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Clare Harris serves as Professor of Visual Anthropology and Head of the School of Anthropology and Museum Ethnography at the University of Oxford, concurrently holding curatorship of Asian Collections at the Pitt Rivers Museum and a Fellowship at Magdalen College. Her academic leadership spans institutional administration, museum curation, and doctoral supervision within Oxford's anthropological ecosystem. Her educational foundation includes a BA from the University of Cambridge and MA/doctorate from SOAS, University of London. Early career roles comprised Lecturer in Anthropology of Art at the University of East Anglia (1994-1998) before her Oxford appointment. Harris pioneers research at the intersection of visual anthropology, Tibetan studies, and museum decolonization. Her work critically examines Himalayan visual culture, colonial/post-colonial photography, and museum representation politics, evolving toward digital repatriation and community-centered curation. She integrates anthropological fieldwork (conducted in Tibetan diaspora communities since the 1990s) with art historical analysis and archival research. Her 13 recent publications (2004-2022) reveal a progressive trajectory from Tibetan art history toward urgent museum decolonization debates, with consistent focus on photographic practices and cross-cultural representation. Key thematic developments include the shift from historical analysis to active digital repatriation projects and increased engagement with contemporary artists. Harris's accolades include: Fellowship of the British Academy (2019) E. Gene Smith Prize for The Museum on the Roof of the World (2014) Visual Anthropology Prize for In the Image of Tibet (2000) She currently supervises five DPhil students while examining over 25 completed doctorates globally. Research funding spans British Academy personal grants, Leverhulme Trust support, and major collaborative projects including AHRC, Wenner-Gren Foundation, and EU grants—most notably the current AHRC-funded Decolonising the Museum: Digital Repatriation of the Gaidinliu Collection . At the Pitt Rivers Museum, Harris leads high-impact curatorial initiatives including the Abramović collaboration ( Gates and Portals ), Nyema Droma's Performing Tibetan Identities , and community projects like My Tibet Museum , establishing innovative frameworks for museum-public engagement.

• Visual Anthropology
• Material Culture
• Tibetan Studies
• +4 more

Bliss Cua Lim is a Professor at the Cinema Studies Institute, University of Toronto, specializing in Philippine cinema, film archiving, and queer theory. She is the author of The Archival Afterlives of Philippine Cinema (2024) and Translating Time: Cinema, the Fantastic, and Temporal Critique (2009), which was a John Hope Franklin Book Prize recipient. Education: PhD in Cinema Studies, New York University; BA in English, University of the Philippines, Diliman Her research explores intersections of cinema, folklore, and political histories, with a focus on archival fragility, transnational horror genres, and camp aesthetics in Southeast Asian media. Recent work analyzes the crisis of state-run film archives and the role of folklore in queer transmedia storytelling. Key trends in her publications include: Queering the Filipinx Zombie Movie (2025) and Cosmopolitan Animisms (2022), which examine genre hybridity and postcolonial spectralities. Her 2013 writings on Philippine archival advocacy and 2015 essays on queer aswang narratives highlight institutional and cultural challenges in media preservation. Scientific Awards: Selected John Hope Franklin Book Prize (2009) Lim serves on the Editorial Collective of Camera Obscura and the Advisory Board of Plaridel: A Philippine Journal of Communication . Her teaching includes courses on Queer Asian Cinemas, Sound and Animation, and Film Cultures II.

