Rebecca Herissone is Professor of Musicology at the University of Manchester and a leading scholar in early modern English music. She co-edits the peer-reviewed journal Music & Letters and serves on editorial boards for the Purcell Society, Musica Britannica, and the Complete Works of John Eccles. Her research focuses on seventeenth-century creativity, material culture, and the ontological dimensions of music notation. Key research areas: Early Modern Music, Creativity, Source Study, Notation, Reception Major awards: Diana McVeagh Prize (2015), Westrup Prize (2007) Her recent work includes digital humanities projects on music preservation and critical editions of Purcell's operas. She has pioneered interdisciplinary approaches connecting musicology with drama, art, and literature, and currently leads research on Purcell's posthumous reception in the eighteenth and nineteenth centuries. Her teaching spans music historiography, performance practices, and advanced source analysis.
John Holmes is Professor of Victorian Literature and Culture at the University of Birmingham, affiliated with the Birmingham Institute of Forest Research (BIFoR). His work bridges literary studies and scientific inquiry, focusing on interdisciplinary connections from 1800 to the present through extensive collaborations with institutions like the Royal Society and major natural history museums across Europe. His academic credentials include a D.Phil. in English Literature from Oxford (2001), an M.A. in Renaissance Studies from Queen Mary and Westfield College, London (1997), and a B.A. in English Language and Literature from Oxford (1994). D.Phil. English Literature, University of Oxford, 2001 M.A. Renaissance Studies, Queen Mary and Westfield College, University of London, 1997 B.A. English Language and Literature, University of Oxford, 1994 Professor Holmes specializes in literature-science intersections, particularly Victorian and modern poetry, Pre-Raphaelite studies, and natural history museums. His current research examines arts architecture within museum spaces and mythic literature's dialogue with evolutionary science. He has authored foundational works on Darwinism in poetry and Pre-Raphaelite scientific engagements while directing major collaborative projects with scientific institutions. Recent publications reveal consistent exploration of poetic form within scientific contexts, with growing emphasis on digital humanities applications and environmental education. His 2023-2024 outputs demonstrate expanded interdisciplinary scope, integrating virtual reality tools for forest education and deepening analysis of myth-science intersections in canonical poetic works. His distinguished honors include: AHRC Collaborative Doctoral Award (2011) British Society for Literature and Science Book Prize (2018) Chair of the British Society for Literature and Science (2012) Honorary Associate of Oxford University Museum of Natural History (2016) President of the Commission on Science and Literature (2023) Professor Holmes leads significant research initiatives including the AHRC-funded Interdisciplinary Forest Education project (2024) and the long-term 'Building the Book of Nature' study (2015-2023). As an active PhD supervisor, he mentors students in literature-science intersections while maintaining robust public engagement through museum collaborations, media appearances, and educational outreach programs that translate academic research for broader audiences. He directs BIFoR-affiliated initiatives connecting literary scholarship with forest research, partnering with natural history museums in Oxford, London, Berlin, and Vienna to develop interdisciplinary frameworks examining how literary traditions shape environmental understanding and scientific communication.
