Bo Bottomley is a Researcher affiliated with the School of Law at the University of East Anglia. She holds a Doctor of Philosophy (PhD) and is a member of the Migration Research Network. Her work focuses on migration and refugee studies, particularly examining how state policies impact human rights and refugee integration. She has contributed peer-reviewed analyses in high-impact journals such as the Journal of Refugee Studies . Bottomley’s research bridges legal frameworks, social policy, and global migration dynamics. Education: Doctor of Philosophy (PhD) from an unspecified institution (listed in her profile). Research Interests: Migration Studies, Refugee Law, Human Rights, and the intersection of state policies with international law. She critically evaluates how state actions influence refugee rights and societal inclusion, emphasizing structural inequalities and legal accountability. Publications: Her 2022 book review in Journal of Refugee Studies highlights her engagement with contemporary debates on refugee rights and state responsibilities. This work reflects her broader focus on systemic barriers faced by displaced populations. Labs/Teams: Active member of the Migration Research Network, contributing to collaborative projects on migration law and policy.
Royal Holloway, University of LondonUnited Kingdom
Katherine Brickell is Professor of Human Geography at Royal Holloway, University of London (RHUL), where she serves as Research Lead for the Department of Geography. She is editor of the journal Gender, Place and Culture and former Chair of the RGS-IBG Gender and Feminist Geographies Research Group. Her work spans social, political, development, urban and legal geography with a feminist orientation. Brickell's research centers on three interconnected themes: home and home unmaking, labor precarity, and feminist legal geographies. Her longstanding interest in the domestic sphere and home unmaking aims to reaffirm the home as a political entity. Her monograph Home SOS: Gender, Violence and Survival in Crisis Ordinary Cambodia brings together 15 years of research on domestic violence and forced eviction. Since 2017, she has conducted collaborative work in London and Dublin on modular housing for homeless families. She has also led significant research on labor conditions in Cambodia, including the ESRC-DFID funded 'Blood Bricks' project (2016-2019) studying climate change impacts on rural families migrating to brick kilns. Her recent publications reveal a strong focus on debt, microfinance, and climate vulnerability in Cambodia, with multiple 2022-2024 articles examining how over-indebtedness intersects with social reproduction and climate adaptation. Her work consistently applies feminist lenses to understand spatial dimensions of power, particularly in Southeast Asia. Brickell has published in top journals including Transactions of the Institute of British Geographers , Progress in Human Geography , Antipode , and Annals of the American Association of Geographers . Gill Memorial Award (2014) Philip Leverhulme Prize (2016) Times Higher Education Research Project of the Year (2020) Brickell has supervised numerous doctoral students and mentored postdoctoral fellows working on topics including remittances during COVID-19, climate mobilities, moral geographies of garment work, and women's experiences with domestic violence. Her research has been funded by ESRC-DFID, UKRI GCRF, and the Urban Studies Foundation, among others. She collaborates extensively with colleagues in Cambodia and across Europe, with current projects examining climate resilience, credit-taking, and nutrition in Cambodia and South India, as well as the economic impacts of the pandemic on Cambodian garment workers.
Joanne Lee is a Senior Lecturer in the Department of Italian Studies at the University of Warwick. She holds a PhD from the University of Bristol and has taught at Cardiff University and Bristol University prior to joining Warwick in 2008. Her administrative roles include Head of Italian Studies until September 2024 and Co-head of the School of Modern Languages and Cultures (SMLC) starting January 2025. BA in Italian and Language Studies (Cardiff University, 1999) MA in Literature in European Cultures (Cardiff University, 2003) PhD (University of Bristol, 2008) Her research spans travel writing , Italian emigration/immigration , post-war women writers , and Italy's colonial memory . Recent work examines decolonizing urban spaces through Igiaba Scego's works and sustainable travel in Paolo Rumiz's pedestrian journeys. She explores ethical dimensions of travel writing, including sustainability and cosmopolitan ethics, with a focus on globalization's impact on migration narratives. Selected publications include analyses of Laura Pariani's migration novels, Soviet-Italian Cold War travel discourses, and postcolonial memory in Italian literature. She has collaborated on interdisciplinary projects addressing slow travel , virtual tourism , and post-pandemic tourism patterns. Awards include Senior Fellowship of the Higher Education Academy and Fellowship of the Warwick International Higher Education Academy.
