Find Academic Supervisors

Federica RossiView profile

Researcher

• Russian art and architecture in relation to western Europe
• The classical tradition in Russia
• Architectonic and urban transformations in Moscow
• +6 more

Federica Rossi is an Associate Scholar at the Kunsthistorisches Institut in Florenz, Max Planck Institute, where she has been conducting research since 2015. She serves as an academic collaborator in Professor Gerhard Wolf's department and also holds a position as an SNSF (Swiss National Science Foundation) academic collaborator at the Archivio del Moderno in Lugano. Her institutional affiliations reflect her transnational academic trajectory spanning Italian, Swiss, and Russian cultural institutions. Dr. Rossi's research focuses on Russian art and architecture in relation to Western Europe from the 15th to 20th centuries, with particular attention to the classical tradition in Russia, architectural transformations in Moscow, Palladianism, and the work of Giovanni Battista Piranesi. Her scholarly interests extend to multilingual lexica of cultural heritage, Russian travel literature, linguistic analysis of translated art treatises, and comparative approaches to cultural heritage preservation between Europe and the Russian Federation. Her recent research projects include 'The future is our only goal': Soviet Imaginaire and the Past, which examines the complex relationship between heritage destruction and conservation in post-revolutionary Russia, and 'Il Rinascimento importato. Firenze e la nuova architettura russa (XV–XVI)', which investigates Florence's role in the translatio imperii from Constantinople to Moscow and the reception of Italian Renaissance architecture in Russia. Among her notable achievements are the 'Pinax d'Argento' national research prize and the 'James Ackerman' international prize for history of architecture (both 2008), a Medal 'For contribution' from the Russian Ministry of Culture (2016), and recognition from the Society for the Study of the Russian Villa (2017). She received nominations for Exhibition of the Year 2016 and Book of the Year 2017 for her work on the Piranesi exhibition and catalogue. Dr. Rossi has managed significant research and exhibition projects, including the historical analysis of Moscow's Volchonka quarter and the conception of the 'Piranesi before and after' exhibition at the Pushkin State Museum. She has organized numerous international conferences addressing topics ranging from industrial heritage conservation to the architectural reconstruction of Moscow after the 1812 fire. Her academic work bridges art history, architectural studies, cultural transfer, and linguistic analysis, contributing to a deeper understanding of the complex artistic and architectural exchanges between Russia and Western Europe across centuries.

• Rhetorical Theory and Criticism
• Critical Security Studies
• Terrorism and Weapons of Mass Destruction
• +4 more

Kevin J. Macy-Ayotte is a Professor in the Department of Communication within the College of Arts and Humanities at California State University, Fresno. His academic career spans over two decades of teaching and research at the intersection of rhetorical theory and security policy discourse, with particular expertise in terrorism rhetoric and critical security studies. His educational background includes: Ph.D. in Communication from the University of Pittsburgh (2003) M.A. in Communication from the University of Pittsburgh (1998) B.A. in English from DePaul University (1996) Dr. Ayotte's research critically examines how public discourse shapes security policies, employing postmodern and post-structural frameworks to analyze terrorism narratives, weapons of mass destruction rhetoric, and U.S. foreign policy arguments. His scholarship reveals consistent engagement with epistemic violence, neocolonialism in security discourse, and philosophical dimensions of risk communication. Key contributions include deconstructing the rhetoric surrounding Afghan women's security and analyzing mourning practices in post-9/11 contexts through Derridean philosophy. His publication trajectory demonstrates evolving sophistication in connecting rhetorical theory with security studies, moving from classical rhetorical analysis to complex interdisciplinary frameworks that integrate postcolonial theory, critical security studies, and risk communication. Recent work increasingly focuses on the epistemological foundations of terrorism discourse and community-based dialogue approaches to security threats.

