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Rodney HarrisonView profile

Senior Lecturer

• Critical Heritage Studies
• Archaeology
• Museum Studies
• +7 more

Rodney Harrison is a Reader in Archaeology, Heritage and Museum Studies at the UCL Institute of Archaeology, University College London. He serves as the founding editor of the Journal of Contemporary Archaeology and has been Vice President of the Association of Critical Heritage Studies since 2012. His research focuses on critical heritage studies, contemporary archaeology, and future-making practices in heritage contexts. Harrison's work challenges traditional boundaries between past, present, and future in heritage discourse, emphasizing how heritage functions as a future-oriented practice. His research spans cultural and natural heritage, exploring connections between heritage conservation and other material legacy management systems, including nuclear waste disposal. Harrison leads the major international 'Heritage Futures' research program funded by the UK Arts and Humanities Research Council. This project represents one of the largest critical, comparative ethnographic studies of heritage practices, examining how different forms of heritage function as distinctive future-making practices across diverse contexts. His scholarly contributions include more than a dozen books and over 60 peer-reviewed articles. Notable publications include Collecting, Ordering, Governing: Museums, Anthropology and Liberal Government (2016), Heritage: Critical Approaches (2013), Reassembling the Collection (2013), Understanding the Politics of Heritage (2011), and The Heritage Reader (2008). Harrison's work consistently engages with critical theory, challenging conventional heritage frameworks and exploring innovative approaches to understanding how material and cultural legacies shape future possibilities. His research has significant implications for heritage policy, conservation practice, and theoretical developments in critical heritage studies.

• Documentation Studies
• Document Theory
• Paratext
• +12 more

Roswitha Skare is a Professor of Documentation Science at the Department of Language and Culture, UiT The Arctic University of Norway, within the Faculty of Humanities, Social Sciences and Teacher Education. She is actively engaged in research and teaching, focusing on documentation studies, public libraries, archives, museums (LAM sector), digitalization, and film history. Her research interests include: Documentation and document theory Paratext and digital documents Public libraries and their role in society Libraries and social media Migration and refugee services in libraries Film history, especially silent films and early documentaries Cultural memory and Sámi cultural resilience Institutional convergence in cultural policy Her recent publications (2019–2025) reveal a strong focus on public libraries during and after the Covid-19 pandemic, the role of libraries in supporting immigrants and refugees, theoretical developments in document studies, and historical film analysis—particularly Robert Flaherty’s Nanook of the North . She frequently collaborates with scholars such as Andreas Vårheim, Noah Lenstra, and Sigrid Stokstad. Her work appears in journals like Journal of Documentation , Library & Information Science Research , and Proceedings from the Document Academy . Roswitha Skare teaches courses such as: MDV-1001: Multimediale dokumenter: Historie, teori og analyse MDV-1203: Bibliotek og formidling MDV-1207: Dokumentinstitusjoner og digitalisering MDV-1206: Prosjektoppgave i bibliotek- og dokumentasjonsvitenskap She supervises bachelor’s, project, and master’s students in library and documentation science. She is a member of the research group Engaging Conflicts in a Digital Era (ENCODE) and participates in projects such as LAMCOM – Libraries, archives, and museums in the community and SAMCOM - Sámi cultural centers as community and cultural resilience infrastructure , which explore the societal roles of cultural institutions and Indigenous resilience. No scientific awards are listed in the provided text.

