Find Academic Supervisors

Jules RawlinsonView profile

Senior Lecturer

• Sound Design
• Audiovisual Composition
• Interactive Technologies
• +4 more

Dr. Jules Rawlinson is a Senior Lecturer in Digital Design at the Reid School of Music , University of Edinburgh. He serves as Programme Director for the MSc Sound Design and contributes to MSc Design and Digital Media, ESALA undergraduate courses, and the Reid School's MSc Digital Composition and Performance. PhD in Composition (University of Edinburgh, 2011) MSc Sound Design (University of Edinburgh, 2006) BA Combined Arts (Sunderland University) Jules investigates audiovisual composition , live electronics , and interactive performance systems , blending machine learning , virtual environments , and corpus-based sound synthesis . His work explores non-linear narrative structures , graphical scores , and political sound-art through collaborations like Raw Green Rust and projects such as Lie Still My Sleepy Fortunes and w[i]nd . His 15 most recent outputs span audiovisual installations , generative sound systems , and collaborative performances , focusing on virtual reality , spectral transformation , and digital improvisation . Jules co-founded the LLEAPP network and has secured grants from EPSRC and New Media Scotland's Alt-w Fund . He supervises PhD students Tim Bentley, Hal Xu, Benjamin Cantil, and Liam Peacock, with works showcased at festivals including Sonorities , Edinburgh International Film Festival , and Edinburgh Festival Fringe . His Requiem for Edward Snowden was featured in BBC Radio 3's Hear and Now and selected for Creative Scotland's Made In Scotland Showcase.

• Computer Graphics
• Machine Learning
• Deep Learning
• +5 more

Dr. Frederick Li is an Associate Professor in the Department of Computer Science at Durham University, UK. He holds editorial roles as Associate Editor of Frontiers in Education (Digital Education) and Editorial Board Member of Virtual Reality & Intelligent Hardware. His research focuses on Computer Graphics, Machine Learning, Geometric Modelling, Collaborative Virtual Environments, Visual Aesthetics, and Educational Technologies. He earned his B.A. (Hons) and M.Phil. from The Hong Kong Polytechnic University and his Ph.D. in Computer Graphics from City University of Hong Kong. Prior roles include Assistant Professor at HK PolyU and project manager of a Hong Kong Government ITF-funded project. **Education**: B.A. (Computing Studies) and M.Phil. from HK PolyU; Ph.D. in Computer Graphics (CityU Hong Kong). **Research Interests**: His work spans mesh saliency detection, human-object interaction recognition, cloud modeling, face beautification, and educational technology. Recent achievements include awards for papers (e.g., Best Paper at ITiCSE 2014) and recognition such as EPSRC Peer Review College membership. He leads Durham's Undergraduate Board of Examiners and has been an external examiner at Northumbria University. **Awards**: Best Paper (ACM ITiCSE 2014), Outstanding Paper (ICALT 2013), EPSRC Peer Review College (2024), Outstanding BMVC 2024 Reviewer. **Grants & Labs**: His research is supported by grants from EPSRC and others. He collaborates with the Centre for Vision and Visual Cognition, VIViD, and AIHS group at Durham.

