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Jessica Straley is an Associate Professor in the Department of English at the University of Utah, where she has served since 2005 (Visiting Assistant Professor 2005-2007, Assistant Professor 2007-2016, Associate Professor 2016-present). She holds a PhD in English from Stanford University, an MA in Literature, Culture, and Modernity from Queen Mary and Westfield College, University of London, and a BA in English from Cornell University. Education: PhD, English - Stanford University MA, Literature, Culture, and Modernity - Queen Mary and Westfield College BA, English - Cornell University Her research focuses on intersections between Victorian literature, children's literature, animal studies, disability studies, and ecocriticism. She explores how literary imagination interacts with scientific and moral discourses, particularly in 19th-century contexts. Recent publications analyze feral child narratives, zoo representations, and evolutionary theory in children's texts. Her work bridges historical literary analysis with contemporary critical frameworks like disability rights and environmental ethics. Scientific Awards: Faculty Fellowship Award (University Research Council, 2017) Ramona W. Cannon Award for Teaching Excellence (2016) Tanner Humanities Center Fellowship (2016) University Research Committee Faculty Fellowship (2011) Newberry Library Short-Term Library Research Fellowship (2008) She teaches courses in 19th-Century British Literature, Intellectual Movements, and Honors Thesis/Project supervision. Her external grant (Animal Testing URC, 2017-2018) demonstrates institutional support for her interdisciplinary work.

• Victorian Literature
• Children's Literature
• Animal Studies
• +4 more

Matthew Potolsky is Professor of English at the University of Utah, specializing in nineteenth-century literature and literary theory. His career spans from 1998 Lecturer at Harvard University to current University Professorship. He earned a BA in Comparative Literature and Philosophy (1990), followed by MA and PhD in Comparative Literature (1992, 1997) from UC Irvine. Chair of English Department (2013-2016) University Professor (2014-2016) Research focuses on Decadence , Mimesis , Finance-Aesthetics intersections , and Government Secrecy . His work traces connections between financialization and decadent aesthetics, revealing how economic cycles influence artistic production. Key themes include: Decadent anti-realist literary movements Finance capital's cultural impact Decadent counterpublic formations Victorian aesthetic education debates Sublime aesthetics in national security Cosmopolitanism in literary communities Recent publications analyze: Decadent style as financialization rhetoric Reintroduction of verisimilitude theory Decadent responses to financial crises Mimetic labor in artistic production Decadent cosmopolitan counterpublics Historical parallels between financialization and literary decadence

