Rebecca Herissone is Professor of Musicology at the University of Manchester and a leading scholar in early modern English music. She co-edits the peer-reviewed journal Music & Letters and serves on editorial boards for the Purcell Society, Musica Britannica, and the Complete Works of John Eccles. Her research focuses on seventeenth-century creativity, material culture, and the ontological dimensions of music notation. Key research areas: Early Modern Music, Creativity, Source Study, Notation, Reception Major awards: Diana McVeagh Prize (2015), Westrup Prize (2007) Her recent work includes digital humanities projects on music preservation and critical editions of Purcell's operas. She has pioneered interdisciplinary approaches connecting musicology with drama, art, and literature, and currently leads research on Purcell's posthumous reception in the eighteenth and nineteenth centuries. Her teaching spans music historiography, performance practices, and advanced source analysis.
John Holmes is Professor of Victorian Literature and Culture at the University of Birmingham, affiliated with the Birmingham Institute of Forest Research (BIFoR). His work bridges literary studies and scientific inquiry, focusing on interdisciplinary connections from 1800 to the present through extensive collaborations with institutions like the Royal Society and major natural history museums across Europe. His academic credentials include a D.Phil. in English Literature from Oxford (2001), an M.A. in Renaissance Studies from Queen Mary and Westfield College, London (1997), and a B.A. in English Language and Literature from Oxford (1994). D.Phil. English Literature, University of Oxford, 2001 M.A. Renaissance Studies, Queen Mary and Westfield College, University of London, 1997 B.A. English Language and Literature, University of Oxford, 1994 Professor Holmes specializes in literature-science intersections, particularly Victorian and modern poetry, Pre-Raphaelite studies, and natural history museums. His current research examines arts architecture within museum spaces and mythic literature's dialogue with evolutionary science. He has authored foundational works on Darwinism in poetry and Pre-Raphaelite scientific engagements while directing major collaborative projects with scientific institutions. Recent publications reveal consistent exploration of poetic form within scientific contexts, with growing emphasis on digital humanities applications and environmental education. His 2023-2024 outputs demonstrate expanded interdisciplinary scope, integrating virtual reality tools for forest education and deepening analysis of myth-science intersections in canonical poetic works. His distinguished honors include: AHRC Collaborative Doctoral Award (2011) British Society for Literature and Science Book Prize (2018) Chair of the British Society for Literature and Science (2012) Honorary Associate of Oxford University Museum of Natural History (2016) President of the Commission on Science and Literature (2023) Professor Holmes leads significant research initiatives including the AHRC-funded Interdisciplinary Forest Education project (2024) and the long-term 'Building the Book of Nature' study (2015-2023). As an active PhD supervisor, he mentors students in literature-science intersections while maintaining robust public engagement through museum collaborations, media appearances, and educational outreach programs that translate academic research for broader audiences. He directs BIFoR-affiliated initiatives connecting literary scholarship with forest research, partnering with natural history museums in Oxford, London, Berlin, and Vienna to develop interdisciplinary frameworks examining how literary traditions shape environmental understanding and scientific communication.
Professor Matthew Treherne is a leading scholar in Italian literature at the University of Leeds, where he holds the position of Professor of Italian Literature in the School of Languages, Cultures and Societies within the Faculty of Arts, Humanities and Cultures. He currently serves as Pro-Dean for Research and Innovation, and co-directs the Leeds Centre for Dante Studies. His research bridges medieval and Renaissance literature with contemporary issues such as finance, ecology, and technology. PhD in Italian Literature, University of Cambridge (2007) Diploma in Management Studies, Judge Business School, University of Cambridge (2000) M.Phil in European Literature (Distinction), University of Cambridge (1999) BA in Modern and Medieval Languages (First-class), University of Cambridge (1997) Matthew Treherne's research focuses on Dante and late-medieval religious culture, with a strong emphasis on the liturgical imagination and theological discourse in poetry. He explores how Dante’s work can inform modern debates on the ecological crisis, financialisation, and time. His interdisciplinary approach integrates theology, philosophy, and cultural studies. He leads the project The Cultural Life of Money and Finance , which investigates how the humanities can shape financial futures. His recent publications include Dante’s ‘Commedia’ and the Liturgical Imagination and co-edited volumes on Dante’s theology. His recent scholarly articles and chapters show a consistent engagement with Dante’s theological and poetic structures, Tasso’s religious poetry, and the role of art and liturgy in early modern culture. Themes such as sacramentality, time, vision, and interdisciplinarity recur across his work, reflecting a deep commitment to understanding literature as a living, ethically engaged practice. University Teaching Fellowship Developmental University Teaching Fellowship Faculty of Arts Development Teaching Prize Treherne has supervised numerous PhD students and fosters research-led teaching, notably through projects like Discover Dante and the Leeds Dante Podcast . He has led major research initiatives, including the AHRC-funded Dante and Late Medieval Florence , and collaborates widely across disciplines and institutions. He is also active in public engagement, contributing to BBC Radio 4’s In Our Time and curating podcast series such as Conversations on Dante and Arts and Humanities Futures . He co-leads the Cultural Life of Money and Finance project with Invisible Flock, blending humanities research with creative practice.
