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Chi-Ming Yang is a Professor of English at the University of Pennsylvania's School of Arts & Sciences, where she has established herself as a leading scholar in literary and visual culture studies with a focus on race, empire, and East-West cultural exchanges. Her interdisciplinary approach bridges British, American, Asian, and Latin American studies while examining historical periods from the early modern era through the 18th century to contemporary contexts. Educational Background: Ph.D. in English from Cornell University B.A. in Comparative Literature from Stanford University with emphases in Spanish, Chinese, and English Professor Yang's research interrogates the intersections of race, visual culture, and imperial histories through multiple disciplinary lenses. Her work explores how objects, images, and texts function within global networks of power and representation, with particular attention to transpacific and transatlantic connections. She has developed significant expertise in chinoiserie, material culture, and the visual dimensions of racial formation across historical periods. Her recent publications demonstrate a growing interest in ecological perspectives on race and empire, particularly evident in her 2021 article 'The Song of the Rice Bird,' which innovatively examines plantation slavery through avian migration patterns. Her scholarship consistently bridges historical analysis with contemporary concerns about representation, power, and cultural exchange. Professional Recognition: 2022 Best Advisor Award in English, Sponsored by the English Undergraduate Advisory Board Professor Yang maintains an active advising role, having chaired doctoral dissertations including Jacob Myers' 'Noxious Life: Figuring Vermin in the Natural Histories of the Anglophone Caribbean' (2025) and Cassidy Holahan's 'Dramatizing the Novel: Transmedial Exchange in the Long Eighteenth Century' (2023). She regularly participates in departmental workshops and events, including the 2024 conversation with Sharon Holland exploring Black feminist perspectives on animal life in relation to Octavia E. Butler's work. Her teaching portfolio reflects her interdisciplinary approach, with recent courses including 'Science Fictions of Octavia E. Butler,' 'Orientalisms,' '18th-Century British Poetry,' and 'Arts of Abolition and Liberation,' demonstrating her commitment to connecting historical scholarship with contemporary social justice concerns.

• Literary and visual culture of race and empire
• East-West cultural exchanges
• Transatlantic/transpacific exchanges
• +12 more

Dr. Heather Inwood serves as University Associate Professor in Modern Chinese Literature and Culture within the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. She is also a Fellow and Director of Studies at Trinity Hall, maintaining dual institutional affiliations that support her teaching and research activities across undergraduate and postgraduate programs. Her educational background includes a BA in Chinese Studies from the University of Cambridge (Trinity Hall), followed by advanced studies at Tsinghua University and Peking University, culminating in a PhD in modern Chinese literature from SOAS, University of London in 2008. Prior academic appointments include Assistant Professor at The Ohio State University (2008-2013) and Lecturer in Chinese Cultural Studies at the University of Manchester before returning to Cambridge in 2016. Professor Inwood's research program investigates the dynamic interactions between digital media and literary production in contemporary China, with particular focus on poetry communities, genre fiction, and transmedia storytelling. Her work bridges traditional literary analysis with digital humanities approaches, examining how online platforms transform authorship, reception, and cultural value. She has pioneered scholarship on internet poetry scenes, demonstrating their vitality despite public perceptions of poetry's decline in modern China. Her publication trajectory reveals a clear evolution from early work on poetry communities ( Verse Going Viral: China's New Media Scenes , 2014) toward broader investigations of digital narrative forms, game studies, and Sinophone cyberspace. Recent publications increasingly engage with science fiction, transmedia storytelling, and the algorithmic structures shaping literary production, reflecting both the changing digital landscape and her expanding methodological toolkit. Professor Inwood actively supervises five PhD students working on diverse projects spanning Misty poetry, queer narratives, gender studies, and poetic animality, demonstrating her commitment to nurturing next-generation scholarship in Chinese literary studies. Her research has been supported by British Academy Small Grants and similar funding mechanisms that enable sustained fieldwork and publication. Her teaching responsibilities include undergraduate courses on East Asian media and popular culture, Modern Chinese texts, and Modern Chinese literature, connecting classroom instruction directly to her research expertise. She also maintains public engagement through Chinese-language columns for BBC China and other media outlets, bridging academic and public discourse on contemporary Chinese culture.

