Winnie Wong is a Professor of Rhetoric at the University of California, Berkeley. Her research focuses on art history, particularly exploring themes of fakes, forgeries, and authorship through interdisciplinary approaches. She examines the global artistic networks of Hong Kong, Guangzhou, and Shenzhen, challenging Western narratives of Chinese artistic practices. Wong holds a PhD from MIT's History, Theory + Criticism program and was a Harvard Society of Fellows Junior Fellow. Her major works include Van Gogh on Demand: China and the Readymade (2014, Joseph Levenson Prize winner), Learning from Shenzhen (2017), and a forthcoming book on Canton trade portraitists. She teaches courses like Theory of the Copy and Rhetoric of the Image , mentoring undergraduates through the Undergraduate Research Apprentices program and advising PhD students in art history and visual studies. Wong's research has been supported by grants from Mellon Foundation, ACLS, SSRC, and others. Her work has been translated into multiple languages and appears in journals like Current Anthropology and Law & Literature . She frequently discusses her work on podcasts and collaborates with museums including M+ and the Asian Art Museum.
Prof. Dr. Barbara Mittler is Professor of Sinology at Heidelberg University and founding co-director of the Heidelberg Centre for Transcultural Studies (CATS) and the Cluster of Excellence 'Asia and Europe in a Global Context.' Her research explores Chinese cultural policy, print media, musicology, visual culture, and transcultural studies. Mittler's scholarly contributions include groundbreaking work on Cultural Revolution culture, early Chinese print media (particularly women's magazines), and the transcultural flows of cultural production. Her current projects examine Mao as a global icon and comparative studies of Asian 'fathers of the nation.' Her publication record demonstrates consistent focus on cultural transmission mechanisms, with recent research developing transcultural frameworks for understanding cultural exchange and historical analysis. Publications reflect an interdisciplinary approach combining visual analysis, media studies, and historical methodology. Mittler has received numerous honors including the Fairbank Prize, Heinz-Maier-Leibnitz Prize, and memberships in the Leopoldina and Heidelberg Academy of Sciences. She leads major initiatives like the China-Schul-Akademie developing educational materials about China for German schools.
Ksana Blank is a Senior Lecturer at Princeton University’s Department of Slavic Languages and Literatures. She coordinates the Russian Language Program and directs the Princeton-in-Petersburg Program, fostering academic exchange and interdisciplinary research. With a PhD in Russian Literature (Columbia University, 1997) and a BA in French Philology (St. Petersburg State University, 1979), her academic career spans over two decades at Princeton, preceded by teaching roles at Hunter College and Middlebury College Russian Summer School. Education: PhD, Russian Literature, Columbia University (1997) BA, French Philology, St. Petersburg State University (1979) Her research centers on Russian literature, emphasizing stylistic analysis and interdisciplinary connections with music, visual arts, folklore, and religious philosophy. Notable works include studies on Dostoevsky’s dialectics, Gogol’s The Nose , and the interplay between Russian modernism and Western art movements. She has authored multiple books and articles, many translated into Russian, and has published in academic journals across Russia, Europe, and China. Recent publications explore Dostoevsky’s paradoxes, Gogol’s linguistic innovation, and the intersection of Russian literature with music (Shostakovich), art (Malevich), and philosophy. Her 2023 book Парадоксы классики expands traditional interpretations of classic works through interdisciplinary lenses, while her 2021 The Nose guide deciphers Gogol’s wordplay and its narrative function. Earlier works address Tolstoy’s spiritual crisis and Bakhtinian dialogism in Russian literary theory. While no scientific awards are listed, her contributions to pedagogy include advanced Russian language courses and graduate-level Tolstoy studies. She currently works on Leo Tolstoy’s The Prisoner of the Caucasus and teaches courses on Russian literature, spirituality, and translation.