Sean FearView profile

Lecturer

• Vietnam
• Southeast Asia
• Global Cold War
• +5 more

Dr Sean Fear is a Lecturer in International History at the School of History, University of Leeds , specializing in Vietnamese history, the Cold War, and U.S. foreign relations. He advises the Independence Palace Museum in Ho Chi Minh City on a landmark exhibition about South Vietnam's political and cultural history (1967–1975), a project funded by Leeds' Faculty of Arts and supported by design firm Thincdesign. Fear’s research focuses on domestic politics and foreign diplomacy during the Vietnam War, drawing on Vietnamese-language archives and oral histories. Education: PhD (Cornell University), BA (University of Toronto) Visiting Roles: Visiting Professor at Fulbright University (2022–23) Fellowships: Dartmouth College, NYU Cold War Center, McGill University His forthcoming book (Harvard UP) analyzes the collapse of South Vietnam’s legitimacy, leveraging underutilized Vietnamese sources. Fear collaborates internationally with institutions like the British Library and the Social Sciences and Humanities Research Council of Canada. He supervises MA/PhD students on topics including decolonization, Cold War geopolitics, and post-war memory. Key Projects: Independence Palace Museum exhibit (since 2019) Research on Vietnamese state-building and U.S. influence Contributions to Cambridge History of the Vietnam War (AAP-award winning) Awards: His work earned two Association of American Publishers awards for the Cambridge History collaboration. Grants include Leeds' Research Innovation Service funding to finalize the museum exhibit’s physical design.

Clare HarrisView profile

Professor

• Visual Anthropology
• Material Culture
• Tibetan Studies
• +4 more

Clare Harris serves as Professor of Visual Anthropology and Head of the School of Anthropology and Museum Ethnography at the University of Oxford, concurrently holding curatorship of Asian Collections at the Pitt Rivers Museum and a Fellowship at Magdalen College. Her academic leadership spans institutional administration, museum curation, and doctoral supervision within Oxford's anthropological ecosystem. Her educational foundation includes a BA from the University of Cambridge and MA/doctorate from SOAS, University of London. Early career roles comprised Lecturer in Anthropology of Art at the University of East Anglia (1994-1998) before her Oxford appointment. Harris pioneers research at the intersection of visual anthropology, Tibetan studies, and museum decolonization. Her work critically examines Himalayan visual culture, colonial/post-colonial photography, and museum representation politics, evolving toward digital repatriation and community-centered curation. She integrates anthropological fieldwork (conducted in Tibetan diaspora communities since the 1990s) with art historical analysis and archival research. Her 13 recent publications (2004-2022) reveal a progressive trajectory from Tibetan art history toward urgent museum decolonization debates, with consistent focus on photographic practices and cross-cultural representation. Key thematic developments include the shift from historical analysis to active digital repatriation projects and increased engagement with contemporary artists. Harris's accolades include: Fellowship of the British Academy (2019) E. Gene Smith Prize for The Museum on the Roof of the World (2014) Visual Anthropology Prize for In the Image of Tibet (2000) She currently supervises five DPhil students while examining over 25 completed doctorates globally. Research funding spans British Academy personal grants, Leverhulme Trust support, and major collaborative projects including AHRC, Wenner-Gren Foundation, and EU grants—most notably the current AHRC-funded Decolonising the Museum: Digital Repatriation of the Gaidinliu Collection . At the Pitt Rivers Museum, Harris leads high-impact curatorial initiatives including the Abramović collaboration ( Gates and Portals ), Nyema Droma's Performing Tibetan Identities , and community projects like My Tibet Museum , establishing innovative frameworks for museum-public engagement.

• Art History
• Early Modern European Art
• Museum Studies
• +2 more

Robert Wellington serves as Associate Professor and Director of the Centre for Art History & Art Theory at the School of Art & Design, Australian National University (ANU), within the College of Arts & Social Sciences. His academic leadership focuses on advancing art historical research and public engagement through institutional initiatives. His research spans Art History, Early Modern European Art (particularly Louis XIV's France), Museum Studies, Public Humanities, and Cultural Heritage. Wellington investigates transcultural object exchange, royal iconography, and identity construction through material culture, with emphasis on Versailles, medals, and marginalia. His work bridges historical scholarship with contemporary public humanities applications in museums and digital archives. Analysis of his 2020-2024 publications reveals concentrated exploration of Louis XIV's cultural legacy, Versailles' global impact, and the evolving role of humanities institutions. He pioneers digital critical editions while examining how objects shape identity across cultural boundaries, consistently connecting historical practices to modern museum and archival challenges. No scientific awards were documented in the provided materials. As Centre Director, Wellington oversees research programs and institutional partnerships, though specific student advisees and grant details remain unlisted in available sources. His leadership facilitates interdisciplinary projects including the Jean-Benjamin de Laborde digital edition initiative. The Centre for Art History & Art Theory functions as a research hub under Wellington's direction, driving public humanities innovation through the ANU's Art & Design Seminar Series, Visiting Artist Program, and collaborative projects with national collections. Current initiatives focus on digital heritage and community-engaged scholarship within the School of Art & Design framework.