• Contemporary Chinese literature
• Poetry studies
• Digital humanities
• +5 more

Pheng Cheah serves as Professor at the University of California, Berkeley, specializing in interdisciplinary research bridging philosophy, literature, and political theory with global implications. His academic credentials include: PhD from Cornell University LLB from University of Sydney His research spans continental philosophy from Kant to Derrida, postcolonial theory, world literature, and globalization studies, with concentrated focus on human rights frameworks, cosmopolitan/national tensions, feminist perspectives, and contemporary Chinese cinema. His methodology integrates literary analysis with political philosophy to examine power dynamics in transnational contexts, particularly across postcolonial Asia where he conducts fieldwork with filmmakers. Publication analysis reveals an evolving trajectory from foundational cosmopolitan/national theory toward biopolitical human rights frameworks and cinematic representations of globalization. His work consistently centers non-Western perspectives—especially Chinese, Southeast Asian, and global South contexts—challenging Eurocentric paradigms through comparative analysis of cultural production and political transformation. No scientific awards are documented in available sources. Professor Cheah mentors graduate students in critical theory and postcolonial studies, guiding research on literature's political dimensions. His scholarly activities are supported by standard academic funding mechanisms enabling extensive archival work and international collaborations, particularly with Asian film communities. He maintains active participation in global studies consortia and postcolonial research networks, frequently collaborating with filmmakers and scholars across the three Chinas through interview-based methodologies.

• 18th-20th century continental philosophy and critical theory
• Postcolonial theory and anglophone postcolonial literatures
• World literature
• +6 more

Anup Grewal is an Assistant Professor at the University of Toronto Scarborough (UTSC) within the Department of Historical and Cultural Studies and affiliated with the Tri-Campus Graduate Department of History at the University of Toronto. She teaches courses in History, Women’s Studies, and Global Asia Studies, integrating interdisciplinary perspectives into her pedagogy and research. Education: PhD in East Asian Languages and Civilizations, University of Chicago (2012) MA in History, Trent University BA in History, McGill University Her research focuses on modern Chinese cultural history, gender studies, and transnational leftist movements. She explores intersections of literature, film, and political activism, particularly examining Chinese women's roles in leftist movements of the 1920s-30s. Additional projects include comparative analyses of socialism in Indian and Chinese literature, and studies of minority films in contemporary China. Prior to her current position, she held roles as a Lecturer in Chinese and Comparative Literature at King’s College London (2013–15) and a Postdoctoral Fellow at Leiden University (2012–13).

• Cultural and Intellectual East Asia
• Empire, Colonialism and Indigeneity
• Gender, Sex and Sexualities
• +7 more

Sohl Lee serves as Associate Professor in the Department of Art History and Criticism at Stony Brook University, specializing in Contemporary East Asian Art and Visual Culture, Critical Theory and Globalization, and Curatorial Studies. Holding a Ph.D. from the University of Rochester since 2014, she contributes significantly to the academic community through teaching and research. Her educational background features: Ph.D. in Visual and Cultural Studies from the University of Rochester (2014) Professor Lee's research explores modern and contemporary East Asian art through interdisciplinary lenses including aesthetics of politics, activist art, vernacular modernism, postcolonial theory, and historiography. Her scholarship appears in prominent journals such as Yishu: Journal for Contemporary Chinese Art , Art Journal , and InVisible Culture , establishing her as a leading voice in global art discourse. Her publication trajectory reveals consistent engagement with democracy, ecological consciousness, and Cold War legacies across East Asian contexts. Key thematic threads include the intersection of art and political movements, ecological thinking in Korean contemporary art, and visual representations of national division—demonstrating how artistic practices navigate complex socio-political landscapes. Dr. Lee's scholarly contributions have been recognized through competitive fellowships: Social Sciences Research Council Fellowship Korea Foundation Fellowship Susan B. Anthony Institute of Gender and Women Studies Fellowship She actively shapes student learning through undergraduate courses including 'Art and the City,' 'Modern and Contemporary Korean Art,' and 'Social Engagement and Publicness in East Asia.' Her curatorial practice extends academic work into public spheres through exhibitions mounted in both the United States and South Korea, bridging theoretical frameworks with tangible cultural production.

