of History, University of Warsaw (2013). Her academic journey includes a PhD (1999) and MPhil (1996) from the University of Cambridge, an MA from the Institute of Art History, University of Warsaw (1992), and studies at the Central European University in Prague (1994). Since 2001, she has been an Assistant Professor at IHS UW, though her current role reflects a promotion. She has held leadership positions, including Head of the Documentation Department at Zachęta – National Gallery of Art (since 2005) and Academic Plenipotentiary of the Director (since 2018). Her research focuses on modern/contemporary art, architectural history/philosophy, and art-historical methodologies. Notable projects include leading the History of Exhibitions at the Zachęta – Central Office of Artistic Exhibitions (1949–1970) (funded by Poland’s National Programme for Humanities Development, 2014–2018). As a curator, she organized exhibitions like Transfer by Jarosław Kozakiewicz at the Venice Architecture Biennale (2006) and Memory Foundations by Daniel Libeskind (Zachęta, 2004). Świtek is also Vice-President of Poland’s AICA Section (International Association of Art Critics, since 2015). Her work bridges academic research and institutional curatorial practice, emphasizing exhibition historiography and 20th-century art politics.

• Modern and Contemporary Art
• History and Philosophy of Architecture
• Methodology of Art History

Júliusz Huth is a Budapest-based art historian and lecturer at the Hungarian University of Fine Arts, concurrently serving as a researcher at the Central European Research Institute for Art History (KEMKI). His academic work centers on institutional frameworks and visual art discourses in 20th-century Hungary, with specific focus on the 1980s-1990s transition period. His educational journey includes studies at Babes-Bolyai University in Cluj, Romania, and Eötvös Loránd University in Budapest, Hungary, culminating in a 2024 PhD from Eötvös Loránd University. Huth's research critically examines the intersection of political transformation and artistic production in Central Europe, particularly analyzing how socialist-era art institutions evolved during Hungary's post-1989 democratization. His methodology combines archival analysis with discourse studies to unpack power dynamics in curatorial practices and art policy formation. His 2024 publication exemplifies his scholarly focus, investigating how managerial capitalism reshaped Hungary's visual arts infrastructure while fueling contemporary culture wars, revealing continuities between socialist-era bureaucratic structures and neoliberal cultural governance. As an active art critic and member of AICA's Hungarian Section (International Association of Art Critics), Huth bridges academic research with contemporary art criticism, contributing to ongoing debates about cultural memory and institutional legacy in Central Europe.

• Art History
• 20th Century Art
• Exhibition History
• +3 more

Dr. hab. Tomasz Nowicki , Professor at the John Paul II Catholic University of Lublin (KUL) , is a prominent historian specializing in the Nobility of Royal Prussia , 18th-century Włocławek Diocese , and prosopographic methods. Affiliated with the Faculty of Humanities and Department of Source Studies, Archival Studies and History Didactics since 1993, he has served as Director of the Institute of History since 2016. Doctorate in History (KUL, 2000) Postdoctoral Degree (2012) Professor Title (2017) His research spans archival studies , source editing , and demographic history , with a focus on Polish diaspora and religious movements. Notable works include the 2024 co-authored book Gazolina SA , analyzing Polish economic history, and extensive archival projects on figures like Rev. Prof. Tadeusz Styczeń. Recent publications (2024-2025) examine Polish diaspora in Brazil/Venezuela , 18th-century church finance , and interwar archival legislation . His work frequently intersects economic history , religious institutions , and documentary legacy . Polish Heraldic Society member (2025) Internal KUL Awards (2014, 2017) Editorial roles in Encyclopedia of KUL (2015) and Archiva Ecclesiastica (2021) He has supervised doctoral and master's theses on topics ranging from 17th-18th-century religious life to diplomatic history , and led MEiN-funded projects on archival digitization. Active in international conferences on multiculturalism and Polish genealogy, he also organizes exhibitions and science festivals at KUL.

• Nobility of Royal Prussia
• 18th-century Włocławek Diocese
• Prosopography
• +6 more