Michael R. DoveView profile

Professor

• Environmental Anthropology
• Climate Change Anthropology
• Human Ecology
• +7 more

Michael R. Dove is the Margaret K. Musser Professor of Social Ecology and Professor of Anthropology at Yale University, where he also serves as Curator of Anthropology at the Peabody Museum and Co-Coordinator of the Combined YSE/Anthropology Doctoral Program. With over forty years of research experience, his work focuses on environmental anthropology, particularly the environmental relations of local communities in South and Southeast Asia. Dove earned his B.A. from Northwestern University and his M.A. and Ph.D. from Stanford University. His academic journey has spanned decades of field research in Asia, including more than a dozen years conducting long-term studies on human ecology in Borneo and Java, developing government research capacity in Indonesia, and advising the Pakistan Forest Service on social forestry policies. Professor Dove's research interests encompass the anthropology of climate change, cultural and political aspects of natural hazards and disasters, indigenous environmental knowledge and practice, environmental institutions and movements, history of environment-related sciences, and multispecies ethnography. His work often examines how local environmental systems interact with national and global markets, politics, and ideologies, with a focus on problematizing orthodox approaches to conservation and development. He has made significant contributions to understanding human-environment relations through both theoretical frameworks and practical applications. Dove's recent scholarly output demonstrates a progression toward more integrated approaches to environmental challenges, blending historical perspectives with contemporary issues. His publications increasingly focus on the intersections of climate change, social justice, and indigenous knowledge systems, while maintaining his longstanding interest in Southeast Asian environmental relations. The work shows a growing emphasis on post-humanist approaches and multispecies ethnography, reflecting broader trends in environmental anthropology while maintaining his distinctive focus on political ecology and institutional analysis. As an educator, Professor Dove has supervised numerous doctoral and master's students, many of whom have gone on to win research awards and secure prestigious positions. He organizes separate research labs for doctoral students from Yale School of the Environment and other departments, as well as for joint YSE/Anthropology doctoral students. His advisees typically conduct international research and have excellent records of obtaining research support both within and beyond Yale. The Dove Lab at Yale School of the Environment serves as a hub for environmental anthropology research, focusing on topics including natural resource management, property rights, power struggles, household energy transitions, and human-wildlife interactions. The lab fosters a collaborative environment with 30-50 students working on related issues each year, characterized by supportive peer dynamics rather than competition. It also contributes to policy and social change through its research and the work of its alumni.

Prita MeierView profile

Associate Professor

• Art and architecture of Africa
• Port cities and visual cultures of the Indian Ocean world
• Comparative urbanism
• +4 more

Prita Meier is an Associate Professor of Art History at New York University's College of Arts & Science , affiliated with the Department of Art History & the Institute of Fine Arts. Her work bridges African art history, Indian Ocean world studies, and global modernity frameworks. Education: Ph.D. (2007) in History of Art, Harvard University M.A. (2000) in History of Art, University of Iowa B.A. (1996) in Art History, University of Florida Research Interests focus on the visual and architectural cultures of Africa, particularly Swahili Coast port cities, exploring globalization's cultural dimensions, Islamic art, and photography histories. Her work interrogates spatial-temporal dynamics in African modernity and colonial art frameworks. Scientific Awards include CASVA Senior Fellowship, NEH Implementation Grant (with Allyson Purpura), Mellon Collaborative Grant (with Kenny Cupers), Clark Art Institute Residential Fellowship, and Andrew W. Mellon Postdoctoral Fellowship. Notably, she declined the National Humanities Center Fellowship and Stanford Humanities Fellows Program. Publications highlight Indian Ocean trade networks, Swahili Coast architecture, and photography's global circulation. Recent works (2020-2017) examine infrastructure as identity, oceanic materiality, and itinerant art historiography. Earlier articles (2016-2009) analyze porcelain trade, modernist discontents, and Swahili funerary practices. Contact: spm9@nyu.edu | 100 Washington Square East, New York, NY 10003