• Music
• Jazz Studies
• Drum Performance
• +3 more

Reggie Jackson is an Adjunct Professor in the Department of Music at Capital University's Conservatory Complex. A Columbus, Ohio native with a B.M. in Jazz Studies from The Ohio State University (1998), he specializes in drumset lessons and directs the Faculty Jazz Ensemble 'Spectrum'. As a globally recognized drummer, Jackson has performed across over 25 countries and collaborated with Grammy winners like Diane Schuur, Dr. John, and Kim Pensyl. His career spans diverse genres including jazz, hip-hop, gospel, classical, and R&B, with appearances on 'The Tonight Show' and work with artists such as Terence Blanchard, Kirk Whalum, and Arturo Sandoval. Currently serving as Artistic and Musical Director for the Harmony Project, Jackson combines pedagogy with active performance, bridging academic instruction and professional music industry experience.

Hannes LeharView profile

Researcher

• Roman Hypocaust Heating Systems
• Experimental Archaeology
• Roman Provincial Archaeology
• +4 more

Mag. Dr. Hannes Lehar is a freelance Researcher at the Institute of Archaeology, University of Innsbruck, specializing in classical and provincial Roman archaeology. With a unique interdisciplinary background spanning international trade, heating technology management, and classical archaeology, he holds a doctorate in philosophy (Dr. phil.) for his groundbreaking work on Roman hypocaust systems. Research Focus: Ancient heating systems, Roman construction technology, experimental archaeology Key Projects: DAI Rome climate control studies, Xanten Archaeological Park renovations, Swiss medieval heating analysis His research bridges archaeology with engineering, examining Roman interactions with nature, resource consumption (mining, forestry), and daily life practices like nutrition and sanitation. He has conducted over a dozen experimental projects on heating systems, latrine flushing, and sacrificial meat preparation. Though not holding a formal academic rank like professor, his 15+ years of fieldwork and publications in Germania , Forum Archaeologiae , and Experimentelle Archäologie in Europa have made significant contributions to Roman technological studies. His current work includes advising on the 2023/24 Xanten thermal bath renovations using ancient concrete models. 2005–2011: Academic path from diploma to doctorate at Innsbruck 2011–Present: 10+ experimental projects with fire departments and research institutes 2016–2021: DFG-funded elastic concrete studies (discontinued without success)

James M. BurginView profile

Researcher

• Hittitology
• History of the Hittites
• Economic and Administrative History
• +6 more

Dr. James M. Burgin is a researcher at the University of Würzburg, where he serves as Head of the DFG Emmy Noether Junior Research Group 'The Hittite Annals: Origins, Purpose, and Afterlife' since 2021. He is affiliated with the Chair of Ancient Near Eastern Studies within the Institute of Classical Studies in the Faculty of Philosophy. Previously, he worked as a Research Assistant (leader) from 2017-2021 on the philological processing and analysis of the Hittite palace administration corpus. Born on October 9, 1984, Burgin earned his BA in South Asian Language and Civilization with a focus on Sanskrit from the University of Chicago (2002-2006), followed by an MA in Ancient Near Eastern Studies with a focus on Hittite studies (2008-2010). He completed his doctorate at the University of Chicago in 2016 with a dissertation titled 'Aspects of Religious Administration in the Hittite Late New Kingdom.' Burgin's research spans multiple dimensions of Hittite and Ancient Near Eastern studies, with particular expertise in Hittitology, the history of the Hittites, economic and administrative history, and Hieroglyphic Luwian. His work demonstrates a sophisticated understanding of the interplay between linguistic, historical, and archaeological evidence. He has made significant contributions to understanding Hittite festival texts, economic administration, textile production, and linguistic phenomena such as the 'Initial-A-Final' in Hieroglyphic Luwian. His research often bridges disciplines, connecting linguistic analysis with historical context and material culture. His recent publications reveal a trajectory of increasingly sophisticated analysis of Hittite textual corpora, with a growing emphasis on interdisciplinary approaches that incorporate linguistic, historical, and archaeological perspectives. Burgin's work on the Hittite palace-temple administrative corpus has challenged conventional understandings of royal administration, while his linguistic studies have illuminated previously obscure aspects of Anatolian languages. Röntgen Prize of the University of Würzburg (2022) Burgin has been involved in significant research projects including the Corpus of Hittite Festival Rituals (2016-17) and the DFG-funded project on the Hittite palace administration corpus (2017-21). As leader of his Emmy Noether Research Group, he directs a major investigation into the Hittite Annals, examining their origins, purpose, and historical legacy. His work has been supported by prestigious funding mechanisms including the DFG Emmy Noether Program, which targets exceptional early-career researchers. As head of his research group, Burgin leads a team investigating the complex textual tradition of the Hittite Annals, which document the military campaigns and political activities of Hittite kings. His research environment combines philological expertise with interdisciplinary approaches to understanding Bronze Age Anatolian civilization.

