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Victor Chestopal serves as Professor of Piano and Chairman of the Keyboard Section at the Royal Conservatory of Brussels since 2020, with concurrent professorship at Italy's Accademia Perosi. A globally recognized performer, he has collaborated with orchestras including the Moscow Philharmonic and Helsinki Philharmonic, and performed at venues like Brussels' Palais des Beaux-Arts and Moscow Conservatoire. His educational background includes: Early training at Moscow's Gnessin Music School and Central Music School of the Tchaikovsky Conservatoire Master's degree from Sibelius Academy (2001) Doctor of Music from Sibelius Academy (2010) with thesis "Temporal correlation in the Goldberg Variations" Studies at Imola's Accademia Pianistica (1992-1997) and Weimar's Hochschule für Musik (1995-1997) Chestopal's research integrates performance practice with musicological analysis, focusing on structural interpretation of Baroque and Romantic repertoire. His scholarly work examines temporal relationships in canonical piano works, while his artistic output spans Early Music, Contemporary Theatre, and Jazz Education. As a multilingual poet publishing in Russian, Italian, and French, he bridges musical and literary arts through collections like "Anno" (2014) and "Poeticheskie dnevniki" (2018). His honors include: First Prize at the “Carlo Soliva” International Competition (1990) As an educator since 2007, Chestopal conducts annual masterclasses in Liège and serves on international competition juries. He actively mentors students across European conservatories while leading charity initiatives for organizations including "Save the Children" and "Mary's Meals", often performing benefit concerts for humanitarian causes.

• Piano Performance
• Musicology
• Classical Music
• +2 more

Carol Ann Allred is an Associate Professor (Lecturer) at the University of Utah's School of Music, specializing in Voice. She holds a DMA and MA from Eastman School of Music, and a BM in Vocal Pedagogy from Brigham Young University. Her career spans performance and education, with roles at SUNY Fredonia, Seton Hill College, and Hampden-Sydney Chamber Music Festival. Doctor of Musical Arts (DMA), Vocal Performance - Eastman School of Music (1989) Master of Music (MA), Vocal Performance - Eastman School of Music Bachelor of Music (BM), Vocal Pedagogy - Brigham Young University Allred's research and creative works focus on vocal performance across diverse genres, including choral masterpieces like Verdi Requiem and Brahms Requiem, contemporary works such as Golijov's La Pasion Según San Marcos, and historical repertoires from Mozart and Handel. Her recent projects include international tours and cultural outreach initiatives. Her scholarly performances highlight trends in sacred choral music, operatic excerpts, and community engagement through LDS church services and interfaith concerts. She has contributed to recordings including Christmas CDs and collaborations with Salt Lake Vocal Artists. Scientific Awards : Multiple first prizes in prestigious competitions and a Faculty Recognition Award nomination Teaching : Offers private voice lessons and masterclasses; advises the Michie Undergraduate Vocal Quartet Community Leadership : Conducts multi-congregational choirs and organizes veteran-focused concerts Allred's professional activities include collaborations with orchestras such as the Pittsburgh Symphony and Utah Symphony, with a strong emphasis on vocal pedagogy, interfaith musical outreach, and family ensemble performances. She maintains active roles in judging competitions and mentoring students at both University of Utah and UVU as a substitute instructor.

• Vocal Performance
• Classical Music
• Opera
• +6 more

Dr. Kelsey Onderdijk is a Post-doctoral Researcher at Tilburg University in the Department of Communication and Cognition within the Tilburg School of Humanities and Digital Sciences. Her research focuses on the intersection of music cognition, virtual reality, and social connectedness, with publications spanning neuroscience, psychology, and human-computer interaction domains. Dr. Onderdijk completed her doctoral studies at Ghent University with a dissertation titled "Come together: Exploring unity in music interaction through agency and social connectedness." Her academic journey reflects a strong commitment to understanding human interaction through musical experiences, particularly examining how technological mediation affects social bonding. Her research interests include: Music cognition and embodied music interaction Virtual reality applications in musical contexts Social connectedness in digital music environments Effects of technological constraints on musical collaboration Physiological measures of emotional engagement in music Impact of external constraints on creative expression Dr. Onderdijk's publication record demonstrates a clear trajectory examining how people connect through music in both physical and virtual spaces. Her work bridges psychology, musicology, and human-computer interaction, with particular attention to the impact of the COVID-19 pandemic on musical collaboration. Recent publications have focused on concert experiences in virtual reality environments and the physiological correlates of emotional engagement during musical performance. Her research has garnered significant attention, with multiple publications receiving citations and mentions in news outlets, policy sources, and social media platforms. The "Impact of Lockdown Measures on Joint Music Making" paper has been particularly influential, accumulating 39 citation indexes and 50 Mendeley readers. Dr. Onderdijk actively collaborates with researchers across institutions, particularly with scholars from Ghent University including Marc Leman and Pieter-Jan Maes, indicating a strong network within the music cognition research community. Her work contributes to UN Sustainable Development Goals, particularly those related to well-being and innovation.