Prof. Dr. hab. Zbigniew Treppa is a distinguished Professor at the Faculty of Social Sciences, University of Gdańsk , within the Department of Image Anthropology . His work bridges visual semiotics , religious iconography , and photographic theory , with a focus on acheiropoietos images (divine images not made by human hands). Education: Theology at Catholic University of Lublin, PhD from Poznań Academy of Fine Arts, Habilitation from Polish National Film, Television and Theatre School His research investigates the semiotics of photographic images , particularly analyzing sacred artifacts like the Turin Shroud , Manoppello Image , and Tilma of Guadalupe . Recent works explore the ecumenical potential of visual representation and theological interpretations of light in photography. Key trends in his publications include visual theology ( 8 entries ), acheiropoietos image analysis ( 6 entries ), and media-cultural intersections ( 4 entries ). His 2015 article in 'Więź' examines visual oppression vs. theological suffering , while 2016's 'Acta Humaniora' work debates iconographic functions in ecumenism . Scientific Awards: University of Gdańsk Rektor's Award for 'Całun turyński – fotografia Niewidzialnego?' First Prize & Honorable Mention in 'Vidical' International Photography Competition Treppa has received research grants for studies on the Manoppello Image (2008-2010) and conducted fieldwork in Italy, Mexico, and Poland. He serves on the National Centre for Culture expert panel in Warsaw and actively participates in international conferences on acheiropoietos images and visual theology . His artistic practice includes 25+ solo exhibitions of staged photography since 1982, notably 'Opera Infinita – Opera Aperta' (2012) and 'Corporale' (2013). Collaborative works appear in collective exhibitions across Poland and Italy, including the International Workshop on Acheiropoietos Images in Frascati (2010) and Toruń (2011).

• Semiotics of photographic images
• Acheiropoietos images (e.g., Turin Shroud, Manoppello Image)
• Visual theology
• +3 more

Anna Kałużna is a sociologist and scholar affiliated with the Department of Jewish Studies at the University of Wrocław's Faculty of Philology. She holds a PhD in sociology from the University of Wrocław, where her doctoral thesis focused on Jewish theatre in Lower Silesia (1945–1968) under Professor Marcin Wodziński's supervision. She currently manages the department's secretariat and teaches Yiddish language courses. Her research interests center on post-war Jewish history in Lower Silesia, Jewish theatre, and cultural heritage preservation. She has curated exhibitions on postwar Jewish theatre and collaborates with the District of Mutual Respect Foundation in Wrocław. Key scholarly contributions include publications in Rita Baum , Notatnik Teatralny , and Jewish Word , exploring topics such as anti-Semitic incidents in theatre, Yiddish linguistic sources, and post-war Jewish settlement patterns. She has presented at major conferences including the Wrocław Judaic Conference and Warsaw's "CENTERS – PERIPHERIES – BORDERLANDS" conference. Her educational background includes scholarships from the Posen Foundation and YIVO Institute for Jewish Research. She actively participates in cultural initiatives, academic lectures, and educational projects promoting Jewish cultural heritage in Poland.

• Post-War Jewish History
• Jewish Theater
• Lower Silesia Studies
• +3 more

Dr. Karolina Szymborska serves as Assistant Professor at the Department of Cultural Anthropology within the Faculty of Cultural Studies at the University of Białystok. Her academic work bridges literary anthropology and interdisciplinary child studies, focusing on historical and contemporary representations of childhood across cultural domains. Her research interests span child studies , literary anthropology , and affective philosophy of childhood . Key areas include postmodern fairy tales, child thanatology, boyology, pedology, cultural memory, and children's film. She develops educational frameworks like the prefigurative method and exopedagogy, emphasizing child agency in cultural production and pedagogical innovation. Analysis of her 15 most recent publications (2013-2022) reveals consistent focus on childhood representation across literary, cultural, and philosophical contexts. Her work demonstrates strong interdisciplinary integration, particularly between literary theory, cultural anthropology, and educational practice, with recurring themes of child agency and cultural memory construction. She actively coordinates research initiatives including the international "Together for Education" project (2017-2023), implementing pedagogical innovations in Polish schools worldwide through Ministry of Education funding. Since 2022, she executes the Henryk Sienkiewicz "Writings" critical edition grant. As editor of the "Children Studies. Literature-Theory-Life" publishing series, she facilitates international scholarly dialogue on child studies methodology. Szymborska directs cultural-educational activities through "Wspólnota Polska" Association, developing programs that engage students in co-creating educational materials. Her work extends to Polish diaspora communities across 15 countries, emphasizing child-centered cultural production and transnational educational exchange.

