Matthew Potolsky is Professor of English at the University of Utah, specializing in nineteenth-century literature and literary theory. His career spans from 1998 Lecturer at Harvard University to current University Professorship. He earned a BA in Comparative Literature and Philosophy (1990), followed by MA and PhD in Comparative Literature (1992, 1997) from UC Irvine. Chair of English Department (2013-2016) University Professor (2014-2016) Research focuses on Decadence , Mimesis , Finance-Aesthetics intersections , and Government Secrecy . His work traces connections between financialization and decadent aesthetics, revealing how economic cycles influence artistic production. Key themes include: Decadent anti-realist literary movements Finance capital's cultural impact Decadent counterpublic formations Victorian aesthetic education debates Sublime aesthetics in national security Cosmopolitanism in literary communities Recent publications analyze: Decadent style as financialization rhetoric Reintroduction of verisimilitude theory Decadent responses to financial crises Mimetic labor in artistic production Decadent cosmopolitan counterpublics Historical parallels between financialization and literary decadence
Martin Procházka is Professor of English, American, and Comparative Literature at the Faculty of Arts, Charles University, Prague. He holds visiting roles at the University of Porto and the University of Kent, including Honorary Visiting Professor since 2021. His research spans Intercultural communication Romanticism Comparative literature Scottish literature American colonial literature , with a focus on authorship, adaptation studies, and the intersections of European Romanticism with Czech cultural contexts. Procházka's recent publications include the 2024 edited book From Shakespeare to Autofiction , which critically engages with Roland Barthes and Michel Foucault's theories of authorship, and the 2022 theoretical work on autopoietic systems and intercultural communication. His scholarship often bridges historical and contemporary debates, such as in the 2021 Romanticism and Periodisation roundtable. He has received the Comenius Medal (1992) for educational research and led the H2020 MSCA ITN European Joint Doctorate Migration and Modernity (MOVES) from 2018 to 2023. Procházka also served as President of the Czech Association for the Study of English (2004-2014) and on the Advisory Board of the International Association of Byron Societies (1999-2024). As founding editor of the Scopus-indexed journal Litteraria Pragensia , he has shaped academic discourse on literary theory and comparative studies. His work on Scottish Enlightenment and Czech modernist reception of William Blake highlights his interdisciplinary approach.
Harsha Ram is an Associate Professor in the Department of Comparative Literature at the University of California, Berkeley. His research focuses on Russian and European Enlightenment, modernist literature, and the cultural histories of the Caucasus region. He holds dual B.A. Honors degrees in Italian and Russian from the University of Sydney and University of New South Wales, and a Ph.D. in Comparative Literature from Yale University. His work bridges literary theory, post-colonial studies, and geopoetics, with a particular emphasis on Georgia's literary modernism and its intersections with Russian imperial culture. Key themes include spatial theory, peripheral modernisms, and the transnational dimensions of cultural production. Recent work examines the role of ritual feasts in Georgian national identity and the geopoetics of Eurasian avant-garde movements. Ram has published extensively on figures like Velimir Khlebnikov and Boris Pasternak, exploring their engagement with imperial legacies and revolutionary aesthetics. His book The Imperial Sublime: A Russian Poetics of Empire (2003) remains a seminal study of Russian imperial poetics. Current projects include studies on Georgian literary encounters with Russian culture and the symbolic dimensions of Caucasus representations. His scholarship frequently appears in leading journals such as Modernism/Modernity , Slavic Review , and Ab Imperio . He has held visiting positions at institutions globally and actively participates in interdisciplinary dialogues between literary studies, history, and cultural geography.