• Contemporary East Asian Art
• Visual Culture
• Critical Theory
• +7 more

Hsiu-Chuang Deppman is a Professor of Chinese and Cinema and Media at Oberlin College, affiliated with the College of Arts and Sciences. She holds positions in both the East Asian Studies and Cinema and Media departments. Currently on leave for the 2024-25 academic year, her research focuses on film adaptation, Chinese cinema history, and comparative literature. She has published extensively, including books like Close-ups and Long Shots in Modern Chinese Cinemas (2021) and Adapted for the Screen (2010). Deppman earned her PhD (1999) and MA (1993) in Chinese Literature from the University of Wisconsin-Madison, and a BA (1990) from National Cheng-Kung University in Taiwan. Her research interests span: Adaptation Studies History of Chinese Cinema Documentary and Media Studies Contemporary Chinese Fiction Comparative Literature Awarded the 2016-2017 Excellence in Teaching Award, she has also received grants and fellowships including the Fulbright Research Grant, Taiwan National Science Council Grant, and Freeman Foundation Grant for Asian Studies, among others. In addition to her research, Deppman teaches courses such as Contemporary East Asian Cinema and Intermediate Chinese I . Her work has been supported by the GLCA/Mellon New Directions Initiative and the Chiu Scholarly Exchange Program for Taiwan Studies. Her current project involves writing a book on Jia Zhangke’s cinema of reflection, reflecting her ongoing engagement with modern Chinese cinematic narratives.

• Adaptation Studies
• History of Chinese Cinema
• Chinese and Taiwanese Documentary
• +3 more

Chia-rong Wu serves as Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury, New Zealand, holding this position since June 2019. His academic work centers on Sinophone literature, film, and video games through postcolonial theories, Indigenous studies, diaspora, and ecocriticism frameworks. Dr. Wu earned his PhD in Comparative Literature from the University of Illinois at Urbana-Champaign. His scholarly contributions include two monographs: Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020). He has co-edited Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) and is preparing The Southern Discourse in Sinophone Literature: Moving Borders (Routledge, forthcoming September 2025). His research examines cultural production across Taiwan and the Sinophone world, with particular focus on how literature, film, and video games engage with historical trauma, identity formation, and cultural politics. Recent projects explore youth narratives in Taiwanese horror video games, Indigenous perspectives on Oceanic Taiwan, and the global South discourse in Sinophone literature, revealing connections between transnational migration, racial dynamics, gender politics, and indigenous awareness. Dr. Wu serves as executive editor and Advisory Board member of Taiwan Lit and the Global Sinosphere (ISSN: 2994-6816), and holds positions on the Board of the American Association for Chinese Studies, the International Advisory Board of Interdisciplinary and Transcultural Approaches to Chinese Literature (Routledge Book Series), and the Cultural History Editorial Advisory Board (Bloomsbury Book Series). Currently supervising PhD students in Sinophone literary and cultural studies, Dr. Wu is developing a new monograph focused on transmedia narratives of youth politics, continuing his exploration of how contemporary media forms engage with political consciousness and historical memory in Taiwan and beyond.

• Sinophone literature
• Postcolonial theories
• Indigenous studies
• +5 more

Younghoon Kim serves as a Visiting Professor in the Department of Asian Studies within the Faculty of Arts at the University of British Columbia (UBC), where he contributes to research and teaching in Korean studies, translation, and contemporary media. His work bridges cultural analysis with critical examinations of television and film across Korean and American contexts. Educational Background: Ph.D. from University of Alberta (2011) M.A. from University of Alberta (2006) M.A. from Sogang University (2004) B.A. from Myong Ji University (2002) Dr. Kim's research centers on Korean popular culture and national identity formation, with particular focus on entrepreneurship narratives and self-help culture in contemporary Korea. He investigates contemporary American television dramas as cultural artifacts reflecting societal shifts, while also exploring translation practices and fashion as expressions of cultural identity. His interdisciplinary approach connects media studies with sociological and philosophical frameworks. His recent publications reveal consistent thematic threads examining neoliberal subjectivity through television analysis (including Breaking Bad and Mad Men), Korean youth cultural expressions, and cross-cultural literary adaptations. The scholarly output spans musicology, television studies, and translation theory, with significant contributions to understanding how media shapes identity in both Korean and global contexts. Journal publications demonstrate strong engagement with A&HCI-indexed and Korean Citation Index venues.

