Andrew Connor is a Senior Lecturer in Archaeology and Ancient History at Monash University. He specializes in Ptolemaic and Roman Egypt, papyrology, and the social and religious history of ancient Egyptian communities. His research focuses on Egyptian temples during the Roman period, ancient economic practices, and the editing and publication of documentary papyri. Connor has particular expertise in the Fayum depression and Dakhleh Oasis regions. Connor's publications demonstrate a consistent focus on Egyptian religious institutions, economic systems, and textual evidence from archaeological sites. His recent work includes publications on temple administration, Greek papyri, and digital archaeology. He has received multiple teaching awards including the Faculty Citation for Outstanding Contribution to Student Learning (2017), Faculty Citation for Overseas Programs (2018), and Vice Chancellor's Citation for Outstanding Contribution to Student Learning (2018). Connor teaches courses on Greek and Roman history, archaeology, and ancient languages at both undergraduate and postgraduate levels. He serves as Honours Coordinator for the School of Philosophical, Historical, and International Studies.
Federico ZANETTIN is a Full Professor in the Department of Comparative Linguistic and Cultural Studies at Ca' Foscari University of Venice. His research focuses on translation studies with particular emphasis on corpus linguistics, graphic narrative translation, and journalistic translation. He maintains an active presence in the academic community through editorial work and research collaborations. Professor ZANETTIN's research interests span multiple areas of translation studies. He is particularly known for his work on corpus linguistics and its applications to translation analysis, with a focus on creating and using linguistic databases. His research on the translation of graphic narratives examines the verbal and visual aspects of translating comics and graphic novels across cultures. Additionally, he investigates journalistic translation , analyzing how information is translated and disseminated across media platforms. His scholarly work demonstrates consistent productivity, with numerous publications that explore the intersection of translation, culture, and media. Professor ZANETTIN's research shows particular strength in analyzing adaptation processes across linguistic, cultural, and modal boundaries, both synchronically and diachronically. Professor ZANETTIN serves on several important editorial boards: Co-editor of inTRAlinea Member of the international advisory board for The Translator Member of the international advisory board for Translang Member of the international advisory board for Entreculturas Member of the publications committee for Transletters. International Journal of Translators and Interpreters Member of the scientific committee for the Book series Interactio He is also frequently called upon as a referee for prestigious research projects, including those funded by The British Academy (UK), MIUR (Ministry of Education, University and Research), Italy, CSIC (Consejo Superior de Investigaciones Científicas), Spain, NRC (National Research Council), Canada, National and Kapodistrian University of Athens, Greece, and SNSF (Swiss National Science Foundation). Professor ZANETTIN teaches courses in English language and translation at both undergraduate and graduate levels, focusing on European, American, and postcolonial languages and literatures. His teaching reflects his research expertise in translation studies and cross-cultural communication.
Roswitha Skare is a Professor of Documentation Science at the Department of Language and Culture, UiT The Arctic University of Norway, within the Faculty of Humanities, Social Sciences and Teacher Education. She is actively engaged in research and teaching, focusing on documentation studies, public libraries, archives, museums (LAM sector), digitalization, and film history. Her research interests include: Documentation and document theory Paratext and digital documents Public libraries and their role in society Libraries and social media Migration and refugee services in libraries Film history, especially silent films and early documentaries Cultural memory and Sámi cultural resilience Institutional convergence in cultural policy Her recent publications (2019–2025) reveal a strong focus on public libraries during and after the Covid-19 pandemic, the role of libraries in supporting immigrants and refugees, theoretical developments in document studies, and historical film analysis—particularly Robert Flaherty’s Nanook of the North . She frequently collaborates with scholars such as Andreas Vårheim, Noah Lenstra, and Sigrid Stokstad. Her work appears in journals like Journal of Documentation , Library & Information Science Research , and Proceedings from the Document Academy . Roswitha Skare teaches courses such as: MDV-1001: Multimediale dokumenter: Historie, teori og analyse MDV-1203: Bibliotek og formidling MDV-1207: Dokumentinstitusjoner og digitalisering MDV-1206: Prosjektoppgave i bibliotek- og dokumentasjonsvitenskap She supervises bachelor’s, project, and master’s students in library and documentation science. She is a member of the research group Engaging Conflicts in a Digital Era (ENCODE) and participates in projects such as LAMCOM – Libraries, archives, and museums in the community and SAMCOM - Sámi cultural centers as community and cultural resilience infrastructure , which explore the societal roles of cultural institutions and Indigenous resilience. No scientific awards are listed in the provided text.
Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.
Dr. Jasper Fessmann is an Assistant Professor in the Department of Journalism and Strategic Media at the University of Memphis, joining in 2023 after serving at West Virginia University’s Reed College of Media. He holds a Ph.D. in Mass Communication from the University of Florida, a Qualifying Certificate in University-Level Teaching from Technical University Berlin, and degrees in International Public Relations (MA, Boston University), Communication Arts (BA), and Philosophy (BA) from Georgia Southern University. His research focuses on public interest communications (PIC), international public relations, disinformation, and crisis communications. He pioneered the PIC field to advance social change, particularly countering climate denial campaigns. His work emphasizes strategic communication for NGOs, governments, and Fortune 500 companies, informed by 15 years in international PR agencies and pro bono projects on Holocaust remembrance. His publications analyze climate change communication strategies, crisis management, and non-profit communication frameworks. Recent articles address gamification in education to combat misinformation and cross-cultural crisis responses. His research bridges theoretical foundations and practical applications of strategic communication for societal benefit. Dr. Fessmann has no listed awards but has contributed to public interest initiatives globally. His advising and grants are not detailed in available texts, though his academic work suggests ongoing engagement with PIC and climate communication projects. He teaches university-level courses and maintains an office at Meeman Journalism 330.
Kjersti Fløttum is a Professor of French Linguistics at the Department of Foreign Languages, Faculty of Humanities, University of Bergen since 1996. She has held secondary positions, including Professor II at the Department of Linguistics and Scandinavian Studies, University of Oslo (2013). Her academic roles include Vice-Rector for International Relations (2005–2009) and membership on the University of Bergen's board since 2013. Fløttum specializes in discourse analysis , focusing on linguistic polyphony within scientific, political, and climate change discourse . Her work explores narrative structures in climate change communication and text and genre theory , with leadership in projects like KIAP, EURLING, and LINGCLIM. She has collaborated on the documentary Talking about Climate and contributed to journals such as Nature Climate Change and Global Environmental Change . She has received prestigious honors, including an honorary doctorate from Uppsala University (2014), membership in the Norwegian Academy of Science and Letters (2017), and recognition for research dissemination excellence (2016).
Fahad Ahmad Bishara is an Associate Professor at the University of Virginia , specializing in the economic and legal history of the Indian Ocean and Islamic world . His work bridges global capitalism, international law, and historical narratives of mobility. Key Books: A Sea of Debt (Cambridge, 2017) and Monsoon Voyagers (UC Press, forthcoming) Awards: Hurst Prize, Jerry Bentley Prize, Peter Gonville Stein Book Award Research Focus: Explores debt, legal systems, and trade through microhistories of ships and merchant families, with recent interests in narrative scales and conceptualizations of law in global history. Academic Collaborations: Co-authored works with Nandini Chatterjee, Hollian Wint, and others, emphasizing Persianate and Indian Ocean interconnections. Scientific Awards: J. Willard Hurst Prize (Law and Society Association) Jerry Bentley Prize (World History Association) Peter Gonville Stein Book Award (American Society for Legal History)
Tong Lam is an Associate Professor in the Department of Historical Studies and the Graduate Department of History at the University of Toronto, where he also directs the Dr. David Chu Program in Asia-Pacific Studies at the Asian Institute. His research sits at the intersection of media studies, environmental history, and science and technology studies (STS), focusing on the politics and aesthetics of mobilization in China’s special zones across socialist and postsocialist eras. Employing interdisciplinary methodologies, his work explores themes such as state-precipitated violence, industrial ruination, and the socio-political implications of technology. He is a visual artist whose lens-based projects interrogate military violence, surveillance, and postindustrial landscapes. His recent scholarship analyzes postsocialist urbanism, digital governance, and the temporalities of infrastructure. While the absence of explicit scientific awards or student advisement records in the provided text precludes their inclusion here, his publications and creative practice reflect a sustained engagement with critical historical inquiry and contemporary socio-technological challenges.
