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Johanna S. Ransmeier is an Associate Professor at the University of Chicago, affiliated with the Department of History, the College of Arts and Sciences, and the Department of East Asian Languages and Civilizations. She co-chairs the faculty board of the Pozen Family Center for Human Rights. PhD, Yale University (2008) AB, Amherst College (1997) Her research focuses on the intersection of law and family life in modern China, particularly through crime history. She has pioneered studies on human trafficking in Late Qing and Republican China, examining how traditional family structures enabled illegal transactions involving slaves, servants, and concubines. Her notable work, Sold People: Traffickers and Family Life in North China (2017), analyzes judicial archives to reveal systemic legal and social dynamics. Current research explores 'legal literacy' in early 20th-century China and its implications for modern legal expectations. Scientific Awards: Quantrell Award (2022) Fellow, National Committee on US-China Relations Public Intellectuals Program (Cohort V) Prior to joining the University of Chicago, she taught at McGill University and worked in human rights advocacy, serving as an interpreter for Chinese activists. She actively collaborates with institutions like the Pozen Family Center for Human Rights.

• Modern China
• Chinese legal history
• Crime history
• +2 more

Martin Kern is the Joanna and Greg Zeluck ’84 P13 P18 Professor in Asian Studies at Princeton University. He specializes in ancient Chinese literature, philology, and textual studies, with a focus on poetry, ritual, and cultural memory. Kern co-edits T'oung Pao and directs the "International Center for the Study of Ancient Text Cultures" at Renmin University, Beijing. Education: Ph.D. in Sinology, Cologne University M.A. in Sinology, Cologne University His research spans early Chinese rhetoric, authorship debates, manuscript analysis, and the intersection of writing/orality. He has led Princeton's "Comparative Antiquity" initiative (2018–2022) and co-directs the Princeton-Venice Summer School in Classical Chinese. Recent publications include studies on the Classic of Poetry , Chuci , and Zuozhuan , emphasizing newly discovered manuscripts and their impact on understanding ancient Chinese textuality. His work often bridges philological rigor with comparative theoretical frameworks. Scientific Awards: Member of the American Philosophical Society President of the American Oriental Society (2023–2024) Kern's editorial roles include co-editing the monograph series Studies in the History of Chinese Texts and the Handbook of Oriental Studies: Section 4 China . He has held leadership positions in major academic initiatives on ancient China.

• Ancient Chinese Literature
• Philology
• Early Chinese Poetry
• +7 more

Jianjing Kuang is an Associate Professor of Linguistics at the University of Pennsylvania, affiliated with the School of Arts and Sciences. As Director of the Penn Phonetics Laboratory, they lead research in phonetics, laboratory phonology, and tonal language studies. Kuang holds a Ph.D. from UCLA (2013) and specializes in the interplay between production and perception in speech, particularly focusing on tonal systems, prosody, and cross-linguistic fieldwork. Their work integrates behavioral experiments, corpus studies, and computational modeling to explore phonological contrasts, voice quality, and sound change. Key affiliations include MindCORE and the Center for East Asian Studies. Research interests include multidimensional cues in tone processing, glottal articulations, mapping production-perception relationships, and prosodic sentence processing. Kuang has conducted fieldwork on languages such as Yi, Q’anjob’al, and Mandarin. Their studies address topics like tonal splitting in Yi, cue-changing in Korean stops, and prosodic patterns in Mayan languages. Recent work explores voice quality’s role in pitch perception and prosodic boundary detection. Awards and grants are not explicitly listed, but Kuang’s extensive publications (over 50 peer-reviewed papers) reflect sustained academic impact. They advise graduate students in phonetics and phonology, with active collaborations in computational linguistics and speech technology. The Penn Phonetics Laboratory, under Kuang’s direction, emphasizes interdisciplinary research bridging experimental and theoretical phonetics.

• Phonetics
• Tonal Languages
• Speech Production and Perception
• +4 more

Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.

