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Jennifer Gómez Menjívar is Professor and Director of the M.A. in Media Industries and Critical Cultural Studies at the University of North Texas. Her research examines historical and ethno-linguistic movements influencing text production, circulation, and reception across print media, screen cultures, and digital communities. With over 18 years of teaching experience, she previously held positions at international organizations including the UNECE and UNDP. Her scholarly interests span media linguistics, film adaptation, digital activism, hemispheric animation histories, Indigenous sovereignty media, and Spanish-language media. Her publications demonstrate interdisciplinary work bridging media studies, cultural history, and postcolonial theory. Her extensive publication record includes books such as Tropical Tongues: Language Ideologies, Endangerment, and Minority Languages in Belize (2018) and Black in Print: Plotting the Coordinates of Blackness in Central America (2023), as well as co-edited volumes on Indigenous technology and hemispheric Blackness. She received a Senior Research Fellowship at Freie University Berlin for her upcoming work on Indigenous sovereignty media. Gómez Menjívar teaches courses including Introduction to Graduate Studies in Media Arts, Women in Film, and Global Media. She also mentors students in critical media analysis and serves as faculty advisor for media research projects.

• Media Linguistics
• Film Adaptation
• Digital Activism
• +3 more

Charles Athanasopoulos is an Assistant Professor of African American and African Studies & English at The Ohio State University. His research focuses on intersections of Black rhetorics, media, and culture, with expertise in The Black Radical Tradition, Rhetorical Theory, and Cultural Critique. He earned his Ph.D. in Rhetoric & Communication from the University of Pittsburgh. His work analyzes racial progress, public symbols, and post/Ferguson America through lenses of iconoclasm and critical race theory. Education: Ph.D., Rhetoric & Communication, University of Pittsburgh. Research interests span Black American and Diasporic Cinema, Afro-Caribbean and Greek-Roma identity critiques. He has published in venues like Lateral: The Journal of the Cultural Studies Association and Western Journal of Communication. His 2024 book Black Iconoclasm explores dismantling racial symbols in public discourse. Recent articles address Fanonian thought, anti-racist campus rhetoric, and transnational Blackness studies. His publications critically engage with visual activism, film analysis, and decolonial theories. Current projects include studies on sonic rhetorics in Black women’s music and global race discourses in Mediterranean contexts.

• The Black Radical Tradition
• Rhetorical Theory
• Cultural Critique
• +3 more

Dr. Doyle D. Calhoun serves as University Assistant Professor of Francophone Postcolonial Studies within the Department of French at the Faculty of Modern and Medieval Languages and Linguistics, University of Cambridge, where he is also a Fellow of Peterhouse College. His scholarly profile spans African and Caribbean literary studies, cinema analysis, and historical sociolinguistics with a focus on resistance narratives. His educational trajectory includes a Ph.D. in French from Yale University (2022), an M.A. in Linguistics from KU Leuven, and undergraduate studies in Linguistics and French Literature at Boston College. Additional academic development occurred through residencies at Fondation Camargo (Cassis) and Bibliothèque Marmottan (Paris). Calhoun’s research centers on Francophone postcolonial resistance, particularly suicidal acts against French colonialism as documented in The Suicide Archive (2024). His work excavates silenced histories of Atlantic slavery, abolition movements, and Négritude philosophy through literary and cinematic archives, emphasizing Senegalese and Caribbean contexts. He explores how contemporary writers reconstruct erased narratives of enslaved resistance through transmedia practices. His recent publications reveal a methodological convergence between literary analysis, historical recovery, and decolonial theory. Articles frequently address archival silences in colonial documentation while examining how contemporary artists reimagine resistance through linguistic innovation, cinematic storytelling, and embodied protest. Key thematic clusters include the weaponization of silence, subversive uses of missionary linguistics, and the politics of memory in postcolonial contexts. 2024 Malcolm Bowie Prize (Society for French Studies) 2024 William R. Parker Prize (Modern Language Association) 2021 Ralph Cohen Prize (New Literary History) 2016 Vivien Law Prize (Henry Sweet Society) Calhoun actively mentors graduate students in African/Caribbean literatures and cinema studies, with current projects including Africa after 1848 and Florence . His grant history features academic residencies at Fondation Camargo and Bibliothèque Marmottan, alongside a 2021 scholarship from the latter institution. Public engagement includes the 2025 La Noire de... film symposium and contributions to Los Angeles Review of Books and Salon . He contributes to the Cambridge Language Collective and Polyglossia Magazine while organizing events through Peterhouse. His 2025 podcast appearances on Stegi Radio and New Books Network demonstrate active knowledge dissemination beyond traditional academic channels.