Hubert Gabriel ŻmudzkiView profile

Lecturer

• Music Composition
• Spectral Music
• Microtonal Music
• +3 more

Hubert Gabriel Żmudzki is a Polish composer and pianist affiliated with the Stanisław Moniuszko Academy of Music in Gdańsk (Doctoral School participant since 2023) and the Karol Szymanowski Academy of Music in Katowice , where he teaches harmony, counterpoint, and contemporary score reading. His academic journey includes diplomas in Composition (2021) and Music Theory (2023) with distinction. Born: 15 June 1997 in Więcbork Doctoral Studies: Supervised by Prof. Krzysztof Olczak Research Interests focus on microtonal/spectral music , interdisciplinary connections between astronomy, surrealism, and philosophy , and extended instrumental techniques . His compositions explore: Surreal painting-inspired textures Astronomical phenomena as creative stimuli Spectral harmony with dense polyphony Scientific Awards include: 1st Prize, Tadeusz Baird Competition (2022) 3rd Prize, Henryk Mikołaj Górecki Competition (2020) Winner, NeoVoyager Mentoring Program (2023-2024)

• Quantum Information
• Quantum Entanglement
• Quantum Decoherence
• +3 more

Dr. Arif Ullah is a Research Fellow in the Department of Quantum Science & Technology at the Australian National University, specializing in quantum information and atomic physics. His research primarily focuses on quantum entanglement, decoherence phenomena, and quantum dynamics in various noise environments. His research interests span quantum information theory, quantum entanglement dynamics, and quantum optics. Dr. Ullah has made significant contributions to understanding how quantum systems behave under different noise conditions, particularly examining multipartite entanglement, coherence preservation, and quantum correlations in classical environments. His work bridges theoretical quantum physics with potential applications in quantum computing and quantum information processing. Analysis of his publication record from 2009-2022 reveals a strong focus on quantum information processing, with particular emphasis on how noise affects quantum systems. His research trajectory shows progression from fundamental quantum phenomena to practical applications in quantum technologies, with increasing complexity in examining multipartite systems and different noise models. The publications demonstrate expertise in both theoretical modeling and experimental implications of quantum phenomena. Dr. Ullah has collaborated extensively with researchers across multiple institutions, particularly within Australia and internationally. His work appears in reputable journals including Quantum Information Processing, Journal of Physics A, and Laser Physics, reflecting the interdisciplinary nature of his research spanning physics, quantum information, and materials science. His research is conducted within the Atom Laser Group at ANU, which investigates quantum phenomena using atomic systems. The group's work encompasses both theoretical modeling and experimental implementations of quantum systems, with applications in quantum computing, quantum metrology, and fundamental tests of quantum mechanics.

• Theology
• Sacred Music
• Aesthetics
• +3 more

Jacek Bramorski is a Professor at the Department of Church Music within the Faculty of Choral Conducting, Church Music, Artistic Education, Rhythmics and Jazz at the Stanisław Moniuszko Academy of Music in Gdańsk. He is also a priest of the Archdiocese of Gdańsk, serving as pastor of the Sacred Heart of Jesus Parish in Gdynia since 2014. Doctorate and postdoctoral degrees in Theology from the Pontifical University "Angelicum" in Rome Head of the Department of Church Music since 2012 Member of the Senate Committee for Artistic Activity and the Appeal Evaluation Committee at the Academy Organizer of the annual National Scholarly Conferences in the "Musica Sacra" series since 2012 Bramorski's research spans theology, sacred music, aesthetics, and religious studies , focusing on the theological and moral dimensions of music, the role of sacred art in cultural preservation, and the intersection of spirituality with artistic expression. His work often integrates theological inquiry with historical and cultural analyses of music. His 15 most recent publications reflect expertise in sacred musicology, theological aesthetics, and the ethical dimensions of art , with a particular emphasis on photogrammetry for heritage conservation, Ratzinger/Benedict XVI's theological frameworks, and the role of improvisation in ecclesiastical music. Scientific Awards : Medal of the Commission of National Education (2014) "Silver Pipe" award from the Polish Episcopal Conference (2016) Bramorski has led significant restoration projects, such as revitalizing the Sacral Complex in Gdynia, and contributed to international scholarly dialogues through editorial and conference leadership roles. His monograph "A New Song for a New Man" (2012) remains a foundational text in his field.