Dr. Sara Caputo is a British Academy Postdoctoral Fellow at the Department of History and Philosophy of Science and an Affiliated Lecturer at the Faculty of History, University of Cambridge. She serves as Director of Studies in History, History and Politics, and History and Modern Languages at Magdalene College. Her research spans transnational maritime history, the history of medicine, cartography, and imperial history. Education: PhD in History from the University of Cambridge (Robinson College), MSc in History from the University of Edinburgh, BA (Hons) in History from Cardiff University. Career Highlights: Lumley Junior Research Fellow (2019–2022), Senior Research Fellow (2022–present) at Magdalene College, Scouloudi Fellow (2018–2019), Lewis-AHRC Scholarship (2015–2018), Honorary Vice-Chancellor’s Scholar (2015–2018). Research Focus: Dr. Caputo explores maritime mobilities, knowledge exchange, and the instability of national boundaries in the British and European navies. Her work integrates transnational perspectives into the study of a quintessentially national institution, challenging notions of Britishness and foreignness. She combines qualitative and quantitative methodologies to analyze legal, social, and cultural contexts of naval service and cartographic practices. Notable Articles: Recent publications include studies on British naval medicine, the evolution of ship tracks into surveillance tools, and the transnational dimensions of naval exploration. Her articles span journals like Past & Present , English Historical Review , and Social History of Medicine , with chapters in edited volumes on transport history and postwar naval recruitment. Scientific Awards: Royal Historical Society Whitfield Prize (2024) British Commission for Maritime History Boydell & Brewer Prize (2020) Fachverband Medizingeschichte wissenschaftlichen Förderpreis (2022) International Committee for History of Technology Maurice Daumas Prize (2021) Scottish History Society Rosebery Prize (2020) Teaching and Outreach: Dr. Caputo teaches courses on the Global Eighteenth Century, Union and Disunion in Britain, and Mediterranean history. She actively participates in outreach programs with the Cambridge University Admissions Office and The Brilliant Club, focusing on widening participation in history education.
Dr. Shahrzad Fouladvand is an Associate Professor in International Criminal Law at the University of Sussex's School of Law, Politics and Sociology. Her research focuses on transnational criminal law, human trafficking, and corruption, particularly their interplay in contexts like Albania. She previously worked at the International Criminal Court (ICC) and the International Labour Organisation (ILO), contributing to human rights conventions. A member of RUSI's Strategic Hub for Organised Crime (SHOC), she advocates holistic approaches to combating human trafficking beyond prosecution-centric methods. Dr. Fouladvand holds a PhD from the University of Sussex and is a Fellow of the UK Higher Education Academy. Education: PhD in Law, University of Sussex (2008–2012) Common Professional Examination (CPE)/Graduate Diploma in Law (GDL), University of Huddersfield (2012–2014) Certifications in Machine Learning for Social Scientists (2023) and Social Network Analysis (2020) Research Interests: Dr. Fouladvand explores the nexus between human trafficking and corruption, emphasizing evidentiary challenges and institutional complicity. Her work integrates network analysis and responsibilisation frameworks, critiquing prosecution-centric approaches. Recent projects include a monograph on 'Human Trafficking, Corruption and Corporate Complicity' for Routledge, examining public-sector complicity in trafficking. Key Contributions: Authored over 30 publications, including journal articles and book chapters on ICC jurisprudence, anti-corruption law, and trafficking dynamics. Advised UK parliamentary committees on human trafficking and migration policies. Edited volumes on transnational organized crime and economic criminology. Awards and Fellowships: Fellow of the UK Higher Education Academy (2016) Visiting Scholarship at Max-Planck Institute (2021–2022) Elected Special Rapporteur on Contemporary Slavery for BACL Labs/Teams: Active member of RUSI's SHOC, focusing on policy-relevant research to combat organized crime.
London School of Economics and Political Science (LSE)United Kingdom
Professor Shani Orgad is a leading academic in the Department of Media and Communications at the London School of Economics (LSE), where she holds the rank of Professor. Her research focuses on gender, feminism, media representations, and globalization, with notable works exploring motherhood, work-life balance, and the intersection of media with contemporary cultural narratives. Education: Orgad earned a bachelor’s degree in Media and Communications from The Hebrew University in Jerusalem, followed by a Master's and PhD in Media and Communications at LSE. She is renowned for her interdisciplinary approach, blending media studies with ethnographic research and sociocultural analysis. Research Interests: Her work critically examines media discourses around gender, motherhood, and inequality. Key themes include the 'confidence culture' critique, menopause visibility, and the role of media in shaping public perceptions of marginalized groups. She has also explored humanitarian communication and the challenges faced by NGOs in engaging the public. Awards: Orgad has been recognized for her teaching excellence, including the 2019 LSE Teaching Excellence Prize and the 2018 LSE Excellence in Education Award. Her book Confidence Culture (2022), co-authored with Rosalind Gill, challenges neoliberal individualism in modern feminist discourse. Public Engagement: She frequently contributes to public discussions on media and gender through blogs, podcasts, and media commentaries. Her work bridges academic rigor with societal relevance, addressing issues like pandemic resilience, menopause discourse, and the impact of social media on self-perception. Current Projects: During the 2024/25 academic year, Orgad is on research leave, focusing on new projects that continue her exploration of media, gender, and cultural dynamics.