Michele Matteini serves as Associate Professor in the Department of Art History at New York University's College of Arts and Science, specializing in Late Imperial Chinese painting and material culture (ca. 1400-1800) with focus on Qing dynasty antiquarianism, collecting practices, and eighteenth-century transnational artistic exchanges. His academic credentials include: Ph.D. (2012) in History of Art from the Institute of Fine Arts M.A. (2004) in History of Art from New York University B.A. (2000) summa cum laude from the University of Venice, Ca’ Foscari Research interests encompass Late Imperial Chinese painting, antiquarianism, collecting culture, Qing history, urban culture, inter-Asian artistic exchanges, eighteenth-century globalism, craft traditions, embodied knowledge, and art historical methodology. His interdisciplinary approach bridges anthropology, religious studies, and art history to examine material culture across East Asia. Recent publications reveal consistent thematic focus on eighteenth-century material practices, analyzing antiquarian objects, historical figure cults, and cross-cultural artistic production. Works integrate art historical analysis with anthropological perspectives on topics like rock collecting, filial piety, and sacred materiality, demonstrating how objects functioned within social and global contexts. His scholarly recognition includes: The Andrew Mellon Foundation Fellowship for Assistant Professors, Institute for Advanced Study, Princeton (2013-2014) Ittleson Fellowship, Center for Advanced Study in the Visual Arts, National Gallery of Art (2007-2009) Panofsky Distinguished Fellowship, Institute of Fine Arts, New York University (2002-2007) Matteini's research has been supported by major fellowships from the Andrew W. Mellon Foundation and National Gallery of Art. While current advising activities and grant projects beyond these fellowships are not detailed in available sources, his extensive publication record indicates sustained scholarly productivity focused on East Asian material culture.
Dr. Tani Barlow is the George & Nancy Rupp Professor of Humanities and Professor of History at Rice University, affiliated with the Chao Center for Asian Studies and the Center for the Study of Women, Gender, and Sexuality. A leading scholar in Modern Chinese intellectual history, her work bridges gender studies, media culture, and transnational feminism. She co-founded the Chinese Commercial Advertising Archive and edits the acclaimed journal positions: asia critique . Her research examines late 19th to early 20th century China through lenses of consumer culture, feminist theory, and cultural ephemera. Notable books include In the Event of Women (2018) and The Question of Women in Chinese Feminism (2004). Barlow holds visiting professorships at Tsinghua University, Hitotsubashi University, and the University of Bologna. She has directed major projects like the Rockefeller Foundation's Critical Asian Studies initiative and the Luce Foundation’s Ephemera Project. Her articles span journals like Boundary 2 and differences , analyzing topics from advertising art to Marxist sociology. Her recent work explores digital humanities applications in historical research and the intersections of capitalism with gendered identities in China. Barlow mentors advanced graduate students specializing in modern Chinese history with technical skills in data analysis and cultural theory. Her interdisciplinary approach integrates visual studies, political economy, and feminist critique to reframe understandings of China’s modernization processes.
David Der-Wei Wang serves as Edward C. Henderson Professor of Chinese Literature and Comparative Literature at Harvard University, holding dual appointments in the Department of East Asian Languages and Civilizations. He directs the CCK Foundation Inter-University Center for Sinological Studies and holds prestigious Academician positions at both Academia Sinica and the American Academy of Arts and Sciences. His distinguished career includes prior faculty roles at National Taiwan University (1982-1986) and Columbia University (1990-2004), with continuous Harvard affiliation since 1986. His academic credentials include: B.A. in Foreign Languages and Literature, National Taiwan University M.A. in Comparative Literature, University of Wisconsin-Madison (1978) Ph.D. in Comparative Literature, University of Wisconsin-Madison (1982) Wang's research pioneers interdisciplinary approaches to Modern and Contemporary Chinese/Sinophone Literature, Late Qing fiction, and colonial Taiwanese studies. His work critically examines historical trauma , cultural identity formation , and transnational literary networks , particularly through the lens of political upheaval and diasporic experiences. Special attention is given to mid-20th century Chinese intellectuals navigating ideological crises, with methodologies blending comparative literary theory and historical analysis. His eight major publications (1997-2020) reveal consistent thematic evolution toward global frameworks for Chinese literary studies. Early works like Fin-de-Siècle Splendor established foundations in Late Qing modernities, while later volumes including A New Literary History of Modern China and Why Fiction Matters expand into transnational Sinophone networks and contemporary sociopolitical relevance. The corpus demonstrates increasing emphasis on diasporic perspectives and decolonizing methodologies across Chinese literary historiography. Wang's scholarly recognition includes: Academician, Academia Sinica Academician, American Academy of Arts and Sciences Changjiang Scholar Award (2008) Humanitas Visiting Professorship at CRASSH, Cambridge (2013-14) As Director of the CCK Foundation Inter-University Center for Sinological Studies, Wang coordinates international research initiatives connecting North American and Taiwanese institutions. This leadership role facilitates collaborative projects in digital humanities and comparative Sinology, supporting emerging scholars through cross-institutional fellowships and academic exchanges focused on reimagining Chinese studies through global perspectives.