• Asian/Pacific/American literature and culture
• war, militarism, and imperialism in Asia and the Pacific
• Cold War and mid-century culture
• +14 more

Ksana Blank is a Senior Lecturer at Princeton University’s Department of Slavic Languages and Literatures. She coordinates the Russian Language Program and directs the Princeton-in-Petersburg Program, fostering academic exchange and interdisciplinary research. With a PhD in Russian Literature (Columbia University, 1997) and a BA in French Philology (St. Petersburg State University, 1979), her academic career spans over two decades at Princeton, preceded by teaching roles at Hunter College and Middlebury College Russian Summer School. Education: PhD, Russian Literature, Columbia University (1997) BA, French Philology, St. Petersburg State University (1979) Her research centers on Russian literature, emphasizing stylistic analysis and interdisciplinary connections with music, visual arts, folklore, and religious philosophy. Notable works include studies on Dostoevsky’s dialectics, Gogol’s The Nose , and the interplay between Russian modernism and Western art movements. She has authored multiple books and articles, many translated into Russian, and has published in academic journals across Russia, Europe, and China. Recent publications explore Dostoevsky’s paradoxes, Gogol’s linguistic innovation, and the intersection of Russian literature with music (Shostakovich), art (Malevich), and philosophy. Her 2023 book Парадоксы классики expands traditional interpretations of classic works through interdisciplinary lenses, while her 2021 The Nose guide deciphers Gogol’s wordplay and its narrative function. Earlier works address Tolstoy’s spiritual crisis and Bakhtinian dialogism in Russian literary theory. While no scientific awards are listed, her contributions to pedagogy include advanced Russian language courses and graduate-level Tolstoy studies. She currently works on Leo Tolstoy’s The Prisoner of the Caucasus and teaches courses on Russian literature, spirituality, and translation.

• Russian Literature
• Stylistics
• Interdisciplinary Studies
• +3 more

Hiromi Tsuchiya Dollase is an Associate Professor of Chinese and Japanese at Vassar College since 2003. Her research focuses on Japanese women’s literature, girls’ magazine culture, and manga, with a particular interest in integrating popular media into language education. She teaches courses such as 'Japanese Popular Culture and Literature' and 'The Gothic and the Supernatural in Japanese Literature.' Dr. Dollase holds a PhD in comparative literature (Japanese and American) from Purdue University (2003), an MA from Illinois State University, and a BA/MA from Baika Women’s College. She authored *Age of Shojo: The Emergence, Evolution and Power of Japanese Girls’ Magazine Fiction* (2019) and has contributed to numerous edited volumes and refereed journals. Her work spans topics like child abuse depictions in manga, sex education in historical fiction, and queer reinterpretations of classic narratives. She co-edited *Women’s Voices in Manga* (2024) and *Manga!: Visual Pop-Culture in ARTS Education* (2020). Her research bridges literary analysis with cultural studies, emphasizing the intersection of gender, media, and education. Dr. Dollase has been featured in media discussions about Japanese literary icons like Nobuko Yoshiya. She actively contributes to interdisciplinary programs in Asian Studies, Media Studies, and Women’s, Feminist, and Queer Studies at Vassar.

• Japanese Women’s Literature
• Girls’ Magazine Culture
• Japanese Popular Culture
• +3 more

Nick Kapur is an Associate Professor in the Department of History at Rutgers University–Camden, within the School of Arts and Sciences. He specializes in modern Japan and East Asia, with a focus on transnational perspectives, US-Japan relations, environmental history, gender, and cultural studies including literature and film. His educational background includes a Ph.D. from Harvard University (2011), an M.A. from Stanford University (2003), and a B.A. from Stanford University (2002). Kapur's research examines the intersections of political economy, culture, and international relations in modern Japan, particularly in the postwar era. His acclaimed book, Japan at the Crossroads: Conflict and Compromise after Anpo (2018), analyzes the 1960 protests and their lasting impact on Japanese society and US-Japan relations. He has also published extensively on the Japanese student movement, environmental policy, and Meiji centennial celebrations. His recent and forthcoming articles reflect a sustained engagement with Cold War Japan, dissent, nationalism, and transnational history. Kapur is known for innovative teaching methods, including historical simulations on Pearl Harbor and samurai-era Japan. He is the founder of the Modern Japan History Association and has contributed significantly to digital humanities through projects like the Digital Archive of Japan’s 2011 Disasters and the development of educational apps. His publications from the past decade show a consistent focus on political protest, cultural memory, and international relations in 20th-century Japan. His scholarly contributions include numerous peer-reviewed articles, book chapters, translations, and book reviews in leading journals such as Diplomatic History , The Journal of Asian Studies , and The Asia-Pacific Journal . Kapur advises graduate students and teaches courses on Japanese, Chinese, and Korean history, World War II, and environmental history. He has played a leadership role in promoting Japanese studies globally and continues to be an active researcher with works forthcoming in 2025. His current projects include digital applications for historical education.