Professor Lizelle Bisschoff is a Professor of Film Studies at the University of Glasgow’s School of Culture & Creative Arts. She specializes in African cinema with particular focus on gender representation, digital technologies, and film festival curation. Her research bridges academic scholarship and practical initiatives, such as co-founding the Africa in Motion Film Festival (AiM). She holds a PhD from the University of Stirling and has held prestigious fellowships including the Leverhulme Trust (2010-2012) and Lord Kelvin Adam Smith (2012-2015). Education: PhD in African Cinema (University of Stirling, 2009) MSc in Cultural Studies (University of Edinburgh, 2005) Research Interests: Gender dynamics in African filmmaking Emerging digital film industries across sub-Saharan Africa Postcolonial cinema and modernist aesthetics Her work emphasizes decolonizing film studies through projects like AiM Festival and edited volumes such as Women in African Cinema . Recent research explores African science fiction and feminist archives. She has secured £115k in grants for film restoration and educational outreach programs. Awards: Leverhulme Trust Postdoctoral Fellowship AHRC Follow-on Funding for Impact (£90k) British Federation of Women Graduates Scholarship Teaching: Convenes MSc Film Curation program Teaches Introduction to African Cinemas and Race on Screen Key Projects: Lead curator for Africa’s Lost Classics restoration initiative Organized international symposia on African art and activism
Professor Matthew Treherne is a leading scholar in Italian literature at the University of Leeds, where he holds the position of Professor of Italian Literature in the School of Languages, Cultures and Societies within the Faculty of Arts, Humanities and Cultures. He currently serves as Pro-Dean for Research and Innovation, and co-directs the Leeds Centre for Dante Studies. His research bridges medieval and Renaissance literature with contemporary issues such as finance, ecology, and technology. PhD in Italian Literature, University of Cambridge (2007) Diploma in Management Studies, Judge Business School, University of Cambridge (2000) M.Phil in European Literature (Distinction), University of Cambridge (1999) BA in Modern and Medieval Languages (First-class), University of Cambridge (1997) Matthew Treherne's research focuses on Dante and late-medieval religious culture, with a strong emphasis on the liturgical imagination and theological discourse in poetry. He explores how Dante’s work can inform modern debates on the ecological crisis, financialisation, and time. His interdisciplinary approach integrates theology, philosophy, and cultural studies. He leads the project The Cultural Life of Money and Finance , which investigates how the humanities can shape financial futures. His recent publications include Dante’s ‘Commedia’ and the Liturgical Imagination and co-edited volumes on Dante’s theology. His recent scholarly articles and chapters show a consistent engagement with Dante’s theological and poetic structures, Tasso’s religious poetry, and the role of art and liturgy in early modern culture. Themes such as sacramentality, time, vision, and interdisciplinarity recur across his work, reflecting a deep commitment to understanding literature as a living, ethically engaged practice. University Teaching Fellowship Developmental University Teaching Fellowship Faculty of Arts Development Teaching Prize Treherne has supervised numerous PhD students and fosters research-led teaching, notably through projects like Discover Dante and the Leeds Dante Podcast . He has led major research initiatives, including the AHRC-funded Dante and Late Medieval Florence , and collaborates widely across disciplines and institutions. He is also active in public engagement, contributing to BBC Radio 4’s In Our Time and curating podcast series such as Conversations on Dante and Arts and Humanities Futures . He co-leads the Cultural Life of Money and Finance project with Invisible Flock, blending humanities research with creative practice.
Professor Roel Sterckx is the Joseph Needham Professor of Chinese History, Science, and Civilization at the University of Cambridge, affiliated with Clare College. He specializes in pre-imperial and early imperial Chinese thought, classical Chinese language, and natural history. His research bridges anthropology and the history of science, focusing on topics like ritual, economic thought, and animal studies. He has authored influential books including Food, Sacrifice, and Sagehood in Early China and Animals through Chinese History . Sterckx is a Fellow of the British Academy (since 2013) and holds leadership roles at the Needham Research Institute. He supervises PhD students on subjects ranging from Warring States rhetoric to Han Dynasty apocrypha. Education: BA/PGCE in Sinology and History, Katholieke Universiteit Leuven Masters in Classical Chinese and Philosophy, National Taiwan University PhD in Chinese History, University of Cambridge Research Interests: Early Chinese cultural ecology, ritual economy, and the interplay of moral and material values. His work analyzes texts like the Rites of Zhou , Mozi , and Huainanzi , emphasizing agricultural thought and animal symbolism. Awards: British Academy Fellowship (2013) Grants and Labs: Directs the Cambridge-based Needham Research Institute, focusing on East Asian science and technology history. Current projects include studies on Han perceptions of southern regions and the economics of ritual in early China.
Dr Aaron D. Hornkohl is an Associate Professor in Hebrew and Bye-Fellow at Girton College, University of Cambridge. He serves as Director of Studies in Asian and Middle Eastern Studies at Girton and Homerton Colleges. His academic background includes a BA from Biola University, MA from The Hebrew University of Jerusalem, and PhD (2012) on the linguistic analysis of the Book of Jeremiah. His research focuses on ancient Hebrew philology, linguistic periodization, and exegesis, with a particular interest in the diachronic development of Hebrew and textual criticism of biblical manuscripts. Teaching responsibilities include courses on ancient and modern Hebrew literature, language history, and Middle Eastern culture. He co-organizes initiatives like the Sutton Trust Summer School and leads AHRC-funded research on critical editions of Hebrew texts, including the Kaufmann MS of the Mishna. Recent publications explore Tiberian reading traditions, Masoretic vocalization, and linguistic features in Qumran manuscripts. Research projects include Grammar of Biblical Hebrew Books (2024) and Studies in the Masoretic Tradition (2022). His work bridges linguistic analysis with historical context, addressing questions of language evolution and textual authenticity in Hebrew biblical and rabbinic corpora.