• Violin Pedagogy
• Performance Practice
• Music Education
• +3 more

Cvetozar Vutev is a violin tutor with a focus on pedagogical methodologies and performance practice. His research intersects music education, violin technique, and interdisciplinary applications of music in psychology and theatre. Violin Playing Position (2014) Gradualness and Visibility Applications in Building Primary Violin Playing Position (2016) Research Trends : His publications emphasize anatomical adaptation in violin playing creative pedagogy for children historical performance practices repertoire analysis (Baroque to 20th Century) He also explores sound's role in theatre and educational psychology. Additional Contributions : Comparative studies in violin sonatas analysis of Bulgarian trumpet pedagogy digitization challenges in music academia

Guillaume WEICKView profile

Associate Professor

• Condensed matter theory
• Mesoscopic quantum physics
• Strong light-matter coupling
• +5 more

Guillaume WEICK serves as an Associate Professor at the University of Strasbourg within the Physics and Engineering Department, conducting research at the Institut de Physique et Chimie des Matériaux de Strasbourg (IPCMS). His academic journey began with a PhD in Condensed Matter Theory from Universität Augsburg and Louis Pasteur University (2003-2006), followed by postdoctoral positions at Freie Universität Berlin (2006-2009) and CNRS-IPCMS (2009-2012) before joining the faculty in 2012. Dr. WEICK's research program centers on theoretical investigations of quantum phenomena at the nanoscale. His work spans several interconnected domains: Mesoscopic quantum systems and transport phenomena Topological aspects of light-matter interactions Collective excitations in nanostructured materials Orbital magnetism in confined quantum systems Quantum effects in artificial materials mimicking graphene properties His theoretical approach combines quantum mechanics, electromagnetism, and statistical physics to model complex behaviors in engineered nanostructures. Analysis of his recent publications (2018-2025) reveals a strong focus on topological aspects of polaritonic and plasmonic systems, quantum transport in disordered environments, and magnetic properties of nanoscale objects. His work demonstrates increasing sophistication in handling complex light-matter interactions, particularly in systems exhibiting topological protection and edge states. The research shows clear progression from fundamental plasmonic phenomena toward more complex topological and many-body quantum effects. As an educator, Dr. WEICK teaches across the physics curriculum from undergraduate to master's level, covering foundational topics like electrostatics and fluid mechanics alongside advanced subjects including quantum mechanics, nonlinear physics, and statistical physics. His teaching portfolio reflects deep expertise in both classical and quantum theoretical physics. He actively participates in the GDR 2426 Mesoscopic Quantum Physics research network and contributes to the Interdisciplinary Thematic Institute QMat focused on quantum science and nanomaterials. His laboratory work is primarily theoretical, developing models to explain and predict quantum phenomena in nanoscale systems without experimental apparatus requirements.