Professor Arlene Holmes-Henderson is a Professor of Classics Education and Public Policy at Durham University, holding a British Academy Innovation Fellowship (2022-2024). She teaches on the Latin with Classics PGCE course in the School of Education and leads interdisciplinary research projects on oracy, Classics education, and policy engagement. Education: Studied Classics at Oxford, Harvard, and Cambridge. Qualified as a schoolteacher and taught for over a decade before returning to academia. Affiliations: Visiting Research Fellow at the Institute of Classical Studies (School of Advanced Study) and Affiliated Researcher at the Bennett Institute for Public Policy, University of Cambridge. Research Interests: Focuses on Classics education, oracy development, and the intersection of policy and the humanities. Key projects include Shy Bairns Get Nowt (oracy and employability) and Aristotle Beyond the Academy (reception of rhetoric in non-academic contexts). Co-directs the Advocating Classics Education project and chairs the Classics Development Group. Publications: Over 80 articles and books, including Expanding Classics (Routledge, 2023) and Forward with Classics (Bloomsbury, 2018). Recent work emphasizes policy engagement and levelling-up through oracy education. Awards: MBE (2023) for services to education Elected Member of Academia Europaea (2024) Grants and Roles: Chair of the Latin Expert Panel at the UK Department for Education Advisor to All-Party Parliamentary Groups on Classics, Oracy, and Political Literacy Member of the Universities Policy Engagement Network (Vice Chair) Labs and Collaborations: Directs Durham’s Centre for Classics Education Research and EngagementS (CERES). Collaborates with institutions like the AHRC, Leverhulme Trust, and Novus Education to bridge academia and policy.
Dr Theodor Dunkelgrün is a Senior Postdoctoral Researcher at Trinity College, University of Cambridge , and Academic Co-Ordinator of the Andrew W. Mellon Foundation-funded project Religious Diversity and the Secular University (2017–2022) at CRASSH. He was previously a postdoctoral fellow at St John’s College (2013–2018) and has taught across History, Divinity, and Classics at Cambridge, Bryn Mawr, UPenn, and the University of Antwerp. Education : Christelijk Gymnasium Sorghvliet (The Hague), Leiden University, University of Chicago (PhD, 2012). Visiting graduate work at Princeton (2005–06) and Oxford (2008). Research Focus : Intersections of biblical scholarship, history of the book, and interfaith intellectual exchange (1450–1900), particularly in the Low Countries and Mediterranean World. Examines how Jewish, Christian, and Muslim scholars engaged with the Hebrew Bible through technological shifts (print to photography) and institutional contexts. Publications include edited volumes like The Jewish Bookshop of the World (2020) and Bastards and Believers (2020), alongside articles on topics ranging from the Antwerp Polyglot Bible to Jewish converts in early modern Europe. Collaborations span institutions in Taiwan, Oxford, and Leiden, with ongoing work on global philological practices and the Hebrew Bible’s material history. Professional Engagement : Co-founded the Cambridge Seminar in Early Modern Scholarship and Religion (2017), and actively promotes academic freedom through refugee scholar initiatives. Affiliated with the Cambridge Forum for Jewish Studies, Centre for Material Texts, and international networks like EMoDiR and Ideas in Motion.