• Decadence
• Mimesis
• 19th-Century European Literature
• +3 more

Emily C. Bartels is a Professor of English at Rutgers University specializing in early modern literature and culture, with particular expertise in Shakespearean and non-Shakespearean drama. She has served as director, and is now dean, of the Middlebury Bread Loaf School of English since 2010, a summer Master's program designed for K-12 English teachers. Professor Bartels received her BA from Yale University and both her MA and PhD from Harvard University. Her academic background positioned her to become a leading scholar in Renaissance literature studies. Her research examines questions of race, cross-cultural relations, gender, genre, and performance in early modern English drama. Professor Bartels is renowned for her groundbreaking work on Shakespeare's Othello and Christopher Marlowe's plays, analyzing how these texts represent cultural and racial difference. She has significantly contributed to postcolonial approaches to early modern literature, revealing how English drama engaged with global encounters and representations of the 'other' during the Renaissance period. Her scholarship demonstrates how early modern writers both reflected and shaped contemporary attitudes toward difference, particularly regarding race, religion, and national identity. Professor Bartels' publications reveal a consistent scholarly trajectory examining racial and cultural representation in early modern England. Her work spans from detailed analyses of specific plays like Hamlet and Julius Caesar to broader studies of how England conceptualized Africa and non-Christian cultures during the Renaissance. A recurring theme throughout her career is the analysis of how early English drama both reflected and shaped contemporary attitudes toward difference, particularly regarding race, religion, and national identity. Roma Gill Prize for Best Work on Christopher Marlowe (1993-94) for Spectacles of Strangeness: Imperialism, Alienation, and Marlowe Board of Trustees Fellowship for Scholarly Excellence (1993) School of Arts and Sciences Award for Distinguished Contributors to Undergraduate Education (2008 & 1993) Warren I. Susman Award for Excellence in Teaching (2008) Solmsen Fellowship at the Institute of Research in the Humanities, University of Wisconsin (1995) Black Atlantic Project fellowship from the Rutgers Center for Historical Analysis Professor Bartels has demonstrated exceptional commitment to both research and teaching excellence. She has developed innovative courses exploring the intersections of literature, history, and cultural studies, including undergraduate seminars on Othello and Hamlet, and graduate courses on Shakespeare Page and Stage. Her administrative role as dean of the Middlebury Bread Loaf School of English demonstrates her commitment to education beyond traditional university settings. Her fellowships from prestigious institutions indicate successful grant acquisition throughout her distinguished career. Professor Bartels has been actively involved with the Shakespeare Association of America and has collaborated with international scholars like Emma Smith of the University of Oxford. Her work has positioned her at the forefront of conversations about early modern literature, race studies, and postcolonial approaches to Renaissance drama, influencing how scholars understand the intersections of literature, race, and cultural identity in the early modern period.

• Early Modern Literature
• Shakespeare Studies
• Christopher Marlowe Studies
• +3 more

Harsha Ram is an Associate Professor in the Department of Comparative Literature at the University of California, Berkeley. His research focuses on Russian and European Enlightenment, modernist literature, and the cultural histories of the Caucasus region. He holds dual B.A. Honors degrees in Italian and Russian from the University of Sydney and University of New South Wales, and a Ph.D. in Comparative Literature from Yale University. His work bridges literary theory, post-colonial studies, and geopoetics, with a particular emphasis on Georgia's literary modernism and its intersections with Russian imperial culture. Key themes include spatial theory, peripheral modernisms, and the transnational dimensions of cultural production. Recent work examines the role of ritual feasts in Georgian national identity and the geopoetics of Eurasian avant-garde movements. Ram has published extensively on figures like Velimir Khlebnikov and Boris Pasternak, exploring their engagement with imperial legacies and revolutionary aesthetics. His book The Imperial Sublime: A Russian Poetics of Empire (2003) remains a seminal study of Russian imperial poetics. Current projects include studies on Georgian literary encounters with Russian culture and the symbolic dimensions of Caucasus representations. His scholarship frequently appears in leading journals such as Modernism/Modernity , Slavic Review , and Ab Imperio . He has held visiting positions at institutions globally and actively participates in interdisciplinary dialogues between literary studies, history, and cultural geography.

• Russian and European Enlightenment
• Romanticism and Modernism
• Georgian and Caucasus Literary History
• +8 more

Craig Buckley is an Associate Professor in the Department of the History of Art and affiliated with the Yale School of Architecture. His research bridges modern architecture with visual arts and media, focusing on techniques like montage, collage, and screen-based practices. Education: BA (Trent University), MA (University of Western Ontario), PhD (Princeton University) His work examines how media such as print, film, and digital screens shape architectural culture. Key themes include cinema architecture, media theory, and the intersection of design with socio-political movements like 1968 protests. His recent articles analyze topics such as colonial-era cinema architecture, media façades, and pneumatic structures. He teaches courses on architecture’s relationship with media and print culture, often utilizing Yale’s special collections.