• Philippine Cinema
• Film Archiving
• Queer Theory
• +7 more

Todd H. Hall is a Professor of International Relations at the University of Oxford's Department of Politics and International Relations (DPIR) and a Tutorial Fellow in Politics at St Anne's College. He directs the University of Oxford China Centre and holds affiliations with the International Relations Network and the Centre for International Studies (CIS). His research focuses on international relations theory, emotional dimensions of diplomacy, and Chinese foreign policy, with particular emphasis on Sino-Japanese relations and East Asian security dynamics. Education: PhD in Political Science from the University of Chicago (2008). Postdoctoral fellowships at Princeton and Harvard Universities, and visiting scholar appointments at Free University of Berlin, Tsinghua University, and University of Tokyo. Research interests include the role of emotions in international politics, China's foreign policy, and the historical parallels between early 20th-century European tensions and contemporary East Asian geopolitics. His award-winning book *Emotional Diplomacy* (2015) explores how states strategically deploy emotion in international relations. Recent publications analyze Huawei's 5G policy dilemmas, China's Belt and Road Initiative, and dispute escalation mechanisms. He advises on East Asian security, including repeated tensions in the South China Sea and Sino-Japanese territorial disputes. Awards include the ISSA 2016 Diplomatic Studies Book Award. Active in policy commentary, his op-eds address Taiwan Strait tensions, China's diplomatic rhetoric, and historical memory conflicts. Labs/Teams: Leads the Oxford China Centre's research initiatives on modern Chinese diplomacy and emotional geopolitics. Collaborates with institutions like the National University of Singapore and Missouri S&T on East Asian security studies.

• International Relations Theory
• Emotion and Foreign Policy
• Chinese Foreign Policy
• +3 more

Barry Naughton is the So Kwan Lok Chair of Chinese International Affairs at the School of Global Policy and Strategy (GPS), University of California, San Diego, where he has been a faculty member since 1988 and was appointed to his named professorship in 1998. As a globally recognized authority on China's economic transformation, his work bridges academic rigor and policy relevance through decades of analysis of market reforms, industrial development, and international economic relations. His academic foundation includes: Ph.D. in Economics from Yale University (1986) M.A. in International Relations from Yale University (1979) B.A. in Chinese Language and Literature from the University of Washington (1975) Naughton's research centers on China's transition from planned to market economy, with emphasis on industrial restructuring, foreign trade dynamics, and regional development disparities. His scholarship uniquely connects historical analysis of reform milestones with contemporary policy challenges, particularly examining how state-market interactions shape technological advancement and global economic integration. This dual focus on institutional evolution and sectoral transformation has established him as a critical interpreter of China's development model for both academic and policy audiences. Analysis of his 2020-2024 publications reveals a decisive shift toward examining China's industrial policy architecture and state capitalism mechanisms. Key thematic clusters include the conceptualization of 'Grand Steerage' in state-economy relations, the restructuring of science-technology systems, and the sectoral implementation of industrial policies. These works collectively document China's evolving governance approach—from market liberalization to targeted state direction—while analyzing implications for global trade and innovation ecosystems. His scholarly recognition includes: Ohira Memorial Prize for 'Growing Out of the Plan: Chinese Economic Reform, 1978-1993' (1996) Administrative leadership has been integral to Naughton's career, serving as Associate Dean of GPS (1992-1995, 2001-2003) and Chair of UCSD's Chinese Studies Program (1998-2000). His policy engagement extends through the Research Grants Council of Hong Kong (1998-2003) and U.S. academic committees on Chinese studies. Current research examines regional growth patterns and foreign investment linkages while completing a new edition of his seminal textbook 'The Chinese Economy: Transitions and Growth,' which remains the field's authoritative reference. Though not leading a formal laboratory, Naughton shapes discourse through China Leadership Monitor's quarterly economic assessments and collaborative networks like the edited volume 'State Capitalism, Institutional Adaptation and the Chinese Miracle' (2015), which mobilized leading scholars to analyze China's institutional innovation within global capitalism.