Chloe Estep is an Assistant Professor of Modern Chinese and Sinophone Literatures at the University of Pennsylvania's School of Arts & Sciences, affiliated with East Asian Languages and Civilizations. She holds a PhD from Columbia University, an MA from the University of Michigan, Ann Arbor, and an AB from Princeton University. PhD, Columbia University MA, University of Michigan, Ann Arbor AB, Princeton University Her research interrogates the intersections of classical/modern Chinese poetics, media theory, material culture, and gender/sexuality studies. She explores how traditional artistic forms are reinterpreted in modern contexts, with a particular focus on manuscript culture, calligraphic aesthetics, and translation practices. Recent publications examine scroll painting interpretation, Republican-era adaptations of classical poetry, and the politics of prosody. Her work appears in the Journal of Chinese Literature and Culture and Nan Nü: Men, Women, and Gender in China , with forthcoming contributions in Comparative Literature .
Professor Qing Cao is Professor, Director of Studies, and Director of the Centre for Comparative Modernities at Durham University's School of Modern Languages and Cultures. His research examines Chinese media, communication, and modern intellectual history through three interconnected strands: the role of media in China's modernization, the impact of media language on social perceptions, and mutual China-West representations shaping identity politics. His research interests encompass China's modern intellectual history, Chinese politics, mass media dynamics, Western reporting on China, Chinese linguistics, and translation studies. Current projects include a book on Chinese state media's construction of alternative modernity and editorial work for the Routledge Research Encyclopaedia on Chinese Studies. Previously funded by AHRC and British Academy, his work explores the discursive transformation of Chinese society. Professor Cao's publications demonstrate sustained focus on discursive constructions of modernity and identity across historical periods, with recent work examining late Qing intellectual transformations through linguistic analysis. His supervision includes PhD students researching Western media representations of China, diplomatic language, and gender discourses in Chinese newspapers.
Jo Hsu (they/them) is an associate professor of Rhetoric and Writing and Women's, Gender, & Sexuality Studies at the University of Texas at Austin, where they also serve as Associate Chair of Women's, Gender, and Sexuality Studies. They are core faculty for the Center for Asian American Studies and have made significant contributions to trans and queer studies, disability studies, and Asian American rhetoric. Education and Background Ph.D., M.F.A. from Pennsylvania State University Research Interests Jo Hsu's research examines how stories shape policy and culture, with a focus on trans and queer narratives, disability justice, and Asian American rhetoric. Their work bridges academic scholarship with public engagement, exploring how storytelling functions as political strategy and community-building practice. They investigate how narratives of health, identity, and belonging circulate across medical, legal, and cultural contexts, particularly focusing on marginalized communities. Their current projects include examining far-right rhetorical strategies for disguising seemingly neutral beliefs and policies, and taking a narrative approach to health injustice, considering how stories infiltrate settings of health care practice and research. Awards and Recognition 2024 Book Award from the Rhetoric Society of America for "Constellating Home: Trans and Queer Asian American Rhetorics" 2023 Diamond Anniversary Book Award from the National Communication Association 2023 Innovations in Community Writing Book Award from the Conference on Community Writing Winifred Bryan Horner Outstanding Book Award from the Coalition of Feminist Scholars in the History of Rhetoric & Composition 2023 Rhetoric Society of America Fellows Early Career Award 2023 Leadership Award for People with Disabilities from the National Council of Teachers of English Public Engagement Jo Hsu is an active public intellectual whose work appears in major news outlets including the Huffington Post, the Hill, and the Boston Globe. They are committed to making academic knowledge accessible and relevant to broader publics, particularly in discussions about trans rights, disability justice, and racial equity. Their creative writing has been nominated for a Pushcart Prize, reflecting their commitment to both scholarly and artistic forms of expression. Laboratory and Community Work While not leading a traditional laboratory, Hsu's scholarly work functions as a form of community-based research that centers QTPOC (Queer and Trans People of Color) experiences and knowledge production. They are actively involved with organizations supporting trans folks in Texas, including Black Trans Leadership of Austin, Transgender Education Network of Texas, and Equality Texas. Their work emphasizes relationality and community accountability as central to knowledge creation.