Andrew CampanaView profile

Assistant Professor

• Japanese literature
• Japanese media
• Disability studies
• +4 more

Andrew Campana is an Assistant Professor of Asian Studies at Cornell University's College of Arts and Sciences, specializing in modern and contemporary Japanese literature and media. His research explores the possibilities and limitations of expression during media transitions, with particular focus on poetry, digital media, and disability studies. His academic journey includes a Ph.D. in East Asian Languages and Civilizations from Harvard University and an Honors B.A. in East Asian Studies from the University of Toronto. Campana's first book, Expanding Verse: Japanese Poetry at the Edge of Media , published by the University of California Press in 2024 as an open access work, examines Japanese poetic practice from the 1920s to the present as poets engaged with evolving media technologies including film, tape recording, television, and the internet. As a researcher, Campana's work bridges literary studies, media studies, game studies, and disability studies, with current projects exploring how poetry became a key site of digital experimentation in Japan. His research methodology combines traditional literary analysis with hands-on creative practice, informed by his experiences at MIT's Trope Tank laboratory. His scholarly interests span Japanese media history, disability representation in literature and gaming, digital poetics, and gender studies. His research has received significant media attention, including features in the Cornell Chronicle ('Poets in Japan Experiment at the Edge of Media' and 'Japanese Poets Open New Ways of Thinking About Media'), The Statesman, and interviews on NPR's Academic Minute and the Curiosity Daily podcast discussing his work on gaming and accessibility. As an educator, Campana teaches courses including 'Introduction to Japan,' 'Japanese Poetry,' and 'The Glitch: Errors, Disability, and the Edges of Digital Media' (ASIAN 4703/6703), guiding students through interdisciplinary explorations of Japanese literature, media, and digital culture. His teaching reflects his commitment to understanding media transitions through both theoretical and practical lenses.

• Online Learning
• Instructional Design
• Augmented Reality in Education
• +7 more

Dr. Wanju Huang is a Clinical Assistant Professor in the Learning Design and Technology program at Purdue University , where she focuses on enhancing online learning experiences through innovative instructional design and emerging technologies. Prior to joining Purdue in Fall 2016, she served as an instructional design manager at Teaching and Learning Technologies and spent six years as a lecturer and instructional designer at Eastern Kentucky University. Education: Ph.D. in Curriculum & Instruction (Technology concentration) from University of Illinois at Urbana-Champaign Her research interests center on technology-mediated online communities, instructor presence in digital learning, augmented reality applications, and faculty development programs. She has published extensively on these topics, including studies on multimedia interventions for teaching presence, immersive technologies in ESL education, and adaptive cyber training platforms. Dr. Huang's publications reflect a strong focus on EdTech innovation , with trends spanning AI integration in K-12 , model-based systems engineering , and microlearning strategies . Her work bridges theoretical frameworks like social constructivism with practical implementations in professional education. Professional memberships include the American Educational Research Association, Association for Educational Communications and Technology, and Quality Matters. She teaches courses on learning design foundations, e-learning systems, and professional competency demonstrations in LDT.

Jian ZhaoView profile

Associate Professor

• Information Visualization (InfoVis)
• Human-Computer Interaction (HCI)
• Data Science
• +6 more

Jian Zhao is an Associate Professor at the University of Waterloo's School of Computer Science, specializing in Information Visualization (InfoVis), Human-Computer Interaction (HCI), and Data Science. With a Ph.D. from the University of Toronto (2016), his research emphasizes interactive visualization techniques, AI integration in design processes, and socio-technical systems. He explores how human-AI collaboration can enhance data analysis, presentation, and user experience in complex systems. Key research areas include: 1) AI-Driven Design (e.g., code generation via sketching, infographic creation), 2) Health Informatics (therapeutic AI tools for autism support), 3) Immersive Technologies (VR/AR interfaces for presentations and education), and 4) Social Computing (remote family communication, multi-modal emoticons). His work bridges technical innovation with human-centered design principles. His publications (2021–2025) reflect a focus on interactive visualization frameworks (e.g., iTrace for cross-view data analysis), AI-human collaboration (CoLadder for hierarchical code editing), and specialized applications like TherAIssist for art therapy and EMooly for autism support. Zhao frequently explores novel interaction modalities , including gesture-based VR interfaces and sketch-based programming tools. He leads projects in computational notebooks (EDAssistant, Slide4N), visual analytics (MissBin for bipartite networks), and neurofeedback training games (Eggly). His work often emphasizes systematic design considerations for missing data, cross-view analysis, and contextual visualization in spatial AR environments.

