Find Academic Supervisors

• Multi-agent Systems
• Artificial Intelligence
• Computational Creativity
• +5 more

Mark d'Inverno is a Professor in the Department of Computing at Goldsmiths, University of London, where he has established himself as a leading researcher at the intersection of artificial intelligence, multi-agent systems, and creative applications. His academic journey began with foundational work in formal methods and agent-based systems, culminating in his 1998 PhD thesis 'Agents, Agency and Autonomy: A Formal Computational Model' from University College London, and has evolved toward practical applications in music technology and ethical AI systems. Professor d'Inverno's research interests span multiple interconnected domains, with a particular focus on computational creativity, multi-agent systems, and the application of AI in musical contexts. His work explores how artificial intelligence can enhance creative processes, particularly in music composition and performance, while maintaining ethical considerations in social AI systems. He has made significant contributions to understanding how agents can interact meaningfully in social contexts, how ethical frameworks can be embedded in online systems, and how technology can support creative learning experiences. His recent scholarly output demonstrates a clear trajectory toward applied research with social impact, as evidenced by his 2021-2024 publications which increasingly address ethical considerations in AI, human-AI collaboration in creative domains, and educational applications of technology. These works reveal a researcher deeply engaged with both theoretical foundations and practical implementations, bridging the gap between abstract computational models and real-world creative and educational applications. Professor d'Inverno maintains an extensive collaborative network, frequently working with Matthew Yee-King on music technology applications, with Pablo Noriega on ethical AI frameworks, and with Jon McCormack on computational creativity. His research has been supported through various projects that connect theoretical computer science with practical creative applications, particularly in the development of systems that facilitate human-AI creative collaboration.

Jules RawlinsonView profile

Senior Lecturer

• Sound Design
• Audiovisual Composition
• Interactive Technologies
• +4 more

Dr. Jules Rawlinson is a Senior Lecturer in Digital Design at the Reid School of Music , University of Edinburgh. He serves as Programme Director for the MSc Sound Design and contributes to MSc Design and Digital Media, ESALA undergraduate courses, and the Reid School's MSc Digital Composition and Performance. PhD in Composition (University of Edinburgh, 2011) MSc Sound Design (University of Edinburgh, 2006) BA Combined Arts (Sunderland University) Jules investigates audiovisual composition , live electronics , and interactive performance systems , blending machine learning , virtual environments , and corpus-based sound synthesis . His work explores non-linear narrative structures , graphical scores , and political sound-art through collaborations like Raw Green Rust and projects such as Lie Still My Sleepy Fortunes and w[i]nd . His 15 most recent outputs span audiovisual installations , generative sound systems , and collaborative performances , focusing on virtual reality , spectral transformation , and digital improvisation . Jules co-founded the LLEAPP network and has secured grants from EPSRC and New Media Scotland's Alt-w Fund . He supervises PhD students Tim Bentley, Hal Xu, Benjamin Cantil, and Liam Peacock, with works showcased at festivals including Sonorities , Edinburgh International Film Festival , and Edinburgh Festival Fringe . His Requiem for Edward Snowden was featured in BBC Radio 3's Hear and Now and selected for Creative Scotland's Made In Scotland Showcase.

Piotr ScholzView profile

Assistant Professor

• Jazz Arrangement
• Jazz Composition
• Contemporary Jazz
• +2 more

Piotr Scholz is an award-winning jazz guitarist, composer, and conductor currently serving as an Assistant Professor at the Academy of Music in Łódź within the Institute of Jazz Instrumental Studies . He holds three specializations in jazz and pop music from Polish institutions, including a doctorate from the Karol Szymanowski Academy of Music in Katowice (2021). His academic roles include teaching jazz arrangement, composition, and conducting. Ph.D. in Composition (Karol Szymanowski Academy of Music in Katowice, 2021) Jazz Guitar (Academy of Music in Poznań, 2015) Composition with Arrangement (Academy of Music in Poznań, 2016) Conducting Jazz Bands and Popular Music (Academy of Music in Bydgoszcz, 2017) Scholz’s research focuses on jazz orchestration and symmetrical scale applications , with publications exploring these domains. His artistic work demonstrates innovative approaches to jazz harmony and ensemble leadership. Recent publications analyze: Symmetrical scales in improvisation Contemporary jazz arrangement techniques Conducting methodologies for jazz orchestras Awarded numerous honors including multiple festival Grand Prix awards and international composition accolades, Scholz has received artistic scholarships from both municipal and national Polish cultural institutions. As artistic director of the Academy of Music in Łódź Jazz Orchestra, he leads original projects like Weezdob Collective and PJPOrchestra , while collaborating with prominent artists including Jean-Luc Ponty, Stanley Jordan, and Włodek Pawlik.