Will JefferyView profile

Lecturer

• Film Music
• Special and Visual Effects
• Hollywood Cinema
• +3 more

Will Jeffery is a Sessional Academic in the Discipline of Film Studies at the University of Sydney, having completed his PhD from the same institution in 2023. His academic career focuses on film scholarship and criticism, with regular contributions to The Conversation since joining in October 2023. Jeffery's research primarily centers on film music, with additional interests spanning the evolution of special and visual effects, Hollywood and European cinema traditions, and the works of directors Ingmar Bergman and Steven Spielberg. His scholarly approach combines historical analysis with contemporary film criticism, examining how cinematic techniques have evolved while maintaining their emotional and narrative impact. He demonstrates particular expertise in analyzing the relationship between music and visual storytelling in film. His recent publications reveal a strong focus on film history and landmark cinematic achievements. Jeffery examines both classic and contemporary works through the lens of their cultural significance, production challenges, and lasting impact on the film industry. His writing shows particular interest in how technical limitations influence creative decisions, as seen in his analysis of Jaws' mechanical shark and Fantasia's animation techniques. As a scholar, Jeffery bridges academic film studies with accessible public discourse, making complex cinematic concepts understandable to general audiences while maintaining scholarly rigor. His work demonstrates how film history continues to inform contemporary filmmaking practices and audience experiences.

• Egyptian Religion
• Cultural History of Ptolemaic Egypt
• Cultural History of Roman Egypt
• +5 more

Prof. Dr. Martina Minas-Nerpel is Professor of Egyptology at the University of Trier since March 2018, where she leads research on Egyptian religion, cultural history of Ptolemaic and Roman Egypt, ruler ideology, and hieroglyphic temple texts. Her work bridges philological analysis with archaeological context, focusing particularly on intercultural dynamics during periods of political transition. Her educational background includes a Magister Artium in Egyptology and Classical Archaeology from University of Trier (1991), Master of Philosophy in Egyptology from University of Oxford (1993), and PhD from University of Trier (1998). She completed her habilitation at Trier in 2004, establishing her expertise in Ptolemaic royal ideology. Minas-Nerpel's research interests center on the complex interplay between Egyptian and Hellenistic/Roman cultural elements, particularly examining how Ptolemaic queens navigated dual identities, how temple architecture reflected political realities, and how religious practices evolved under foreign rule. Her work reveals how Egyptian institutions maintained continuity while adapting to new political frameworks. Analysis of her recent publications (2017-2025) shows consistent focus on Ptolemaic queenship, temple architecture under Roman rule, and cultural syncretism. Her work increasingly examines gender dimensions of power, religious innovation during political crises, and the material expression of ideological concepts through temple decoration and ritual practices. Dissertationspreis der Universität Trier (1999) Feodor Lynen-Forschungsstipendiatin der Alexander von Humboldt-Stiftung (2002) Getty Research Scholar at Getty Museum, Los Angeles (2016-2017) Gerda Henkel-Stiftung research grants (2005-2006, 2008-2009) Minas-Nerpel directs two major international projects: the Belgian-German Epigraphic Mission to Karnak (since 2018), documenting Ptolemaic restoration work at Karnak Temple, and the Shanhur Temple Project (since 2010), analyzing the Roman-period Temple of Isis at Shanhur. These projects involve substantial collaborations with European institutions and receive funding from the FNRS-UNamur, CFEETK, Gerda Henkel Foundation, and EPSRC (UK). Her leadership in these projects has resulted in significant publications, including multi-volume studies of temple inscriptions and decorative programs that provide comprehensive analyses of religious and political expression in ancient Egyptian temples during periods of foreign rule.

Sebastian SternalView profile

Professor

• Jazz Piano
• Composition
• Jazz Theory
• +2 more

Sebastian Sternal (*1983) is a Professor of Jazz Piano at Hochschule für Musik Mainz where he heads the Department of Jazz and Popular Music, and also teaches jazz piano, composition and theory at Hochschule für Musik Köln. He has established himself as a leading figure in the European jazz scene through his innovative work as a performer, composer and educator. Sternal's artistic focus encompasses jazz piano performance, composition across various ensemble formats from duo to symphonic jazz, and the integration of classical and jazz traditions. His work demonstrates sophisticated harmonic language, innovative arrangements, and a distinctive European approach to jazz that respects tradition while pushing boundaries forward. His research interests effectively translate to practical musical innovation in contemporary jazz performance and composition. Sternal's discography reveals a progression from intimate trio work to ambitious symphonic jazz projects, demonstrating consistent artistic development and increasing compositional complexity. His work bridges European classical traditions with American jazz heritage, creating a distinctive voice in contemporary music. ECHO Jazz Award 2018 ECHO Jazz Award 2016 ECHO Jazz Award 2013 German Record Critics' Award 2015 Neuer Deutscher Jazzpreis 2014 Concours piano jazz Martial Solal 2012 (Paris) WDR Jazz Prize 2007 (Cologne) Sternal has mentored numerous young musicians through his teaching positions and workshops with the national youth jazz orchestra 'BuJazzO' and the Peter Herbolzheimer European Big Band Academy. His 'Jazz Campus Mainz' excellence project, founded in 2021 with support from the Gutenberg Research College, represents a significant institutional contribution to jazz education. He has collaborated with jazz greats including Dee Dee Bridgewater, David Binney, John Riley, Larry Grenadier, and Jonas Burgwinkel. Sternal leads multiple ensembles including Sternal Grenadier Burgwinkel trio, Sternal Symphonic Society, and various duo projects. His work with the hr Bigband represents his most recent large-scale orchestral endeavor, continuing his exploration of the boundaries between jazz and classical music traditions.