Professor Steven J Reid is a leading scholar in Early Modern Scottish History and Culture at the University of Glasgow , where he has held a professorship since at least 2023. His work bridges intellectual, political, and religious history from c.1450 to c.1650, with a focus on James VI and Mary Queen of Scots . A prolific editor and author, he contributes to major academic series and institutions like the Hunterian Art Gallery. Research Interests Intellectual, political, and religious history of Scotland Jacobean Scotland and Renaissance/Reformation dynamics Latin literature and its cultural role Andrew Melville's educational reforms Key Publications The Early Life of James VI (2023) on royal minority Co-edited volume on The Afterlife of Mary Queen of Scots (2024) Studies in Neo-Latin poetry and educational history Contributions to Oxford Handbook of Calvin and Calvinism (2021) Projects & Grants Co-investigator on RSE-funded Mary Queen of Scots memorialization project AHRC support for Bridging the Continental Divide (2012-2015) Leverhulme Trust international network participant Fulbright Scholars Award at Yale Divinity School (2012) Teaching History 1A: Scotland’s Millennium Special Subject: The Reign of James VI (1578-1603) Module: The Life and Afterlife of Mary, Queen of Scots
Rosa Andujar is a Senior Lecturer in Liberal Arts at King's College London, where she is affiliated with both the Department of Liberal Arts and the Department of Classics within the Faculty of Arts & Humanities. She serves as Editor of the American Journal of Philology and holds positions on the editorial boards of Brazilian journals Nuntius Antiquus and PhaoS - Revista de Estudos Clássicos. Dr. Andujar was elected to the Program Committee of the Society for Classical Studies for a three-year term (2022-2025), serving as Vice President for Program and Chair from 2023-2025. Her research focuses on two complementary areas: Ancient Greek tragedy, particularly the tragic chorus and its performance capabilities Global receptions of Greek drama, with special emphasis on Latin America and the Caribbean Dr. Andujar's work examines how engagements with Graeco-Roman antiquity intersect with questions of gender, race, class, and national identity. She has particular expertise in Cuban adaptations of Greek tragedy and Latinx receptions of classical drama, exploring how these cultural encounters create new narratives that challenge traditional understandings of classical reception. Her research has been recognized with prestigious awards including the 2020 London Hellenic Prize for 'The Greek Trilogy of Luis Alfaro' and the 2022 AJP Best Article Prize. She has secured significant research funding from the Loeb Classical Library Foundation, British Academy, A. G. Leventis Foundation, Harvard Center for Hellenic Studies, Andrew W. Mellon Foundation, and Fundación BBVA. Dr. Andujar's current research projects include 'The Cambridge Companion to Classics and Race' (edited volume), 'La Puerta Electra/The Electra Door' (critical bilingual anthology of Cuban rewritings), and 'Tragedy and Revolución' (monograph on Greek drama in Caribbean cultural history), supported by recent fellowships from the Loeb Classical Library Foundation and British Academy. She is actively involved in academic service as Editor of the American Journal of Philology, co-editor of the 'Classics and the Postcolonial' book series for Routledge, and Advisory Board member of 'Hesperides: Classics in the Luso-Hispanic World.' Her external examining work for the University of Birmingham (2018-2023) demonstrates her commitment to academic standards across institutions.
Professor Alberto Rigolio is a scholar of Classics and Ancient History at Durham University, specializing in the Eastern Mediterranean during the Roman and Late Antique periods. He focuses on Syriac literature, Greco-Roman intellectual traditions, and the reception of classical texts in early Christian and Islamic contexts. Rigolio holds a D.Phil. from Oxford University and has held prestigious fellowships at Harvard, Princeton, and All Souls College, Oxford. He serves as Chair of the Board of Examiners at Durham and is a Fellow of the Higher Education Academy. His research explores the transformation of classical dialogue forms in late antiquity, the transmission of Greek texts into Syriac and Arabic, and the cultural intersections between Greco-Roman, Christian, and Islamic traditions. Key works include Christians in Conversation (Oxford UP, 2019), which examines late antique dialogue literature, and a forthcoming book on the emergence of Syriac literature supported by British Academy and Princeton IAS fellowships. Education: BA/Milan, D.Phil./Oxford, Postdoctoral Fellowships at Harvard and Princeton Affiliations: Institute of Medieval and Early Modern Studies, Durham Rigolio's articles analyze Syriac translations of Aristotelian works, Plutarch, and Themistius, revealing how Greco-Roman thought was adapted to meet religious and cultural needs. His projects include studies on Syriac rhetoric, the Roman household in late antique conflicts, and para-biblical narratives. He supervises postdoctoral researchers and PhD students on topics ranging from Syriac literary culture to late antique religious identity. Awards: British Academy Mid-Career Fellowship (2024), All Souls College Visiting Fellowship (2024) Grants: Leverhulme Trust, British Academy, American Philosophical Society He directs research labs examining Syriac intellectual culture and co-ordinates interdisciplinary projects on late antique translation movements. Rigolio is actively involved in public outreach, offering talks on Roman religion, Palmyrene military identity, and the Graeco-Syro-Arabic textual tradition.