• Modern Architecture
• Visual Arts
• Media Theory
• +7 more

Chi-Ming Yang is a Professor of English at the University of Pennsylvania's School of Arts & Sciences, where she has established herself as a leading scholar in literary and visual culture studies with a focus on race, empire, and East-West cultural exchanges. Her interdisciplinary approach bridges British, American, Asian, and Latin American studies while examining historical periods from the early modern era through the 18th century to contemporary contexts. Educational Background: Ph.D. in English from Cornell University B.A. in Comparative Literature from Stanford University with emphases in Spanish, Chinese, and English Professor Yang's research interrogates the intersections of race, visual culture, and imperial histories through multiple disciplinary lenses. Her work explores how objects, images, and texts function within global networks of power and representation, with particular attention to transpacific and transatlantic connections. She has developed significant expertise in chinoiserie, material culture, and the visual dimensions of racial formation across historical periods. Her recent publications demonstrate a growing interest in ecological perspectives on race and empire, particularly evident in her 2021 article 'The Song of the Rice Bird,' which innovatively examines plantation slavery through avian migration patterns. Her scholarship consistently bridges historical analysis with contemporary concerns about representation, power, and cultural exchange. Professional Recognition: 2022 Best Advisor Award in English, Sponsored by the English Undergraduate Advisory Board Professor Yang maintains an active advising role, having chaired doctoral dissertations including Jacob Myers' 'Noxious Life: Figuring Vermin in the Natural Histories of the Anglophone Caribbean' (2025) and Cassidy Holahan's 'Dramatizing the Novel: Transmedial Exchange in the Long Eighteenth Century' (2023). She regularly participates in departmental workshops and events, including the 2024 conversation with Sharon Holland exploring Black feminist perspectives on animal life in relation to Octavia E. Butler's work. Her teaching portfolio reflects her interdisciplinary approach, with recent courses including 'Science Fictions of Octavia E. Butler,' 'Orientalisms,' '18th-Century British Poetry,' and 'Arts of Abolition and Liberation,' demonstrating her commitment to connecting historical scholarship with contemporary social justice concerns.

• Literary and visual culture of race and empire
• East-West cultural exchanges
• Transatlantic/transpacific exchanges
• +12 more

Engseng Ho is a Professor of Cultural Anthropology and former Professor of History at Duke University's Trinity College of Arts & Sciences since 2008. His work focuses on Arab/Muslim diasporas across the Indian Ocean, global transregional dynamics, and historical interactions between empires and local societies. Education: PhD (2000), MA (1990) in Anthropology from University of Chicago; BA (1986) from Stanford University. Research interests include mobility studies, transregional legal frameworks, and the intersection of Islam with imperial and postcolonial contexts. Notable projects involve Inter-Asia collaborations and studies on China-Africa relations, oil economies, and Malay sovereignty. Recent grants include funding from the National Science Foundation for research on refugees, Azerbaijan's oil-driven geopolitics, and a global religion dissertation fellowship program. Teaching spans courses on imperialism, mobility, global culture, and anthropological theory. His expertise spans Africa, India, Indonesia, and Yemen.

• Indian Ocean Studies
• Diaspora Studies
• Global History
• +6 more

Inés Valdez is a Professor in the Department of Political Science at Johns Hopkins University's Krieger School of Arts & Sciences. Her research bridges critical race and feminist theory with analyses of migration, transnationalism, empire, and racial capitalism. She has held fellowships from the Humboldt Stiftung, Global Arts & Humanities Society of Fellows, and the Princeton University Center for Human Values. Her 2023 book Democracy and Empire rethinks popular sovereignty through the Black radical tradition, winning the T.V. Paul Best Book Award. Earlier work includes Transnational Cosmopolitanism (2019), which redefines cosmopolitanism through global structures of domination. Her scholarship critiques empire's entanglement with democratic systems, emphasizing ecological responsibility and transnational solidarity. Recent publications explore anti-imperial sovereignty, Du Bois's ecological critiques, and Latinx political thought. She has contributed to journals like Contemporary Political Theory and Review of Politics , and her blog post Undoing Empire's Hold on Democracy (2024) addresses contemporary political crises. Valdez co-authored influential articles on migration politics and Kantian philosophy's racial dimensions. Her work integrates political theory with anticolonial praxis, advocating for transformative frameworks that challenge global hierarchies. She advises on transnational solidarity strategies and serves as a leading voice in decolonial and critical race studies.