• Child Studies
• Literary Anthropology
• Cultural Anthropology
• +5 more

Prof. Jolanta Szymkowska-Bartyzel is an Associate Professor at the Institute of American Studies and Polish Diaspora, Faculty of International and Political Studies, Jagiellonian University. She holds a degree in Film Studies from the same university and specializes in American popular culture, Americanization, anti-American sentiment, and intercultural dialogue. She has taught at universities in Vaxjo, Prague, Coimbra, and Bologna, and has co-organized major cultural exhibitions such as the 'American Dream' at the National Museum in Kraków. Position: Associate Professor Office: Room 211/2, Jagiellonian University Contact: jolanta.szymkowska-bartyzel@uj.edu.pl Profiles: Google Scholar , ORCID , JU Repository Her academic interests include Americanization, anti-American sentiment, intercultural dialogue, and cultural diplomacy. She has extensively researched how American myths and cultural motifs are received and reinterpreted in Poland, particularly through media, advertising, and film. Her work bridges historical analysis with contemporary cultural studies, emphasizing transatlantic relations and the evolution of American cultural influence in post-1989 Poland. The most recent publications reflect a strong focus on cultural memory, gender, and the commodification of rebellion. Themes such as Margaret Fuller’s intellectual legacy, Harley-Davidson mythology, and the reinterpretation of Westerns in Silesia reveal a deep engagement with identity, resistance, and transnational cultural flows. Her research often intersects with media studies, gender theory, and post-communist cultural transformation. She has participated in numerous international conferences and research projects, including grants from the National Science Center (SYMFONIA, HARMONIA) and the POB Heritage program. She serves as the Erasmus PLUS Coordinator and is a member of the Departmental Electoral Commission and Discipline Council for the Science of Culture and Religion. Research Projects: "Gratitude and Ingratitude in Polish-American Relations" (POB Heritage) "Mapping American Century" (POB Heritage) "Mobility: courses and exchange" (with Radboud and Duisburg-Essen) "Poland in Transatlantic Relations" (NCN SYMFONIA) "Negotiating Cultural Differences in Digital Communication Era" (NCN HARMONIA) She has been a co-organizer of significant cultural initiatives such as the 'American Dream' exhibition (2009) and photographic exhibitions on U.S. scientific expeditions (2010, 2012, 2015). Her work contributes to both academic scholarship and public engagement with American culture in Poland.

• American Popular Culture
• Americanization
• Anti-American Sentiment
• +7 more

Aliaksandr Cyargeenka is a researcher at the Institute of Geography and Spatial Organization of the Polish Academy of Sciences, working in the Department of Urban and Population Geography since 2019. He is currently pursuing doctoral studies at the Anthropos Doctoral School of Institutes of the Polish Academy of Sciences. His educational background includes: 2003-2008: Belarusian State University in Minsk, specialization: History (native and universal history), qualification: Historian. Teacher of history and humanities and social sciences 2013-2015: Master's studies at Maria Curie-Skłodowska University in Lublin, major: International Relations, specialization: International Projects 2017-2018: Research internship at University of Warsaw, East European Studies From 2021: Doctoral studies at Anthropos Doctoral School Cyargeenka's research bridges historical analysis with contemporary geography, focusing on border regions and tourism development. His doctoral work examines how historical border changes affect tourism products on the Polish-Belarusian border. His interdisciplinary approach connects political geography, historical studies, and tourism economics to understand the complex dynamics of borderland regions. Analysis of his publication record reveals a consistent focus on Eastern European borderlands, with particular attention to how political boundaries shape tourism development. His work demonstrates sophisticated understanding of both historical context and contemporary spatial dynamics, creating valuable insights for regional development policy. His scientific achievements include: Multiple awards in history competitions during his early academic career Two phases of the prestigious Konstanty Kalinowski scholarship program Participation in the National Science Centre's 'OPUS 18' project on Polish borders as tourism resources Cyargeenka contributes to understanding how border regions can leverage their unique historical and cultural heritage for sustainable development. His research has practical implications for cross-border cooperation initiatives and regional development strategies in Eastern Europe.

• Geography of tourism
• Political geography
• Geography of political boundaries and borderlands
• +2 more

Prof. Krzysztof Wróblewski is a Professor at the Department of Visual Arts within Gdańsk University of Technology's Faculty of Architecture. His research focuses on contemporary art practices, painting theory, and the intersection of art with sociocultural contexts. He has curated several exhibitions and authored works analyzing artistic expression through historical, technological, and philosophical lenses. Key publications include explorations of art residencies (e.g., 20 Jahre Bremer Kunststipendium ), the ethical dimensions of historical narratives ( Walerian Wróbel ), and the philosophical boundaries of painting ( Paintings ). His 2024 works address AI's impact on artistic perception ( MATRYCA. NANO – qual-IA ) and collaborative academic exhibitions. With 117 publications and 32 achievements, his work bridges artistic creation with critical theory. He teaches 119 academic courses, emphasizing visual arts education. His professional profile includes habilitation (2004) and professorship (2020) titles in fine arts from Gdańsk institutions.

• Contemporary Art
• Painting
• Visual Arts
• +4 more