Professor Alberto Rigolio is a scholar of Classics and Ancient History at Durham University, specializing in the Eastern Mediterranean during the Roman and Late Antique periods. He focuses on Syriac literature, Greco-Roman intellectual traditions, and the reception of classical texts in early Christian and Islamic contexts. Rigolio holds a D.Phil. from Oxford University and has held prestigious fellowships at Harvard, Princeton, and All Souls College, Oxford. He serves as Chair of the Board of Examiners at Durham and is a Fellow of the Higher Education Academy. His research explores the transformation of classical dialogue forms in late antiquity, the transmission of Greek texts into Syriac and Arabic, and the cultural intersections between Greco-Roman, Christian, and Islamic traditions. Key works include Christians in Conversation (Oxford UP, 2019), which examines late antique dialogue literature, and a forthcoming book on the emergence of Syriac literature supported by British Academy and Princeton IAS fellowships. Education: BA/Milan, D.Phil./Oxford, Postdoctoral Fellowships at Harvard and Princeton Affiliations: Institute of Medieval and Early Modern Studies, Durham Rigolio's articles analyze Syriac translations of Aristotelian works, Plutarch, and Themistius, revealing how Greco-Roman thought was adapted to meet religious and cultural needs. His projects include studies on Syriac rhetoric, the Roman household in late antique conflicts, and para-biblical narratives. He supervises postdoctoral researchers and PhD students on topics ranging from Syriac literary culture to late antique religious identity. Awards: British Academy Mid-Career Fellowship (2024), All Souls College Visiting Fellowship (2024) Grants: Leverhulme Trust, British Academy, American Philosophical Society He directs research labs examining Syriac intellectual culture and co-ordinates interdisciplinary projects on late antique translation movements. Rigolio is actively involved in public outreach, offering talks on Roman religion, Palmyrene military identity, and the Graeco-Syro-Arabic textual tradition.
Dr. Ellen Posman is a Professor and Chair of the Department of Religion at Baldwin Wallace University, Ohio. She also chairs the Faith & Life program and holds a Ph.D. from the University of California, Santa Barbara (UCSB), an M.T.S. from Harvard Divinity School, and a B.A. from Stanford University. Her research focuses on comparative religion, particularly Asian religions and Judaism, with specialties in exile/diaspora studies, Buddhism, and religious violence. She has conducted ethnographic research in India, Nepal, Israel, Palestine, Turkey, Taiwan, Thailand, and Sri Lanka, exploring topics like Theravada Buddhist nuns' ordination rights and the intersection of religion with globalization. Posman’s teaching spans introductory religion courses to specialized topics such as Asian religions, religion and violence, and women in religion. She led a study-abroad initiative to India (2007–2008) examining religion’s role in poverty and development. Her work emphasizes civic engagement pedagogy, including contributions to the Spotlight on Teaching section of Religious Studies News. She co-edited a special journal issue on religious communities in exile and has published widely on Buddhism, interfaith dialogue, and religious pedagogy. Posman’s research has been funded by grants, including an NEH summer seminar on classical Buddhist texts. She is featured in the documentary Bhikkhuni: Buddhism, Sri Lanka, Revolution , highlighting her expertise on Theravada nuns. Her academic service includes roles as a reviewer for the American Academy of Religion and collaborative projects on transnational pedagogy and interfaith engagement.