Claudia LehmannView profile

Professor

• Film Art
• Visual Communication
• Video Installation
• +7 more

Claudia Lehmann is a University Professor of Film Art & Visual Communication at the Institute for Open Arts, Department of Scenography at Mozarteum University Salzburg. She has been a professor at Mozarteum University since 2019 and previously served as a visiting professor at the Berlin Weissensee Art Academy. As a faculty member, she contributes to the Institute management, teaches as a Teacher, and serves on the Curricular Commission. Dr. Lehmann holds a doctorate in physics (Dr. rer. nat.) with her dissertation "GAUGE COVARIANT MULTISCALE ANALYSIS OF COMPLEX SYSTEMS" published through DESY-Publications in 2004. Her academic journey reflects a unique interdisciplinary trajectory from scientific research to artistic practice. Claudia Lehmann's research interests center around the intersection of art and science, with particular focus on perception, reality, and systemic phenomena. Her work spans documentaries, feature films, music videos, art videos, installations, and performances, constantly searching for new forms and formats. She develops visual concepts, video stage sets, and unique live video performances, often in collaboration with Nicolas Stemann. Through her work, she explores diverse possibilities for new structures, especially in the form of artistic collaboration. Her recent artistic output shows a consistent trend toward interdisciplinary work that blends theater, film, and digital media. Lehmann frequently collaborates with Nicolas Stemann and Konrad Hempel, creating innovative performances that integrate video technology with traditional stagecraft. Her work often addresses social and political themes while experimenting with form and presentation. The Institute for Experimental Affairs (IXA), which she co-founded with Konrad Hempel, serves as a platform for exploring the interfaces between science and art through various projects and research initiatives. Dr. Lehmann has received several prestigious awards for her work: Samsung Smartfilm Award 2013 Shocking Shorts Award 2007 Nomination for German Documentary Film Music Prize 2013 Nomination for Studio Hamburg Young Talent Prize for Best Screenplay As an educator and researcher, Lehmann has developed numerous collaborative projects and performances that have been featured at major international festivals including the Berlin International Film Festival, Leipzig Documentary Film Festival, and various theater festivals. Her work with IXA represents a significant research initiative at the intersection of science and art. Lehmann co-founded the Institute for Experimental Affairs (IXA) with visual artist and composer Konrad Hempel. Through IXA, she conducts research and realizes projects at the interfaces between science and art. Her collaborative work spans theater productions, film projects, and interactive installations that have been presented at venues including the Schauspielhaus Zürich, Münchner Kammerspiele, Opéra Comique Paris, and various international festivals.

Garreth TigwellView profile

Assistant Professor

• Human-Computer Interaction (HCI)
• Accessibility Design
• Digital Accessibility
• +5 more

Garreth Tigwell is an Assistant Professor in the School of Information at RIT, co-directing the CAIR Lab with Dr. Kristen Shinohara. His research focuses on accessibility in digital design, particularly for disabled users, addressing challenges faced by novice and expert creators. His work spans topics like accessible prototyping tools, cultural considerations in design, and inclusive mixed reality interfaces. Education: BSc in Psychology, University of Dundee, 2012 MSc (Distinction) in User Experience Engineering, University of Dundee, 2014 PhD in Human-Computer Interaction (HCI), University of Dundee, 2019 Research Interests: Designing accessible digital systems for blind, deaf, and low-vision users Adaptable user interfaces for mixed reality and textured surfaces Cultural dimensions in accessibility pedagogy Authentication methods for visually impaired users Articles Trends: Recent work emphasizes AR/VR accessibility, cultural design frameworks, and haptic authentication. His studies often involve collaborations with global researchers and industry partners. Awards: Best Paper (MobileHCI 2022) CHI Honorable Mention (2023, 2024) NSF-funded research projects Advising & Grants: Active in mentoring graduate students and securing grants. His lab focuses on born-accessible AI tools and inclusive design education. Teaches courses like HCI Research Methods and Future Interactions. Labs/Teams: Co-leads the CAIR Lab, which develops technologies to bridge accessibility gaps in digital design and prototyping.