• Korean Studies
• Translation Studies
• Television Studies
• +4 more

Prof. Dr. ir. BJ (Jeroen) de Kloet is a Professor of Globalisation Studies and Director of the Amsterdam Centre for Globalisation Studies (ACGS) at the University of Amsterdam 's Faculty of Humanities, Department of Media Studies. He has held visiting positions at institutions including Hong Kong Baptist University and has been actively involved in international academic collaborations across Asia and Europe. Key Research Areas: Globalization, Chinese cinema, urban studies, postcolonial theory, cultural politics Awards: Member of the Royal Netherlands Academy of Arts and Sciences (KNAW) in Social Sciences and Humanities (2023) Teaching: Engages in critical reflection on academic labor through seminars like 'How to survive the university?' His recent publications explore topics such as platformization, digital intimacies, and the politics of heritage-making. He has presented at major conferences in Venice, Hong Kong, Singapore, and Taipei, focusing on the intersection of creativity, control, and urban transformation.

• Globalization Studies
• Chinese Cinema
• Urban Studies
• +3 more

Seagh Kehoe is a Senior Lecturer in Chinese Studies at the University of Westminster's School of Humanities, joining in 2019. Previously, he taught at the University of Leicester, University of Nottingham, and University College Dublin. His research focuses on cultural dimensions of social and political transformation in modern China, particularly Chinese media representations of ethnicity, race, gender, sexuality, nationalism, and military. He holds a BA from University College Cork, an MA from Leiden University, and a PhD from the University of Nottingham, with additional studies in Mandarin and Tibetan. His academic work spans journal articles in China Quarterly , positions , and Media, Culture & Society , as well as edited volumes like Cultural China . His research interests include Tibet-China relations, critical university studies, and abolition theory. He supervises undergraduate and postgraduate dissertations on diverse socio-political topics. Kehoe has presented at conferences such as the British Association of China Studies and contributed to workshops on decolonizing Chinese studies. His recent work examines temporal politics in post-2008 Tibet and queer cinema in China. Education: BA Chinese Studies & Sociology (University College Cork) MA East Asian Politics (Leiden University) PhD (University of Nottingham) Mandarin Studies (Sichuan University) Tibetan Studies (Rangjung Yeshe Institute) Grants & Labs: Active in the Contemporary China Centre, contributing to interdisciplinary research on modern China.

• Chinese Media Representations
• Ethnicity and Race Studies
• Gender and Sexuality Studies
• +5 more

Dr. Tani Barlow is the George & Nancy Rupp Professor of Humanities and Professor of History at Rice University, affiliated with the Chao Center for Asian Studies and the Center for the Study of Women, Gender, and Sexuality. A leading scholar in Modern Chinese intellectual history, her work bridges gender studies, media culture, and transnational feminism. She co-founded the Chinese Commercial Advertising Archive and edits the acclaimed journal positions: asia critique . Her research examines late 19th to early 20th century China through lenses of consumer culture, feminist theory, and cultural ephemera. Notable books include In the Event of Women (2018) and The Question of Women in Chinese Feminism (2004). Barlow holds visiting professorships at Tsinghua University, Hitotsubashi University, and the University of Bologna. She has directed major projects like the Rockefeller Foundation's Critical Asian Studies initiative and the Luce Foundation’s Ephemera Project. Her articles span journals like Boundary 2 and differences , analyzing topics from advertising art to Marxist sociology. Her recent work explores digital humanities applications in historical research and the intersections of capitalism with gendered identities in China. Barlow mentors advanced graduate students specializing in modern Chinese history with technical skills in data analysis and cultural theory. Her interdisciplinary approach integrates visual studies, political economy, and feminist critique to reframe understandings of China’s modernization processes.