• Modern Japan
• East Asian History
• US-Japan Relations
• +12 more

Elaine J. Francis is a Professor of English and Linguistics at Purdue University, where she also serves as the Associate Head of the Department of English. She holds affiliate appointments in the Department of Linguistics and the Department of Speech, Language, and Hearing Sciences. At Purdue, she directs the Experimental Linguistics Lab and teaches linguistics courses at both graduate and undergraduate levels. Francis completed her B.A. in Linguistics at the College of William and Mary in 1993, followed by her M.A. (1995) and Ph.D. (1999) in Linguistics at the University of Chicago under the direction of Salikoko Mufwene. Her dissertation examined variation among members of the same lexical category in English using Sadock's Autolexical Grammar framework. Prior to joining Purdue in 2003, she served as an Assistant Professor at the University of Hong Kong from 1999 to 2002, where she collaborated with Stephen Matthews on research concerning syntactic categories and relative clauses in Cantonese. Her research focuses on syntax and its interfaces with semantics, discourse information structure, and language processing in production and comprehension. Francis employs experimental methods to investigate syntactic, semantic, discourse-pragmatic, and cognitive factors underlying the grammar and usage of complex sentence structures. Her specific interests include word order alternations, filler-gap dependencies, resumptive pronouns, relative clauses, grammatical categories, and syntactic alternations. She has published extensively in top linguistics journals including Language and Cognition, Glossa Psycholinguistics, Linguistics, Lingua, Cognitive Linguistics, and the Journal of Psycholinguistic Research. Analyzing her recent publications reveals a consistent focus on experimental approaches to syntactic phenomena. Her work demonstrates a strong interest in gradient acceptability, syntactic priming, cross-linguistic comparison (particularly involving English and Cantonese), and the relationship between grammatical theory and language processing. Her 2022 book Gradient Acceptability and Linguistic Theory represents a major contribution that synthesizes experimental findings with theoretical linguistics frameworks. Francis plays an active role in the broader linguistics community. She regularly teaches short courses at the Linguistic Society of America Linguistic Institutes, serves on the LSA Ethics Committee, and is on the editorial board of Glossa Psycholinguistics. She has also edited several books and special journal issues, including Mismatch: Form-Function Incongruity and the Architecture of Grammar (2003) and Polymorphous Linguistics: Jim McCawley's Legacy (2005). As an educator and administrator, Francis has supervised numerous graduate students and currently serves as Associate Head of the Department of English at Purdue. Her Experimental Linguistics Lab provides research opportunities for students interested in the intersection of theoretical syntax and experimental methodology. While she recently announced she will not be accepting new graduate students for the 2025-2026 cycle, her established mentorship record demonstrates her commitment to training the next generation of linguists. The Experimental Linguistics Lab, which she directs, serves as a hub for research combining theoretical linguistics with experimental methods. Her collaborative work extends across disciplines, including collaborations with researchers in speech-language pathology, cognitive science, and computational linguistics, reflecting the interdisciplinary nature of modern linguistic research.

• Syntax
• Psycholinguistics
• Relative Clauses
• +5 more

Yuhua Wang serves as the Ford Foundation Professor of Modern China Studies within Harvard University's Faculty of Arts and Sciences, Department of Government. His scholarly work establishes him as a leading authority on Chinese political development, state capacity, and historical institutional analysis across imperial and contemporary contexts. His academic foundation includes: B.A. from Peking University Ph.D. from the University of Michigan Professor Wang's research program integrates comparative politics with Chinese studies through core interests in bureaucracy , institutions , judiciary and public law , political economy & development , political geography , and state-society relations . He employs a methodological triad of historical , qualitative , and quantitative approaches to analyze China's political evolution. His work uniquely bridges macro-historical patterns with contemporary governance challenges, particularly examining how historical legacies shape modern state capacity and institutional resilience in authoritarian contexts. Analysis of his publication trajectory reveals consistent focus on state development mechanisms, with increasing sophistication in comparative historical methodology. Recent work demonstrates expanded geographic scope beyond China while maintaining analytical depth in imperial political economy. His research shows growing integration of cross-national datasets with deep historical case studies, reflecting broader trends in political science toward mixed-method designs for complex institutional analysis. His distinguished recognition includes: 2023 Lubbert Best Book Award in Comparative Politics from the American Political Science Association for The Rise and Fall of Imperial China Harvard College Professor appointment (2025) Professor Wang maintains active research leadership through extensive publication in premier journals including American Political Science Review and Comparative Political Studies , with significant contributions to theoretical frameworks like State-in-Society 2.0. His work generates substantial policy-relevant insights on corruption, judicial review, and urban governance in China. As a core faculty member in Harvard's Government Department, he contributes to the university's intellectual ecosystem through cross-disciplinary collaboration and participation in research initiatives focused on Asian political development, though specific lab affiliations are not documented in available sources.