Vladimir Golstein is Professor of Slavic Studies and Interim Chair of Slavic Studies at Brown University. He has previously held teaching positions at Oberlin College (1990–1993) and Yale University (1993–2003), where he taught a wide range of courses on Russian and Western literary traditions. Ph.D. in Slavic Languages and Literatures, Yale University, 1992 B.A. in Philosophy, Columbia University, 1982 M.S. in Computers, Moscow Institute of Management His research centers on Russian culture, religion, philosophy, and poetry from the 19th and 20th centuries. He has published extensively on major Russian authors including Pushkin, Gogol, Tolstoy, Dostoevsky, Chekhov, Tsvetaeva, and Bulgakov. His book Lermontov's Narratives of Heroism (1998) explores heroism in 19th-century Russian literature. He is currently completing a monograph on generational conflict in Russian society. The recent publications reflect a consistent engagement with Russian intellectual and cultural history, blending literary analysis with philosophical and religious inquiry. His work often examines the moral and spiritual dimensions of literature, particularly in relation to the role of the intelligentsia and artistic expression under political pressure. There are no scientific awards listed in the provided text. Professor Golstein has supervised graduate and undergraduate students and teaches courses such as Russian Culture: From Peter the Great to Putin , Dostoevsky , Russian Poetry: Silver Age , and Roaring Twenties: Literature, Arts, and Politics in Post-Revolutionary Russia . While specific grant information is not mentioned, his ongoing research and publication record suggest active scholarly engagement. He is deeply involved in the academic life of the Department of Slavic Studies at Brown, contributing to curriculum development and leadership as Interim Chair. His interdisciplinary approach connects literature with philosophy, religion, and visual arts, fostering a holistic understanding of Russian cultural evolution.
Dr. Michelle Cannon is a Lecturer in Digital Arts and Media Education at the University College London (UCL) Institute of Education's Culture, Communication & Media department. She co-leads the Digital Storytelling module and serves as a dissertation supervisor for the MA Digital Media: Education program. Co-investigator, ESRC/AHRC-funded Play Observatory project Editorial board member: Film Education Journal, Learning, Media and Technology Executive Committee Member, Media Education Association International collaborations: British Film Institute, EU cultural agencies Her research explores digital media production in educational settings, focusing on film literacy, postdigital theory, and pandemic-related learning adaptations. Utilizing ethnographic and participatory visual methods, she investigates how children's creative practices intersect with social and cultural learning. Recent publications highlight her work on: Digital storytelling and transludic practices in pandemic contexts Ethnographic studies of postdigital play environments Critical media education frameworks Comparative analysis of European film literacy programs Scientific contributions include: ESRC/AHRC grant for children's play research International film literacy framework development Leadership in EU-funded scoping studies She trains teachers in digital media integration and has evaluated school film programs for the BFI. Her longitudinal study on lower-achieving children's learning experiences included documentary film production.
Michael Mascuch is an Associate Professor at the University of California, Berkeley, specializing in the documentary functions of photographic images and narrative discourse. His research spans autobiography, visual culture, and the political uses of photography in modern Cambodia. He holds a PhD in History from the University of Cambridge. He co-edits the Brill series Egodocuments and History and teaches courses on narrative genres, orality/literacy, material culture, and critical theory. His current project examines the photographic representation of Cambodia's modernization failures through S-21 prisoner photos and cinema. Office: 7313 Dwinelle Hall. Education: PhD in History, University of Cambridge Research Interests: Autobiography and egodocuments Visual culture and photography's political role Documentation practices Early Modern British society Recent Work Trends: Combines historical analysis with visual/media studies to critique how cultural artifacts obscure socioeconomic realities. Explores intersections between personal narrative and national identity. Awards: No awards explicitly listed in text. Advising/Grants: No advisees or grants mentioned, though his editorial work suggests collaborative projects. Labs/Teams: Collaborates with Brill on academic series; no dedicated lab described.