• Music Cognition
• Virtual Reality Applications
• Social Connectedness
• +5 more

Professor Marcin Ciszewski is a distinguished faculty member at the Stanisław Moniuszko Academy of Music in Gdańsk, where he serves at the Faculty of Vocal and Acting. A graduate of the same institution with distinction in 1999, he has established himself as one of Poland's leading countertenors and vocal pedagogues. His educational background includes studies under Professor Piotr Kusiewicz and additional training with renowned instructors including Kinga Chełmińska, Ryszard Minkiewicz, Kai Wessel, Gerhard Kahry, and Dariusz Paradowski. Graduated with distinction from the Academy of Music in Gdańsk (1999) Habilitated doctor of musical arts (2019) Professor at the Faculty of Vocal and Acting Professor Ciszewski specializes in early music performance and is recognized as one of the first Polish countertenors who made significant contributions to the development of vocal art in the authenticity movement in Poland. His research focuses on the history and physiology of countertenor voices, and he regularly conducts lectures and voice training for professional and academic groups. His artistic output spans several hundred concerts across Poland and Europe, featuring collaborations with renowned ensembles, orchestras, and conductors. He has given over a dozen world premieres of both early and contemporary works, including compositions specifically written for him by modern composers. His recordings include extensive work for Polish Radio and Television, the French music television channel Mezzo, and Radio Classique. Notable Achievements Member of the European artists' association Spedidam based in Paris Nominated for the "Fryderyk" music award in the Early Music category Honored with international titles "Outstanding Teacher" and "Excellent Vocal Teacher" Since 2006, Professor Ciszewski has maintained a successful artistic partnership with organist Ewa Bąk, performing at over one hundred national and international organ festivals. Their collaborations have resulted in numerous CD, radio, and television recordings, including world premieres of works by Polish composers such as Marian Sawa and Jacek Urbaniak.

• Early Music Performance
• Countertenor Voice Research
• Historical Solo Singing
• +2 more

Annette Jolles is a distinguished Lecturer with a prolific career in theater and television direction, production, and arts management. She has received 22 Emmy Awards and is affiliated with organizations such as Live From Lincoln Center, PBS, The Little Orchestra Society, and Portland Stage Company. Her work spans symphonic concerts, operatic productions, and Off-Broadway premieres, including collaborations with renowned artists like Cynthia Erivo and Leslie Odom, Jr. She is a founding partner of KTW Productions and has led projects like Keeping the Word and The Handshake . Her educational contributions include residencies with The Little Orchestra Society and collaborations with institutions like the York Theatre Company and Portland Stage Company. Upcoming projects include directing the world premiere of Madeleines (2022 National Jewish Plays Contest winner) in 2025. Key Productions: Live From Lincoln Center broadcasts, PBS's Stars on Stage , Symphony Space's Wall to Wall Bernstein , and Lincoln Center's Mostly Mozart Festival. Operatic Works: Directed Così fan tutte (Alice Tully Hall), The Singing Heart (David Geffen Hall), and John Luther Adams’ In the Name of the Earth . Awards: 22 Emmy Awards. Grants & Labs: Produced over 50 programs at NYC's Symphony Space, including Project Broadway and gala concerts of Pippin and Cabaret .