• Comparative Politics
• China Studies
• Asian Politics
• +8 more

Christopher Atwood is a Professor in the Department of East Asian Languages and Civilizations at the University of Pennsylvania’s School of Arts & Sciences. He specializes in Mongolian and Late Imperial/Early Modern Chinese History. Before joining Penn, he spent two decades at Indiana University, serving as department chair and interim director of the Center for Languages of the Central Asian Region. His research emphasizes meticulous historical analysis, inspired by the belief that 'the art of research is the ability to look at the details and see the passion.' Education: Ph.D. in Central Eurasian Studies, Indiana University-Bloomington (1994) A.B. in History, Harvard University (1986) Research Interests: Atwood’s work focuses on Mongolian cultural and political history, alongside the intersection of imperial expansion and environmental factors in Late Imperial China. His methodologies prioritize uncovering hidden connections between historical events and societal structures, often drawing parallels between Eastern and Western historical frameworks. He has conducted extensive fieldwork in Inner Mongolia, including studies at Höhhot’s Inner Mongolia Normal University. Grants & Advising: While specific grants or advising details are not mentioned in available texts, his long tenure at Indiana University and current role at Penn suggest significant contributions to academic mentorship and institutional leadership. His interdisciplinary approach bridges historical analysis with anthropological and sociological perspectives.

• Mongolian History
• Late Imperial Chinese History
• Early Modern Chinese History
• +1 more

Prita Meier is an Associate Professor of Art History at New York University's College of Arts & Science , affiliated with the Department of Art History & the Institute of Fine Arts. Her work bridges African art history, Indian Ocean world studies, and global modernity frameworks. Education: Ph.D. (2007) in History of Art, Harvard University M.A. (2000) in History of Art, University of Iowa B.A. (1996) in Art History, University of Florida Research Interests focus on the visual and architectural cultures of Africa, particularly Swahili Coast port cities, exploring globalization's cultural dimensions, Islamic art, and photography histories. Her work interrogates spatial-temporal dynamics in African modernity and colonial art frameworks. Scientific Awards include CASVA Senior Fellowship, NEH Implementation Grant (with Allyson Purpura), Mellon Collaborative Grant (with Kenny Cupers), Clark Art Institute Residential Fellowship, and Andrew W. Mellon Postdoctoral Fellowship. Notably, she declined the National Humanities Center Fellowship and Stanford Humanities Fellows Program. Publications highlight Indian Ocean trade networks, Swahili Coast architecture, and photography's global circulation. Recent works (2020-2017) examine infrastructure as identity, oceanic materiality, and itinerant art historiography. Earlier articles (2016-2009) analyze porcelain trade, modernist discontents, and Swahili funerary practices. Contact: spm9@nyu.edu | 100 Washington Square East, New York, NY 10003

• Art and architecture of Africa
• Port cities and visual cultures of the Indian Ocean world
• Comparative urbanism
• +4 more

Chuqing Dong serves as Assistant Professor in the Department of Advertising and Public Relations at Michigan State University's College of Communication Arts and Sciences, where her research centers on corporate social responsibility (CSR), ESG communications, government relations, and AI-driven public relations practices through interdisciplinary frameworks. Her academic credentials include a Ph.D. from the Hubbard School of Journalism and Mass Communication at the University of Minnesota, complemented by dual master's degrees in Public Policy (M.P.P.) and Professional Strategic Communication. Research priorities encompass: CSR/ESG communication effectiveness in digital environments Strategic nonprofit-corporate alliances and societal impacts Ethical frameworks for caring public relations Government communication in the AI era Her 30+ publications reveal evolving trends toward AI ethics in PR, cross-cultural CSR analysis, and crisis communication during pandemics, prominently featured in Public Relations Review and Journal of Business Ethics. Recognition includes top paper awards from major associations: International Communication Association (ICA) Association for Education in Journalism and Mass Communication (AEJMC) National Communication Association (NCA) International Public Relations Research Conference (IPRRC) She mentors students in CSR/ESG communication and ethical consumerism while directing research funded by the C.R. Anderson Foundation, SSHRC, and Arthur W. Page Center examining oil industry dialogic communication, employee CSR engagement, and DEI ethics training.