• Political Theory
• Critical Race Theory
• Feminist Theory
• +5 more

Ayesha Jalal is a distinguished Professor of History at Tufts University's School of Arts and Sciences and holds a joint appointment at The Fletcher School of Law and Diplomacy. She currently serves as the Mary Richardson Professor and directs the Center for South Asian and Indian Ocean Studies. With a career spanning over three decades, Professor Jalal has established herself as a leading scholar in South Asian history, particularly focusing on Pakistan studies, the partition of India, and Muslim political thought in the region. Professor Jalal's academic journey began with a double major in History and Political Science from Wellesley College in 1978. She then pursued doctoral studies at the University of Cambridge, earning her PhD in History in 1983. Her early career included prestigious fellowships at Trinity College, Cambridge (1980-84), the Centre of South Asian Studies (1984-87), the Woodrow Wilson Center for International Scholars (1985-86), and the Harvard Academy for International and Area Studies (1988-90). Professor Jalal's research primarily centers on South Asian history with special emphasis on Pakistan, the partition of India, and Muslim political thought. Her work explores the complex interplay between religious identity, nationalism, and state formation in the region. She has made significant contributions to understanding democratic development in Pakistan, sectarian dynamics in South Asia, and the historical connections between the Indian subcontinent and the wider Indian Ocean world. Her recent scholarship has focused on 'Oceanic Islam,' examining transregional Muslim networks and universalist aspirations that transcended colonial boundaries. Professor Jalal's extensive publication record demonstrates a consistent focus on South Asian political history, with particular attention to Pakistan's formation and development. Her recent works show a progression from studies of partition and state formation toward broader examinations of Muslim intellectual history and transregional connections. The 2020-2024 publications reveal a sophisticated engagement with themes of democratic erosion, sectarianism, and the historical roots of contemporary political challenges in South Asia, while also exploring more cultural and religious dimensions through works on Muslim enlightened thought and oceanic connections. Patrus Bukhari Award for the best English language book, The Pity of Partition , Academy of Letters, Government of Pakistan (2015) Britannica Book of the Year recognition (2015) MacArthur Fellowship (1998-2003) As an educator, Professor Jalal has mentored numerous graduate students through thesis supervision and directed research projects. Her teaching portfolio includes courses on Modern South Asia, Contemporary South Asia, Islam and the West, and specialized seminars on South Asian history. She has taught at several prestigious institutions including the University of Wisconsin-Madison, Columbia University, and Harvard University before joining Tufts in 1999. In her role as Director of the Center for South Asian and Indian Ocean Studies, she has fostered interdisciplinary research and provided guidance to emerging scholars in the field. Professor Jalal directs the Center for South Asian and Indian Ocean Studies at Tufts University, which serves as a hub for interdisciplinary research on South Asia and its connections to the wider Indian Ocean world. The center facilitates collaborative projects, hosts visiting scholars, and organizes events that bridge historical, political, and cultural perspectives on the region. Under her leadership, the center has become a prominent institution for South Asian studies, promoting dialogue between academic research and contemporary policy issues.