• Francophone Postcolonial Studies
• African Literature
• Caribbean Literature
• +5 more

Laura Maria Lojo Rodriguez is a Professor in the Department of English and German Philology at the University of Santiago de Compostela , specializing in British literature and modernist/postmodernist fiction. She leads the Discourse and Identity research group (GI DI-1924), focusing on English language, literature, and culture through interdisciplinary frameworks. Her work intersects with the Humanities Research Institute (iHUS) . Her research spans: Gender and identity in Woolfian studies Migration narratives in contemporary short fiction Postcolonial themes in British-Irish literature Ecocritical and posthuman anxieties in Johnson's works Recent publications examine border politics, maternal discourses, and cross-cultural literary bonds. She has also contributed to translation studies, particularly Woolf's Spanish reception. Her academic output bridges literary theory with socio-political analysis.

• British Literature
• Postcolonial Studies
• Gender and Identity in Modernist/Postmodernist Fiction
• +4 more

Jamella Gow is the Rasuli Lewis Assistant Professor of Sociology at Bowdoin College, where she teaches courses on race and ethnicity, Black culture and activism, migration, policing, borders, and globalization. She is affiliated with the Department of Sociology and actively contributes to interdisciplinary scholarship at the intersection of Black Studies and migration studies. Her research centers on how race, Blackness, and immigration intersect for Black Caribbean migrants in the United States, particularly Haitians, Jamaicans, and Afro-Cubans in South Florida. She investigates the dynamics of racial and ethnic identity, inclusion/exclusion, diasporic politics, and the criminalization of Black migrants under U.S. immigration policy. Her work critically engages anti-Blackness, differential Blackness, and transnational solidarity. Her recent publications include a co-edited volume titled Modern Migrations, Black Interrogations: Revisioning Migrants and Mobilities through the Critique of Anti-Blackness (Temple University Press, 2024), and journal articles in Sociology of Race and Ethnicity , Ethnic and Racial Studies , and Diaspora: A Journal of Transnational Studies . Her publications reflect a consistent focus on racialization, diaspora, and the socio-political marginalization of Black migrants. She frequently presents her research at major academic conferences such as the American Sociological Association and the Society for the Study of Social Problems. Jamella Gow has not been mentioned as receiving specific scientific awards in the provided text. However, her scholarly impact is evident through her publications and invited presentations. She advises and mentors students in sociology and related fields, though no named advisees are listed. Her research is collaborative, involving partnerships with scholars across institutions and community-based projects, such as her work with the Carrefour-Feuilles community in Haiti. She has also contributed to public scholarship through newsletters and book reviews. Her work is grounded in critical sociological theory and qualitative methods, and she is currently developing a book manuscript titled Black Migrants from Black Nations: Race, Blackness, and Immigrant Exclusion , which promises to make a significant contribution to the understanding of how racial, ethnic, and national statuses shape the lived experiences of Black immigrants.