S. Louisa Wei is a Professor of Cinematic Art at the School of Creative Media, City University of Hong Kong, where she has taught since 2001. With a PhD in Film Studies from the University of Alberta and an MA in Comparative Literature from Carleton University, she has taught over 4,000 students in both theoretical and production courses including Documentary 1, Documentary 2, Visual Storytelling, Visualizing Literature, and Chinese Cinema. Her educational background includes: PhD in Film Studies, University of Alberta, Canada MA in Comparative Literature, Carleton University, Canada Wei's research focuses on Sinophone cinema with particular emphasis on women filmmakers across historical periods, Chinese film history, and documentary practice. Her work often explores the intersections of gender, politics, and cultural identity in Chinese cinema, with special attention to neglected historical figures and transnational connections. She approaches film history through both scholarly research and documentary filmmaking, creating a unique methodology that bridges academic and creative practices. Her research has significantly contributed to recovering the histories of early Chinese women filmmakers and documenting politically sensitive historical narratives in Chinese literary and film history. Her recent scholarly and creative output shows a consistent focus on biographical documentary work centered on Chinese intellectuals and artists, women's contributions to cinema history, and politically significant moments in Chinese cultural history. Her publications and films often work in dialogue with each other, with documentary projects frequently informing scholarly books and vice versa, creating a rich interdisciplinary approach to her subject matter. Her notable awards include: Hong Kong Book Award 2017 for Esther Eng: Ocean-crossing Film and Women Pioneers Distinguished Publishing Prize in the Literature and Fiction Category of The First Hong Kong Biennial Publishing Prize for Wang Shiwei: A Reform in Thinking As an educator, Wei has advised hundreds of student projects, many of which have won awards in international and local film festivals. She is not currently accepting PhD students but has been instrumental in mentoring emerging filmmakers through her teaching. Her documentary work has gained international recognition from both academic circles and film festivals, attracting media attention from Hollywood trade magazines to major newspapers in Hong Kong and mainland China. She has served as a professional jury member for the Hong Kong Film Awards and became a member of the Hong Kong Director's Guild in 2018. While she doesn't appear to lead a formal research lab, her work involves extensive collaboration with historians, archivists, and fellow filmmakers across multiple countries, creating an informal network of scholars and practitioners focused on recovering marginalized histories in Chinese cinema and literature.
Brian A. Catlos is Professor of Religious Studies at the University of Colorado Boulder and Research Associate in Humanities at the University of California Santa Cruz. He serves as Director of the CU Mediterranean Studies Group and Co-Director of The Mediterranean Seminar, an international scholarly forum with over 1,900 members worldwide. His academic appointments span multiple disciplines including Religious Studies, History, Ethnic Studies, Asian Languages and Civilizations, and Jewish Studies. Dr. Catlos specializes in Christian-Muslim-Jewish relations, Medieval Mediterranean history, and ethno-religious minorities in pre-modern contexts. His research focuses on the complex dynamics of religious and ethnic identity in medieval Europe and the Islamic world, particularly in the Iberian Peninsula. He explores how religious minorities navigated political power structures while maintaining cultural and religious identities under majority rule. His publications reveal a consistent focus on challenging simplistic narratives about religious conflict in medieval Mediterranean societies. Rather than portraying these societies as defined primarily by religious division, his work emphasizes the practical accommodations, economic interdependencies, and complex identities that characterized daily life across religious boundaries. His research demonstrates how religious identity often functioned alongside other social markers like language, profession, and regional affiliation. Catlos has received numerous prestigious awards including the Medieval Academy of America's Charles Homer Haskins Medal (2018), the Middle East Studies Association's Albert Hourani Book Prize (2014), and a 2024 Guggenheim Fellowship. His books have been translated into numerous languages including Spanish, German, Polish, Korean, Russian, and Chinese. 2024 Guggenheim Fellow Medieval Academy of America's Charles Homer Haskins Medal (2018) Middle East Studies Association's Albert Hourani Book Prize (2014) American Historical Association's James A. Rawley Prize American Historical Association's Premio del Rey Boulder Faculty Association Award for Excellence in Research (2015) As an educator, Catlos mentors MA students interested in Mediterranean Studies and Christian-Muslim-Jewish relations, with recent students securing fully-funded PhD positions at Princeton, Brown, and Rochester. He has received multiple teaching and leadership awards from the Boulder Faculty Association. His current research includes 'An Age of Convergence: Christians, Muslims and Jews in the Pre-Modern Mediterranean' and 'James the Conqueror: A Crusader King in an Age of Faith and Reason.'
