Find Academic Supervisors

Aamir R. Mufti serves as Professor of Comparative Literature at the University of California, Los Angeles, with affiliations at the Asia Pacific Center. His scholarly work bridges literary studies, anthropology, and area studies focused on South Asia, the Middle East, North Africa, and Jewish diaspora communities. His research centers on: Global colonialism and decolonization processes Postcolonial reconfigurations of Western humanities concepts (secular, minor, cosmopolitan) Migrant/refugee experiences in European unification projects Palestine as historical experience of homeland loss Critical examinations of world literature frameworks Analysis of his publications reveals consistent engagement with suppressed narratives in colonial and postcolonial contexts, particularly examining how enforced immobility contradicts world literature's mobility discourse and how minority experiences in Europe were disseminated globally through colonial nation-state formations. His work systematically interrogates Orientalism's legacy in contemporary humanistic practice. Mufti maintains a long-standing editorial role with the journal boundary 2 , where he has curated special collections advancing critical postcolonial discourse. His current research trajectory emphasizes migrant subjectivity within European political crises and reimagining humanities frameworks from colonized perspectives. Academic foundations include doctoral training under Edward Said at Columbia University, with formative influences from South Asian literary traditions (notably Faiz Ahmed Faiz) and European critical theory (Heinrich Heine). His institutional work positions Comparative Literature as a discipline uniquely equipped to address contemporary global political rightward shifts through interdisciplinary humanistic analysis.

• Postcolonial Studies
• Critical Theory
• South Asian Literature
• +5 more

Harsha Ram is an Associate Professor in the Department of Comparative Literature at the University of California, Berkeley. His research focuses on Russian and European Enlightenment, modernist literature, and the cultural histories of the Caucasus region. He holds dual B.A. Honors degrees in Italian and Russian from the University of Sydney and University of New South Wales, and a Ph.D. in Comparative Literature from Yale University. His work bridges literary theory, post-colonial studies, and geopoetics, with a particular emphasis on Georgia's literary modernism and its intersections with Russian imperial culture. Key themes include spatial theory, peripheral modernisms, and the transnational dimensions of cultural production. Recent work examines the role of ritual feasts in Georgian national identity and the geopoetics of Eurasian avant-garde movements. Ram has published extensively on figures like Velimir Khlebnikov and Boris Pasternak, exploring their engagement with imperial legacies and revolutionary aesthetics. His book The Imperial Sublime: A Russian Poetics of Empire (2003) remains a seminal study of Russian imperial poetics. Current projects include studies on Georgian literary encounters with Russian culture and the symbolic dimensions of Caucasus representations. His scholarship frequently appears in leading journals such as Modernism/Modernity , Slavic Review , and Ab Imperio . He has held visiting positions at institutions globally and actively participates in interdisciplinary dialogues between literary studies, history, and cultural geography.

• Russian and European Enlightenment
• Romanticism and Modernism
• Georgian and Caucasus Literary History
• +8 more

Fabio Franceschi is an Associate Professor of Ecclesiastical Law, European Ecclesiastical Law, and Law and Religion at the Faculty of Law, Sapienza University of Rome. He teaches courses including Diritto Ecclesiastico (Ecclesiastical Law), Diritto Ecclesiastico Europeo (European Ecclesiastical Law), and Law and Religion. His institutional affiliation is with the Department of Legal and Economic Studies at Sapienza University of Rome. Franceschi's research interests focus on ecclesiastical law and the relationship between law and religion in contemporary society, the history of relations between State and Church in Italy (particularly in pre- and post-unification periods), canon law, and intercultural law. His work examines religious freedom, secularism, religious confessions, and the legal frameworks governing religious institutions in increasingly multicultural and multireligious societies. His publication record includes over 60 academic works in Italian and English, with his most notable contribution being the 'Compendium of Ecclesiastical Law,' which has gone through multiple editions. His recent scholarship addresses contemporary issues such as religious freedom in MENA countries, end-of-life decisions from religious perspectives, and the financial operations of religious institutions. Franceschi is actively involved in research groups including 'DiReSom (Law and Religion in Multicultural Societies)' and the executive committee of the interdisciplinary research center 'ORFECT - Observatory on Religious Freedom in the Jurisprudence of the European Court of Human Rights.' He also coordinates the research group 'Tradizioni religiose, diritti umani e diritto interculturale' (Religious Traditions, Human Rights and Intercultural Law). He serves on the scientific committee of the legal journal 'SudEuropa. Quadrimestrale di civiltà e cultura europea' and the editorial board of 'Il Diritto ecclesiastico.' His teaching materials for attending students are available on the university's E-Learning platform, and he maintains regular office hours for student consultations.