David Friedman is a Researcher affiliated with the Faculty of Classics at the University of Cambridge and serves as Director of Studies in Classics at St Edmund's College. His research focuses on Judaism in the Greco-Roman world, particularly through the lens of ancient historians like Josephus. Fields of Interest: Judaism in the Greco-Roman world, Ancient History, Josephus Studies, Roman Imperialism, Religious Studies, Historiography, Classical Literature, and Cultural Exchange. Email: daf39@cam.ac.uk His recent work includes the 2024 edited volume Looking in, looking out: Jews and non-Jews in mutual contemplation , studies on Dionysius of Halicarnassus and Augustan Rome (2020), and analyses of Josephus's accounts of Jewish origins in Egypt (2017, 2014). No scientific awards or students are mentioned in the provided texts.
Kazuyo Murata is a Senior Lecturer in Islamic Studies at King's College London, based in the Department of Theology & Religious Studies within the Faculty of Arts & Humanities. She specializes in pre-modern Islamic intellectual history with a focus on Sufism, falsafa (Islamic philosophy), and Persianate traditions. Her research bridges theological aesthetics, metaphysics, and comparative philosophy, particularly exploring themes of beauty, love, and human perfection in Sufi thought. Dr. Murata holds a PhD in Islamic Studies (with a joint MPhil in Medieval Studies) from Yale University and a BA (summa cum laude) in Philosophy and Religious Studies from SUNY Stony Brook. She is a Fellow of the Higher Education Academy and a member of the Royal Asiatic Society. Her monograph *Beauty in Sufism: The Teachings of Ruzbihan Baqli* (SUNY Press, 2017) analyzes the role of beauty in the cosmology of the 13th-century Persian mystic Rūzbihān Baqlī. Recent work includes comparative studies of Plotinus and Sufi conceptions of beauty, and analyses of Rūmī's mystical poetry. She teaches undergraduate and graduate courses on Islamic thought, Sufism, and Islamic philosophy. Current research focuses on 'Sufi Recipes for a Life Lived Well,' a Leverhulme-funded project (2025–2026) exploring ethical and spiritual frameworks in classical Sufi literature. She has delivered invited lectures on topics such as Sufi conceptions of beauty and well-being in contemporary contexts.
Dr. Anna A. Berman serves as Associate Professor of Nineteenth-Century Russian Literature and Culture within the Slavonic Studies section of the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge, where she is also a Fellow of Clare College. Previously, she held an Associate Professorship at McGill University's Department of Languages, Literatures, and Cultures in Montreal, Canada. Her academic credentials include: B.A. from Brown University M.Phil. from the University of Cambridge Ph.D. from Princeton University Dr. Berman's research centers on nineteenth-century Russian and English novels, with specialized focus on family structures, kinship dynamics, love, and marriage. She extensively examines the intersection of scientific thought (particularly Darwinism and Mechnikov's phagocyte theory) with literary production, alongside operatic adaptations of Russian classics. Her current scholarly mission prioritizes recovering the legacy of marginalized nineteenth-century Russian women novelists, especially Nadezhda Khvoshchinskaya and Evgenia Tur. Her publication trajectory reveals sustained investigation into familial relationships within nineteenth-century literature, with sibling dynamics constituting a dominant theme across both Russian and English novels. She has pioneered critical analysis of science-literature dialogues in Russian contexts while recently shifting toward feminist recovery projects that challenge canonical exclusions in Russian literary history. Dr. Berman actively supervises postgraduate research, welcoming MPhil and PhD candidates pursuing topics aligned with her expertise in nineteenth-century Russian literature, comparative family narratives, and science-literature intersections. Within Cambridge's academic ecosystem, she contributes to the Slavonic Studies research community and participates in the Cambridge Centre for Central and East European Studies (CamCCEEES), advancing collaborative scholarship on Eastern European cultural production.