• Race and Ethnicity
• Blackness
• Migration Studies
• +12 more

Homi K. Bhabha is the Anne F. Rothenberg Professor of the Humanities at Harvard University. His work spans colonial and postcolonial theory, cultural change, cosmopolitanism, and human rights within aesthetic contexts. He has been a pivotal figure in the Department of Comparative Literature since its inception as a graduate program in 1904. Education BA (1970) - University of Bombay MPhil/MA/DPhil (1990) - Christ Church, Oxford Bhabha's research focuses on cultural hybridity , ambivalence in colonial discourse , and postcolonial ethics . His theoretical frameworks analyze authors like Joseph Conrad, Walter Benjamin, and Toni Morrison through lenses of identity, power, and globalization. While his recent works On Art and A Global Measure await publication, his seminal texts like The Location of Culture (1994) and Framing Fanon (2005) remain foundational in postcolonial studies. These works explore sub-fields including: Transnational memory frameworks Psychoanalytic colonial critique Decolonizing discourse Visual culture in postcolonialism Temporal suspensions in cultural production Global trauma narratives

• Colonial and Postcolonial Theory
• Cultural Change and Power
• Cosmopolitanism
• +2 more

Charles D. Piot is a Professor and Bass Fellow in the Department of Cultural Anthropology at Duke University's Arts & Sciences. His work spans contemporary culture and politics, histories of slavery and colonialism, and transnational African diasporic studies. Ph.D., University of Virginia (1986) M.A., University of Virginia (1982) B.A., Princeton University (1973) Research focuses on francophone West Africa , particularly Togo, with theoretical contributions to modernity , biopolitics , postcolonialism , and transnational migration . He explores how globalization, NGOs, and religious movements reshape sovereignty and social structures. Recent work examines urban informality and economic resilience in African microenterprises. His publications include award-winning books Nostalgia For the Future (2010) and Remotely Global (1999), alongside peer-reviewed articles on topics ranging from visa lottery systems to ethnographic theory. As co-editor of Cultural Anthropology (2011-2015), he advanced open-access publishing initiatives. Scientific awards include the African Politics Conference Group Award for Best Book on African Politics (2010) Royal Anthropological Institute's Amaury Talbot Prize (1999) African Studies Association's Herskovits Prize finalist (1999)

• Transnationalism
• Political Economy
• Post Colonialism
• +7 more

Joshua B. Guild is an Associate Professor in the Department of African American Studies at Princeton University. He is also an Associated Faculty member in the Program in Urban Studies and has been involved with the Center for Digital Humanities. His scholarly work bridges historical research with public engagement and digital innovation. His education includes a PhD in History and African American Studies from Yale University and an undergraduate degree from Wesleyan University, where he was a Mellon Mays Undergraduate Fellow. Professor Guild's research centers on 20th- and 21st-century African American social and cultural history, urban history, and the modern African diaspora. His interests include migration, black internationalism, black popular music, and the black radical tradition. He is deeply engaged in the digital humanities and public scholarship, organizing seminars and contributing to podcasts and public exhibitions. The recent publications and projects reflect a strong focus on urban Black communities, transnational migration, and cultural politics. Themes include the Great Migration, postwar New York and London, New Orleans after Katrina, and the Black 1980s. His work combines historical analysis with cultural critique and social justice advocacy. Scientific Awards and Fellowships: Mellon Mays Undergraduate Fellowship Andrew W. Mellon Foundation Fellowship Ford Foundation Fellowship Woodrow Wilson National Fellowship Foundation Award Charles Warren Center Fellowship (Harvard University) W.E.B. Du Bois Institute Fellow (Harvard University) Professor Guild has advised graduate students through seminars and collaborative projects, though no individual students are named. He has led initiatives supported by institutional grants, particularly in digital humanities and public engagement. His leadership in the 'Black Studies in the Digital Age' seminar and editorial work on the 'Black 1980s' special issue demonstrates his commitment to advancing the field through interdisciplinary collaboration. He is affiliated with the Program in Urban Studies and the Center for Digital Humanities at Princeton, where he contributes to shaping curricula and research directions in African American Studies and digital scholarship.