Salome VoegelinView profile

Professor

• Sound Studies
• Sound Practice
• Politics
• +7 more

Salome Voegelin is a Professor of Sound Art at the London College of Communication, University of the Arts London. She is a leading figure in sound studies, focusing on listening as a socio-political practice and the transversal potential of sound across disciplines. Her research explores the intersections of sound with politics, feminism, and pedagogy, and she leads projects like Listening across Disciplines II (LxDII), funded by the AHRC, which investigates listening as a research methodology. Education: PhD in Sound Art, Goldsmiths, University of London (2000–2004) BA (Hons) Fine Art Film and Video, Central Saint Martins (1994–1997) PGCertHE, Middlesex University Research Interests: Sound Studies, Sonic Pedagogy, Feminism, Interdisciplinary Knowledge Production, Sonic Methodologies Her work bridges artistic practice and theory, including collaborations with David Mollin and co-convening Points of Listening . Key books include Listening to Noise and Silence (2010), The Political Possibility of Sound (2018), and Sonic Possible Worlds (2021). She is a member of the Creative Research into Sound Arts Practice (CRiSAP) and leads the Sounding Knowledge Network. Recent articles and presentations highlight themes like transversal sound studies, the ethics of listening, and curatorial practices. Her projects emphasize participatory engagement and the socio-political dimensions of sound.

• Machine Learning & Artificial Intelligence
• Probabilistic Modelling
• Neuro-Symbolic Modelling
• +7 more

Dr. Robert Lieck is an Assistant Professor in the Department of Computer Science at Durham University. His research focuses on interdisciplinary applications of machine learning (ML) and artificial intelligence (AI), emphasizing interpretability, robustness, and ethical considerations. He explores computational models in music cognition, communication dynamics, and medical image analysis, aiming to bridge theory and practical tools for domain experts. Before Durham, he was a postdoctoral researcher at EPFL's Digital and Cognitive Musicology Lab (2018–2021) and earned his PhD from the Learning and Intelligent Systems Lab in Stuttgart/Berlin (2012–2017). His work combines probabilistic modelling, neuro-symbolic systems, and reinforcement learning to address challenges in music analysis, autonomous decision-making, and medical robotics. Key research themes include: Music structure and perception modelling Symbol emergence in multi-agent communication Ethical AI and autonomous systems governance Medical imaging applications (CT/MRI analysis) Recent projects involve developing patient-agnostic diabetes management systems using deep reinforcement learning and surgical workflow anticipation through graph learning algorithms. He actively contributes to conferences such as NeurIPS, ISMIR, and AAAI, with publications spanning music informatics, robotics, and biomedical engineering. Current supervision includes four postgraduate students focusing on AI applications in healthcare, music technology, and autonomous systems. His work bridges technical innovation with societal impact, addressing challenges in policy, legislation, and interdisciplinary collaboration.

Annie MahtaniView profile

Professor

• Electroacoustic Music
• Acousmatic Composition
• Multichannel Audio
• +6 more

Professor Annie Mahtani is a Professor of Electroacoustic Composition and Practice at the University of Birmingham's Department of Music. She holds a BMus (Hons), MA, MPhil, and PhD from the University of Birmingham and Birmingham City University. Her work focuses on electroacoustic music, acousmatic composition, multichannel audio, spatialisation, and field recordings, with significant contributions to site-specific installations and cross-disciplinary collaborations. She co-directs the SOUNDkitchen collective and serves on key boards such as the British ElectroAcoustic Network (BEAN) and the British Section of ISCM. Her research explores the sonic identity of environmental sounds, large-scale multichannel composition, and ambisonic audio techniques. As a performer with BEAST (Birmingham Electroacoustic Sound Theatre), she develops live acousmatic performances and soundwalks. Recent projects include Becoming Tree (an immersive audio retelling of a literary work) and Minimum Monument , performed at Birmingham Hippodrome. She actively collaborates with dance and theatre companies like Rosie Kay Dance Company. Professor Mahtani teaches undergraduate and postgraduate modules in electroacoustic composition and is involved in admissions and curriculum leadership. Her works have been performed globally in festivals like Klang! Électroacoustique and Sound + Environment, showcasing her innovative contributions to contemporary music and sound art.