Professor D Graham J Shipley is the Professor of Ancient History at the University of Leicester's School of Archaeology and Ancient History since 2002. His research focuses on Hellenistic and Classical antiquity, particularly on political landscapes, environmental studies, and urban planning. He holds a D.Litt. from the University of Oxford (2020) and is a Senior Fellow of the Higher Education Academy (2014). Education: Graduated in Classics from Oxford University. Academic roles include serving on the Oxford Classical Texts Committee and the UK Education Honours Committee. Previously chaired the Council of University Classical Departments and convened the Dorothy Buchan Memorial lectures. Research interests emphasize ancient geography, socio-political structures, and environmental interactions. His work spans studies of Sparta, Greek urban planning, and the cultural impact of Hellenistic expansion. Recent publications examine Pseudo-Skylax's geographical texts and post-Alexandrian political dynamics. Scientific Awards: Senior Fellow of the Higher Education Academy (2014) D.Litt. (Doctor of Letters) from University of Oxford (2020) Advising and Grants: No specific advisees listed, but supervises research in ancient history and archaeology. Active in collaborative projects such as the Laconia Survey. Grants have supported archaeological fieldwork and publication initiatives. Labs/Teams: Collaborates with the Oxford Classical Texts Committee and has led interdisciplinary teams in regional archaeological surveys.
Professor Steven J Reid is a leading scholar in Early Modern Scottish History and Culture at the University of Glasgow , where he has held a professorship since at least 2023. His work bridges intellectual, political, and religious history from c.1450 to c.1650, with a focus on James VI and Mary Queen of Scots . A prolific editor and author, he contributes to major academic series and institutions like the Hunterian Art Gallery. Research Interests Intellectual, political, and religious history of Scotland Jacobean Scotland and Renaissance/Reformation dynamics Latin literature and its cultural role Andrew Melville's educational reforms Key Publications The Early Life of James VI (2023) on royal minority Co-edited volume on The Afterlife of Mary Queen of Scots (2024) Studies in Neo-Latin poetry and educational history Contributions to Oxford Handbook of Calvin and Calvinism (2021) Projects & Grants Co-investigator on RSE-funded Mary Queen of Scots memorialization project AHRC support for Bridging the Continental Divide (2012-2015) Leverhulme Trust international network participant Fulbright Scholars Award at Yale Divinity School (2012) Teaching History 1A: Scotland’s Millennium Special Subject: The Reign of James VI (1578-1603) Module: The Life and Afterlife of Mary, Queen of Scots
Rosa Andujar is a Senior Lecturer in Liberal Arts at King's College London, where she is affiliated with both the Department of Liberal Arts and the Department of Classics within the Faculty of Arts & Humanities. She serves as Editor of the American Journal of Philology and holds positions on the editorial boards of Brazilian journals Nuntius Antiquus and PhaoS - Revista de Estudos Clássicos. Dr. Andujar was elected to the Program Committee of the Society for Classical Studies for a three-year term (2022-2025), serving as Vice President for Program and Chair from 2023-2025. Her research focuses on two complementary areas: Ancient Greek tragedy, particularly the tragic chorus and its performance capabilities Global receptions of Greek drama, with special emphasis on Latin America and the Caribbean Dr. Andujar's work examines how engagements with Graeco-Roman antiquity intersect with questions of gender, race, class, and national identity. She has particular expertise in Cuban adaptations of Greek tragedy and Latinx receptions of classical drama, exploring how these cultural encounters create new narratives that challenge traditional understandings of classical reception. Her research has been recognized with prestigious awards including the 2020 London Hellenic Prize for 'The Greek Trilogy of Luis Alfaro' and the 2022 AJP Best Article Prize. She has secured significant research funding from the Loeb Classical Library Foundation, British Academy, A. G. Leventis Foundation, Harvard Center for Hellenic Studies, Andrew W. Mellon Foundation, and Fundación BBVA. Dr. Andujar's current research projects include 'The Cambridge Companion to Classics and Race' (edited volume), 'La Puerta Electra/The Electra Door' (critical bilingual anthology of Cuban rewritings), and 'Tragedy and Revolución' (monograph on Greek drama in Caribbean cultural history), supported by recent fellowships from the Loeb Classical Library Foundation and British Academy. She is actively involved in academic service as Editor of the American Journal of Philology, co-editor of the 'Classics and the Postcolonial' book series for Routledge, and Advisory Board member of 'Hesperides: Classics in the Luso-Hispanic World.' Her external examining work for the University of Birmingham (2018-2023) demonstrates her commitment to academic standards across institutions.
