Richard J. Aldrich is a Professor of International Security at the University of Warwick. His research focuses on intelligence, cybersecurity, and digital politics, with notable contributions to understanding historical and modern security challenges. He has led major projects including the AHRC-funded study on the CIA and U.S. foreign policy, and co-edits journals like Intelligence and National Security . Aldrich advises governments on records management and declassification, notably assisting the German Bundestag inquiry into the NSA 'Snowden' affair. He holds a Distinguished Scholar award from the International Studies Association and has published extensively, including the acclaimed GCHQ: Centenary Edition . Teaching modules include 'Vigilant State: The Politics of Intelligence' and 'Cybersecurity: War, Spies, Crime, and Protest on the Internet.'
Professor Stephen Graham at Newcastle University is a leading scholar in critical urban studies, focusing on the intersections of militarism, surveillance, and urban infrastructure. His work explores how cities are shaped by and become sites of geopolitical conflict, technological control, and social inequality. Research spans urban verticality , military urbanism , and digital surveillance . Key themes include infrastructure disruption , elite spatial practices , and post-conflict urbanism . Recent publications analyze the militarization of urban space , robotic imperialism , and surveillance societies . His "Splintering Urbanism" framework remains foundational for understanding fragmented urban networks. Current work investigates vertical geopolitics , elite bunkering , and smart city security , with a focus on planetary-scale urban systems and their vulnerabilities.
Jack Bowman is a Teaching Fellow in Modern History at the University of Warwick, School of Arts, Department of History. He teaches modules such as "Britain in the Twentieth Century" and "Race, Racism, and Resistance in Modern Britain," and serves as an Academic Writing Adviser and Teaching Representative for the Social Inclusion and Diversity Committee. PhD in History, University of Warwick (2019–2023) MA in Modern History, University of Warwick (2018–2019) BA (Hons) in History, University of Warwick (2015–2018) His research focuses on anti-colonial print cultures, particularly within the British Empire and the Pan-African movement. He specializes in book history, global histories of empire, queer histories, and visual media. His work explores the role of political publishing in anti-colonial activism and the intellectual networks of figures like V. K. Krishna Menon and Ras T. Makonnen. The recent publications and presentations reflect a strong engagement with transnational anti-colonial movements, Black radicalism, and the material culture of print. His work spans historical biography, archival research, and critical reviews of scholarship in visual culture, decolonization, and global knowledge systems. He frequently contributes to public history through outreach and digital media. University of Warwick, History Department Doctoral Scholarship (2019–2023) Jack Bowman advises undergraduate students and contributes to academic governance through committee roles. He is also involved in public engagement, including outreach to school children as the historian for George Padmore and creating educational resources for GCSE and A-Level students. He is a Convenor of the Modern British History Reading Group and a member of the Global History and Culture Centre and Manuscript and Print Cultures Research Group at Warwick. He is currently working on a new book project on the League Against Imperialism and maintains an active public presence through Twitter (@DrJackBowman) and podcast contributions, such as with Shoga Films on the Harlem Renaissance.
Rachel Morley is an Associate Professor at the School of Slavonic and East European Studies (SSEES), University College London. She holds a BA in French Language and Literature from the University of Oxford (1992), followed by BA, MA, and PhD degrees from UCL (1999, 2001, 2011). Her roles include Academic Director of Education and Student Experience at SSEES (2022–2027) and Co-Convenor of the UCL SSEES Cinema Research Group. Dr. Morley's research focuses on Cinema studies Cultural studies Feminist and queer theory Literary studies with emphasis on Soviet/Russian cinema, gender representation, and film historiography. She held a Leverhulme Trust Research Fellowship (2020–2022) for her project on female subjectivity in contemporary Russian cinema. Her teaching spans Russian cinema, poetry, language, and translation. Past roles include Postgraduate Teaching Assistant at SSEES (1999–2009) and lecturer at the University of Cambridge (2006, 2008). She has also supported international students as SSEES International and Affiliate Tutor (2014–2018). Key Achievements: Leverhulme Trust Research Fellowship Fellow of the Higher Education Academy (2016) Her work bridges film, literature, and cultural history, emphasizing underrepresented narratives and feminist perspectives in Russian and Soviet cinema.