Christopher CastroView profile

Assistant Professor

• Music Composition
• Music Theory
• Western Art Music
• +3 more

Christopher Castro serves as an Assistant Professor of Composition at Chapman University's College of Performing Arts. A composer and double bassist from Brooklyn, New York, he combines academic rigor with avant-garde experimentation. Ph.D. in Composition and Theory from University of California, Davis Bachelor of Music from Juilliard School (Double Bass & Composition) His research bridges Western Art Music traditions with contemporary innovations , creating works that merge: Johannes Ockeghem's polyphonic complexity John Coltrane's spiritual intensity Modernist structural experimentation Historical reconstruction techniques Jazz-classical hybrid forms Interdisciplinary performance formats Recent compositions demonstrate trends in flexible instrumentation , text-music relationships , and genre synthesis . His output spans chamber works, orchestral pieces, and vocal compositions with equal mastery. Scientific recognition includes: 2023 Fromm Music Foundation Commission (Harvard University) Chamber Music America's 2021 Classical Commissioning Award As a new music advocate , Castro collaborates with ensembles like: Left Coast Chamber Ensemble (artistic advisory board) New Mexico Contemporary Ensemble Los Angeles Philharmonic's Upbeat Live series Lyris Quartet and Sharon Harms

Jennifer BeaversView profile

Associate Professor

• Early Twentieth-Century Music Analysis
• Music Theory Pedagogy
• Timbre Analysis
• +9 more

Jennifer Beavers, Ph.D. , is an Associate Professor of Music Theory at the University of Texas at San Antonio (UTSA) in the College of Liberal and Fine Arts. Her research intersects early twentieth-century music analysis, timbre/orchestration studies, and music theory pedagogy, with a focus on Maurice Ravel’s compositions and curriculum innovation. Awarded Faculty Mentor Award for Undergraduate Research (2019) Co-founder of UTSA Music Theory Club initiatives Active presenter at Society for Music Theory , American Musicological Society , and College Music Society conferences Research Themes : Analytical approaches to Ravel’s neurological decline, timbre as structural marker, flipped pedagogy, and interdisciplinary collaborations. Her publications span journals like Music Theory Online and Indiana Theory Review , emphasizing timbral transformations and pedagogical innovation. Scientific Awards : Faculty Mentor Award for Undergraduate Research (2019) Teaching Contributions : Courses include Aural Skills , Basic Skills , 20th-Century Analysis , and graduate Research Methods . Her pedagogical research addresses improvisation, pitch-matching, and AP curriculum alignment.

Leid ZejnilovicView profile

Assistant Professor

• Technology and Innovation Management
• Human-Computer Interaction
• Machine Learning
• +3 more

Leid Zejnilovic is an Assistant Professor at Nova School of Business and Economics (Nova SBE), where he co-founded the Data Science Knowledge Center and serves as Academic Director, and co-founded the Open and User Innovation Knowledge Center as Scientific Deputy Director. He also co-founded the Patient Innovation platform, enabling patients and caregivers to share self-made healthcare solutions. With a double PhD from Carnegie Mellon University and Católica-Lisbon School of Business and Economics, his career spans over 20 years of international consulting, academic entrepreneurship, and teaching at institutions like Imperial College Business School and Ludwig Boltzmann Institute. PhD in Strategy, Entrepreneurship and Technological Change (Carnegie Mellon University / Catholic University of Portugal, 2014) Master in Engineering and Public Policy (Carnegie Mellon University, 2012) Master in Information Technology (Dzemal Bijedic University, 2007) Bachelor in Telecommunications (University of Sarajevo, 2002) His research focuses on Technology and Innovation Management, Human-Computer Interaction, and data-driven solutions across healthcare, tourism, and education. He has published extensively in journals like California Management Review , PLoS ONE , and Marine Policy , with recent work analyzing big data in tourism, machine learning for oral health, and pandemic impacts on fisheries. As an Associate Editor for Data & Policy Journal , his contributions bridge academic research and real-world applications. Co-founding the Data Science for Social Good Foundation and leading over 100 talks in industry and academia, Zejnilovic's career emphasizes translating innovation into social and economic impact through platforms, policy, and education.