• South Asian History
• Pakistan Studies
• Partition of India
• +7 more

Marcela Echeverri Muñoz is an Associate Professor in the Department of History at Yale University, affiliated with the Faculty of Arts and Sciences. Her scholarship bridges history, anthropology, and political theory, with a focus on Latin America, the Atlantic World, and the Spanish Empire. She is recognized for her interdisciplinary approach to understanding political subjectivities, state formation, and social transformation during the Age of Revolutions. PhD in Latin American and Caribbean History, New York University, 2008 MA in History of the Hispanic World, Fundación MAPFRE-Tavera and CSIC, Madrid, 2006 MA in Social and Political Theory, The New School for Social Research, 2001 BA in Anthropology, Universidad de los Andes, Bogotá, 1997 Her research centers on the interplay of race, gender, law, and political theory in colonial and 19th-century Latin America. She investigates how enslaved and Indigenous peoples navigated imperial and republican transitions, particularly through royalist affiliations. Her work challenges peripheral narratives of Spanish America in Atlantic slavery studies, positioning the region as a central site of abolitionist and constitutional experimentation. The trends in her recent publications reveal a sustained focus on slavery, abolition, and political transformation in the Spanish American mainland. She analyzes how anti-slavery movements were intertwined with republicanism, citizenship, and state formation, especially in Gran Colombia. Her scholarship spans legal history, Atlantic processes, and transimperial dynamics, often highlighting marginalized voices in revolutionary contexts. She frequently contributes to major reference works and edited volumes on Atlantic revolutions and Latin American independence. Her scientific awards and fellowships reflect her standing in the field: James Alexander Robertson Prize Michael Jiménez Prize Bolton-Johnson Prize Honorable Mention Yale Heyman Prize for Outstanding Scholarly Publication Alexander von Humboldt Research Fellowship MacMillan Research Fellow, Yale Mellon Residential Fellow, CUNY NEH Summer Institute Participant, Johns Hopkins Fellowships from John Carter Brown Library, CSIC, Fundación Mapfre, and Instituto Colombiano de Antropología e Historia Echeverri has secured significant research grants from Harvard’s Atlantic History Seminar, CUNY Research Foundation, and Yale. She has co-edited special issues on Gran Colombian history and Spanish American abolition, and led key academic initiatives including the Race and Slavery in the Atlantic World Working Group and the Early Modern Empires Workshop at Yale. Though student advising is not explicitly detailed, her role as a senior scholar implies mentorship of graduate students. She is affiliated with several research networks and has been a visiting scholar at institutions such as Freie Universität Berlin. Her ongoing book project on Gran Colombian slavery underscores her commitment to redefining the hemispheric significance of Latin American abolition. She remains an active contributor to both scholarly and pedagogical conversations in Atlantic and Latin American history.

• History of Spanish Empire
• Atlantic World
• Slavery and Abolition
• +9 more

Sanjay Subrahmanyam is Distinguished Professor of History and Irving & Jean Stone Endowed Chair in Social Sciences at UCLA's Department of History. A globally recognized historian of the early modern period (15th-18th centuries), he previously held prestigious positions at the Collège de France (2013-2021), University of Oxford (2002-2004), and Ecole des Hautes Etudes en Sciences Sociales in Paris (1995-2002). He founded UCLA's Center for India and South Asia (2005-2011) and maintains significant academic engagement in France through media appearances and lectures. His educational background includes: M.A. in Economics (First Rank with Gold Medal), Delhi School of Economics (1982) Ph.D. in Economic History, Delhi School of Economics (1987) Honorary D.Litt., University of Calcutta (2015) Doctorat honoris causa, Université catholique de Louvain (2017) Subrahmanyam's research revolutionized global historical methodology through his pioneering concept of 'connected histories,' which challenges Eurocentric periodization and emphasizes horizontal connections across regions. His work spans South Asian political culture, Indian Ocean trade networks, Iberian imperial systems, and Mughal court dynamics, consistently integrating multilingual archives and visual sources. He demonstrates exceptional mastery in synthesizing Portuguese, Spanish, Persian, Tamil, and Sanskrit materials to reconstruct non-Western perspectives on early modern globalization. His recent publications reveal intensified focus on transcultural encounters, maritime archaeology, and the material dimensions of empire. Works like Across the Green Sea (2024) and Mirrors of Empire (2026) showcase his shift toward analyzing ego-documents and visual culture to explore identity formation in frontier zones. The consistent thread remains his critique of civilizational boundaries and emphasis on fluid cultural exchanges across the Indian Ocean world. His scientific recognition includes: Infosys Humanities Prize (2012) Dan David Prize for History (2019) Prix International de l'Histoire (2020) Fellowship in American Academy of Arts and Sciences (2009) Corresponding Fellowship in British Academy (2016) Guggenheim Fellowship (2011-12) Subrahmanyam has mentored nine doctoral students to completion, maintaining active collaborations with Muzaffar Alam (University of Chicago), Velcheru Narayana Rao (University of Wisconsin), and David Shulman (Hebrew University). His editorial leadership includes co-editing The Cambridge World History (2015) and serving over a decade as Joint Managing Editor of the Indian Economic and Social History Review . He currently directs major international projects on Indo-Persian travel writing and Mughal intellectual networks. Though not leading a traditional laboratory, he coordinates the 'Connected Histories' research initiative across UCLA, Collège de France, and University of Chicago, fostering interdisciplinary teams examining early modern knowledge circulation. His public engagement includes regular contributions to French media (France 24, France Info) and curated exhibitions like the Codex Casanatense project.