Karoline NoackView profile

Professor

• Ancient American Studies
• Ethnology
• Andean Studies
• +12 more

Karoline Noack is a full Professor of Ancient American Studies and Ethnology at the Institute of Archaeology and Cultural Anthropology , University of Bonn, where she also directs the BASA Museum (Bonn Collection of the Americas). She has held this position since 2009 and is a leading scholar in Andean studies, museum ethnology, and colonial Latin American history. Her research interests are deeply interdisciplinary, focusing on: The Inca state and early colonial Andes, particularly in Peru, Bolivia, and Mexico Transculturation and gender in colonial contexts The history of ethnological knowledge, especially in the GDR Museum studies, collection ethics, and the decolonization of ethnographic museums Material culture and provenance research Her recent scholarly output centers on dependency and mobilization in the Inca Empire, the global history of resources (like cotton and coca), and the role of museums in knowledge production. She has led major projects such as 'Balancing the Center and the Local' in Cochabamba and the KOSMOS collaborative project on object-based knowledge. Her publications span museum ethics, colonial legal history, and transcultural exchange. Karoline Noack has received significant recognition, including: Membership in the German Archaeological Institute Fellowships from the Volkswagen and Gerda Henkel Foundations Membership in the DFG Review Board Leadership roles as Spokesperson for the Transdisciplinary Research Area 'Present Pasts' and Chair of BASS e.V. She advises and mentors students in ethnology and archaeology, and her work involves extensive collaboration with international scholars and institutions. Her research is supported by major German funding bodies and is published in leading academic venues. She is also deeply involved in public engagement through museum curation and exhibitions.

Richard PowellView profile

Professor

• Arctic Studies
• Historical Geography
• Cultural Geography
• +5 more

Professor Richard Powell is a Cultural, Political, and Historical Geographer with expertise in the Polar Regions. He is currently the Professor of Arctic Studies and Director of the Scott Polar Research Institute at the University of Cambridge, while also serving as a Fellow of Fitzwilliam College. His career spans roles at the University of Oxford and the University of Liverpool, with a focus on the Arctic and its geopolitical, cultural, and environmental complexities. BA Geography, St. John's College, University of Oxford (Double First Class Honours) MA Geography, University of British Columbia (Distinction) PhD Geography, Emmanuel College, University of Cambridge PG Cert. Learning and Teaching in Higher Education, University of Liverpool Richard's research explores historical and cultural geographies, the geopolitics of the Arctic, geographies of science, and the interplay between environment and politics in the Circumpolar Region. His ERC-funded project ARCTIC CULT investigates colonial representations in Arctic studies, while prior work includes ethnographic studies of Arctic scientific practices and the political implications of resource extraction. He has authored a monograph, Studying Arctic Fields , and edited volumes on polar geopolitics. His recent publications emphasize the intersection of Arctic governance, colonial histories, and environmental science. Notable awards include the ERC Consolidator Grant and the Gill Memorial Award , alongside teaching accolades like the Teaching Excellence Award at the University of Oxford. He has supervised over 30 postgraduate students and leads interdisciplinary teams in projects funded by the Leverhulme Trust, AHRC, and ESRC. ERC Consolidator Grant (2016) Gill Memorial Award (2013) Teaching Excellence Award (2012) Environment and Planning A Ashby Prize (2007) RGS-IBG Area Prize (2002) H.O. Beckit Memorial Prize (1998) Gibbs Book Prize (1998) Richard collaborates with institutions like the Royal Society, Royal Geographical Society, and National Museum of Denmark, and has hosted seminars and workshops on Arctic geopolitics. He is a member of the UK Arctic and Antarctic Partnership Steering Committee and contributes to policy discussions on polar governance.