• Theater Production
• Television Direction
• Arts Management
• +3 more

Dr. Gary Scavone is a Professor and Department Chair in the Music department at McGill University's Schulich School of Music. He holds a PhD in Computer-Based Music Theory & Acoustics and MS in Electrical Engineering from Stanford University, alongside degrees from Syracuse University in Music and Electrical Engineering. His research focuses on music technology, including acoustic modeling, sound synthesis, and instrument design. He directs the Computational Acoustic Modeling Laboratory (CAML), which explores advanced techniques for simulating musical instruments and developing software tools. As a saxophonist, he specializes in contemporary concert music performance. Research interests include physically-based sound synthesis, wind instrument acoustics, and digital waveguide modeling. He has contributed to studies on brass and woodwind impedance measurements, violin soundpost dynamics, and free-reed instrument modeling. His work bridges engineering and artistry, with applications in music pedagogy, instrument design optimization, and virtual acoustic replication. Key contributions include open-source projects for wind instrument modeling and the development of tools for automated timbre assessment. His research often combines experimental methods with computational simulations, addressing challenges in both theoretical and applied music acoustics. Current projects focus on deep learning for friction modeling, impedance measurement systems, and cross-cultural instrument analysis.

• Music Technology
• Musical Acoustics
• Acoustical Signal Processing
• +3 more

Pauline Lemaigre-Gaffier is a Lecturer in Modern History at the University of Versailles Saint-Quentin-en-Yvelines (UVSQ), affiliated with the Institute of Cultural and International Studies (IECI) and the Department of History. She co-leads the VoCriPat project (2023–present) and participates in the DIM PAMIR committee (2022–present) and ANR ACADEC project (2022–present). Her research focuses on European court societies (festivals, ceremonies, urban interactions) Cultural history (material culture, documentary writings) Political history (public finance, administrative practices) Economic history (privileges and businesses) Heritage sciences Her 15 most recent publications explore topics like archival practices in early modern Europe French court administration of the arts economic networks of privileged enterprises royal household logistics spanning 2015–2024, with upcoming works on economic history and heritage sciences in 2025. She has received the Benabou Prize (2012) and was a Thiers Foundation scholarship holder (2009–2010) . Her career includes editorial roles at Entre-Temps (2021–2023) and educational management for the 'Music, Performance, and Heritage' degree (2014–2016). She collaborates with institutions like the Centre de recherche du Château de Versailles and the Heritage Sciences Foundation.

• Modern History
• Cultural History
• European Court Societies
• +5 more

Professor Sławomir Kaczorowski, Ph.D., has been a faculty member at the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź since 1981, where he teaches composition and served as Head of the Department of Composition from 2011 to 2021. He previously held significant leadership roles including Vice-Rector for Artistic and Teaching Affairs (1999-2005) and Vice-Dean of the Faculty of Composition, Music Theory, Music Education and Rhythmics (1996-1999). His educational background includes diplomas in music theory (1981) and composition under Professor Bronisław Kazimierz Przybylski (1981) from the State Higher School of Music in Łódź. Awarded the title of professor by the President of Poland in 2002, he remains an active academic leader currently serving as chairman of the Art Section of the Polish Accreditation Commission. Kaczorowski specializes in contemporary composition with emphasis on instrumental works, chamber music, and choral compositions. His research interests manifest in diverse output featuring piano, accordion, and mixed ensembles, with notable focus on tango-inspired forms and liturgical reinterpretations. He pioneered the MUSICA MODERNA sessions promoting new music through biannual concerts and lectures. Analysis of his 15 most recent compositions reveals consistent exploration of Polish contemporary classical traditions with strong emphasis on instrumental timbre, cross-genre fusion (particularly tango elements), and innovative approaches to sacred music forms. His works demonstrate technical mastery across diverse ensembles from solo piano to full orchestral settings. Silver Medal for Merit to Culture – Gloria Artis (2021) Numerous national composition competition awards Jury membership at international competitions including the T. Baird Young Composers' Competition (Warsaw 2018) and National Association of Composers USA competitions (2017-2018) Professor Kaczorowski has mentored award-winning composers including Grzegorz Duchnowski and Tomasz Szczepanik. His institutional leadership includes directing the Grażyna Bacewicz International Composition Competition (2012, 2015, 2019) and serving as president of the Łódź Branch of the Polish Composers' Union until 2022. He maintains active artistic engagement through premieres across Europe, China, and the United States. His creative work is organized through departmental initiatives including the Department of Composition's performance series and collaboration with the Artur Rubinstein Łódź Philharmonic. Current activities focus on expanding Polish contemporary music's international presence through competitions and cross-border artistic exchanges.