• Early Modern History
• South Asian History
• Indian Ocean History
• +7 more

Nick Kapur is an Associate Professor in the Department of History at Rutgers University–Camden, within the School of Arts and Sciences. He specializes in modern Japan and East Asia, with a focus on transnational perspectives, US-Japan relations, environmental history, gender, and cultural studies including literature and film. His educational background includes a Ph.D. from Harvard University (2011), an M.A. from Stanford University (2003), and a B.A. from Stanford University (2002). Kapur's research examines the intersections of political economy, culture, and international relations in modern Japan, particularly in the postwar era. His acclaimed book, Japan at the Crossroads: Conflict and Compromise after Anpo (2018), analyzes the 1960 protests and their lasting impact on Japanese society and US-Japan relations. He has also published extensively on the Japanese student movement, environmental policy, and Meiji centennial celebrations. His recent and forthcoming articles reflect a sustained engagement with Cold War Japan, dissent, nationalism, and transnational history. Kapur is known for innovative teaching methods, including historical simulations on Pearl Harbor and samurai-era Japan. He is the founder of the Modern Japan History Association and has contributed significantly to digital humanities through projects like the Digital Archive of Japan’s 2011 Disasters and the development of educational apps. His publications from the past decade show a consistent focus on political protest, cultural memory, and international relations in 20th-century Japan. His scholarly contributions include numerous peer-reviewed articles, book chapters, translations, and book reviews in leading journals such as Diplomatic History , The Journal of Asian Studies , and The Asia-Pacific Journal . Kapur advises graduate students and teaches courses on Japanese, Chinese, and Korean history, World War II, and environmental history. He has played a leadership role in promoting Japanese studies globally and continues to be an active researcher with works forthcoming in 2025. His current projects include digital applications for historical education.