• African American History
• Urban History
• Black Diaspora
• +8 more

Dotun Ayobade is an Assistant Professor of Performance Studies and Black Studies at Northwestern University. His research focuses on how embodied popular culture shapes community, justice, and activism in postcolonial West Africa, particularly examining the interplay of aesthetics and social performance in Nigeria. He holds a joint appointment across disciplines and has taught at the University of Texas at Austin and Brown University prior to Northwestern. His academic interests include African/Black Performance Theory, African Popular Culture, and the intersection of performance with postcolonial politics. He is currently completing a book on Nigeria’s Afrobeat Queens, analyzing their role in Fela Kuti’s music subculture, under contract with Indiana University Press. This work has earned him prestigious awards, including the University of Texas Continuing Fellowship and Brown University’s Salomon Award. His scholarly contributions span peer-reviewed journals like Dance Research Journal and Journal of African Cultural Studies , with articles exploring topics such as sonic embodiment in Nigerian music and the spatial poetics of protest. He also engages with public discourse through platforms like Africa is a Country , addressing issues like neoliberalism and cultural netizenship. Ayobade’s work bridges performance ethnography, gender studies, and postcolonial theory, emphasizing the agency of marginalized voices in shaping cultural narratives. His research integrates interdisciplinary methods to unpack how performance mediates between individual creativity and collective socio-political realities in Africa and its diasporas.

• African/Black Performance Theory
• African Popular Culture
• Performance Ethnography/Historiography
• +3 more

Dr. Omotoyosi Odukomaiya serves as Assistant Professor of English at Hope College, where she commenced her teaching career in Fall 2023. Her role encompasses instructing courses in American ethnic literature, Black science fiction, and women's literature while advising the English Club to cultivate critical literary engagement. Her academic credentials include: Ph.D. in English Literature, Southern Illinois University (2023) MBA, Webster University (2016) M.Sc. in Marketing Communication, University of Birmingham, UK (2010) B.A. in English Language and Literature, Redeemer’s University, Nigeria (2005) Dr. Odukomaiya's research centers on Black science fiction and women's literature , critically examining intersections of race, gender, and technology. Her work investigates how marginalized voices challenge dominant narratives through decolonial futurism , historical trauma analysis, and diasporic identity construction. She emphasizes the transformative potential of speculative fiction in envisioning liberated futures for Black communities globally. Her scholarship consistently explores Africanfuturism and feminist science fiction through analyses of authors like Nnedi Okorafor, Tade Thompson, and Octavia Butler. Recurring themes include diaspora identity negotiation, historical reclamation, and gendered resistance within speculative frameworks, bridging literary criticism with critical race and gender theory. Scientific Awards: None documented in source materials As faculty advisor for Hope College's English Club, Dr. Odukomaiya mentors students in literary exploration and critical discourse. She develops curricula that interrogate cultural representations and center diverse literary traditions, prioritizing inclusive pedagogy that examines identity, power structures, and narrative sovereignty across historical and contemporary contexts.

• Black Science Fiction
• Women's Literature
• African Diaspora Studies
• +3 more