• Contemporary Composition
• Instrumental Music
• Choral Music
• +2 more

Mimi O'Neill is a Senior Lecturer in Music at the University of Lincoln and an Associate Lecturer at the University of York, where she serves as Programme Leader for the MA Music, Marketing and Management. She holds a PhD in Music Psychology (2022) from the University of York, specializing in the social dynamics of live music audiences. Her research focuses on music psychology, emotion, empathy, and quantitative methods, particularly exploring intra-audience effects in classical concerts and digital music experiences. Education: PhD (Music Psychology, University of York, 2022), MA (Music: Music Psychology, University of York, 2017), BA (Music, University of York, 2016). Research contributions include work on audience behavior in live concerts, music listening during the pandemic, and empathy’s role in emotional responses to music. She co-led the Experimental Concert Research and Digital Concert Experience projects, funded by the Volkswagen Foundation. Awards include the Vice-Chancellor’s teaching award (2020). Teaching: Leads undergraduate modules like Introduction to Music Psychology and postgraduate courses on music performance psychology and market research. She directs the York Music Psychology Group and previously led the MA Music Psychology pathway.

• Music Psychology
• Music and Emotion
• Music Science
• +3 more

Berit Greinke is an Assistant Professor of Wearable Computing at the Berlin University of the Arts (UdK) and the Einstein Center Digital Future (ECDF) since 2018, previously serving as a researcher at UdK's Design Research Lab and DFKI (2016-2018). Her academic foundation includes a PhD from Queen Mary University of London (2017), an MA from Central St Martins (2009), and a Diploma from Weissensee Academy of Art Berlin (2007). Her educational trajectory: PhD in Media and Arts Technology, Queen Mary University of London (2017) MA in Design for Textile Futures, Central St Martins College of Art and Design (2009) Diploma in Textile and Surface Design, Berlin Weissensee School of Art (2007) Greinke's research pioneers the convergence of craft, textile design, and digital technology, with core expertise in electronic textiles and smart materials. She investigates metamaterial-based 'metatextiles' for electromagnetic applications and explores transdisciplinary collaboration between designers and scientists, particularly regarding 'negative data' in creative and scientific workflows. Her current UdK work focuses on four interconnected domains: performing materials for expressive textile/fashion design; multi-modal sensing converting visual processes into haptic/audible experiences; micro-to-macro material design spanning nanostructures to final products; and transdisciplinary processes for technology-art-science collaboration. Analysis of her 2020-2025 publications reveals dominant trends in sustainable textile electronics, with emphasis on knitted/folded sensor structures, origami-inspired capacitive shape estimation, and social sustainability in e-textile communities. Her work uniquely bridges fundamental material science (e.g., textile metamaterials) with artistic applications (e.g., interactive orchestra garments) and industrial production challenges. Berit Greinke supervises PhD students including Giorgia Petri. Her junior professorship is co-financed by SAP under a public-private partnership model, supporting projects like WEAR (Wearable technologists engage with artists for responsible innovation) and STELEC (Sustainable Textile Electronics), which emphasize ethical co-design and industry-academia collaboration. She leads research within UdK's Institute for Product and Process Design and collaborates with the Design Research Lab (formerly part of Connected Textiles group), focusing on sustainable industrial production of electronic clothing and transdisciplinary innovation frameworks.

• Wearable Computing
• Electronic Textiles (E-Textiles)
• Smart Materials
• +4 more