Dr. Xin Fan is a Teaching Professor in Modern Chinese History at the University of Cambridge's Faculty of Asian and Middle Eastern Studies (AMES). He also serves as a Fellow and Director of Studies at Lucy Cavendish College and Director of Studies at Robinson College. A global historian, Fan specializes in intellectual history, historiography, and worldviews of twentieth-century China. His research explores the intersections between foreign knowledge, nationalism, and knowledge production in non-Western contexts. He co-edits the SAGE Handbook of Interpreting Chinese History and has authored major works like Global History in China (2024) and World History and National Identity in China (2021). His current projects include studies on emotions and nationalism, as well as the global rise of higher education. Fan has taught at universities in Europe and the U.S., focusing on courses about Chinese cultural and historical contexts. His work bridges global and national perspectives, emphasizing how political consciousness shapes historical narratives. Education & Career: Fan has studied and worked in China, the U.S., Germany, and the UK. While formal academic credentials are not detailed, his career trajectory reflects extensive international scholarly engagement. Research Interests: Fan’s expertise spans intellectual history, nationalism, global historiography, and the sociology of knowledge. He examines how cultural and political conditions influence knowledge production in China, particularly regarding world history, emotional politics, and cross-cultural reception of antiquity. His work challenges Eurocentric frameworks and explores non-Western historiographical traditions. Publications: Fan has authored monographs, co-edited volumes, and published widely in journals such as Global Intellectual History and Contributions to the History of Concepts . His book reviews appear in prominent journals like Journal of Asian Studies and Frontiers of History in China . Teaching & Leadership: Fan teaches undergraduate courses on Chinese history and culture at AMES. He directs studies at two Cambridge colleges, fostering academic mentorship in Asian and Middle Eastern Studies.
Dr. Deirdre Serjeantson is an Undergraduate Tutor and Fellow at Sidney Sussex College, University of Cambridge. Her research focuses on Renaissance literature, translation studies, and the cultural intersections of early modern Ireland and England. Her work explores the interplay between Petrarchism and Protestant theology in sonnet sequences, the history of the book, and the adaptation of classical and biblical motifs in early modern writing. She has published extensively on topics such as Anne Lock's A Meditation of a Penitent Sinner , Richard Verstegan's symbolic use of Babylon, and the influence of Scottish reformation poetry on English verse. Her recent articles analyze the religious and national identities embedded in sixteenth- and seventeenth-century texts, with a particular interest in gender, authorship, and cross-cultural transmission. She can be contacted at tutors@sid.cam.ac.uk or dcs40@cam.ac.uk .
Professor Alberto Rigolio is a leading scholar of Classics and Ancient History at Durham University, specializing in the cultural and intellectual history of the Eastern Mediterranean during the Roman and late antique periods. He holds a D.Phil. from Oxford University and has held prestigious fellowships at Harvard Dumbarton Oaks, Princeton Society of Fellows, and All Souls College Oxford. His research focuses on Syriac literature, Greco-Syro-Arabic translation movements, and religious debates in late antiquity. Rigolio has published extensively, including his award-winning monograph Christians in Conversation (2019), and currently leads projects supported by the British Academy and the Institute for Advanced Study. He supervises PhD students across multiple institutions and mentors postdoctoral researchers like Dr. Karl Heiner Dahm and Dr. Mara Nicosia. His work bridges classical antiquity with early Christian and Islamic intellectual traditions, emphasizing literary and educational exchanges in late antique societies. Educations: D.Phil., University of Oxford (2014) MPhil/BA, University of Milan and Oxford Research Interests: Syriac literary emergence, Greek-Syriac-Arabic translation networks, late antique dialogues, early Christian theology, and the cultural history of the Roman Near East. Rigolio's current projects investigate how Syriac became a major literary language and its role in transmitting Graeco-Roman thought to early medieval cultures. Grants & Awards: British Academy Mid-Career Fellowship (2024) All Souls College Visiting Fellowship (2024) Princeton IAS Membership (2023) Advising & Mentoring: Supervised 9 PhD students, including Cédrik Michel (Lancaster University Lecturer) and Lila Knight (awarded 2024). Mentors postdoctoral scholars in areas like Syriac rhetoric and late antique religious conflict. Labs/Teams: Leads interdisciplinary research groups at Durham and collaborates with institutions like the Institute for Advanced Study, focusing on textual analysis and cultural history.