Barbara Fuchs is a Professor in the Department of English at the University of California, Los Angeles, specializing in early modern European literature across Spanish, English, French, and Italian traditions from the 15th to 17th centuries. Her work emphasizes transnational contexts, theater and performance studies, and cultural production within imperial frameworks, with significant contributions to Mediterranean and transatlantic studies. Education Ph.D. in Comparative Literature, Stanford University (1997) B.A./M.A. in Comparative Literature (English, French, Spanish), summa cum laude, Yale University (1992) Research Interests Professor Fuchs' scholarship centers on transnationalism in early modern literature, examining how theater and performance negotiated imperial identities across Mediterranean and transatlantic contexts. Her work critically engages with race and religion in the early modern world, picaresque traditions, and Cervantes studies, revealing how cultural encounters shaped literary production. She bridges historical analysis with contemporary relevance through public humanities initiatives focused on classical Hispanic theater. Publication Trends Her recent publications demonstrate interdisciplinary innovation, merging literary analysis with performance studies and material culture. Recurring themes include transnational exchange mechanisms, racial formation processes, and textual materiality, while recent work addresses pandemic-era digital performance and modern adaptations of classical works. This trajectory highlights her commitment to connecting historical scholarship with current social and artistic practices. Scientific Awards Premio Ñ from the Instituto Cervantes (inaugural award) for promotion of Spanish language and culture Advising and Leadership Professor Fuchs mentors undergraduate and graduate students in early modern studies, translation, and performance. She leads the UCLA "Diversifying the Classics" initiative and LA Escena festival, securing institutional support for these collaborative projects. Her editorial leadership includes serving as articles editor for Renaissance Quarterly and co-editing the Norton Anthology of World Literature , demonstrating field-wide influence. Projects and Teams She directs the "Diversifying the Classics" initiative, which collaborates with theater professionals to adapt Hispanic classical works for contemporary Los Angeles audiences, and founded LA Escena—the biennial festival of Hispanic classical theater. These projects unite scholars, artists, and communities to explore historical texts through modern performance lenses, emphasizing accessibility and cultural relevance.
Professor Alberto Rigolio is a leading scholar of Classics and Ancient History at Durham University, specializing in the cultural and intellectual history of the Eastern Mediterranean during the Roman and late antique periods. He holds a D.Phil. from Oxford University and has held prestigious fellowships at Harvard Dumbarton Oaks, Princeton Society of Fellows, and All Souls College Oxford. His research focuses on Syriac literature, Greco-Syro-Arabic translation movements, and religious debates in late antiquity. Rigolio has published extensively, including his award-winning monograph Christians in Conversation (2019), and currently leads projects supported by the British Academy and the Institute for Advanced Study. He supervises PhD students across multiple institutions and mentors postdoctoral researchers like Dr. Karl Heiner Dahm and Dr. Mara Nicosia. His work bridges classical antiquity with early Christian and Islamic intellectual traditions, emphasizing literary and educational exchanges in late antique societies. Educations: D.Phil., University of Oxford (2014) MPhil/BA, University of Milan and Oxford Research Interests: Syriac literary emergence, Greek-Syriac-Arabic translation networks, late antique dialogues, early Christian theology, and the cultural history of the Roman Near East. Rigolio's current projects investigate how Syriac became a major literary language and its role in transmitting Graeco-Roman thought to early medieval cultures. Grants & Awards: British Academy Mid-Career Fellowship (2024) All Souls College Visiting Fellowship (2024) Princeton IAS Membership (2023) Advising & Mentoring: Supervised 9 PhD students, including Cédrik Michel (Lancaster University Lecturer) and Lila Knight (awarded 2024). Mentors postdoctoral scholars in areas like Syriac rhetoric and late antique religious conflict. Labs/Teams: Leads interdisciplinary research groups at Durham and collaborates with institutions like the Institute for Advanced Study, focusing on textual analysis and cultural history.