Sylwia Janiak-Kobylińska is a Polish conductor, educator, and artistic leader currently serving as the Dean of the Faculty of Conducting, Composition, and Music Theory at the Stanisław Moniuszko Academy of Music in Gdańsk. She is President of the SAJ Foundation Supporting Young Artists, founder of the Baltic Philharmonic Orchestra of the Youth, and an active participant in international music competitions and festivals. Her work spans symphonic and opera conducting, artistic direction of multidisciplinary projects, and pedagogical leadership. Her research interests focus on Orchestral Conducting Contemporary Music Interpretation Artistic Education for Youth Symphonic and Opera Collaboration Cultural Management in Music Interdisciplinary Art Projects Her recent artistic projects, such as the inUnity. Contemporary Music from Gdańsk album and the Homage to Szymborska concert series, highlight collaborations between classical and jazz composers, youth orchestras, and interdisciplinary teams. These works emphasize themes of unity, cultural heritage, and innovation in music education. Scientific awards and recognitions include Meritorious for Polish Culture badge (2023) Antoni Wit Award at the G. Fitelberg Conducting Competition Multiple Rector’s Awards at the Academy of Music in Gdańsk Pomeranian Artistic Award in 'Artistic Hope' category As an educator, she leads orchestral workshops, mentors students across multiple faculties, and pioneered the 4C’s in Music Art program (Creativity, Collaboration, Critical Thinking, Communication). Her leadership in the SAJ Foundation and Baltic Philharmonic Orchestra of the Youth has fostered over 1000 young musicians since 2011.

• Orchestral Conducting
• Music Theory
• Artistic Education
• +3 more

Dr. Ian Bruce is a Professor in the Department of Electrical and Computer Engineering at McMaster University, Hamilton, ON, Canada. He has been with the department since 2002, conducting interdisciplinary research that bridges electrical engineering with auditory neuroscience. His work has significant implications for hearing technologies and auditory rehabilitation. Education: B.E. (electrical and electronic) from The University of Melbourne (1991) Ph.D. from the Department of Otolaryngology, The University of Melbourne Dr. Bruce's research program focuses on auditory modeling, hearing aids, cochlear implants, tinnitus, neural coding of speech, and digital speech processing. His work centers on understanding the physiological mechanisms of auditory processing and applying this knowledge to develop improved hearing technologies. He has pioneered computational models of the auditory periphery that accurately predict speech intelligibility for hearing-impaired listeners, directly informing hearing aid and cochlear implant design. Analysis of Dr. Bruce's recent publications (2019-2025) reveals a consistent focus on cochlear implants and auditory nerve modeling, with increasing integration of machine learning techniques. His work demonstrates a sophisticated balance between physiological accuracy and computational efficiency, with recent papers exploring WaveNet-based approximations of cochlear models and DNN-based auditory processing. A significant portion of his research examines the relationship between neural responses and perceptual outcomes in hearing-impaired individuals, particularly regarding temporal processing and speech understanding. Scientific Awards and Recognitions: Fellow of the Acoustical Society of America Member of the Association for Research in Otolaryngology Registered Professional Engineer in Ontario Associate Editor of the Journal of the Acoustical Society of America Dr. Bruce has mentored numerous graduate students through various capstone design projects across multiple engineering disciplines including biomedical, electrical, mechanical, and software engineering. His teaching portfolio includes specialized courses in biomedical signals and systems, cellular bioelectricity, models of the neuron, and advanced signal processing. He has consistently supervised M.Eng. projects and independent studies, demonstrating commitment to training the next generation of engineers in auditory technology development. Dr. Bruce's research is conducted within McMaster University's interdisciplinary biomedical engineering framework, collaborating with clinicians and researchers in otolaryngology and audiology. His laboratory work focuses on developing and validating computational models that simulate auditory nerve responses to both natural and prosthetic stimulation, with direct applications to improving cochlear implant performance and hearing aid algorithms for real-world listening environments.

• Auditory modeling
• Hearing aids
• Cochlear implants
• +4 more

Scott Durbin is an Assistant Professor and Program Coordinator for Music Business at the University of Louisiana at Lafayette , affiliated with the School of Music & Performing Arts . With a career spanning academia and the entertainment industry, he is best known as a co-founder of the Grammy-winning children's band Imagination Movers , which produced a Disney Channel series and earned an Emmy Award for Outstanding Original Song (2008–2009). His academic work focuses on bridging real-world music industry practices with education. Bachelor of Arts (B.A.) , Centenary College of Louisiana (1992) Master of Education (MEd) in Curriculum and Instruction , University of Louisiana at Lafayette (2019) Teacher's Certificate (1994), University of New Orleans Scott's expertise lies in Music Business , Digital Service Providers (DSPs) , Musical Copyright and Rights Management , and Musical Monetization . His research emphasizes Metadata integration for rights tracking and revenue generation, reflecting his industry experience with Disney, Concord Music, and mechanical licensing frameworks. His publications include children's music albums and educational songbooks, showcasing cross-disciplinary impact in Entertainment Industry , Artist Management , and Streaming Revenue Models . These works highlight his role in evolving music industry practices through Digital Distribution and Licensing Agreements . Drs. Chuck and Sue Lein/BORSF Endowed Professorship in Music Management/Business (2015) Rising Star Award , College of Arts (2015) Eminent Faculty Award for Service Leadership (2015) ASCAP Plus Award (2015, 2016, 2019) Daytime Entertainment Emmy® (2008–2009) As a Mechanical Licensing Collective (MLC) Educator Ambassador , Scott shares industry insights on Musical Copyright and Digital Licensing . He teaches courses like MUS 455: Artist Management, Booking, and Touring , leveraging his experience negotiating contracts with Disney and managing large-scale tours.