• Chinese Economy
• Economic Reform
• International Trade
• +3 more

Robert Wellington serves as Associate Professor and Director of the Centre for Art History & Art Theory at the School of Art & Design, Australian National University (ANU), within the College of Arts & Social Sciences. His academic leadership focuses on advancing art historical research and public engagement through institutional initiatives. His research spans Art History, Early Modern European Art (particularly Louis XIV's France), Museum Studies, Public Humanities, and Cultural Heritage. Wellington investigates transcultural object exchange, royal iconography, and identity construction through material culture, with emphasis on Versailles, medals, and marginalia. His work bridges historical scholarship with contemporary public humanities applications in museums and digital archives. Analysis of his 2020-2024 publications reveals concentrated exploration of Louis XIV's cultural legacy, Versailles' global impact, and the evolving role of humanities institutions. He pioneers digital critical editions while examining how objects shape identity across cultural boundaries, consistently connecting historical practices to modern museum and archival challenges. No scientific awards were documented in the provided materials. As Centre Director, Wellington oversees research programs and institutional partnerships, though specific student advisees and grant details remain unlisted in available sources. His leadership facilitates interdisciplinary projects including the Jean-Benjamin de Laborde digital edition initiative. The Centre for Art History & Art Theory functions as a research hub under Wellington's direction, driving public humanities innovation through the ANU's Art & Design Seminar Series, Visiting Artist Program, and collaborative projects with national collections. Current initiatives focus on digital heritage and community-engaged scholarship within the School of Art & Design framework.

• Art History
• Early Modern European Art
• Museum Studies
• +2 more

Prof. Yan Lianke (born 1958) is a renowned contemporary Chinese writer and academic. He currently holds the IAS Sin Wai Kin Professor of Chinese Culture at Hong Kong University of Science and Technology and serves as Professor at the School of Liberal Arts of Renmin University of China. His work spans novels, short stories, and literary theory, often exploring political, historical, and social themes through a critical lens. Education: BA in Political Education (Henan University, 1985), MA in Literature (PLA Academy of Art, 1991) Awards: Lu Xun Literature Prizes, Franz Kafka Prize, Newman Prize, and international recognition for his humanistic and socially conscious writing Yan’s research and writing focus on the intersection of literature, memory, and truth-telling in authoritarian contexts. His theoretical work, such as the 2020 lecture On Memory , critiques the erasure of personal and collective recollection in modern China. His novels, including Four Books and Dreams of Ding Village , are celebrated for their allegorical depth and spiritual realism. Scientific awards and honors include: 2014 Franz Kafka Prize (first Chinese recipient) 2017 Dream of the Red Chamber Award 2021 Newman Prize for Chinese Literature 2022 Lee Hochul Prize for Peace 2024 Nebula Award for Contribution to Global Chinese Literature Yan’s teaching and creative writing programs at HKUST and Renmin University emphasize the ethical role of literature in documenting human experiences and challenging historical amnesia. His work has been translated into over 30 languages, with more than 150 foreign publications.

• Chinese Literature
• Creative Writing
• Literary Theory
• +8 more

Akanksha Mehta is a Lecturer in Gender, Race and Cultural Studies at Goldsmiths, University of London , where she co-directs the Centre for Feminist Research. She joined Goldsmiths in September 2018 after lecturing at the School of Global Studies, University of Sussex (2016-2018). Research Focus: Intersections of gender, sexuality, race, and everyday politics/violence; affective and material structures in nationalist movements; decolonial pedagogies. Key Projects: Co-founded the 'Mind the BAME Gap' initiative at Sussex; ongoing book project on right-wing women's mobilizations. Recognition: Recipient of the EISA Best Dissertation Award (2018) and Rachel Tanur Memorial Prize (2016). Publication Trends: Her work spans feminist critiques of Hindutva, queer rights in post-377 India, ethnographic analyses of right-wing women, and decolonial pedagogical frameworks. Recent outputs engage with racial justice in universities, affect theory, and visual sociology. Scientific Awards: Best Dissertation Award, EISA (2018) Rachel Tanur Memorial Prize, ISA (2016) Collaborative Work: Engages with decolonial visual practices, collective complaint mechanisms in academia, and intergenerational feminist dialogues through the podcast 'The F Less Travelled'.