Shari SabetiView profile

Senior Lecturer

• Arts Education
• Cultural Heritage Education
• Decolonizing Approaches in Education
• +4 more

Dr. Shari Sabeti is a Senior Lecturer in Arts and Humanities Education at the Moray House School of Education and Sport, University of Edinburgh. She holds a PhD in English Literature from the University of Cambridge and is a Senior Fellow of the Higher Education Academy (SFHEA). Her research focuses on arts, cultural heritage, and decolonizing education, with projects in museums, schools, and Pacific Island communities. She has led initiatives in the Marshall Islands, Samoa, and Hawaii, emphasizing participatory and arts-based methodologies. Education: MA (Hons) English (Cambridge, 1994), MA English and American Literature (UCL, 1995), PhD English Literature (Cambridge, 1999), PGCE Secondary English (IOE, 2002). She has taught at the University of Stirling and the University of Edinburgh, where she currently organizes courses on anthropology of education, creative pedagogies, and literacy. Research interests include museum education, decolonizing approaches, Pacific Island education, and creative writing pedagogy. Her work bridges anthropology, ethnography, and arts-based methods, exploring community resilience and identity formation. Recent projects include 'Remediating Stevenson' (AHRC-funded, 2022–2025) and studies on Marshallese displacement through arts education. Awards and grants include a £1M AHRC Standard Grant for decolonizing Pacific literature and multiple GCRF awards for education in the Marshall Islands. She has supervised over a dozen PhD students on topics like museum pedagogy, diaspora education, and creative writing practices. Labs/Networks: Centre for Creative Relational Inquiry, Digital Cultural Heritage Network, Atelier Creative Arts and Social Sciences Network. Her work often involves partnerships with museums, NGOs, and international communities.

Tony KushnerView profile

Professor

• Jewish migration history
• Refugee studies
• Representation and memory of the Holocaust
• +5 more

Professor Tony Kushner is the James Parkes Professor of History at the University of Southampton , affiliated with both the History Department and the Parkes Institute . His work spans Jewish migration history , Refugee studies , and Representation and memory of the Holocaust , with additional expertise in Bystander studies and Heritage, history and memory . Current Research: Cultural history of Jacob Harris (18th-century Jewish triple murderer); co-presentations to the Holocaust with Dr Aimee Bunting. Key Article Trends: Focus on Holocaust memory, urban Jewish communities, migration patterns, and intersections of race, colonialism, and genocide. Scientific Awards: BA Fellowship (Dr Jennifer Craig-Norton) K Pieren Postdoc Research Fellowship Hannah Ewence Postdoc Research Fellowship Kushner Rothschild Parkes Intl Summer School in Jewish Heritage PhD Supervision: Currently supervising 7 PhD students across History and Geography. Grants: Sponsored research projects from the British Academy and Rothschild Foundation (Hanadiv) Europe.

Cora Schmidt-OttView profile

Researcher

• Intellectual History
• Political History
• 20th Century History
• +3 more

Cora Schmidt-Ott is a Postdoctoral Researcher at the Chair of Modern and Contemporary History (Prof. Dr. Jan Eckel) at the University of Freiburg . Her work focuses on the intellectual biography of Samuel P. Huntington and the broader intellectual history of the 20th century, particularly in relation to political stability, globalization, and the American Century. She collaborates with institutions like the German Historical Institute, Washington DC , and has led DFG-funded projects. Education: MA in Comparative Modern History (University of Freiburg & University of Bologna); BA in History and American Studies (University of Freiburg & Connecticut College) Her research explores the intersections of political theory, Cold War liberalism, and transnational historical processes, with a particular emphasis on Huntington's influence on postcolonial state-building and global order. She has contributed to debates on migration, museum narratives, and post-war societal transformations. Recent publications and lectures highlight her expertise in political history, American studies, and Cold War-era intellectual networks. She has received scholarships from the Bavaria Graduation Scholarship , Max Weber Fellowship , and Erasmus Program , among others. Scientific Awards: Bavaria Graduation Scholarship (2016) Max Weber Fellowship (2015) Erasmus Scholarship (2013) Baden-Württemberg Scholarship (2011) Cora Schmidt-Ott contributes to academic discourse through her leadership in workshops, teaching roles in seminars on decolonization and 20th-century history, and her ongoing project funded by the German Research Foundation on Samuel Huntington's intellectual legacy.