Blair Hoxby is Professor of English at Stanford University's School of Humanities and Sciences, where he has taught since 2007. Previously, he served as Associate Professor of History and Literature at Harvard University (2005-2007) and Associate Professor of English at Yale University (2003-2005), where he began as Assistant Professor in 1998. His academic journey includes a Ph.D. in English from Yale University (1998), an M.Phil. in English Studies from the University of Oxford (1990), and an A.B. in English and American Literature and Language from Harvard University (1988). Hoxby's research focuses on literature and culture from 1500 to 1800, with particular emphasis on tragedy theory, Milton studies, and the intersection of literature and economics. His notable works include What Was Tragedy? Theory and the Early Modern Canon (2015) and Mammon's Music: Literature and Economics in the Age of Milton (2002). He argues that early modern tragedy differed significantly from contemporary understandings of the genre, with passions rather than deeds or character serving as the keys to early modern tragic performance. Hoxby's recent scholarly output reveals a consistent engagement with early modern theatrical practices, particularly tragedy and opera. His work demonstrates sophisticated interdisciplinary approaches, connecting literary analysis with historical context, economic theory, and performance studies. He has made significant contributions to understanding how commercial culture shaped literary production and how theatrical conventions evolved across national boundaries in Europe. Scientific Awards and Honors Internal Fellow, Stanford Humanities Center (2009-2010) Morse Fellowship, Juilliard School (2001-2002) Samuel and Ronnie Heyman Prize, Yale University (2001) John Addison Porter Prize, Yale University (1999) Rhodes Scholarship, University of Oxford (1988-1990) Hoxby has supervised numerous doctoral students and served in various administrative roles at Stanford, including Director of Undergraduate Studies (2011-2014) and Director of Graduate Admissions (2008-2011). His teaching portfolio includes courses on English poetry from the Renaissance to Romanticism, tragedy and tragic theory from Aristotle to the present, theater history, and performance theory. Currently, he teaches courses such as Court Theater from Shakespeare to Mozart and Introduction to English II: From Milton to the Romantics . Hoxby maintains active scholarly engagement through committee memberships, including the Executive Committee of the Milton Society of America (2009-2013) and service as a referee for major academic presses including Oxford University Press and the University of Pennsylvania Press.
Prof. Dr. Sebastian Conrad holds the Chair of Modern History at Freie Universität Berlin , specializing in Global History , (Post-)colonial History , and Intellectual History . He joined the faculty in 2010 after teaching at European University Institute in Florence and serving as visiting scholar at institutions including NYU Abu Dhabi and The New School, New York. Director of MA "Global History" (FU Berlin/Humboldt University joint program) Director of Graduate School "Global Intellectual History" Principal Investigator, Cluster of Excellence "Temporal Communities" (2024) Research Interests focus on transnational historical frameworks , globalization of historical narratives , and postcolonial historiography . His latest book Die Königin: Nofretetes globale Karriere (2024) analyzes cultural globalization through Nefertiti's iconography, while his current project explores global history of bodily aesthetics and identity formation since the 19th century. Recent Publications include: 2022: "Empire and Nationalism" (American Historical Review) 2021: "Globalizing the Beautiful Body" (Journal of World History) 2020: "Greek in Their Own Way" (American Historical Review) Scientific Honors : Elected member, Berlin-Brandenburg Academy of Sciences and Humanities (2024) Elected member, Academia Europaea (2024) Finalist, German/NDR non-fiction book awards (2024) for Nefertiti study Academic Leadership includes editorial roles at Geschichte und Gesellschaft , Past & Present , and Globalgeschichte book series (Campus Verlag). His work bridges historical analysis with contemporary debates on memory, identity, and global cultural dynamics.