• Ecclesiastical Law
• Law and Religion
• Religious Freedom
• +4 more

Dr. Michael R. Griffiths is a Senior Lecturer in English Literatures at the University of Wollongong, where he has been teaching since 2014. He serves as the Internationalisation Director in the School of the Arts, English and Media, managing global collaborations including UOW's campuses in Hong Kong and Dubai. Previously, he was a Postdoctoral Fellow at Columbia University's Institute for Comparative Literature and Society from 2012-2014. His educational background includes: PhD in English from Rice University (2012) Griffiths's research focuses on postcolonial literary theory, settler colonial studies, and Indigenous literatures, with a growing emphasis on decolonial thought. His work critically examines representations of Aboriginal people and culture in Australian literature, the politics of authorship in anticolonial thought, and intersections between critical animal studies and ecocriticism. In his scholarship, Griffiths explores how literature engages with questions of identity, difference, and belonging in settler colonial contexts, often challenging conventional approaches to cultural appropriation and representation. His recent publications demonstrate a clear trajectory toward examining the intersections between poststructuralist literary theory and anticolonial thought. The publication of his 2025 book The Death of the Author and Anticolonial Thought represents a significant contribution to understanding how thinkers like Edward Said and Édouard Glissant responded to Roland Barthes's "death of the author" thesis. His earlier work, particularly his 2018 monograph The Distribution of Settlement: Appropriation and Refusal in Australian Literature and Culture , established him as a scholar examining representations of Aboriginal people by non-Indigenous writers in Australian literature. Griffiths serves as Chair of the South Pacific Association for Commonwealth Literature and Language Studies (SPACLALS) and is on the editorial advisory board of Australian Literary Studies . He has also co-edited special issues of Continuum on freedom of speech debates, which received notable attention and was reprinted as a book titled Unsettled Voices . As a supervisor, Griffiths has mentored numerous PhD and Master's students through projects examining diverse topics including Indigenous Trinidadian theatre, hauntings in Chinese-Australian literature, and cosmopolitanism in Indian English fiction. His grant history shows consistent funding support for research on Australian literature, settler colonial studies, and international academic collaborations, particularly with Wuhan University in China. Griffiths contributes to several research networks focused on postcolonial studies and settler colonialism, including the South Pacific Association for Commonwealth Literature and Language Studies, which he chairs, and maintains active engagement with global scholarly conversations through his academic profiles and social media presence.

• Postcolonial Literary Studies
• Settler Colonial Studies
• Australian Literature
• +6 more

Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.

• Asian/Pacific/American literature and culture
• war, militarism, and imperialism in Asia and the Pacific
• Cold War and mid-century culture
• +14 more