• Gender Studies
• Cultural Studies
• Feminist Theory
• +4 more

Terrence Chapman is a Professor of Government at the University of Texas at Austin, affiliated with the Robert S. Strauss Center for International Security and Law, Center for European Studies, and Clements Center on History Strategy, and Statecraft. His research focuses on international organizations, conflict resolution, and political economy frameworks. Key research areas include: International institutional legitimacy Global regulatory regimes Public opinion in international affairs Conflict management mechanisms Formal modeling of diplomatic interactions Recent scholarly trends reveal expertise in climate governance negotiations, digital surveillance politics, and regulatory effectiveness. His work spans theoretical modeling and empirical analysis of international collaboration dynamics. Scientific recognition includes: 2011-2012 APSA Conflict Processes Section Book Award Teaching portfolio covers: Science Fiction and Politics International Organization and Law Research Methods in International Politics Previously served as associate/senior editor for International Studies Quarterly .

• International Organizations
• International Conflict
• International Law
• +3 more

Petra Kuppers is a Professor at the University of Michigan, specializing in disability culture, performance art, and ecocriticism. She holds a PhD from Falmouth College of Art/Plymouth University (1999) and is affiliated with multiple departments, including English, Drama, and Gender Studies. Her work bridges academic research with community-based performance, emphasizing socially just futures through art. Key roles include Artistic Director of The Olimpias, co-founder of Turtle Disco, and a Just Tech Fellow (2024–2026) for 'Planting Disabled Futures,' a VR project blending disability culture and environmental ethics. She teaches graduate courses on disability studies and creative writing, advising students through a monthly 'Research Coven.' Kuppers has authored influential books like *Disability and Contemporary Performance* (2003) and *Eco Soma* (2022), recognized with awards such as the Guggenheim Fellowship and ATHE Book Prize. Her poetry collections, including *Gut Botany* (2020) and *Diver Beneath the Street* (2024), explore intersections of disability, ecology, and true crime. Her research spans crip ecologies, archival activism, and somatic methods, with recent projects including *Crip/Mad Archive Dances* and participatory events like 'Crip Drifts.' She emphasizes accessibility in performance, digital art, and public engagement, often collaborating with Indigenous communities and global disability collectives.

• Disability Studies
• Performance Art
• Ecocriticism
• +4 more

Prof. Neslihan YETKİNER is the current Dean of İzmir University of Economics and a member of the TÜBİTAK SOBAG Advisory Board. She holds a PhD in Linguistics from Groningen University (Netherlands) and has served as a research assistant at Hacettepe University and part-time lecturer at London University. Her academic career spans over two decades, with expertise in Translation Studies, Pragmatics, and Corpus-based Translation. Education: BA (Summa Cum Laude) and MA in Translation from Hacettepe University; PhD in Linguistics from Groningen University. Administrative Roles: Dean since 2023, previously Head of the Department (2006–2009). Research Interests: Focus on translation theory, critical discourse analysis, children’s literature, and cultural studies. Her work explores themes like censorship in children’s books, translator prefaces, and intercultural adaptation. Her recent articles address topics such as the impact of the pandemic on the translation industry, liminality in folk tale translations, and community interpreting professionalism. She has led three TÜBİTAK-funded projects on translation and literary analysis. Prof. YETKİNER has received multiple awards, including the TÜBİTAK Scientific Publication Encouragement Award (2012–2017), and has advised PhD student Hamide Çakır. She is actively involved in academic administration and contributes to national and international conferences.