Dr. Simon A. Morrison is a Senior Lecturer in the Division of Communication, Screen & Performance within the Faculty of Arts, Humanities and Social Sciences at the University of Chester. He serves as Programme Leader for the Music Journalism degree, which he helped design, build and deliver from its first cohort in 2014. With 25 years of experience as a writer, broadcaster, and academic, Morrison brings extensive industry knowledge to his teaching and research, having worked as a music journalist reporting from locations worldwide including Beijing, Brazil, Moscow, and Marrakech. Dr. Morrison holds a PhD from the University of Leeds (completed 2018), an MA from the University of Manchester (1995-1997), and a BA Hons from the University of Manchester (1989-1992). Prior to his position at Chester, he worked as an Associate Lecturer at Manchester Metropolitan University (2012-2014) and as a Visiting Lecturer at Leeds University (2011-2013). His academic journey follows a substantial career in media where he presented TV for Rapture TV, hosted radio shows in Ibiza, produced and presented for Kiss Radio, and appeared on BBC Breakfast and BBC 5 Live. Dr. Morrison's research centers on the intersection of words and music , with particular focus on Popular Music , Musico-Literary Intermediality , and Electronic Dance Music Culture . His work explores how music subcultures, particularly rave and dance music scenes, are represented in literature and journalism. He examines the connections between different countercultural movements, notably drawing parallels between the Beat Generation writers and contemporary 'Chemical Generation' authors who write about club culture. His research also investigates the relationship between music journalism and subcultural movements across different historical periods. His recent publications reveal a clear trajectory connecting historical dance music developments across continents and eras. Morrison's work traces the evolution of electronic dance music from its American roots in Chicago and Detroit through its transatlantic journey to Europe and back again, examining how cultural exchange shaped musical innovation. His analyses of Pink Floyd demonstrate how rock bands interact with media landscapes, while his investigations of music journalism document the changing nature of music criticism in digital eras. The recurring theme across his scholarship is the examination of how subcultural experiences are translated into written form, whether through journalism, fiction, or academic analysis. Dr. Morrison actively supervises undergraduate dissertation projects and Negotiated Study production projects across all three years of undergraduate study. He has successfully supervised an MRes project to completion and examined PhDs (including one internal and two external, one being an Australian PhD by Artefact & Exegesis). He has served as an External Examiner for Music Journalism programs at Southampton Solent University (2016-2019) and BIMM London, Birmingham and Manchester (2016-2020). His teaching spans modules including Introduction to Journalism, Live Journalism, Dancing About Architecture: Popular Music Media, Histories and Technologies, The Cultural Politics of Music Journalism, The Politics of Social Media, Magazine Publishing and Music PR and Promotional Writing.
Stephen Willey is a poet, researcher, and critic affiliated with the School of Arts at the University of London . He serves as Programme Director for BA Creative Writing and English , Admissions Officer , and Director of the Contemporary Poetics Research Centre . His work bridges experimental poetry, political engagement, and cross-cultural collaboration. Research Interests : Sound and concrete poetry Avant-garde poetics Palestinian creative writing workshops Eco-poetics and radical pedagogies Key Projects : Incarceration and Poetry (funded by Council for British Research in the Levant) Living In: Creative Solidarities in Palestine (2020 book) Scientific Awards : Team-Based Fieldwork Award (2020) Artists’ International Development Award (2013) AHRC Collaborative Doctoral Award (2008) Teaching : He teaches modules like Migration Literatures , Climate Change Communication , and Poetry Workshop at Birkbeck, while mentoring PhD candidates in avant-garde poetics, diaspora studies, and creative writing.