Cangbai WangView profile

Professor

• Transnational migration
• Chinese diasporas
• Migration-related museum studies
• +3 more

Cangbai Wang is a Professor of Migration, Heritage and Language at the University of Westminster and co-founder of HOMELandS (Hub On Migration, Exile, Languages and Spaces). He holds a PhD in Asian Studies from the University of Hong Kong (2003) and previously worked as a Post-doctoral Fellow/Honorary Assistant Professor at the University of Hong Kong and Visiting Lecturer at City University of Hong Kong. Academic focus: Transnational migration, Chinese diasporas, cultural heritage Co-Director of HOMELandS since 2014 (elevated to Research Centre in 2023) External Examiner for 20 institutions including University of Birmingham (2024), University of Cambridge (2020), and Nanyang Technological University (2024) His research explores the intersection of migration and material culture , emphasizing how diasporic communities negotiate identity through heritage practices. Recent work examines museum representations of Chinese diasporas and language dynamics in multicultural London. He has led the AHRC-funded Global Diasporic Chinese Museums Network Initiative (2023-2025) and contributed to policy discussions on diaspora engagement with Chinese municipal governments. Key publication: Museum Representations of Chinese Diasporas (Routledge 2021) and Negotiating Identities, Language and Migration in Global London (Multilingual Matters 2024). Supervised PhDs include Denise Kwan’s The talking of objects: migratory experiences and Chinese women in UK (2020) and Xiao Ma’s ongoing London Chinatown: heritage making and diasporic identities . Active in academic leadership: Co-editor: Routledge Research on Museums and Heritage in Asia Editorial board: Social Transformations in Chinese Societies (since 2024) International editorial board: Chinese Overseas Review (since 2020) UKRI FLF Peer Review College member

• Sámi Archaeology
• Colonial History
• Indigenous Heritage Studies
• +4 more

Carl-Gösta Ojala serves as Senior Lecturer at Uppsala University's Department of Archaeology, Ancient History and Cultural Preservation, where his research bridges archaeological practice with critical examinations of colonial history and indigenous heritage. His academic profile demonstrates deep engagement with Sámi communities across historical periods, from Bronze Age material culture studies to contemporary issues of cultural preservation and indigenous rights. Dr. Ojala's research program centers on decolonizing archaeological methodologies through rigorous analysis of how colonial frameworks have shaped archaeological knowledge production in Northern Europe. His work particularly examines the historical collection of Sámi material culture and human remains, the impact of colonial infrastructure projects like hydroelectric dams on indigenous heritage sites, and the political dimensions of archaeological interpretation in Sápmi. He investigates how archaeological narratives have been constructed within colonial contexts and how contemporary practice can better incorporate indigenous perspectives. An analysis of his recent publications reveals evolving scholarly attention from historical colonial practices to their contemporary implications for indigenous self-determination and cultural heritage management. His 2023-2025 works demonstrate increasing focus on Sámi mobilities, dammed heritage, and the politics of archaeological representation, reflecting a trajectory toward more applied, community-engaged scholarship that addresses ongoing colonial legacies in cultural heritage institutions. Dr. Ojala has established himself as a critical voice in Nordic archaeological discourse through numerous book chapters, journal articles, and edited volumes including 'Archaeologies of "Us" and "Them": Debating History, Heritage and Indigeneity' (2017). His scholarship consistently challenges conventional archaeological paradigms while offering constructive frameworks for more ethical, collaborative research practices with indigenous communities in Northern Europe.

Emma BondView profile

Professor

• Transnational Literature
• Contemporary Migration
• Material Culture
• +5 more

Dr Emma Bond is a Professor at the School of Modern Languages , University of St Andrews. Her work focuses on transnational literature and visual cultures , particularly the circulation of migration narratives, cultural artifacts, and colonial legacies. Key Affiliations : Academic Lead, Recollecting Empire Exhibition (2022); Co-editor, Transnational Italian Cultures series; Section Editor, Modern Languages Open . Research Themes : Migration, material culture, body studies, psychoanalytic theory, and decolonization in literature and museums. Scientific Awards : Philip Leverhulme Prize (2019), Associate Senior Fellow (2021), Sugaropolis Award (2015). Projects : Research Leave (2020-2022) for Curating Worlds ; Transnational Scotland Network (2019); Carnegie Trust-funded migration study (2017).