• Human Resource Management
• Online Labor Platforms
• Gig Economy
• +3 more

Professor Anne Keegan is a Full Professor of International Human Resource Management at University College Dublin (UCD), leading the HRM and Employment Relations Group within the School of Business. She previously held roles at the Amsterdam Business School and Erasmus University Rotterdam, and completed her PhD at Trinity College Dublin. Her research focuses on HRM in online labor platforms, gig economies, project-based organizations, and institutional/paradox theories. Education: Bachelor of Arts (BA), Trinity College Dublin Doctor of Philosophy (DPhil), Trinity College Dublin Research Interests: HRM in digital labor platforms and gig economies Institutional complexity and paradox theory applications HR practices in project-based organizations Career dynamics in non-traditional work environments Awards: EGOS Award in Honour of Max Boisot (2014) Van der Schroeff Award for Best Lecturer (2013) Professional Activities: Editorial Board roles for International Journal of Human Resource Management and International Journal of Project Management Committee memberships: UCD Academic Council, Faculty Promotions Committee, Widening Participation initiatives Keynote speaker at NEON Annual Conference (2019) Grants: UCD School Funded Research Account (2024-2027) Labs/Teams: Leading research on algorithmic management, platform ecosystems, and gig economy ethics through collaborative international projects.

Dina El-ZanfalyView profile

Assistant Professor

• Computational Design
• Human-Computer Interaction
• Embodied Interaction
• +5 more

Dina El-Zanfaly serves as an Assistant Professor in the School of Design at Carnegie Mellon University (CMU), where she directs the hyperSENSE: Embodied Computations Lab. Her work bridges computational design and human-centered interaction, focusing on how physicality shapes sensory experiences and cognitive processes through intelligent systems. Education: PhD in Design and Computation, Massachusetts Institute of Technology (MIT) Master of Science in Design and Computation, MIT (Fulbright scholar) Her research critically examines computational methods for augmenting sensory perception, with emphasis on embodied sense-making in hybrid environments. She investigates co-creative interactions between humans and intelligent systems, exploring how computational tools empower designers and non-designers to shape products, social spaces, and interconnected technologies. Key questions address mutual learning between humans and machines through improvisation and creative production. Analysis of her 2022-2025 publications reveals dominant themes in mixed reality interfaces, AI-augmented skill acquisition (particularly in crafts and welding), and tangible co-creation with generative AI. Her work consistently integrates physical computing with mindfulness applications and privacy-aware smart environments, demonstrating interdisciplinary reach across education, manufacturing, and therapeutic contexts. Scientific Awards: Fulbright Scholarship As lab director, El-Zanfaly mentors students in computational making and embodied interaction projects. Her research is supported through initiatives like Fab Lab Egypt and collaborations with MIT, where she co-founded the Computational Making Group. She chairs major conferences including Fab15 in Egypt and serves on the DESFORUM program committee, indicating significant leadership in maker education and design research communities. She founded and leads the hyperSENSE Lab at CMU, which investigates computational embodiment through projects like Origami Sensei and Sand-in-the-loop. Previously, she co-established the Computational Making Group at MIT and co-founded Fab Lab Egypt (the first community maker space in North Africa/Arab world), demonstrating sustained commitment to global maker ecosystems and interdisciplinary team building.

Garth AlperView profile

Professor

• Jazz
• Jazz Piano
• Popular Music
• +3 more

Dr. Garth Alper is a Professor and Program Coordinator for Jazz Studies at the University of Louisiana at Lafayette's School of Music and Performing Arts. He holds a Doctor of Arts in Music Theory/Composition from the University of Northern Colorado, a Master of Arts in Piano Performance (Jazz Track) from New York University, and a Bachelor of Professional Studies in Jazz Studies from SUNY Empire State College. His research focuses on Jazz Piano, Jazz History, and Popular Music, with notable contributions to understanding improvisation techniques, postmodernism in music, and the cultural legacy of jazz icons like Duke Ellington. Dr. Alper has authored numerous articles in journals such as College Music Symposium , Rock Music Studies , and Jazz Perspectives , and guest-edited a special jazz issue of Popular Music and Society . His music compositions are featured on multiple CDs, including the acclaimed Spider’s Web (2022) and Stratus (2017). He has received significant grants and awards, including the BORSF Endowed Professorship and funding for jazz pedagogy and recording projects. Education: Doctor of Arts in Music Theory/Composition (University of Northern Colorado) Master of Arts in Piano Performance (Jazz Track, New York University) Bachelor of Professional Studies in Jazz Studies (SUNY Empire State College) Research Contributions: Includes analysis of jazz improvisation, postmodern music theory, and the sociocultural impact of jazz. He has authored encyclopedia entries on influential jazz musicians and contributed to critical discussions on popular music pedagogy. Teaching & Courses: Teaches Jazz Piano, Jazz Theory, Jazz History, Film Scoring, and directs the Jazz Combo program. Courses include MUS 312: Jazz Theory I and MUS 438: Film Scoring I . Grants & Recognition: Over $100K in grants for recording projects, multimedia facilities, and pedagogical initiatives. Holder of the Ruth Stodghill Girard BORSF Endowed Professorship since 2001. Labs/Teams: Coordinates the Jazz Studies program and collaborates on projects blending jazz with film scoring and modern media.