• Corporate Social Responsibility
• ESG
• Government Communication
• +5 more

Carlos Rojas is a Professor at Duke University, holding appointments in Asian and Middle Eastern Studies, Gender, Sexuality & Feminist Studies, and Arts of the Moving Image. His research focuses on gender and visuality, corporeality and infection, nationalism, and diaspora studies. He is affiliated with the Asian/Pacific Studies Institute and the John Hope Franklin Center. Education: Ph.D., Columbia University (2000) B.A., Cornell University (1995) Research Interests: Rojas’s work explores intersections of gender, visual culture, and transnational identities. He examines how cultural production—particularly in Chinese contexts—negotiates nationalism, diaspora, and embodiment. His scholarship bridges literary and visual studies, engaging themes of infection as both biological and metaphorical phenomena. Awards & Honors: No specific awards listed, but his academic positions reflect recognition in his fields. Advising & Grants: No explicit mention of advisees or grants. However, his affiliations with Duke’s institutes suggest involvement in collaborative research initiatives. Labs/Teams: Active in the Asian/Pacific Studies Institute and the John Hope Franklin Center for Interdisciplinary and International Studies, contributing to interdisciplinary projects.

• Gender Studies
• Visual Culture
• Corporeality and Infection
• +3 more

Sohl Lee serves as Associate Professor in the Department of Art History and Criticism at Stony Brook University, specializing in Contemporary East Asian Art and Visual Culture, Critical Theory and Globalization, and Curatorial Studies. Holding a Ph.D. from the University of Rochester since 2014, she contributes significantly to the academic community through teaching and research. Her educational background features: Ph.D. in Visual and Cultural Studies from the University of Rochester (2014) Professor Lee's research explores modern and contemporary East Asian art through interdisciplinary lenses including aesthetics of politics, activist art, vernacular modernism, postcolonial theory, and historiography. Her scholarship appears in prominent journals such as Yishu: Journal for Contemporary Chinese Art , Art Journal , and InVisible Culture , establishing her as a leading voice in global art discourse. Her publication trajectory reveals consistent engagement with democracy, ecological consciousness, and Cold War legacies across East Asian contexts. Key thematic threads include the intersection of art and political movements, ecological thinking in Korean contemporary art, and visual representations of national division—demonstrating how artistic practices navigate complex socio-political landscapes. Dr. Lee's scholarly contributions have been recognized through competitive fellowships: Social Sciences Research Council Fellowship Korea Foundation Fellowship Susan B. Anthony Institute of Gender and Women Studies Fellowship She actively shapes student learning through undergraduate courses including 'Art and the City,' 'Modern and Contemporary Korean Art,' and 'Social Engagement and Publicness in East Asia.' Her curatorial practice extends academic work into public spheres through exhibitions mounted in both the United States and South Korea, bridging theoretical frameworks with tangible cultural production.

• Contemporary East Asian Art
• Visual Culture
• Critical Theory
• +7 more

Min Zhou is a Distinguished Professor of Sociology and Asian American Studies at UCLA, and Director of the UCLA Asia Pacific Center. She holds the Walter & Shirley Wang Endowed Chair in U.S.-China Relations and Communications. A member of both the National Academy of Sciences and the American Academy of Arts and Sciences, her work focuses on migration studies, race and ethnicity, and Chinese diasporas. She previously directed the UCLA Asian American Studies Department (2001-2005) and served as Tan Lark Sye Chair Professor at Nanyang Technological University, Singapore (2013-2016). Her research explores transnationalism, immigrant entrepreneurship, ethnic supplementary education, and China’s internal migration dynamics. Notable publications include Chinatown (1992), The Asian American Achievement Paradox (2015), and Contemporary Chinese Diasporas (2017). She has received major awards such as the 2017 ASA Distinguished Career Award and the 2016 Bourdieu Prize for sociology of education. Education: Ph.D., Sociology, State University of New York at Albany Key Grants: Russell Sage Foundation grants (2005-09), Singapore Ministry of Education Tier 2 grant (2016-21) Labs/Teams: Directs the UCLA Asia Pacific Center; collaborates with global scholars on projects like 'Immigration and Integration in the Pacific Rim'

• Migration and development
• Race and ethnicity
• Chinese diaspora studies
• +2 more