Dr. François Soyer is an Associate Professor at the University of New England's School of Humanities, Arts, and Social Sciences, specializing in Early Modern History. He holds a PhD from the University of Cambridge (2007) and has held academic positions at the University of Southampton and the University of Adelaide. His research focuses on anti-Semitism, the Spanish and Portuguese Inquisitions, gender/sexuality history, and colonial empires. He has authored multiple books and articles, including Popularizing anti-Semitism in early modern Spain and its empire (2014) and Antisemitic conspiracy theories in the early modern Iberian world (2019). His work often examines how religious persecution intersected with medical, artistic, and legal practices. Education: PhD in History, University of Cambridge (2007) MPhil in History, University of Cambridge (2003) MA Honours, University of St. Andrews (2002) Postgraduate Certificate in Academic Practice, University of Southampton (2011) Research Interests: Anti-Semitic propaganda and conspiracy theories Inquisitorial archives and legal practices Gender transgression and queer histories Censorship of art and religious imagery His recent publications explore the Blood Libel legend, the trial of Catalan cross-dresser Maria Duran, and the emotional dimensions of religious conversion. He has been awarded fellowships from the Royal Historical Society and the Parkes Institute. His current projects include tracing the origins of anti-Jewish iconography in colonial Peru and analyzing the role of emotion in early modern religious trials.
Lena Berggren serves as an Associate Professor in the Department of Historical, Philosophical and Religious Studies at Umeå University, Sweden, with her office located in Humanisthuset (HUM.H.125), Umeå. She holds the title of Docent and has been honored as a Distinguished university teacher for exceptional pedagogical contributions. Her academic qualifications include the Swedish Docent credential (a post-doctoral habilitation) and recognition as a Distinguished university teacher, reflecting dual expertise in research and education. Berggren's research centers on Swedish fascism, antisemitism, and ultra-nationalism during the interwar period, with specific focus on clerical fascism intersections with Lutheranism and völkisch thought. She simultaneously advances university pedagogy through investigations into scientific methodology development and assessment strategies for students, creating a unique bridge between historical scholarship and educational innovation. Analysis of her publication trajectory reveals persistent examination of extremist ideologies' historical roots and modern manifestations, culminating in her 2024 co-authored book '100 år av svensk nazism' which directly addresses contemporary far-right movements in Sweden. Her scientific recognition includes: Distinguished university teacher award Berggren secured research funding for the project 'Swedish fascism 1920-1950' (2007-2008), demonstrating sustained investigative focus. While no formal advisee list is documented, her pedagogical publications indicate active mentorship in historical methodology and academic writing development.
Joel Mokyr is the Robert H. Strotz Professor of Arts and Sciences and Professor of Economics and History at Northwestern University , with additional affiliation as the Sackler Professor at the Eitan Berglas School of Economics, Tel Aviv University. His work bridges Economic History , Technological Change , and Population Economics , emphasizing evolutionary models and institutional frameworks. Research Focus : His scholarship explores how knowledge systems and technological innovation drove Industrial Revolutions , European economic divergence , and institutional evolution . Teaching : Courses include Economic History of the US Since 1865 , Advanced Topics in European Economic History , and History of Modern Europe , with syllabi and resources provided. Article Trends : His recent publications examine the role of institutions , intellectual property , and cultural contexts in technological progress, spanning from the Industrial Revolution to modern economic growth . Papers address evolutionary economics , counterfactual analysis , and knowledge diffusion . Scientific Awards : 2011 Upton Scholar Advising and Grants : While specific students and grants are not listed, his work has influenced economic historians and technology scholars through publications and conference presentations. Collaborations include co-authored studies on Irish famine mortality and industrial policy .
Nathan Martin is an Associate Professor of Music Theory at the University of Michigan, School of Music, Theatre & Dance. He joined in 2015 after postdoctoral fellowships at Columbia, Harvard, Katholieke Universiteit Leuven, Hochschule für Musik Freiburg, and Yale. He holds a PhD from McGill University’s Schulich School of Music (2009). His research focuses on the history of music theory and musical form analysis, particularly the works of Jean-Philippe Rameau and their reception among Enlightenment thinkers like Jean-Jacques Rousseau. He integrates intellectual history with practical analytical methods, emphasizing both contextual and emic perspectives. Recent interests include adapting empirical social science and linguistics methods to study musical form. Key publications include articles on Rameau’s harmonic concepts, Rousseau’s musical writings, and global music theory history. His 2014 article on Rameau’s supposition/suspension theories earned the Society for Music Theory’s Outstanding Publication Award. He co-edited Formal Functions in Perspective (2015) and served as co-editor of Music Theory & Analysis until 2019. Professional highlights include the Edward T. Cone Membership at the Institute for Advanced Study (2018–2019) and a 2023 visiting researcher role at the Max Planck Institute for Empirical Aesthetics. His work bridges historical analysis with contemporary empirical approaches, fostering interdisciplinary dialogue in music theory.