Kevin MoberlyView profile

Associate Professor

• Medieval Studies
• Digital Humanities
• Literary Criticism
• +3 more

Kevin Moberly is an Associate Professor in the Department of English at Old Dominion University (ODU), affiliated with the College of Arts & Letters. He holds a Ph.D. in English from the University of Louisiana at Lafayette (2005), an M.A. in Creative Writing (2000), and a B.A. in English from Berry College (1995). His research focuses on medievalism, digital humanities, and computer game studies, with notable grants including a 2011 College of Arts & Letters Summer Research Fellowship ($6,000) and a 2015 Center for Learning and Teaching Faculty Innovator Grant ($3,000). Moberly’s work bridges medieval scholarship and modern digital media, addressing themes like fan culture, corporate revisionism, and virtual economies. His publications span journals such as Studies in Medievalism , Computers and Composition , and Eludamos , alongside book chapters on game studies and technical communication. He has received numerous teaching awards, including the 2010 Shining Star Teaching Award and recognition for co-organizing the 2007 Computers and Writing Online Conference. His research interests include the intersection of medieval narratives with contemporary cultural phenomena, digital pedagogies, and the rhetoric of free speech in online spaces. Moberly has contributed to initiatives like the Examining the Evolution of Gaming anthology and co-authored studies on modding in technical classrooms. His work often critiques societal structures through interdisciplinary lenses, blending literary analysis with digital media theory.

Olga VechtomovaView profile

Professor

• Natural Language Processing
• Machine Learning
• Artificial Intelligence
• +3 more

Olga Vechtomova is a Professor at the University of Waterloo, affiliated with the Information Systems research group and specializing in Search Engines and Natural Language Processing. Her work bridges computational creativity, multimodal systems, and AI-driven text generation. She leads projects like LyricJam , a real-time lyric generation system for live music, and explores applications in dynamic story generation, hate speech detection, and low-resource summarization. Her research emphasizes ethical AI, creative technologies, and leveraging large language models for diverse tasks. Research interests include natural language processing, machine learning, and multimodal interaction. Recent work focuses on artistic inspiration modeling, stylized text generation, and improving NLP efficiency through semi-supervised learning and distillation techniques. Her contributions span over 60 papers since 2000, with a strong emphasis on foundational NLP challenges and real-world applications. She collaborates on systems like Promptmix for model distillation and LyricJam sonic for music-audio lyric generation.

Nick HectorView profile

Professor

• Documentary Film
• Film Editing
• History and Moving Images
• +3 more

Nick Hector is a Professor in the Department of Communication, Media, and Film at the University of Windsor's School of Creative Arts. His work focuses on documentary filmmaking, historical narratives, and environmental storytelling. He has contributed to major projects like Sharkwater Extinction (winning a national editing award) and Fight to the Finish , a WWII documentary. Hector frequently collaborates with students and colleagues, mentoring filmmakers such as Calum Hotchkiss and Olivier Tristan Balmokune. Edited and co-produced Prey , earning three national award nominations Co-edited The Routledge Companion to History and the Moving Image Developed community filmmaking workshops Recipient of Canadian Screen Award and Directors Guild nominations Research interests span environmental activism through film, historical documentation, and cross-disciplinary storytelling. He has produced works addressing climate action, Indigenous rights, and pandemic responses. Labs and initiatives include Windsor International Film Festival collaborations and climate-focused youth workshops.

Andrea WollensakView profile

Professor

• Social Design
• Collaborative Community Ventures
• Data Visualization
• +7 more