Riccardo VillicichView profile

Associate Professor

• Roman Architecture
• Late Antique Archaeology
• Urban Planning
• +6 more

Riccardo Villicich is an Associate Professor at the University of Parma, Department of Humanities, Social Sciences and Cultural Enterprises. He earned degrees from the University of Bologna in Ancient History, Archaeology, and Classical Studies. His career includes research fellowships and adjunct professorships at Bologna, followed by leadership roles in major excavation projects. Director, University of Parma Archaeological Mission in Fiumana (2022–present) Scientific Director, Theodoric's Palace Excavations (Galeata, FC) His research focuses on Greek/Roman architecture, late antique palatial structures, and archaeological methodology. Key contributions include the excavation of the Phoinike theater in Albania, Theodoric's villa in Italy, and the Fiumana palatium. Recent work emphasizes Roman urbanism in the Cisalpine region and innovative excavation techniques. Recent publications address late antique architecture (2025 monograph), 5th-century imperial court buildings (2024 studies), and Hellenistic theater construction methods (2018–2024). Collaborative works with Alessia Morigi and others document technological integration in excavation processes. Professor Villicich teaches courses in archaeological documentation, research methodology, and field techniques at the University of Parma. Office hours available Tuesday–Thursday, 9:00–12:30.

• Computational Chemistry
• Organic Chemistry
• Quantum Chemistry
• +4 more

Daniele Padula serves as an Associate Professor in the Department of Biotechnology, Chemistry and Pharmacy at the University of Siena, where he teaches Applied Computational Chemistry, Organic Chemistry, and Heterocyclic Organic Chemistry for Chemistry, Biotechnology, and Pharmacy degree programs. His institutional contact details include office location (II lotto, III floor, room B_03_86) and direct communication channels through university email and phone systems. Padula's research integrates computational and organic chemistry methodologies to investigate fundamental properties of organic electronic materials. His primary focus areas include quantum-mechanical modeling of charge transport mechanisms, design of chiral photoluminescent systems with inverted singlet-triplet gaps, development of accurate force fields for molecular simulations, and computational exploration of photoswitches and organic semiconductors. This interdisciplinary work bridges theoretical chemistry with practical applications in optoelectronics and materials science. Analysis of his 15 most recent publications (2024-2025) reveals three dominant research thrusts: (1) Advanced computational protocols for quantum-mechanically derived force fields (evident in JOYCE3.0 development), (2) Fundamental studies of chiral phenomena in organic materials for circularly polarized luminescence applications, and (3) Multiscale modeling of charge and exciton transport mechanisms in organic semiconductors. His work increasingly incorporates machine learning techniques to accelerate materials discovery while maintaining quantum chemical accuracy. Scientific awards: No awards or fellowships were documented in the provided materials. Advising and grant activities: The available documentation does not specify doctoral students, postdoctoral researchers, or externally funded research projects. His teaching portfolio indicates supervision of graduate and undergraduate theses within his computational chemistry courses. Research infrastructure: While specific laboratory facilities aren't detailed, his publication record suggests active participation in computational research groups with access to high-performance computing resources, likely through the University of Siena's computational chemistry infrastructure and potential collaborations with experimental groups for validation studies.