Fredrik Fällman is a Senior Lecturer at the Department of Languages and Literatures, University of Gothenburg. His academic background includes a PhD from Stockholm University (2004) and extensive research in China, including visiting roles at the Chinese Academy of Social Sciences and Renmin University of China. He has held adjunct positions, such as Distinguished Adjunct Researcher at Renmin University (2010-2014), and served as co-ordinator at the Nordic Confucius Institute in Stockholm (2005-2006). His research focuses on religion in modern China, propaganda language, and cultural exchange between China and the West. Notable interests include the role of Christian communities among Chinese intellectuals, Uyghur cultural history, and the sinicization of religious practices. He has published widely on topics ranging from missionary history to contemporary religious policies. Fällman teaches Chinese language, history, and cultural studies at all academic levels. He has been recognized as a Member of The Royal Society of Arts and Sciences in Gothenburg (2022). His work often bridges historical analysis with contemporary socio-political dynamics, including panel discussions on Hong Kong and invited lectures at institutions like SOAS, University of London.
Angie Chau is an Associate Professor in Pacific and Asian Studies at the University of Victoria (on study leave until July 2025). She specializes in modern and contemporary Chinese literature, film, and visual culture, with a focus on transnational contexts, new media, and science fiction. Her research bridges cultural studies, gender analysis, and translation studies, exploring themes such as identity, globalization, and artistic innovation. Educational Background: PhD, University of California, San Diego MA, New York University BA, University of California, Berkeley Research Interests: Transnational Chinese literature and film New media and digital culture Science fiction as world literature GENDER AND MEDIA REPRESENTATIONS Visual art and cultural translation Key Publications: Dr. Chau’s work includes the book Paris and the Art of Transposition (2023), analyzing Sino-French cultural exchanges, and peer-reviewed articles in Modern Chinese Literature and Culture , Concentric , and Feminist Media Studies . Her research explores topics ranging from modern Chinese women’s imagery to the global reception of Chinese science fiction. Teaching and Engagement: She teaches courses on Chinese literature, film, and cultural theory, including Gender and Marriage in Chinese Popular Media and Chinese Literature as World Literature . Her academic contributions reflect a commitment to interdisciplinary approaches to Asian studies.
Associate Professor Daniel Fried holds the Chair position in the Department of East Asian Studies at the University of Alberta's Faculty of Arts. His research focuses on comparative approaches to classical Chinese literature, intellectual history, and Daoist semiotics, with particular attention to Northern Song Dynasty print culture and European literary theory intersections. Current projects include a literary non-fiction work linking Daoist philosophy to social activism. Key academic roles include Co-Editor of the Routledge Studies in Comparative Chinese Literature and Culture series (2020–present), Founding Chair of the MLA Forum on pre-14th century Chinese Literature (2018), and President of the Association of Chinese and Comparative Literature (2017–2019). Teaching responsibilities include advanced readings in modern Chinese literature and graduate research methods courses. Research interests span ancient Chinese textuality, medieval print culture transformations, and cross-cultural philosophical dialogues. Recent publications (2020–2023) emphasize Song Dynasty print modernity and Daoist semiotic frameworks. Earlier works address pre-Qin philosophical discourse and 20th century comparative literature methodologies. No scientific awards explicitly listed. Advising focuses exclusively on graduate students researching Chinese literature/philosophy from Warring States to Southern Song periods. Active in developing interdisciplinary research programs bridging Anglophone and Sinophone scholarship. Led development of East Asia Research Methods (EASIA 550), an online graduate course covering regional and disciplinary methodologies. Current research projects maintain focus on pre-modern Chinese cultural production and its global comparative dimensions.
Curt Hansman is an Adjunct Professor in the Department of History of Art and Architecture at DePaul University's College of Liberal Arts & Social Sciences. She also serves as a board member for Global Asian Studies and Chinese Studies at the same institution. Education: BA and MA in History of Art/Asian Studies, University of Oregon MPH and PhD in History of Art and Chinese Intellectual History, University of Kansas Her research spans from Song/Yuan Chinese art history to modern China and Asian American cultural studies, focusing on intersections of art, politics, language, and identity. Recent work includes analysis of Yayoi Kusama's artistic contributions as cultural mirrors. Scientific Awards: NEH Summer Institute Fellow (2012) She has received grants from the Kress Foundation and The American Philosophical Society, and engages in community initiatives like the Empty Bowls Project and The Odyssey Project, addressing food insecurity and humanities education in underserved communities.