Andrea Wollensak is Professor of Art at Connecticut College, where she has taught since 1993. She is an interdisciplinary artist and designer whose work explores the convergence of place, identity, and history through site-based artworks that combine new media technology with traditional design and fabrication. Her educational background includes a B.F.A. from the University of Michigan and an M.F.A. from Yale University. She has held visiting faculty positions at numerous institutions including the University of Gothenburg, Nova Scotia College of Art and Design, Concordia University, Rhode Island School of Design, and the Estonian Academy of Arts. Wollensak's research focuses on social design and place-based storytelling, employing collaboration with community partners, computer scientists, musicians, poets, and scientists. Her work addresses themes of place-based narratives, environment, and memory through forms including audio/video, interactive installations, data visualization, artist books, and digitally fabricated works. She examines how design can be used as a tool for social impact and civic participation. Her most recent projects include Mapping Your Journey to School (2023), which engages Estonian and Ukrainian refugee students in creative writing workshops; Water Stories: Visual Poetics and Collective Voices (2022), a year-long artist residency at the Anchorage Museum; and Open Waters (2019-2020), an interactive installation examining Arctic environmental change. U.S. Fulbright Scholar in Estonia (2023) Artistic Excellence Award in Digital Art from Connecticut Office of the Arts Artist residency at Hafnarborg Contemporary Art Museum in Iceland (2011) Connecticut Commission on Culture and Tourism Grants in New Media (2010, 2006) IASPIS International Artist Studio Program in Sweden (2007) Rockefeller Study and Conference Center residency (2000) Wollensak has advised numerous students in design and new media projects, often collaborating with community partners. She served as Director of the Ammerman Center for Arts and Technology at Connecticut College from 2014-2020 and currently serves on the Advisory Council of the Winterhouse Institute and the Advisory Board for Digital Media Connecticut. Her teaching emphasizes design as an interdisciplinary practice that prepares students to be creative problem solvers who can use design to create positive social impact. Her work has been exhibited internationally at venues including the Göteborg International Contemporary Art Biennial, Nova Scotia Art Gallery, Brno Design Biennial Moravian Gallery, Center for Visual Art in Denver, Brown University's Granoff Center Gallery, and the Burchfield Penney Arts Center in Buffalo.

• Sequential Art
• Graphic Novels
• Comic Art
• +3 more

Meredith Laxton is a Professor of Sequential Art at the Savannah College of Art and Design (SCAD) since 2024. She holds an M.F.A. in Sequential Art from SCAD and a B.A. in Art and Design from North Carolina State University. Her career includes roles as a career adviser (2023), teaching assistant (2018), and graduate mentor at SCAD (2017–18). She co-created the SAVAGE FST zine festival in 2023 and has been a freelance comic artist for publishers like PageTurner Graphic Novels and Humanoids LLC. Laxton’s work spans graphic novels, concept art, and multimedia design, with notable contributions to projects like Wait Till Helen Comes and MPLS Sound . Her research interests focus on sequential art pedagogy, visual storytelling, and the intersection of comics with community engagement. She has exhibited in international shows such as Lacoste’s Sketchbook Showcase (2018) and won awards including the Black-Eyed Susan Book Award nomination (2023) and the Gertrude M. Cox Award (2012). Laxton actively participates in comic conventions like San Diego Comic-Con (2020) and Heroes Convention (2018–2022), advocating for diversity in comic art and fostering connections between creators and audiences. Her professional portfolio includes roles as a concept artist at Puny Human Games (2014–2018) and multimedia designer for NCSU-DELTA (2011–2014). She has also served as an Artist in Residence at Neighborhood Comics (2021) and contributed to trade shows like S.P.I.C.E. (2024) and SPX (2022). Laxton’s interdisciplinary approach bridges traditional art, digital media, and educational outreach.