• Translation Studies
• Pragmatics
• Corpus-based Translation
• +4 more

Elaine Treharne serves as the Roberta Bowman Denning Professor of Humanities at Stanford University, holding primary appointment in the Department of English with courtesy appointments in German Studies and Comparative Literature. She concurrently acts as Senior Associate Vice Provost for Undergraduate Education and Director of Curriculum, while directing Stanford Text Technologies—a major initiative exploring textual transmission across historical periods. Her leadership extends to co-directing SILICON and spearheading NEH-funded projects that redefine digital approaches to manuscript studies. Her academic foundation includes a B.A. in English Language and Literature (First Class Honors) from the University of Manchester (1986), a Master of Archive Administration from the University of Liverpool (1987), and a Ph.D. in English from the University of Manchester (1992). This archival training underpins her dual expertise in traditional manuscript scholarship and digital innovation. Treharne's research pioneers intersections between medieval materiality and contemporary technology, investigating the haptic experience of medieval books, AI applications for manuscript analysis, and the long history of text technologies. She challenges conventional periodization through projects like 'Disrupting Categories, 1050-1250' while developing computational frameworks for fragmentology and textual distortion. Her work consistently bridges paleography with digital methodology to examine how writing systems shape cultural memory. Recent publications reveal a decisive shift from foundational medieval scholarship toward integrative digital-humanities frameworks, with increasing emphasis on phenomenological approaches to both physical and digital texts. This trajectory culminates in current projects applying machine learning to manuscript transmission patterns and developing ethical guidelines for digital archival tools. Her scientific recognition includes: Fellow of the Society of Antiquaries Fellow of the Royal Historical Society Honorary Lifetime Fellow of the English Association (former Chair and President) Fellow of the Learned Society of Wales American Philosophical Society Franklin Fellow Princeton Procter Fellow Fellow of the Stanford Clayman Institute for Gender Studies Treharne actively supervises graduate students in early literature, Book History, and Digital Humanities while securing major grants including NEH funding for Stanford Global Currents, AHRC support for the Production and Use of English Manuscripts project, and Stanford Impact Labs fellowship for archival tool development. She maintains commitment to ethical scholarly environments through her leadership in VPUE initiatives and digital pedagogy. She directs the Stanford Text Technologies initiative hosting the annual Collegium series, co-directs SILICON for internet longevity research, and leads specialized projects including 'Digital Ker' for Anglo-Saxon manuscript cataloging and 'Medieval Networks of Memory' analyzing mortuary rolls. These interconnected efforts form a comprehensive ecosystem for advancing textual scholarship across temporal and technological boundaries.

• Manuscript Studies
• Medieval Literature
• Digital Humanities
• +5 more

Philip Schlesinger is a Professor in Cultural Theory at the University of Glasgow and holds roles at CREATe, a Centre for Regulation of the Creative Economy. He previously held the inaugural Chair in Cultural Policy at Glasgow (2007–present), directed the Centre for Cultural Policy Research (CCPR) until 2013, and led the Stirling Media Research Institute. His research focuses on digital platforms’ regulation, cultural policy, and the interplay between expertise and power in governance. Collaborations span institutions like the London School of Economics, Complutense University of Madrid, and the European University Institute. His work critiques the 'post-public sphere' and explores neo-regulation frameworks for digital platforms, emphasizing UK policy dynamics. Key publications include analyses of generative AI governance, platform power, and the creative economy’s global orthodoxies. He has held fellowships at the Nuffield Foundation, European University Institute, and Maison des Sciences de l’Homme in Paris. As a leader in cultural policy research, Schlesinger has advised on UK film policy, media transitions, and digital challenges. His interdisciplinary approach bridges sociology, media studies, and law, addressing topics like public service media, creative industries, and transnational cultural frameworks. Ongoing projects include policy responses to AI and platform regulation, reflecting his commitment to shaping evidence-based cultural and digital policies.