Anna Lukina is a Research Fellow in Law at the London School of Economics and Political Science and a PhD candidate at the University of Cambridge's Faculty of Law. Her research focuses on jurisprudence, legal history, and public law, with a specialization in Soviet legal systems, Nazi legal frameworks, and the philosophical underpinnings of 'evil law.' She holds a B.A. (Jurisprudence) and B.C.L. from the University of Oxford, and an LL.M. from Harvard Law School. Her doctoral work, Towards a Jurisprudence of Evil Law , examines the relationship between law and immorality in authoritarian regimes, funded by the Institute for Humane Studies, Modern Law Review, and Cambridge Law Journal. Key research areas include: Legal justifications for totalitarian regimes Resistance to morally corrupt legal systems Historical analysis of Soviet, Nazi, and antebellum U.S. legal structures Publications span legal-historical analyses of Soviet legal education, Schmittian dictatorship theory, and Kelsen's critiques of communist jurisprudence. She actively engages with legal theory through blogs like Legal Form and academic networks such as the Cambridge Legal Theory Discussion Group. Her work bridges theoretical jurisprudence and historical case studies, offering critical perspectives on law's role in enabling or resisting evil. Grants and fellowships support her exploration of legal systems' moral boundaries and their societal impacts.
Professor Gabrielle Lynch is a leading scholar in Comparative Politics and African Studies at the University of Warwick. She holds the academic rank of Professor and serves as PAIS Impact Director, Comparative Politics cluster lead, and Warwick UCU Equalities Officer. Her research focuses on ethnic identities, elections, transitional justice, and social media's role in African politics. Lynch earned her BA, MPhil, and DPhil from the University of Oxford. She has conducted extensive fieldwork in Kenya, Ghana, and Uganda, supported by grants from the ESRC, Warwick Policy Support Fund, and others. Her awards include the ESRC Award for Outstanding International Impact (2019) and the Market Research Society’s President’s Medal. Lynch is editor of African Affairs and a member of the African Studies Association of the UK and British Institute in Eastern Africa. Lynch’s work bridges academia and public engagement, including columns in The Saturday Nation and The East African . She founded the African Judiciaries Research Network and co-authored influential books like Performances of Injustices and The Moral Economy of Elections in Africa . Her research emphasizes democratization challenges, electoral integrity, and the intersection of technology and politics in Africa.
Dr. Mark B. Smith is an Associate Professor in Modern European History at the University of Cambridge’s Department of History. His research focuses on Soviet and European history, particularly the Soviet Union’s social structures, welfare policies, urban development, and cultural dynamics from Stalinism through late socialism. He teaches courses on welfare states, Soviet life, and 20th-century European violence. Key research areas include Soviet urban housing programs, welfare state evolution, and Cold War-era cultural exchanges. His publications analyze topics like Khrushchev’s housing reforms, post-Stalin urban welfare systems, and Soviet pension policies. Smith has co-edited special issues on European urban societies and authored books such as *The Russia Anxiety* (2019) and the forthcoming *Exit Stalin* (2026). He advises doctoral students on Soviet history, welfare states, and Cold War topics. His work bridges legal history, social policy analysis, and cultural studies, emphasizing how everyday life reflected broader ideological and structural changes in Soviet society.
Joanne Lee is a Senior Lecturer in the Department of Italian Studies at the University of Warwick. She holds a PhD from the University of Bristol and has taught at Cardiff University and Bristol University prior to joining Warwick in 2008. Her administrative roles include Head of Italian Studies until September 2024 and Co-head of the School of Modern Languages and Cultures (SMLC) starting January 2025. BA in Italian and Language Studies (Cardiff University, 1999) MA in Literature in European Cultures (Cardiff University, 2003) PhD (University of Bristol, 2008) Her research spans travel writing , Italian emigration/immigration , post-war women writers , and Italy's colonial memory . Recent work examines decolonizing urban spaces through Igiaba Scego's works and sustainable travel in Paolo Rumiz's pedestrian journeys. She explores ethical dimensions of travel writing, including sustainability and cosmopolitan ethics, with a focus on globalization's impact on migration narratives. Selected publications include analyses of Laura Pariani's migration novels, Soviet-Italian Cold War travel discourses, and postcolonial memory in Italian literature. She has collaborated on interdisciplinary projects addressing slow travel , virtual tourism , and post-pandemic tourism patterns. Awards include Senior Fellowship of the Higher Education Academy and Fellowship of the Warwick International Higher Education Academy.