Wang Ning is a distinguished Professor of English and Comparative Literature with affiliations at Tsinghua University (part-time) and Shanghai Jiao Tong University. His career spans prestigious roles including Zhiyuan Chair Professor (2009–present) and Changjiang Distinguished Professor (2013–present). Born in 1955, he holds academic qualifications from institutions in China, Europe, and North America. Research interests focus on cosmopolitanism, translation studies, Northrop Frye's mythopoeia, cultural studies, and Chinese-Western comparative literature. He has secured over ten grants since 1991 aimed at introducing European theory to China and has conducted research across Europe, North America, and Australia as a visiting professor/research fellow. Key achievements include the Changjiang Scholars Award (2013), membership in Académé de la Latinité (2010), and fellowships at Cambridge and Gottingen Universities. He co-founded Chinese editions of New Literary History and Critical Inquiry , advancing transnational literary discourse. Wang has delivered keynote lectures globally and led initiatives to bridge Chinese and Western literary traditions. His work emphasizes global literary dynamics, translation’s role in cultural exchange, and reinterpreting modern Chinese literature within global contexts.

• Cosmopolitanism and World Literature
• Translation Studies
• Northrop Frye and Mythology
• +5 more

Pheng Cheah serves as Professor at the University of California, Berkeley, specializing in interdisciplinary research bridging philosophy, literature, and political theory with global implications. His academic credentials include: PhD from Cornell University LLB from University of Sydney His research spans continental philosophy from Kant to Derrida, postcolonial theory, world literature, and globalization studies, with concentrated focus on human rights frameworks, cosmopolitan/national tensions, feminist perspectives, and contemporary Chinese cinema. His methodology integrates literary analysis with political philosophy to examine power dynamics in transnational contexts, particularly across postcolonial Asia where he conducts fieldwork with filmmakers. Publication analysis reveals an evolving trajectory from foundational cosmopolitan/national theory toward biopolitical human rights frameworks and cinematic representations of globalization. His work consistently centers non-Western perspectives—especially Chinese, Southeast Asian, and global South contexts—challenging Eurocentric paradigms through comparative analysis of cultural production and political transformation. No scientific awards are documented in available sources. Professor Cheah mentors graduate students in critical theory and postcolonial studies, guiding research on literature's political dimensions. His scholarly activities are supported by standard academic funding mechanisms enabling extensive archival work and international collaborations, particularly with Asian film communities. He maintains active participation in global studies consortia and postcolonial research networks, frequently collaborating with filmmakers and scholars across the three Chinas through interview-based methodologies.

• 18th-20th century continental philosophy and critical theory
• Postcolonial theory and anglophone postcolonial literatures
• World literature
• +6 more

Professor Stephen Chan is a faculty member at SOAS University of London in the Department of Politics and International Studies (POL) . With a focus on African political thought and international relations, his work critically examines postcolonialism, decoloniality, and global governance. Key research themes include: Decolonizing international relations theory Sino-African political dynamics Election observation and democratic processes Non-Western cosmopolitanism Comparative diplomatic practices His recent publications analyze the ideological ambiguity of decoloniality (2023), pluralist visions for global security (2017), and the legacy of African liberation movements (2021). He has advised multiple theses on topics ranging from parliamentary governance in Kenya/Zimbabwe to China-Africa media interactions. Notably: Critiqued the misuse of 'decoloniality' as ideological rhetoric (2023) Authored a poetic autobiography of political engagement (2022) Traced Africa's intellectual history of freedom (2021) Examined Zimbabwean elections (2017) Explored non-Western modernity (2018)

• African Political Thought
• International Relations
• Decoloniality
• +4 more

Harald Zapf is a Senior Lecturer in the Department of English and American Studies at Friedrich-Alexander University Erlangen-Nürnberg (FAU), specializing in American literature and cultural studies. Affiliated with the Faculty of Philosophy and Theology, he focuses on postcolonial theory, hybridity, and multiculturalism in the Americas. 2002 Lilli Bechmann Rahn Doctoral Prize 2001 Bavarian American Academy Dissertation Prize His research explores intersections of ethnicity, language, and performance in contemporary American poetry, particularly in multilingual and transnational contexts. He has collaborated extensively with Wolfgang Binder and Klaus Lösch on publications examining cultural encounters and hybrid identities. Zapf’s publications span monographs, edited volumes, and critical articles, with a strong emphasis on authors like Ishmael Reed and theoretical frameworks such as rooted cosmopolitanism and deconstruction. His work bridges literary analysis with sociocultural and philosophical discourses.