Dr. Jeni Mitchell is a Lecturer in the Department of War Studies at King’s College London, affiliated with the School of Security Studies under the Faculty of Social Science & Public Policy. She specializes in future war studies, space security, and the evolution of rebellion, serving as co-director of the Future Threats Lab within the Centre for Science & Security Studies. Her work emphasizes human-centric approaches to analyzing existential threats and their societal impacts. Her education includes a PhD from King’s College London, where her doctoral research focused on civilian victimization by non-state armed groups. She has held positions at Chatham House, the Brookings Institution, and the Middle East Institute. Teaching responsibilities include MA modules on future warfare, spacepower, and insurgency, while she also directs the MA International Relations and War program. Mitchell’s research explores future threat perceptions (particularly in space), futures research methodologies, and the intersection of war, genocide, and utopian ideologies. Her methodological innovations, termed ‘future-crafting,’ employ creative formats like films and games to model conflict scenarios. Notable collaborations include work with the Freeman Air and Space Institute and King’s Wargaming Network. Recent publications address Ukraine’s apocalyptic imaginary, space-based threat analysis, and refugee-warrior dynamics. Her research group activities include the Environmental Security research group and contributions to widening participation initiatives like the 2024 Summer School in international security.
Dr Ann Lewis is Senior Lecturer in French Studies at Birkbeck, University of London, within the School of Creative Arts, Culture and Communication . Since her appointment in 2008 she has held numerous leadership roles, including Subject Lead for Languages and Linguistics and programme director for several BA and MA programmes. Education: BA Joint Honours in History and French, New College, University of Oxford M.St. in European Literature, University of Oxford PhD in French Literature, Queen Mary, University of London PGC-HE (with distinction), Fellow of the Higher Education Academy Research Interests: Dr Lewis’s scholarship is situated at the intersection of eighteenth-century French literature and visual culture. Her work pursues two complementary strands: the first investigates text–image relations , exploring how eighteenth-century French novels were illustrated, re-imagined and circulated beyond the book through almanacs, extra-illustrated editions and domestic display. The second strand interrogates the representation of prostitution in eighteenth-century France, combining literary analysis with cultural history to illuminate questions of gender, commerce and morality. Both research lines deploy interdisciplinary methodologies that draw on illustration studies, adaptation theory and material bibliography. Publications profile: Across more than two decades, Dr Lewis has produced a monograph, three major edited collections and a series of peer-reviewed articles and book chapters (2004-2021). Her output charts an evolving focus from close readings of illustrated novels toward broader questions of intermediality, adaptation and the social lives of images, culminating in recent work on Rousseau’s Julie as material artefact. Honours & Awards: Leverhulme Early Career Fellowship, Leverhulme Trust (2009) Ronald Tress Prize, Birkbeck, University of London (2012) Haydn Mason Lecture, British Society for Eighteenth-Century Studies (2012) Nominated for Aurora Women into Leadership programme, Advance HE (2016) Doctoral supervision & grants: Dr Lewis welcomes proposals in eighteenth-century French literature and culture. She currently co-supervises two doctoral researchers: Miki Jablkowska – “The Reception and Cultural Adaptation of Voltaire in Eighteenth-Century Poland” Kirsten Tambling – “Watteau and Hogarth: Seduction, Space and Time” (awarded 2019) Laboratories, networks & teams: She is Co-founder and Co-convenor of the Birkbeck Eighteenth-Century Research Group , an interdisciplinary forum spanning French, English, History of Art and Comparative Literature. She additionally serves on the steering group of the Illustr4tio international research network devoted to illustration studies and is a member of the executive committee of AUPHF+ (Association of University Professors and Heads of French +).