• Modern Chinese Intellectual History
• Feminist Theory
• Gender and Social Science
• +3 more

James Wicks serves as Professor of Media & Film Studies and Assistant Dean at Point Loma Nazarene University's School of Humanities, Arts, and Public Engagement. Teaching since 2009 and joining the Department of Communication Studies in 2021, he holds a Ph.D. in Film Studies with emphasis on Chinese Cinema from UC San Diego (2010). His academic career bridges administrative leadership with specialized instruction in narrative film, documentary production, and screenwriting. Dr. Wicks' educational background includes: Ph.D. in Film Studies (Cultural Studies section), University of California, San Diego, 2010 M.A., Oregon State University B.A., Oregon State University His research centers on Taiwan cinema history from the 1950s-1980s, exploring transnational representations, philosophical dimensions of martial arts films, and cultural identity. Additional interests include street culture in Hollywood, surf cinema history, and gender negotiation in early Taiwanese films. His methodological approach combines historical analysis with cultural studies frameworks. Publication trends reveal sustained focus on Taiwan cinema scholarship since 2010, with significant expansion into interdisciplinary urban studies (2019-2020) and contemporary director analyses (Ang Lee, Hou Hsiao-Hsien). His 2022-2016 output demonstrates consistent engagement with Cold War-era cinematic narratives while incorporating newer interests in ecological representation and punk cinema aesthetics. Notable recognitions include: Excellence in Teaching Award (PLNU, 2019) Two PLNU RASP grants for film preservation (2018-2019) Taiwan Ministry of Education research grant (2011) Chiang Ching-Kuo Foundation fellowship (2009-2010) As an active researcher, Dr. Wicks has secured substantial external funding for film preservation projects and maintains strong community engagement through the San Diego Asian Film Festival. His administrative role as Assistant Dean complements his scholarly work in media studies curriculum development. Through co-organization of the San Diego Asian Film Festival's Taiwan Showcase (2012) and UCSD Taiwan Film Festival (2009), he has built collaborative networks across academic and cultural institutions. His ongoing film reel preservation project demonstrates commitment to safeguarding historical cinematic materials.

• Film Studies
• Chinese Cinema
• Taiwan Film Studies
• +5 more

Helen Rees is Professor of Ethnomusicology at UCLA and Director of the World Music Center, specializing in Chinese musical traditions with emphasis on southwest China's ethnic minorities, ritual practices, and intellectual property frameworks within intangible cultural heritage policies. Her academic foundation includes: B.A. in Chinese, Oxford University, 1987 M.A. in Chinese, Oxford University, 1991 Ph.D. in Music, University of Pittsburgh, 1994 Diploma in flute teaching, Royal College of Music, London Diploma in baroque flute performance, Trinity College, London Diploma in recorder teaching and performance, Trinity College, London Rees's research integrates fieldwork from southwest China and Shanghai to examine tourism's impact on musical traditions, organology (instrument studies), and transnational transmission of Asian musics. Recent scholarship critically engages East Asia's intangible cultural heritage policies and material culture frameworks, reflecting deep interdisciplinary connections between musicology, anthropology, and legal studies. Her publication trajectory reveals consistent focus on Naxi musical traditions and evolving methodological approaches—from historical analysis in Echoes of History (2000) to contemporary multimedia projects like the award-winning documentary Playing the Flute in Shanghai (2021) and the cross-cultural edited volume Instrumental Lives (2024), demonstrating expanding scope from regional studies to pan-Asian material culture networks. Through the World Music Center, Rees bridges academic research and public engagement by facilitating international cultural exchanges at venues including the Smithsonian Folklife Festival, while maintaining active performance practice in Chinese flutes and recorder as integral to her scholarly methodology.

• Chinese music
• Music of ethnic minorities in southwest China
• Ritual music
• +5 more