Dimitris SamarasView profile

Professor

• Computer Vision
• Machine Learning
• Medical Imaging
• +5 more

Dimitris Samaras is a SUNY Empire Innovation Professor in the Department of Computer Science at Stony Brook University, affiliated with the College of Engineering and Applied Sciences. He leads the Computer Vision Lab and holds adjunct roles in Biomedical Informatics and Radiology. His research focuses on computer vision, machine learning, medical imaging, and computational behavioral sciences, with interdisciplinary collaborations in psychology and neuroscience. Education: Ph.D. in Computer Science (University of Pennsylvania, 2001), M.S. in Computer Science (Northeastern University, 1994), Diploma in Computer Engineering (University of Patras, Greece, 1992). Research Interests: Modeling 3D shape and illumination interactions, facial expression analysis, medical image analysis, and applying machine learning to brain imaging. Current funded projects include NIH/NIDA grants, NSF initiatives, and collaborations with institutions like Brookhaven National Lab and Adobe. Publications: Over 150 peer-reviewed papers in top venues like ICCV, CVPR, and MICCAI, with impactful work on shadow removal, face relighting, and digital pathology. Recent trends emphasize medical AI, generative models, and multimodal interactions. Awards: SUNY Chancellor’s Award (2018), Dean’s Millionaire’s Club (2016), and multiple NIH/NSF grants. Recognized for contributions to scholarship and creative activities in academia. Grants & Teams: Leads over $10M in active grants, including projects on AI for penguin population tracking, histopathology image analysis, and robotic assistance. Collaborates with interdisciplinary teams in medicine, engineering, and cognitive science. Labs & Initiatives: Directs the Computer Vision Lab, contributes to the ColdSteel/NSF CVDI-NY SPIR consortium, and co-leads the Sensor and Transportation Security Center with Farmingdale State College.

Sophie McCallView profile

Professor

• Indigenous literatures
• collaboration
• relationality
• +7 more

Sophie McCall is a Professor in the Department of English at Simon Fraser University (SFU), specializing in Indigenous literatures. Her research focuses on decolonization, resurgence, and the ethics of collaborative authorship, particularly examining how Indigenous writers challenge settler colonialism through storytelling. She holds a BA from Queen’s University, an MA from UBC, and a PhD from York University. McCall is the author of First Person Plural: Aboriginal Storytelling and the Ethics of Collaborative Authorship (2011), which received critical acclaim, and editor of foundational texts like Devil in Deerskins: My Life with Grey Owl (2014). She co-edits Read, Listen, Tell: Indigenous Stories from Turtle Island (2017) and directs SFU’s Masters of Arts for Teachers of English (MATE) program. Her work bridges literary criticism and activism, addressing residential school narratives, Indigenous-Black solidarity, and the politics of reconciliation. She co-chairs the Indigenous Voices Awards and leads SSHRC-funded projects exploring Indigenous-led literary collaborations. Key themes in her scholarship include textualizing orality, ethical representation, and multidisciplinary Indigenous arts. Awards: Gabrielle Roy Prize finalist (2011), Canada Prize finalist (2011) Projects: SSHRC-funded collaboration with NunatuKavut scholar Kristina Bidwell Roles: Director of MATE, Co-chair Indigenous Voices Awards McCall’s publications span scholarly articles, edited collections, and anthologies, emphasizing Indigenous agency in storytelling. Her teaching and research prioritize decolonizing methodologies and amplifying Indigenous voices across disciplines.

Catherine LawsView profile

Professor

• Contemporary Music
• Performance Practices
• Interdisciplinary Art
• +4 more

Catherine Laws is a Professor of Music at the University of York, affiliated with the School of Arts and Creative Technologies. She holds a dual role as a musicologist and pianist specializing in contemporary music, with particular focus on interdisciplinary performance practices and the relationship between music and language. Her research explores collaboration, embodiment, and subjectivity in performance, alongside studies of Samuel Beckett’s musical intermediality. Laws maintains a Senior Artistic Research Fellowship at the Orpheus Institute in Ghent, leading the 'Performance, Subjectivity, and Experimentation' research cluster. Education: PhD in Music (University of York, 1996), MA and BA in Music (University of York) Her research spans two core areas: 1) performance-based studies examining performer agency, embodiment, and interdisciplinary collaboration through works like the multimedia Player Piano ; and 2) investigations into composers’ responses to literary texts, notably Beckett’s works. Key outputs include co-authored Voices, Bodies, Practices (2019) and edited Performance, Subjectivity, and Experimentation (2020). Her recent projects with filmmaker Minyung Im reimagine piano performances through film, blending sound, visual, and spatial elements. Publications reflect her dual focus: experimental music performance, Beckett studies, and collaborative art practices. Her work often bridges theory and practice, integrating compositional, performative, and audiovisual mediums.