Peter McMurrayView profile

Associate Professor

• Islamic Sound Studies
• Ottoman Music History
• Audiovisual Media History
• +3 more

Dr. Peter McMurray is an Associate Professor of Music and Director of Studies at Queens' College, University of Cambridge. His research focuses on the intersection of Islam and sound in the Ottoman Empire and Turkey, including recitation, liturgy, and architecture. He is completing a book, *Pathways to God: The Islamic Acoustics of Turkish Berlin*, and co-editing *Acoustics of Empire*. His work also spans global music theory, audiovisual media history (1890–1945), and race and listening studies. Education: PhD in Music (Harvard), MFA in Music Composition (Brandeis), BA in Classics (Greek) and Slavic Literature (Harvard). Research interests include oral poetry, media art, and experimental improvisation. He previously held postdoctoral fellowships at MIT (Mellon) and Harvard’s Society of Fellows. He leads the research project *Ottoman Auralities and the Eastern Mediterranean: Sound, Media and Power, 1789–1922* (2022–2027). Awards: Mellon Fellowship, Harvard Society of Fellows Fellowship. Advising PhD students on topics related to Ottoman sound studies. Collaborates with Harvard’s metaLAB and Sensate Journal. Performance background in jazz and experimental music.

Wolfgang MayerView profile

Professor

• Performative Practice
• Body Theory
• Poetics of the Performative
• +3 more

Wolfgang Mayer is a Professor for Performative Practice at the State Academy of Fine Arts Stuttgart , teaching collaborative artistic processes. He co-founded the art group Discoteca Flaming Star (DFS) in 1998 with Cristina Gómez Barrio, focusing on performative works that challenge memory and institutional frameworks. 1990–1995: Studied at Academy of Fine Arts Munich 1996–1997: DAAD scholarship at School of Visual Arts NYC 2005–2006: Whitney ISP participant Mayer’s research integrates performative practice , body theory , and collaborative art . His works interrogate memory , feminist narratives , and public space dynamics through sculptures , performances , and experimental music . Recent projects like Momentum:synthesize.r (2024) and Love Any Out of (90 Seconds) End (2023) explore temporal structures and emotional labor . Scientific honors include: 2013 Fundacion Estrenos Grant 2006–2007 Pollock-Krasner Scholarship 1993 Salzburg Summer Academy scholarship He emphasizes non-formalized artistic development through Sound & Body modules, public space interventions , and critical response protocols . Mayer’s DFS collective has shown globally at institutions like The Kitchen , Whitney Museum , and Tate Modern , often collaborating with figures like Rita McBride and Jeremiah Day.

• Theatre Performance
• Improvisation
• Performing Arts Education
• +3 more

Amy Roeder is an Instructor in the Department of Theatre at the University of Maine, part of the School of Performing Arts. She is a professional actor and improvisor with over 20 years of experience, performing in renowned venues including the Denver Center for the Performing Arts and the Alliance Theatre. Additionally, she serves in the 130th Maine Legislature, blending her artistic and public service roles. Education: BFA from the University of Evansville MFA from the University of Georgia Her work focuses on improvisation as both an art form and a tool for business training, having conducted workshops for corporations like Cianbro and the US District Court. Roeder is a member of Actor’s Equity and SAG-AFTRA, reflecting her commitment to professional standards in the performing arts. No academic articles were explicitly listed in the provided texts. Awards: None explicitly mentioned. Advising/Grants: No student advisement or grant details provided. Roeder is affiliated with the Penobscot Theatre Company and collaborates with institutions like Drury Lane Oak Park and The Second City, contributing to her dynamic presence in both academic and professional theatre circles.