Dr Rachel Foxley is an Associate Professor in the Department of History at the University of Reading, serving as Director of Postgraduate Studies in History. Her research focuses on early modern British political thought, particularly the English Revolution, Leveller movement, and classical influences on modern politics. She has authored books like The Levellers: Radical Political Thought in the English Revolution (2016) and co-edited Brill's Companion to the Legacy of Greek Political Thought (2024). Her work explores themes such as republicanism, citizenship, and the intersection of classical antiquity with early modern political developments. Her research has addressed figures like John Milton, James Harrington, and John Lilburne, analyzing their contributions to democratic and republican ideals. Notable projects include the Astor100 initiative, celebrating Nancy Astor’s legacy in women’s politics. She frequently publishes in journals such as Classical Receptions Journal and History of Political Thought , contributing to debates on sovereignty, rhetoric in revolutionary pamphlets, and the historical context of Magna Carta. Dr. Foxley’s scholarship bridges intellectual history with political theory, emphasizing how classical models (e.g., Sparta, Rome) shaped English republican thought. Her work highlights the innovative yet rooted nature of 17th-century political ideas, challenging traditional narratives of revolutionary thought.
Dr Ellen Adams is a Reader in Classical Archaeology and Liberal Arts at King’s College London, affiliated with the Departments of Classics and Interdisciplinary Humanities. She holds a PhD from the University of Cambridge (2004) and has conducted archaeological fieldwork across Europe. Her research focuses on Minoan Crete, disability studies in classical contexts, and museum accessibility for sensory-impaired audiences. She co-organizes the ICS Mycenaean Seminars and founded the Museum Access Network for Sensory Impairments (MANSIL) in 2018. Her work bridges archaeology and modern accessibility, emphasizing audio description, touch tours, and British Sign Language in museums. Recent projects include Disability Studies and the Classical Body (Routledge, 2021) and collaborations with institutions like the British Museum and the Courtauld Gallery. She teaches Greek archaeology, museum studies, and interdisciplinary modules in global cultures. Adams has appeared on BBC Radio discussing Minoan civilization and classical reception. Her research projects include Making Sense of Visual Art Through a Visual Language (BSL) and Anosmia in Culture and History . She actively curates public engagement events, such as BSL storytelling in Holyrood Park and creative writing competitions for blind/visually impaired audiences.
Christopher Brooke is a Professor of Modern European Political Thought at the University of Cambridge and Fellow/Director of Studies in Politics at Homerton College. He holds a PhD from Harvard University and has held academic positions at Oxford, Bristol, and Cambridge. His research focuses on early modern political thought, the Enlightenment, Stoicism, and the works of Rousseau. Key areas of interest include the historical interplay between classical philosophy and modern political theory, the sociological foundations of equality, and the intellectual legacy of Enlightenment thinkers. He has authored influential works such as *Philosophic Pride: Stoicism and Political Thought from Lipsius to Rousseau* and contributed to edited volumes on Rousseau's reception and educational philosophy. Education: PhD in Political Thought from Harvard University. Research highlights include explorations of Stoic influences on Grotius and Hobbes, Montesquieu’s aristocratic honor theory, and Malthus’s Rousseauist underpinnings. His work bridges historical scholarship with contemporary debates in political theory. Labs/Teams: Affiliated with the POLIS Department and Homerton College, contributing to interdisciplinary research on political thought and intellectual history. His teaching and supervision cover early modern political philosophy, Enlightenment studies, and methodologies in the history of political thought.
Isobel Hurst is a Lecturer in the Department of English and Creative Writing at Goldsmiths, University of London. Her research specializes in Classical Reception Studies, focusing on the interplay between Greek and Roman literature and 19th-century women's writing. Academic qualifications: D.Phil. (2003), M.Phil. in English Studies (2000), BA in Classics and English (1995) - all from the University of Oxford Her research explores how women writers like Elizabeth Barrett Browning and George Eliot creatively engaged with classical texts to challenge gender norms and societal constraints, particularly through reworkings of Homeric and Virgilian themes. She examines intersections between domesticity and epic traditions, feminist reinterpretations of mythology, and the role of classical education in women's authorship. Recent publications analyze Louise Glück's mythic poetry, Victorian epic traditions, and transatlantic classical dialogues. She supervises PhD students working on topics including Sapphic poetics, prophetic figures in literature, and epic subversions in contemporary forms. Isobel contributes to academic discourse through her involvement with the Decadence Research Centre and Centre for Comparative Literature, bridging classical traditions with modern literary innovations through both teaching and research.
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