Joanna Pawlik is an Associate Professor and Head of the Department of Art History at the University of Sussex, within the School of Media, Arts and Humanities. Her research focuses on modern art and literature, emphasizing transnationalism, avant-gardism, and protest movements. She has been funded by prestigious grants like the Leverhulme Trust and the AHRC. Her 2021 monograph Remade in America , awarded the MSA First Book Prize, examines Surrealism's role in American activism post-1940. Current research explores fascist iconography in American art (1945–1980), funded by a Leverhulme Fellowship. Education: PhD in Art History, University of Sussex (2003–2008) MA in Art History, York University, Canada (2021–2022) BA Hons in Art History, University of East Anglia (2018–2021) Research Interests: Her work investigates surrealism's transnational legacies, anti-fascist art, feminist/queer methodologies, and postwar American visual culture. She examines how surrealist principles intersect with race, gender, class, and activism in movements like the Beat Generation and Black Arts Movement. Grants & Awards: Leverhulme Research Fellowship (2020–2022) Leverhulme Trust Grant 'Radical America: Afterlives' (2016) MSA First Book Prize (2021) Professional Activities: Co-director of the SAVAnT Doctoral School promoting interdisciplinary American visual studies. Supervises PhD projects on postwar American art, anti-fascism, and feminist/queer art history. Engages in public scholarship through interviews and exhibitions.
London School of Economics and Political Science (LSE)United Kingdom
Professor Catherine Allerton is a faculty member in the Department of Anthropology at the London School of Economics and Political Science (LSE). She specializes in the materialities and mobilities of everyday life, with a focus on place, kinship, childhood, migration, and temporalities in island Southeast Asia. Her fieldwork spans a two-placed village in Flores, Indonesia, and Kota Kinabalu, Sabah, East Malaysia. Her research emphasizes interdisciplinary ethnographic methods, particularly involving child participants to challenge adult-centric approaches. She launched the 'Childhood in the Migrant City' exhibition using child-taken photographs from her ESRC-sponsored research. Current projects include exploring discordant temporalities between migration systems and childhood development, as well as completing a book manuscript on moral economies of belonging. Key research interests include the social and political dimensions of landscapes, the anthropology of children, and the impacts of legal status on marginalized youth. She teaches an LSE course on 'Children and Youth in Contemporary Ethnography' and actively supervises PhD students focusing on childhood, migration, citizenship, and Southeast Asian studies. Her work addresses exclusionary practices tied to race, religion, and legal frameworks in Malaysia and Indonesia. Languages spoken include Bahasa Manggarai, English, Indonesian, and Malay. No part-time status is mentioned, indicating full-time faculty commitment.
Natasha Carver is a Senior Lecturer at the School for Policy Studies, University of Bristol. Her work focuses on migration, gender, and colonial legacies, particularly in the context of FGM-safeguarding policies and their socio-political impacts. She holds an MSc and PhD, though specific disciplinary details are not provided. Her research critiques policy frameworks that marginalize migrant communities, especially those of Somali heritage in the UK. Her research interests include migratory legal frameworks, gendered and racialized power dynamics, and the intersection of colonial history with contemporary policy. She has conducted extensive studies on the over-surveillance of migrant-heritage families and the epistemological injustices embedded in FGM safeguarding procedures. Her publications highlight systemic issues in UK policies, advocating for evidence-based approaches over exaggerated risk narratives. She collaborates with interdisciplinary teams and engages with community perspectives to challenge hegemonic discourses in migration and gender studies. While no grants or lab affiliations are explicitly mentioned, her work frequently intersects with legal and healthcare systems.
Mashood Baderin is a Professor at SOAS University of London's School of Law, where he has established himself as a leading scholar in Islamic law, international law, and human rights. With over 90 publications spanning more than two decades, Professor Baderin has made significant contributions to bridging Islamic legal traditions with contemporary international legal frameworks. Professor Baderin's research interests focus on the intersection of Islamic jurisprudence with modern legal challenges. His work explores how Islamic legal principles can inform contemporary human rights frameworks, international criminal justice systems, and social reform initiatives in Muslim-majority countries. He has extensively examined Islamic legal theory (usul al-fiqh), the application of Islamic law in modern contexts, and the relationship between Islamic law and international legal norms. His most recent publications reveal a continued focus on the universality of international law from Islamic perspectives, the application of Islamic law in African contexts, and the relationship between Islamic principles and human rights frameworks. Professor Baderin has edited significant works including 'Islamic Legal Theory' (2014) and authored the widely recognized 'Islamic Law: A Very Short Introduction' (2021). Professor Baderin has supervised numerous doctoral students working on Islamic law topics with regional focus on Nigeria, Saudi Arabia, and the UAE. His students' research often examines gender issues, legal reform, and the practical application of Islamic law in contemporary settings.