Olivia Khoo is Professor of Film and Screen Studies and Head of Film, Screen and Culture in the Faculty of Arts at Monash University. She is a leading scholar in Asian Australian and Asian cinema studies, with extensive contributions to media diversity, gender and sexuality in media, and streaming technologies. She is actively involved in national research leadership, including roles in the Australian Research Council College of Experts and the Screen Diversity and Inclusion Network. PhD in Cultural Studies – University of Melbourne LL.B. (Hons) – University of New South Wales B.A. (Hons) in English Literature – University of Western Australia Graduate Certificate in Higher Education – Monash University Her research centers on screen media diversity, streaming platforms, and transnational Asian and Asian Australian cinema. She explores how gender, sexuality, and race intersect in media representation, with a strong focus on diasporic identities and cultural citizenship. Her work bridges cultural studies, legal frameworks, and media industry practices to advocate for inclusive screen ecosystems. The recent publications reflect a sustained engagement with streaming technologies, racial representation, leadership in Asian Australian communities, and policy development for media diversity. Her work spans academic monographs, journal articles, and influential policy reports, demonstrating both theoretical depth and real-world impact in shaping equitable media landscapes. Special Commendation for the Dean’s Award for Postgraduate Research Supervision (2022) Three-time nominee, Monash Graduate Association Supervisor of the Year Award Founding Series Editor, Gender, Sexualities and Cultures in Asia (Springer) Founding Associate Editor, Studies in World Cinema: A Critical Journal (Brill) Olivia has supervised 18 PhD and MA students to completion and has led major research projects, including two ARC Discovery Projects. She is currently leading interdisciplinary collaborations across Law, Business, and Arts at Monash, particularly on the Incentivising Australian Screen Diversity report. She also co-founded the Asian Australian Studies Research Network and has held fellowships at the Asia Research Institute (NUS) and the University of California Humanities Research Institute. She leads the Film, Screen and Culture program at Monash and is central to initiatives like the Streaming Industries & Genres Network. Her collaborative projects involve national and international institutions, focusing on media flows between Australia and East Asia, and the transformation of cultural identity through digital platforms.

• Film, Television and Digital Media
• Screen Diversity and Streaming Platforms
• Gender, Sexuality and Media
• +9 more

Juan Eduardo Wolf is an Associate Professor of Ethnomusicology at the University of Oregon's School of Music and Dance. He holds a PhD in Folklore and Ethnomusicology from Indiana University (2013), alongside degrees in Chemical Engineering and Art Studio from prestigious institutions. His research focuses on music-dance traditions of Afro-descendant and Indigenous communities in Latin America and the Caribbean, exploring decolonial methodologies and cultural equity. He directs the Latin American Studies Program and coordinates the World Music Series, which hosts global music performances. His awards include grants from UO's Center for Latin American and Latinx Studies (2018) and Global Oregon (2018). Wolf teaches courses like Decolonizing Music, Music in World Cultures, and directs World Music Ensembles focusing on Andean and Puerto Rican traditions. His research examines how marginalized groups use music-dance to resist colonial legacies, with fieldwork in Chile, Puerto Rico, and Bolivia. He is a core faculty member in Folklore and Public Culture Programs and advises on Latinx Studies initiatives. Notable publications include Styling Blackness in Chile (2019), analyzing Afro-Chilean music-dance, and Un Tumbe Ch’ixi (2021), integrating Afro-descendant ideas into Andean methodologies. His work challenges colonial frameworks and advocates for socially just music science practices. He performs as a percussionist/guitarist in global ensembles and mentors students through experiential learning.

• Ethnomusicology
• Latin American Studies
• Decolonial Thought
• +7 more

Ato Quayson is the Jean G. and Morris M. Doyle Professor of Interdisciplinary Studies and Professor of English and African and African American Studies at Stanford University, where he also chairs the Department of African and African American Studies. He previously held professorships at New York University (2017–2019) and the University of Toronto (2005–2017), where he was inaugural director of the Centre for Diaspora and Transnational Studies and became a University Professor (2016), the university's highest honor. His academic journey includes a B.A. (First Class Honors) in English and Arabic from the University of Ghana (1989) and a Ph.D. in English from the University of Cambridge (1995). He held a Junior Research Fellowship at Wolfson College, Oxford, and was a Reader in Commonwealth and Postcolonial Literature at Cambridge (1995–2005), concurrently directing the Centre for African Studies and serving as Pembroke College Fellow. Quayson’s research explores postcolonial literature, urban studies, disability studies, and cultural theory. His work bridges global and local contexts, with notable publications such as Oxford Street, Accra (Urban History Association Prize) and Tragedy and Postcolonial Literature (Warren-Brooks Prize). He co-edits the Cambridge History of Postcolonial Literature and chairs initiatives like Contours: The Cambridge Literary Studies Hour . His accolades include fellowships from the Ghana Academy of Arts and Sciences (2006), the Royal Society of Canada (2013), the British Academy (2019), and the American Academy of Arts and Sciences (2023). He has also served as President of the African Studies Association (2019–2020). Quayson curates the YouTube channel Critic.Reading.Writing , discussing literature and urban studies, and teaches courses on global Black diaspora studies and Toni Morrison’s work. His current projects include Accra Chic: A Locational History of Fashion and studies on exile in African literature.