Dr Maurizio Cinquegrani is a Senior Lecturer in Film and Equity, Diversity and Inclusion Lead at the University of Kent's School of Arts. He holds a PhD from King's College London and has held roles including Head of Film and Media, School Director of Graduate Studies, and Deputy Dean (Student Experience). His research focuses on film's relationship with space, memory, and historical events, particularly the Holocaust and Cold War. He is a Fellow of the Royal Geographical Society (2018-2023). Education: PhD in Film Studies (King's College London, 2010), MA in Contemporary Cinema Cultures (King's College London), BA in Film Studies (University of Bologna). Research interests include cinematic geographies, urban space representation, and documentary film. His notable works include Of Empire and the City: Remapping Early British Cinema (2014), Journey to Poland: Documentary Landscapes of the Holocaust (2018), and Film, Hot War Traces and Cold War Spaces (2022). He has also produced essay films such as Aran Diary (2023) and Formosa 228 (2024). Professional activities include editorial roles for Immagine. Note di Storia del Cinema and AHRC-funded research projects. He supervises doctoral students in film history, documentary cinema, and spatial memory studies. Key awards include the Royal Geographical Society Fellowship. His teaching emphasizes research-led learning and has been influenced by his extensive international collaborations, including visiting roles at Taipei National University of the Arts and Poznań University of Technology.
Dr Zeno Leoni is a Lecturer in the Defence Studies Department at King’s College London, based at the Joint Services and Staff College (JSCSC) of the Defence Academy of the UK. He is also an affiliate of the Lau China Institute, co-convening their policy brief series. His research focuses on US and Chinese grand strategies, US-China relations, AUKUS, and world order, with recent publications including a forthcoming book on the new Cold War. He leads a research group studying middle-power diplomacy in the Indo-Pacific and has advised Italian and UK government bodies on geopolitical trends. Teaching: Delivers courses on China for the Higher Command and Staff Course (HCSC) at the JSCSC, and lectures on International Security Studies, Airpower, and International Political Economy. Additionally teaches at Italy’s IASD defence institute. Key Research Areas: Specializes in US-China competition, AUKUS dynamics, and the evolving Indo-Pacific order. His work bridges academia and policy, with contributions to UK Parliament hearings on AUKUS and US defense policies. Leads research on middle powers’ strategies amid great power competition. Professional Activities: Executive Director of ITSS Verona, a non-profit focused on international security. Active in King’s research groups including Contemporary Marxism, Environmental Security, and Economic Conflict & Competition. Frequently contributes to media analyses for outlets like the Financial Times and BBC. Awards: While no specific prizes are listed, his extensive policy engagement and academic output reflect recognition in strategic studies circles. Collaborations include work with the EU, UAE, and other middle powers on geopolitical strategy.
William Boyd is an Honorary Fellow of Jesus College, Oxford, and an alumnus who earned a DPhil in English Literature there in 1975. Formerly a Lecturer in English Literature at St. Hilda’s College, Oxford (1980–83), he is renowned as an award-winning author and screenwriter. His works include novels like A Good Man in Africa and Any Human Heart , which have garnered accolades such as the Whitbread Award and BAFTA. Boyd’s screenwriting spans films like Chaplin and adaptations of his own novels, including the BAFTA-winning Any Human Heart (2010). Education : DPhil in English Literature, Jesus College, Oxford (1975). Boyd’s research interests center on creative writing, novel adaptation, and narrative techniques, blending literary excellence with cinematic storytelling. His screen credits include original films and adaptations of literary works, showcasing versatility across mediums. Awards span literature and film, including honorary doctorates from four Scottish universities and the CBE. Literary and cinematic themes in his work explore human psychology, historical contexts, and social dynamics, often with satirical or existential undertones. His contributions to both page and screen have solidified his international reputation.