• Music Business
• Digital Service Providers (DSPs)
• Musical Copyright and Rights Management
• +3 more

Michael Rauhut is a Professor at the University of Agder where he leads the PhD specialization in popular music performance and represents subject teachers within scientific disciplines at the Department of Rhythmic Music . His academic work focuses on popular music studies and musicology, with supervisory responsibilities for master's and doctoral candidates. Rauhut's research explores the intersection of music, politics, and society, with particular emphasis on: Popular music history in socialist contexts (especially the GDR) Cultural transfer during the Cold War Blues, rock, and jazz as forms of cultural expression Youth cultures and music under authoritarian systems Church-state dynamics in musical expression His work demonstrates how music functioned as both state propaganda and vehicle for dissent. Analysis of Rauhut's publications reveals consistent focus on: Cultural mechanisms in socialist states (75% of recent works) Transnational music exchanges across the Iron Curtain Archival methodologies for reconstructing musical histories Identity formation through popular music State censorship and artistic resistance strategies His documentary filmography expands these themes into visual media. As PhD supervisor, Rauhut guides research in popular music performance and musicology. His extensive conference participation includes keynote addresses in Germany, USA, Georgia, and Ukraine, covering topics from blues reception to music's role in political revolutions.

• Popular Music Studies
• Musicology
• Sociology of Music
• +7 more

Dr. Brandon A. Boyd serves as Associate Professor and Director of Choral Activities at the University of Missouri's College of Music, holding the Marie M. and Harry L. Smith Endowed Chair. He directs the MU University Singers, Sankofa Chorale, and Choral Union Symphonic Chorus while teaching graduate courses in choral conducting, literature, and arranging. His research focuses on community-building through choral singing, with specific interests in organizing choirs for homeless populations, studying the social and physical effects of choral singing on senior citizens, and creating authentic field experiences for music therapy and choral education students. His work extends internationally through partnerships with Bolivian universities and domestic community initiatives including prison choirs and senior citizen ensembles. As a composer and arranger, Dr. Boyd's works appear in publications by Hinshaw Music, Gentry Publications, GIA, and Kjos Music Press. He curates the 'Brandon A. Boyd Choral Series' with Hinshaw Music and serves as Executive Choral Editor for Gentry Publications. His compositions primarily focus on African-American spirituals and traditional arrangements, often incorporating gospel elements and contemporary rhythmic signatures. Notable performances include collaborations with the London Symphony Orchestra, NDR Elbphilharmonie Orchestra, Nashville Symphony, Missouri Symphony, and St. Louis Symphony, with multiple appearances at Carnegie Hall as conductor, composer, and collaborative pianist. Marie M. and Harry L. Smith Endowed Chair National ACDA Composition Initiative committee member Executive Choral Editor of Gentry Publications Dr. Boyd maintains active community engagement through initiatives like the Santa Fe Desert Chorale's 'Giving Voice to the Voiceless' program, where he served as Composer-in-Residence and created the Interfaith Community Shelter Street Choir for homeless populations. His international work includes conducting workshops at Universidad Católica Boliviana and Universidad Evangelica in Bolivia through Partners of the Americas. He directs significant choral community partnerships including the Tallahassee Senior Choir, RAA Middle School Partnership Choir, and MTC Women's Prison Glee Club, demonstrating his commitment to music's social impact beyond traditional academic settings.

• Choral Music Education
• Community Choir Development
• African-American Spirituals
• +6 more