• American Literature
• Cultural Studies
• Postcolonial Studies
• +5 more

Iain Robert Smith is a Senior Lecturer in Film Studies at King’s College London, specializing in transnational cinemas, cult film studies, and transnational adaptation. He previously held a Senior Lecturer position at the University of Roehampton (2010–2016). His research challenges hegemonic views of cultural globalization by examining how Hollywood films are remade and adapted across cultures. He co-founded the SCMS Transnational Cinemas group and led the AHRC-funded 'Media Across Borders' research network (2012–). Smith holds a PhD and MA in Film Studies (Distinction) from the University of Nottingham and a First-Class MA (Hons) in English Literature and Film Studies from the University of Glasgow. His research interests include Transnational Cinemas post-1945, Global Hollywood, Popular Cinemas of Asia (especially India and Turkey), and Cult/Exploitation Horror Cinema. He co-edited Transnational Film Remakes (2017) and Media Across Borders (2016), and authored The Hollywood Meme (2016). Current projects include a book on global Batman adaptations and a decolonizing critique of cult film studies. Awards: AHRC/BBC New Generation Thinker (2018), Senior Fellow of the Higher Education Academy (2018) Teaching: Specializes in film history, world cinema, and cult/exploitation cinema. Organized festivals like the Turkish Film Remakes event (2022) and the Turkish Star Wars UK tour (2018). Publications: Over 30 peer-reviewed articles and edited volumes, with recent focus on global horror dynamics, decolonizing film studies, and transnational giallo remakes. He serves on editorial boards for Transnational Screens and Intensities: Journal of Cult Media , and founded the 'Remakesploitation Film Club' at The Cinema Museum. His work bridges academic research with public engagement through film screenings and director Q&As.

• Transnational Cinemas
• Global Hollywood
• Cult Cinema Studies
• +5 more

Daniel J. Sheffield is an Associate Professor in the Department of Near Eastern Studies at Princeton University, serving as Director of Undergraduate Studies. He holds a Ph.D. in Iranian and Persian Studies from Harvard University (2012). Previously, he held positions at the University of Washington and as a Link-Cotsen Postdoctoral Fellow at Princeton's Society of Fellows. His research focuses on the religious, intellectual, and social history of the medieval and early modern Persian-speaking world, with specialties in exchanges between Safavid Iran and Mughal India, Zoroastrian communities, and the transmission of ideas from Late Antiquity to Early Modernity. His current work explores language, translation, and religious thought, exemplified by his manuscript Cosmopolitan Zarathustras and an upcoming project on translation and toleration in Safavid and Mughal contexts. Teaching includes undergraduate courses on Iranian history, graduate seminars on Persian historiography, and ancient Iranian language instruction. He organizes a Classical Persian reading group for students. His recent publications appear in major edited volumes on Zoroastrianism and philology. Award-winning educator and researcher, he is affiliated with the Behrman Faculty Fellows program. Beyond academia, he enjoys cooking, accordion playing, and family life with his young child.

• Medieval History
• Early Modern History
• Religious Studies
• +6 more

Sheldon Lu is a Distinguished Professor of Comparative Literature at the University of California, Davis. He holds affiliations with East Asian Studies, Performance Studies, Cultural Studies, Film and Media Studies, Critical Theory, and Environmental Humanities. His academic career includes roles as Chair of the Department of Comparative Literature, Director of the Graduate Program in Comparative Literature, and Founding Co-Director of the Film Studies Program. Lu has taught at institutions including the University of Pittsburgh and Beijing Normal University, and served as a Fulbright scholar in Ukraine (2004-2005). Education: B.A. (1984) and Ph.D. (1990) in Comparative Literature from Indiana University and University of Wisconsin-Madison, respectively. His research bridges literary studies, visual culture, film, and China studies. Key publications include Contemporary Chinese Cinema and Visual Culture (2021, BAFTSS Honorable Mention) and Chinese Modernity and Global Biopolitics (2007). He edited the Critical Interventions book series (2009-2019). Lu's work has appeared in journals like New Literary History , Journal of World Literature , and Cinema Journal . Awards include the 2005 Choice Award for Chinese-Language Film: Historiography, Poetics, Politics . He has organized special journal issues on topics ranging from ecocinema to transnational Chinese cinemas. Teaching focuses on Asian literature, film studies, critical theory, and urban culture. Notable courses include World Cinema and East-West Literary Relations .