Professor Mary Augusta Brazelton is a Professor at the University of Cambridge's Department of History and Philosophy of Science and a Fellow of Jesus College. She serves as Director of Studies in Natural Sciences (History and Philosophy of Science) at Jesus College (on leave 2024-2025). Her academic work focuses on the history of science and medicine in modern China, with particular attention to global health, transportation technologies, and the intersection of science and state power. Education: BA (Harvard), MPhil and PhD (Yale). Awards include the 2020 Student-led Teaching Award and the 2019 Zhu Kezhen Senior Award. She is also a Trustee and Research Fellow of the Needham Research Institute and a Council member of the American Association for the History of Medicine. Her research explores topics such as mass vaccination policies in 20th-century China, Sino-French scientific collaborations, and the history of penicillin development. Current projects include studies on the Sino-French Institute in Lyon and transnational histories of civil aviation. Publications include Mass Vaccination: Citizens' Bodies and State Power in Modern China (2019) and China in Global Health: Past and Present (2023). She actively contributes to academic discussions through media engagements and international conferences.
Panpan Yang is a Lecturer in Arts and Visual Cultures of Modern China at the School of Arts, SOAS University of London. She joined SOAS in 2021 after completing her joint PhD at the University of Chicago under the direction of Wu Hung, Tom Gunning, W. J. T. Mitchell, Judith Zeitlin, and Dana Polan. Her interdisciplinary work bridges art history, screen studies, East Asian studies, and digital humanities, with a focus on innovative methodologies in art historical writing. Dr. Yang earned a dual BA from Peking University, double majoring in art and philosophy, followed by an MA from Tisch School of the Arts at NYU, and a PhD from the University of Chicago. During her undergraduate studies, she served as president of the Society of Dream of the Red Chamber Studies, which informed her secondary academic interest in Redology and the visual material world of the novel Hong lou meng. Panpan Yang's research explores how minor discourses can deterritorialize the terrains of both art history and screen studies. Her work demonstrates a multimethodological approach attentive to archival research, material practices, close visual analysis, computer-aided vision, and cross-cultural theorization. She is particularly interested in Chinese animation history, calligraphic imagination in contemporary art, and the intersections between traditional Chinese art forms and new media. Her publications reveal a consistent focus on Chinese visual culture across multiple media forms, with particular attention to animation, film, and calligraphy. Yang's work demonstrates how traditional Chinese art forms engage with contemporary digital media, creating new hybrid forms that challenge disciplinary boundaries. Her research shows a trajectory from historical analysis of Chinese animation to contemporary explorations of calligraphy in digital contexts, revealing the ongoing relevance of traditional Chinese aesthetics in modern media. Dr. Yang has received several prestigious awards for her scholarly and creative work: China's National Young Screenwriter Award Domitor Essay Award Dean's Distinguished Dissertation Award Nomination Honourable Mention from the Association for Chinese Animation Studies As a Principal Investigator, Dr. Yang leads the AHRC-funded research project "Stroke by Stroke: Calligraphic imagination in contemporary Chinese art and emergent media" (2023-25) with Shane McCausland. She was also a collaborating partner on the NEH-funded "Media Ecology Project." Her research has received additional support from the Getty Foundation and the Sino-British Fellowship Trust. At SOAS, she works closely with faculty and graduate students interested in Chinese arts and cultures, art theory, cinematic arts, and digital art history. Dr. Yang is currently developing innovative research at the intersection of traditional Chinese calligraphy and contemporary digital media through her AHRC-funded project. This work explores how calligraphic imagination manifests in contemporary art and emergent media contexts, creating new pathways for understanding Chinese cultural heritage in the digital age.
Professor Helen Finch (University of Leeds) is a leading scholar in German Literature , with a focus on Holocaust Studies , Queer Memory , and German-Jewish Cultural Production . Affiliated with the School of Languages, Cultures and Societies and the Centre for Jewish Studies , she co-leads the LCS Queer Area Studies Network and contributes to equality initiatives through the LGBT+ staff network . Research: Holocaust representation in German works, queer identity in postwar literature, transnational memory studies, curriculum design in German studies Awards: Fellow of the Higher Education Academy (2014) Academic Output : Her 15 most recent publications span Holocaust poetics , queer life writing , translation ethics , and Sebaldian intertextuality , with a particular focus on intersections between trauma , identity , and intergenerational testimony . Supervision : Currently guides PhD research on topics including transnational transphobia , queer art practices , and LGBTQ+ cross-cultural representation . Her students explore areas from German exile photography to postcolonial queer narratives .