• Modern Japan
• East Asian History
• US-Japan Relations
• +12 more

Ali Mousavi is Assistant Professor of Iranian Archaeology in UCLA’s Department of Near Eastern Languages and Cultures and a core faculty member of the Cotsen Institute of Archaeology. A Berkeley PhD and former fellow of the Smithsonian, Maison de l’Orient and Global Heritage Fund, he has directed excavations and UNESCO World-Heritage projects at Pasargadae, Bam, Susa, Sultaniyeh and Turang Tepe and authored prize-winning volumes Ancient Iran from the Air and Persepolis: Discovery and Afterlife of a World Wonder . Education PhD, Near Eastern Studies (Archaeology), University of California, Berkeley (2005) MA, Archaeology, History and Languages of Old World Civilizations, Université Lyon II, France (1997) BA, Archaeology and Art History of Europe and the East Mediterranean, Université Lyon II, France (1996) Research interests span the archaeology and art history of Iran from the Neolithic to the early-20th century, with particular focus on Achaemenid and Sasanian monumental architecture, ancient irrigation (qanats), landscape archaeology, digital heritage, and the modern historiography of Iranian archaeology. His field projects integrate remote sensing, epigraphy, GIS and conservation science to investigate imperial capitals, rock-cut monuments and water-management systems across the Iranian plateau. Across more than 30 peer-reviewed articles and book chapters, Mousavi has re-examined dating criteria for Achaemenid stone monuments, analysed royal inscriptions as visual displays, traced medieval Persian pilgrims’ graffiti at ancient sites, and produced synthetic archaeological surveys of the Sasanian empire and the Central Alborz Iron-Age cultures. The corpus reflects a sustained engagement with primary field data, archival research and critical historiography of 19th- and 20th-century excavations. Selected honours Ehsan Yarshater Book Award (2014) Iranian Ministry of Culture World Book Award (2014) Leon Levy – Shelby White publication grant (2008) UNESCO award for World-Heritage nomination files (2003) Iran Heritage Foundation field-work award (2003) Guitty Azarpay Fellowship, UC Berkeley (2000-2003) IFRI Fellowship, Paris (1998) At UCLA he offers undergraduate courses “Archaeology of Iran” and “Ancient Cities of Iran (4000 BC-AD 1900)” and mentors graduate researchers in the Cotsen Institute. His grants and fellowships from NSF-equivalent European and American agencies underwrite both field seasons and publication of critical archaeological corpora, while his service on Iranian, UNESCO and international heritage boards continues to link scholarly output with heritage-management policy.

• Archaeology of Iran
• Achaemenid architecture and epigraphy
• Sasanian empire
• +3 more

Greg Grandin is the Peter V. and C. Vann Woodward Professor of History at Yale University, where he has been affiliated since returning from New York University after nineteen years. His work focuses on Latin American and U.S. history, with an emphasis on empires, colonialism, indigenous peoples, and social-political dynamics. He has authored seven books, including award-winning titles such as The Blood of Guatemala , The Empire of Necessity (winner of the Bancroft and Beveridge awards), and The End of the Myth (Pulitzer Prize winner). Grandin is a member of prestigious academic societies like the American Academy of Arts and Sciences and contributes to journals like The Nation and London Review of Books . His research explores the interplay between U.S. interventions and Latin American resistance, reshaping understandings of hemispheric relations. Recent publications include America, América (2025), a sweeping re-evaluation of North and South American histories. His academic awards include the Pulitzer Prize, Bancroft Award, and multiple fellowships. Grandin’s work often bridges scholarly and public engagement, reflected in his editorial roles and media appearances. He has co-edited volumes like The Guatemala Reader and his writings address contemporary political issues through historical lenses.

• Empires & Colonialism
• Latin American History
• Political History
• +6 more

Andrew J Fleck is an Associate Professor in the English and Comparative Literature Department at San José State University, affiliated with the College of Humanities and the Arts. He has been teaching since 2001, specializing in Early Modern British Literature with a focus on Dutch-English cultural relations between 1588-1688. Fleck holds a PhD from Claremont Graduate University (2000). His research explores how Dutch figures influenced English literary and cultural imagination, including studies on John Donne, Thomas Nashe, and early modern drama. He has published widely in journals like Studies in Philology and Journal of British Studies , with a particular emphasis on textual analysis, historical narratives, and cross-cultural exchanges. Fleck’s work spans from examining the role of Dutch language performances in early modern theater to analyzing the representation of national identity in texts like The Shoemaker’s Holiday . His recent publications (2013) include studies on John Donne’s engagement with astronomical themes and global adaptations of Macbeth . He maintains an active presence in academic encyclopedias, contributing entries on Milton’s Dutch connections and Renaissance authors. His scholarship bridges literary analysis with historical context, often highlighting how literature reflects political, religious, and cultural tensions of the period. Fleck’s teaching and research reflect a commitment to interdisciplinary approaches, integrating historical, linguistic, and cultural methodologies.

• Early Modern British Literature
• Dutch-English Cultural Relations
• Literary Analysis
• +3 more