• Comparative Literature
• Film Studies
• Visual Culture
• +4 more

Rajeev Kinra is an Associate Professor of History at Northwestern University, specializing in early modern South Asian cultural history with a focus on Mughal and early British Empires. He holds a Ph.D. from the University of Chicago (2008). His research integrates Persian, Hindi-Urdu, and Sanskrit sources to explore themes of civility, cosmopolitanism, and cultural modernity. He directs Northwestern’s Asian Studies Program (2015-18) and co-directs the Global Humanities Initiative. Notable publications include Writing Self, Writing Empire (2015), analyzing the Mughal state secretary Chandar Bhan Brahman. Education: Ph.D., University of Chicago, 2008. Research interests emphasize South Asian and global history, particularly Indo-Persian literary and intellectual cultures, Mughal governance, and comparative philology. Awards include an NEH fellowship and a Buffett Institute grant for global humanities projects. Teaching focuses on early modern India and modern South Asia, with courses on global history and the Indian Ocean world. Affiliations include the Buffett Institute, Asian Languages and Cultures, and the South Asian American Digital Archive (SAADA).

• South Asian History
• Global History
• Religious History
• +4 more

Mimi Yiengpruksawan is a Professor of History of Art at Yale University, affiliated with the Department of East Asian Languages and Literatures, the Council on East Asian Studies, the Council on Southeast Asian Studies, and the Program in Medieval Studies. She holds a Ph.D. from UCLA (1988) and joined Yale in 1990, achieving tenure in 1998. Her research focuses on Buddhist art in nonmodern Japan and Eurasian cultural exchanges, emphasizing cross-regional and interdisciplinary approaches to study contact-driven cultural formation. Her academic work includes two major manuscripts: Michinaga’s Peacocks: A Heian World in Transition (examining exogenous influences on Kyoto’s art) and Kyoto in the Twilight of the Dharma (focusing on eschatological patronage). She also explores early modern Japanese global interactions, analyzing visual production during the 'Nanban' period. Recent research bridges environmental history with art, linking the 1006 supernova and Buddhist prophecies to artistic developments. Key publications include analyses of Buddhist iconography, transnational art networks, and transcultural architecture. She is a leading figure in rethinking Heian Japan’s cultural interconnectedness, challenging isolationist narratives through material evidence and primary sources.

• Buddhist Art and Architecture
• Japanese Art History
• East Asian Art
• +4 more

Sijia Yao is an Assistant Professor of Chinese Language and Culture at Soka University of America. She holds a Ph.D. in Comparative Literature from Purdue University. Her research focuses on comparative and Sinophone literature/media studies, love/affect studies, critical theory, and post-socialism. Yao teaches courses such as CHI 401 (Cultural History of China) and Learning Cluster 200 (Sinophone Cinema). Her scholarship includes the book *Cosmopolitan Love: Utopian Vision in D.H. Lawrence and Eileen Chang* (2023) and peer-reviewed articles analyzing Chinese literature, film, and cultural phenomena. Yao has received grants for Chinese language education research and teaching excellence awards at the University of Nebraska-Lincoln. She has reviewed works in Sinophone studies, including Lily Wong’s *Transpacific Attachments*.

• Comparative Literature
• Sinophone Media Studies
• Love and Affect Studies
• +4 more