Professor Helena Sanson is a Full Professor of Italian, History of Linguistics, and Women's Studies at the University of Cambridge , where she is also a Fellow of Clare College and serves as Postgraduate Teaching and Examining Officer for the Italian Section. She joined Cambridge in 2005 after teaching at University College London (1998-2003) following her British Academy Postdoctoral Fellowship. PhD from University of Reading (2002) Her interdisciplinary research focuses on the intersection of Italian linguistic history , literary culture , and gender studies from the Renaissance to post-Unification period. Particular emphasis includes women's contributions to linguistic thought , conduct literature analysis , and female roles in translation networks . Her work examines how women navigated language standardization, educational access, and literary production across social strata. Recent projects include Leverhulme-funded research on women's linguistic experiences in 18th-19th century Italy and co-edited volumes on transnational travelers' accounts and early modern female education . She founded the Women and Gender in Italy (1500-1900) book series and the journal Women Language Literature in Italy . Scientific awards include: British Academy Postdoctoral Fellowship Leverhulme Research Fellowship Philip Leverhulme Prize CRASSH Early Career Fellowship Isaac Newton Trust grant Senior Visiting Fellowship at University of Bologna She supervises graduate research in topics spanning women's writing , linguistic thought , translation history , and cultural marginalization in 16th-20th century Italy. Her work bridges philology, literary criticism, and social history through rigorous textual analysis.
Bruno Currie is a Professor of Greek Literature at the University of Oxford and holds the position of Monro Fellow and Tutor in Classics at Oriel College. He specializes in early Greek poetry, particularly Homer, Hesiod, and Pindar, with a focus on interactions between ancient Near Eastern mythology and early Greek literature. His research also explores ancient Greek religion and its relationship with poetry, emphasizing intertextuality in epic and lyric traditions. Currie's academic background includes qualifications of MA and DPhil from Oxford. His recent publications analyze topics such as Homeric epic, textual interpretations of ancient works, and religious themes in classical texts. He is currently working on a book titled *Hesiod and Myth*. His work bridges literary analysis with historical context, contributing to understanding the cultural and mythological foundations of ancient Greek literature. He has collaborated on edited volumes like *Epic Interactions: Perspectives on Homer, Virgil, and the Epic Tradition* and authored influential books such as *Pindar and the Cult of Heroes* (2005) and *Homer’s Allusive Art* (2016). His research highlights interdisciplinary approaches to classical studies, blending philology, religion, and literary theory.
Professor Alberto Rigolio is a scholar of Classics and Ancient History at Durham University, specializing in the Eastern Mediterranean during the Roman and Late Antique periods. He focuses on Syriac literature, Greco-Roman intellectual traditions, and the reception of classical texts in early Christian and Islamic contexts. Rigolio holds a D.Phil. from Oxford University and has held prestigious fellowships at Harvard, Princeton, and All Souls College, Oxford. He serves as Chair of the Board of Examiners at Durham and is a Fellow of the Higher Education Academy. His research explores the transformation of classical dialogue forms in late antiquity, the transmission of Greek texts into Syriac and Arabic, and the cultural intersections between Greco-Roman, Christian, and Islamic traditions. Key works include Christians in Conversation (Oxford UP, 2019), which examines late antique dialogue literature, and a forthcoming book on the emergence of Syriac literature supported by British Academy and Princeton IAS fellowships. Education: BA/Milan, D.Phil./Oxford, Postdoctoral Fellowships at Harvard and Princeton Affiliations: Institute of Medieval and Early Modern Studies, Durham Rigolio's articles analyze Syriac translations of Aristotelian works, Plutarch, and Themistius, revealing how Greco-Roman thought was adapted to meet religious and cultural needs. His projects include studies on Syriac rhetoric, the Roman household in late antique conflicts, and para-biblical narratives. He supervises postdoctoral researchers and PhD students on topics ranging from Syriac literary culture to late antique religious identity. Awards: British Academy Mid-Career Fellowship (2024), All Souls College Visiting Fellowship (2024) Grants: Leverhulme Trust, British Academy, American Philosophical Society He directs research labs examining Syriac intellectual culture and co-ordinates interdisciplinary projects on late antique translation movements. Rigolio is actively involved in public outreach, offering talks on Roman religion, Palmyrene military identity, and the Graeco-Syro-Arabic textual tradition.