Ayesha Jalal is a distinguished Professor of History at Tufts University's School of Arts and Sciences and holds a joint appointment at The Fletcher School of Law and Diplomacy. She currently serves as the Mary Richardson Professor and directs the Center for South Asian and Indian Ocean Studies. With a career spanning over three decades, Professor Jalal has established herself as a leading scholar in South Asian history, particularly focusing on Pakistan studies, the partition of India, and Muslim political thought in the region. Professor Jalal's academic journey began with a double major in History and Political Science from Wellesley College in 1978. She then pursued doctoral studies at the University of Cambridge, earning her PhD in History in 1983. Her early career included prestigious fellowships at Trinity College, Cambridge (1980-84), the Centre of South Asian Studies (1984-87), the Woodrow Wilson Center for International Scholars (1985-86), and the Harvard Academy for International and Area Studies (1988-90). Professor Jalal's research primarily centers on South Asian history with special emphasis on Pakistan, the partition of India, and Muslim political thought. Her work explores the complex interplay between religious identity, nationalism, and state formation in the region. She has made significant contributions to understanding democratic development in Pakistan, sectarian dynamics in South Asia, and the historical connections between the Indian subcontinent and the wider Indian Ocean world. Her recent scholarship has focused on 'Oceanic Islam,' examining transregional Muslim networks and universalist aspirations that transcended colonial boundaries. Professor Jalal's extensive publication record demonstrates a consistent focus on South Asian political history, with particular attention to Pakistan's formation and development. Her recent works show a progression from studies of partition and state formation toward broader examinations of Muslim intellectual history and transregional connections. The 2020-2024 publications reveal a sophisticated engagement with themes of democratic erosion, sectarianism, and the historical roots of contemporary political challenges in South Asia, while also exploring more cultural and religious dimensions through works on Muslim enlightened thought and oceanic connections. Patrus Bukhari Award for the best English language book, The Pity of Partition , Academy of Letters, Government of Pakistan (2015) Britannica Book of the Year recognition (2015) MacArthur Fellowship (1998-2003) As an educator, Professor Jalal has mentored numerous graduate students through thesis supervision and directed research projects. Her teaching portfolio includes courses on Modern South Asia, Contemporary South Asia, Islam and the West, and specialized seminars on South Asian history. She has taught at several prestigious institutions including the University of Wisconsin-Madison, Columbia University, and Harvard University before joining Tufts in 1999. In her role as Director of the Center for South Asian and Indian Ocean Studies, she has fostered interdisciplinary research and provided guidance to emerging scholars in the field. Professor Jalal directs the Center for South Asian and Indian Ocean Studies at Tufts University, which serves as a hub for interdisciplinary research on South Asia and its connections to the wider Indian Ocean world. The center facilitates collaborative projects, hosts visiting scholars, and organizes events that bridge historical, political, and cultural perspectives on the region. Under her leadership, the center has become a prominent institution for South Asian studies, promoting dialogue between academic research and contemporary policy issues.