• Cultural Policy
• Digital Media Regulation
• Creative Economy
• +3 more

Malini Guha is an Associate Professor of Film Studies at Carleton University , cross-appointed to the Institute for Studies in Art and Culture and affiliated with Migration and Diaspora Studies . She holds the Ruth and Mark Phillips Professorship (2025-2027), focusing on geographical thinking across disciplines. Education: B.A. (University of Toronto), M.A. (York University), PhD (University of Warwick) Research Interests : Guha's work spans cinema and the city , diasporic/postcolonial cinema , public projection art , and ciné-geography . Recent projects include SSHRC-funded research on traction, flight, and becoming in moving images. Selected Publications : Author of From Empire to the World: Migrant London and Paris in the Cinema (2015) and co-editor of London as Screen Gateway (2023). Her articles appear in Feminist Media Histories , Routledge Companion to Media and the City , and Canadian Journal of Film Studies . Scientific Awards : Ruth and Mark Phillips Professorship (2025-2027) FASS Mid-Career Research Grant (2021) SSHRC Insight Development Grant (2023-2025) Collaborative Work : Co-organized Carleton’s Racialized and Indigenous Faculty Alliance (2022-2024), co-taught interdisciplinary course on Race and Representation in the Arts (2023), and collaborates with artist Neven Lochhead on projects like Something Happened (2024).

• Migration Studies
• Cinema and Media Studies
• World Cinema
• +5 more

Dr Francis Maravillas is a Senior Lecturer and Programme Leader of the BA (Hons) Art Histories and Curatorial Practices: Asia and the World at LASALLE College of the Arts, Singapore. His academic work bridges art historical research, curatorial practice, and interdisciplinary teaching with a focus on contemporary Asian art contexts. His educational background includes a PhD in Humanities and Social Sciences from the University of Technology Sydney and a First Class Honours BA in Politics from Macquarie University, Australia. Maravillas' research centers on modern and contemporary Asian art, with particular expertise in curatorial practices, exhibition histories, and socially engaged/performatory art forms. His current projects investigate the aesthetics and politics of food in contemporary Asian art, examining how food functions in performance, installation, and community-based practices within post-colonial and global contexts. This research explores intersections between alimentary practices, political economies of survival, and post-colonial histories across Asia. His publication record reveals consistent engagement with Southeast Asian contemporary art worlds, food-art practices, and diasporic visual cultures. Key projects include the co-edited World Art special issue on Southeast Asian art publics (2020) and the forthcoming Routledge anthology 'Tastes of Justice' (2025), which examines food, art, and justice politics in Asian-Australian contexts. Maravillas has secured significant research funding including a SGD 20,000 LASALLE College of the Arts grant for 'Tastes of Justice' (2024) and an AUD 49,526 Creative Australia grant for related art, performance, and symposia activities in Sydney and Singapore (2024). He actively collaborates internationally through co-curated exhibitions like 'Bruised Food: A Living Laboratory' (2019) and the symposium 'Shifting Grounds, New Horizons' (2022), demonstrating commitment to building transnational networks in contemporary Southeast Asian art.

• Contemporary Asian Art
• Curatorial Practices
• Exhibition Histories
• +4 more

Dotun Ayobade is an Assistant Professor of Performance Studies and Black Studies at Northwestern University. His research focuses on how embodied popular culture shapes community, justice, and activism in postcolonial West Africa, particularly examining the interplay of aesthetics and social performance in Nigeria. He holds a joint appointment across disciplines and has taught at the University of Texas at Austin and Brown University prior to Northwestern. His academic interests include African/Black Performance Theory, African Popular Culture, and the intersection of performance with postcolonial politics. He is currently completing a book on Nigeria’s Afrobeat Queens, analyzing their role in Fela Kuti’s music subculture, under contract with Indiana University Press. This work has earned him prestigious awards, including the University of Texas Continuing Fellowship and Brown University’s Salomon Award. His scholarly contributions span peer-reviewed journals like Dance Research Journal and Journal of African Cultural Studies , with articles exploring topics such as sonic embodiment in Nigerian music and the spatial poetics of protest. He also engages with public discourse through platforms like Africa is a Country , addressing issues like neoliberalism and cultural netizenship. Ayobade’s work bridges performance ethnography, gender studies, and postcolonial theory, emphasizing the agency of marginalized voices in shaping cultural narratives. His research integrates interdisciplinary methods to unpack how performance mediates between individual creativity and collective socio-political realities in Africa and its diasporas.

• African/Black Performance Theory
• African Popular Culture
• Performance Ethnography/Historiography
• +3 more