Yingjin Zhang is a Distinguished Professor of Modern Chinese Literature at the University of California San Diego (UCSD), affiliated with the School of Arts and Humanities. He holds a Ph.D. in Comparative Literature from Stanford University (1992). His research focuses on Chinese literature, comparative literature, cinema studies, visual culture, cultural history, and urban studies. Previously, he taught at Indiana University and served as President of the American Association of Chinese Comparative Literature. He has held prestigious fellowships including the Fulbright China Research Fellowship (2003-04) and has been a visiting professor at institutions like the University of Chicago and Nanjing University. Education: Ph.D. in Comparative Literature, Stanford University (1992) M.A., University of Iowa (1987) Research Interests: Zhang’s work interrogates intersections between literature, cinema, and urbanization in modern China. He analyzes how cultural forms like documentary film and urban narratives reflect societal transformations, translocal identities, and global cultural flows. Notable themes include post-disaster epistemologies in Chinese reportage, the politics of space in Jia Zhangke’s films, and the reconfiguration of Shanghai’s cinematic legacy. His scholarship bridges comparative literature methodologies with empirical film and literary analysis. Awards & Fellowships: Fulbright China Research Fellowship (2003-04) National Endowment for the Humanities Summer Fellowship (1999) Outstanding Junior Faculty Award (Indiana University, 1996) Advising & Editorial Roles: Doctoral advisor for scholars now at institutions like Peking University and Texas A&M Editorial board member for journals including Journal of Chinese Cinemas and Prism: Theory and Modern Chinese Literature His transnational research collaborations and editorial work position him as a key figure in global Sinophone studies and Chinese cinema scholarship.

• Chinese Literature
• Comparative Literature
• Cinema and Media Studies
• +3 more

Susan Holmes is Professor at the School of Media, Language and Communication Studies at the University of East Anglia (UEA), where she joined as Reader in Television in 2007 and was appointed to Professor in 2018. She is an active member of several research groups including Media Equality, Film, Television and Media, Gender and Its Intersections Steering Committee, and HealthUEA. Her work spans television studies, celebrity culture, and feminist approaches to eating disorders. Professor Holmes received her academic training at the University of Sussex (BA in English and Media Studies), followed by an MA in Film from the University of Southampton, and completed her PhD on British film and television in the 1950s at the same institution. Prior to joining UEA, she taught Media and Cultural Studies at the Southampton Institute (now Southampton Solent University) and television and film at the University of Kent. Her research focuses on several interconnected areas that challenge traditional disciplinary boundaries. In television studies, she has made significant contributions to understanding British television history, particularly through her books 'British TV and Film in the 1950s' and 'Entertaining TV: the BBC and Popular Programme Culture in the 1950s,' where she challenges canonical ideas about early BBC television. Her work on reality TV examines historical development, generic labeling, and celebrity. Since 2014, she has conducted important empirical research on feminist approaches to eating disorders, analyzing media representations and working directly with people with lived experience. A key focus of this research examines how feminist approaches are neglected in contemporary eating disorder treatment, with implications for both clinical practice and cultural understanding. She co-founded the influential Celebrity Studies journal in 2010 and edited it for the first eight years of its publication. Analysis of Professor Holmes' recent publications reveals a clear trajectory where her expertise in media and television studies converges with her feminist scholarship on eating disorders. Her most recent work (2023-2025) increasingly focuses on cross-cultural applications of feminist approaches to eating disorders (including work in China), the use of innovative methodologies like Photovoice, and examinations of therapeutic alliance in treatment settings. Simultaneously, she continues to analyze contemporary media representations, particularly focusing on motherhood, true crime television, and reality TV through feminist lenses. This dual focus demonstrates how media representations shape cultural understandings of both celebrity and health conditions. Professor Holmes' significant contributions to academia have been recognized with several prestigious awards: Senior Fellowship from Advance HE (2024) UEA engagement award (2017) ALPSP award nomination for Celebrity Studies as best new journal (2011) She currently runs the Feminist Media Studies research cluster at UEA and is actively supervising postgraduate research in areas including popular television, television/film history, British TV history, stardom/celebrity, and feminist approaches to eating disorders. Her current major research project is the 'ALLIANCE study' (2024-2026), funded by the National Institute for Health and Care Research, which aims to develop practice and policy recommendations to support effective therapeutic alliance in inpatient treatment for eating disorders. This builds on her earlier British Academy-funded research on 'Entertaining Television: British TV, the BBC and Popular Programme Culture in the 1950s' (2007-2008). Professor Holmes plays a significant role in the academic community through her editorial work, serving on the boards of journals including Archives of Psychology, Big Data & Society, and Critical Studies in Television, and previously as co-founder and editor of Celebrity Studies. She has also been active in media engagement, contributing expert commentary on topics ranging from Netflix's portrayal of eating disorders to Celebrity Big Brother.

• British Television History
• Popular Television
• Celebrity Studies
• +7 more