Aaron Kappeler is a Lecturer in Anthropology of Development at the University of Edinburgh's School of Social and Political Science, Department of Social Anthropology. He teaches core courses in the MSc International Development program and MA Social Anthropology, including Anthropology and Environment and Social Development. Education: PhD, University of Toronto Graduate studies, University of Heidelberg and University of Leipzig Undergraduate, University of Arizona Research Focus: Kappeler specializes in Latin American political economy with emphasis on agricultural development , petro-populism , and rural livelihoods . His fifteen-year ethnographic fieldwork in Venezuela examines state enterprises, agrarian reform under Chávez, and the interplay of race, nature, and capital in socialist policy implementation. Current work analyzes oil rent redistribution mechanisms. Publication Trends: Recent scholarship (2021-2025) reveals consistent focus on Venezuelan political economy , bridging anthropology and political science . Key themes include petro-populism's impact on rural cooperatives (2024), racialized sovereignty production (2023), and neo-structural socialism in state enterprises (2025). His work critically engages with dependency theory while documenting grassroots responses to resource nationalism. Scientific Awards: None documented in source material. Academic Supervision: Kappeler annually supervises MSc dissertations in International Development and MA dissertations in Social Anthropology. He has served as Director of Admissions for graduate development programs and coordinates departmental open-day events.
Rachel Leow is an Associate Professor in Modern East Asian History and Fellow of Murray Edwards College at the University of Cambridge. She holds a PhD and MPhil from St Catharine’s College, Cambridge, and a BA from Warwick University. Her research critiques rigid nationalisms in East Asia, focusing on transregional cultural and intellectual histories. Her book Taming Babel: Language in the Making of Malaysia (2016) won the 2018 Harry J. Benda Prize for Southeast Asian studies. Current projects include an anti-diasporic history of Chinese migration and early 20th-century Asian thought-worlds. Leow emphasizes public engagement, contributing to blogs, literary reviews, and collaborative manifestos. She teaches World History courses, including Part IA’s Outline 11 and specialized modules on East/Southeast Asia. She supervises postgraduate students exploring transnational East Asian history from 1850 to the present. Professional affiliations include the Royal Historical Society, Center for History and Economics, and editorial roles at The Historical Journal and Global Intellectual History . Awards include the Harry J. Benda Prize and RHS Fellowship. Her digital work includes a visualization of Afro-Asian Cold War networks and a short film on diasporic identity.
Keith Ewing is a Professor of Public Law at The Dickson Poon School of Law, King's College London since 1989. Previously, he held visiting professorships at the University of Western Australia (1992), University of Alberta (1987-88), and Osgoode Hall Law School (1982). Earlier roles included positions at the University of Edinburgh (1978-83) and University of Cambridge (1983-1989). His research focuses on labour law and constitutional reform, particularly the intersection of social rights and constitutional frameworks. He teaches undergraduate Public Law and graduate European Labour Law. His publications span constitutional law, human rights, and labour rights, with recent works addressing post-Brexit legal frameworks, trade agreements' labour provisions, and emergency governance during the pandemic. Notable books include MI5, the Cold War, and the Rule of Law (2020) and co-edited volumes on the Right to Strike in International Law (2020). His articles frequently analyze judicial roles, electoral democracy, and transnational legal challenges. Ewing has led projects such as the CONPRE initiative (2015-2017) on parliamentary human rights protections and a British Academy-funded study on counter-terrorism and human rights (2007). His work contributes to UN SDGs related to justice, equality, and sustainable development through legal reforms.
Joanna Pawlik is an Associate Professor and Head of the Department of Art History at the University of Sussex, within the School of Media, Arts and Humanities. Her research focuses on modern art and literature, emphasizing transnationalism, avant-gardism, and protest movements. She has been funded by prestigious grants like the Leverhulme Trust and the AHRC. Her 2021 monograph Remade in America , awarded the MSA First Book Prize, examines Surrealism's role in American activism post-1940. Current research explores fascist iconography in American art (1945–1980), funded by a Leverhulme Fellowship. Education: PhD in Art History, University of Sussex (2003–2008) MA in Art History, York University, Canada (2021–2022) BA Hons in Art History, University of East Anglia (2018–2021) Research Interests: Her work investigates surrealism's transnational legacies, anti-fascist art, feminist/queer methodologies, and postwar American visual culture. She examines how surrealist principles intersect with race, gender, class, and activism in movements like the Beat Generation and Black Arts Movement. Grants & Awards: Leverhulme Research Fellowship (2020–2022) Leverhulme Trust Grant 'Radical America: Afterlives' (2016) MSA First Book Prize (2021) Professional Activities: Co-director of the SAVAnT Doctoral School promoting interdisciplinary American visual studies. Supervises PhD projects on postwar American art, anti-fascism, and feminist/queer art history. Engages in public scholarship through interviews and exhibitions.