• African Literature
• Postcolonial Literature
• Shakespeare Studies
• +10 more

Auritro Majumder is Associate Professor of English at the University of Houston's College of Liberal Arts and Social Sciences, holding a courtesy appointment in the India Studies Program. His academic profile spans literary scholarship, critical theory, and intellectual history with a focus on non-Western perspectives. His educational background includes a Ph.D. in English from Syracuse University (2014), a Certificate in Critical Theory from Cornell University (2012), an M.A. (First Class) in English from Jadavpur University (2009), and a B.A. (First Class Honours) in English from Jadavpur University (2007). Majumder's research centers on peripheral internationalism and decolonial knowledge production , examining literary traditions across India, the Soviet Union, China, Latin America, and the United States. His work bridges literary theory , critical race studies , and global political movements , with particular emphasis on Bengali literature, caste-race intersections, and South-South cultural networks. His monograph Insurgent Imaginations: World Literature and the Periphery (Cambridge University Press, 2020) redefines world literature through non-Western frameworks. Analysis of his 15 most recent publications reveals consistent engagement with decolonial aesthetics , transnational solidarity , and subaltern epistemologies . His scholarship demonstrates interdisciplinary reach spanning literary studies, political theory, film criticism, and comparative intellectual history, with increasing focus on contemporary debates around planetary consciousness and peripheral modernities. His scientific recognition includes: Project Completion Grant, CLASS (2019) William Lee Pryor College Professorship (2018-2019) Research Progress Grant (2017) CLASS Research Funds (2016) New Faculty Summer Research Grant (2015) Majumder actively contributes to academic service as Executive Committee member of the Modern Language Association’s South Asian and South Asian Diasporic Language, Literature and Culture Forum, editorial board member for Mediations , jurist for the National Endowment for the Humanities, and reviewer for multiple international journals. He has lectured globally across North America, South Asia, Europe, and Brazil. His teaching portfolio includes courses on postcolonial literature, modern Indian literature, and graduate seminars in postcolonial theory. Current projects include a monograph titled The Global South in Literature and Theory and a co-edited anthology Cultures of the Cold War in South Asia .

• Literary and Critical Theory
• Postcolonial Studies
• World Literature
• +7 more

Dr. Daniel Matlin is a Reader (equivalent to Associate Professor) in the History of the United States since 1865 at King's College London, affiliated with the Faculty of Arts & Humanities and the Department of History. He joined King's in 2012 after previous academic positions at Queen Mary University of London (as Leverhulme Early Career Fellow) and Cambridge University, where he served as Director of Studies at the Centre for History and Economics. His research examines the intersection of race, intellectual life, and urban space in 20th-century America, with specializations in: African-American intellectual/cultural history Civil rights and Black Power movements Historical constructions of race and Black diasporic identity Urban history (particularly Harlem and New York City) Jazz history and cultural expression Publication analysis reveals consistent focus on Harlem as both physical space and cultural symbol, with interdisciplinary approaches bridging history, visual culture, musicology, and urban studies. His works critically analyze racial representation, community formation, and the politics of space. Awards & Honors: Arthur Miller Centre First Book Prize for On the Corner: African American Intellectuals and the Urban Crisis Leverhulme Early Career Fellowship He actively supervises PhD students in African-American history, civil rights, black nationalist thought, and 20th-century cultural history. Grant-funded projects include 'Race Capital? Harlem as Place and Symbol since 1900.' Matlin engages extensively with public history through lectures at institutions like the National Theatre and Black Cultural Archives.

• African-American History
• Intellectual History
• History of Race
• +7 more