Renaud Morieux is Professor of European History at the University of Cambridge and Fellow of Pembroke College. His research explores borders between Britain, France, and the wider world since the 18th century, with focus on migration, oceans, incarceration, and the social history of war. He holds editorial responsibilities for journals including Past & Present and Revue d'Histoire Moderne et Contemporaine . Research Interests: Morieux investigates maritime borders through interdisciplinary lenses combining legal history, family studies, and global perspectives. His projects examine political deportation in the Indian Ocean and a reflexive history of European statelessness. His award-winning publications analyze cross-Channel relations, war captivity, and oceanic governance. Article Analysis: Morieux's scholarship demonstrates consistent focus on transnational networks, legal pluralism, and subaltern agency. Recent work explores colonial knowledge systems, penal transportation, and epistolary communities, reflecting innovative methodological approaches to reconstructing marginalized histories across imperial spaces. Awards and Honors: Philip Leverhulme Prize for History (2014) Leo Gershoy Award for The Channel: England, France and the Construction of a Maritime Border (2017) Mémoires de la Mer book prize (2009) Advising and Grants: Morieux has supervised 10+ PhD students on topics ranging from naval mutinies to famine philanthropy. Current doctoral candidates explore Sir Joseph Banks' networks, WWI prisoner repatriation, and oral culture in the French Atlantic. His research receives international funding including EU and UK research council support.
Dr. Stephan Lesker is a Researcher at the Institute for German Studies within the Faculty of Philosophy at the University of Rostock, serving as a research and teaching assistant to Prof. Dr. Lutz Hagestedt at the Chair of Modern and Contemporary Literature since April 2015. His educational background includes: Bachelor of Arts in German and Philosophy, University of Rostock (2005-2008), thesis on narrative aspects in Edgar Hilsenrath's Jossel Wassermann's Homecoming Master of Arts in German and Linguistic Communication/Communication Disorders, University of Rostock (2011), thesis on crisis experiences in Hermann Hesse and Ernst Jünger Dr. Lesker's research centers on 20th-century German literature with specialized focus on narrative theory, media staging and simulation (particularly in Rainald Goetz and Walter Kempowski), and the complex interplay between autobiography and fiction. His scholarly approach examines how literary texts negotiate historical representation and personal narrative boundaries through theoretical frameworks of simulation and mediality. Analysis of his recent publications reveals sustained engagement with German literary figures Matthias Claudius and Walter Kempowski, exploring themes of intellectual history, travel literature, and the tension between factual and fictional elements. His editorial work on the Kempowski Yearbook and contributions to Claudius scholarship demonstrate methodological consistency in examining autobiographical impulses within literary production. No scientific awards were documented. Information regarding student advising, research grants, or laboratory teams was not provided in the source materials.
Rita Felski is the William R Kenan, Jr. Professor and John Stewart Bryan Professor in the Department of English at the University of Virginia, where she also serves as Editor of New Literary History . Her distinguished career spans literary theory, feminist criticism, and aesthetics, with significant contributions to the postcritique movement that challenges traditional hermeneutics of suspicion in humanities scholarship. Her educational background includes a B.A. from Cambridge University (1979), M.A. (1982), and Ph.D. (1987) from Monash University. Felski's research centers on affective and descriptive approaches to literature, exploring how attachment to art shapes human experience. Key works include The Gender of Modernity (1995), Uses of Literature (2008), The Limits of Critique (2015), and Hooked: Art and Attachment (2020), which examine everyday aesthetics, feminist theory, and alternative reading practices beyond critique. Recent publications (2020-2024) reveal sustained engagement with Bruno Latour's actor-network theory, resonance sociology, and class recognition, demonstrating her interdisciplinary approach that bridges literary studies with social theory. Her work consistently reimagines interpretive methodologies while analyzing emotional responses to art across diverse cultural forms. Among her notable scientific awards are a Guggenheim Fellowship (2010), an Honorary Doctorate from the University of Southern Denmark (2017), and the William Parker Riley Prize for best article in PMLA. She has held prestigious visiting professorships at institutions including Free University Berlin (2015) and McMaster University (2005). Felski's research has been supported by significant grants including an Australian Research Council Major Grant (1993) and fellowships from Cornell University's Society for the Humanities (1989-1990). As Editor of New Literary History , she has curated influential special issues on topics ranging from "Song" (2015) to "Recomposing the Humanities—with Bruno Latour" (2016), shaping contemporary discourse in literary studies.
