Find Academic Supervisors

Jason HockmanView profile

Academic

• Music Information Retrieval
• Computational Audio Analysis
• Music Production
• +7 more

Jason Hockman is a Reader in Music and Sound Design at the School of Digital Arts (SODA) at Manchester Metropolitan University . He is a leading researcher in Music Information Retrieval (MIR) , computational audio analysis, and music production technologies. He is also a professional music producer and performer under the aliases Jason oS and DAAT , and co-founder of Detuned Transmissions , an artist collective and independent record label. Research Interests: Computational analysis and generation of audio for music production Ethnographies of breakbeat-oriented UK dance music Neural audio synthesis and adversarial networks Automatic drum transcription and onset detection Gesture-based music interaction systems Interactive audio for games and multimedia Publications Trends: His recent work focuses on generative audio models , including GAN-based drum synthesis, neural impact sound synthesis, and latent space exploration for audio. He has also contributed extensively to automatic transcription systems for percussion and string instruments, and interactive performance tools that integrate gesture control and real-time audio manipulation. Scientific Contributions: Co-author of the widely cited Review of Automatic Drum Transcription (2018) Developer of interactive systems like MyoSpat for gesture-based control Pioneer in combining ethnographic research with computational music analysis Teaching & Supervision: Jason integrates his research and music production experience into undergraduate and postgraduate teaching. He supervises students in music technology, sound design, and MIR, and emphasizes a holistic approach that bridges creative practice and academic inquiry. Creative Practice: Through Detuned Transmissions , he releases and distributes electronic music internationally, maintaining an active presence in both academic and artistic communities.

Moreno ColomboView profile

Researcher

• Human-Computer Interaction
• Human-Building Interaction
• Smart Cities
• +12 more

Moreno Colombo is a postdoctoral researcher and doctoral assistant at the Department of Computer Science, University of Fribourg, affiliated with the Human-IST Institute. He holds a PhD in Phenotropic Interaction and is actively engaged in research and teaching within the Faculty of Mathematics, Natural Sciences and Medicine. His work bridges human-centered computing, smart cities, and sustainable technology design. His research interests focus on making human-technology interaction more natural and personalized. Key areas include Human-Computer Interaction (HCI), Human-Building Interaction, Smart Cities, Sustainability, Green Mobility, and the application of machine learning and fuzzy logic in perceptual computing. He specializes in Computing with Words and Phenotropic Interaction, aiming to reduce protocol dependency in interfaces. His recent publications (2020–2024) demonstrate a consistent focus on human-centered smart environments, including lighting systems, urban perception mapping, citizen engagement in smart cities, and semantic modeling for natural language understanding. These works reflect interdisciplinary collaboration and a strong commitment to user experience and environmental sustainability. PhD in Phenotropic Interaction, University of Fribourg He has supervised numerous Bachelor’s and Master’s theses on topics such as mobility visualization, smart city applications, and human-building interfaces. While no scientific awards are listed, his active publication record and involvement in international conferences indicate strong recognition in the research community. Moreno Colombo leads and contributes to projects involving crowdsourcing, machine learning, and fuzzy systems, often in collaboration with researchers across disciplines. His labs and research teams include the Human-IST Institute and collaborations within the Energy Informatics and Engineering departments.

Hyunkook LeeView profile

Professor

• Psychoacoustics
• Spatial Audio
• Virtual Reality
• +5 more

Hyunkook Lee is a Professor of Audio and Psychoacoustic Engineering at the University of Huddersfield , where he directs the Applied Psychoacoustics Lab (APL) and the Centre for Audio and Psychoacoustic Engineering . He joined the university in 2010 and has pioneered research in 3D audio, spatial recording, and psychoacoustic applications in virtual reality. Education: PhD in Psychoacoustics (University of Surrey, 2006) Industry Experience: Senior Research Engineer at LG Electronics Research Interests include: Psychoacoustics : Perception of height in 3D audio and interchannel crosstalk. Spatial Audio : Development of microphone arrays, panning, and upmixing techniques. Virtual Reality : Bridging XR and audio engineering for immersive experiences. Music Technology : Applications in commercial rap production and surround sound. Scientific Awards : 5 US-granted patents h-index of 14 (Scopus) Advising & Grants : Actively supervises PhD students and participates in industry-funded projects with Samsung, Volvo, and MagicBeans. His research includes a £326k grant for 3D sound in the 'Audience of the Future'.

Alexandros StergiouView profile

Assistant Professor

• Video Understanding
• Action Recognition
• Model Interpretability
• +5 more

Alexandros Stergiou is an Assistant Professor in the Data Management & Biometrics (DMB) group at the Faculty of Electrical Engineering, Mathematics and Computer Science (EEMCS) of the University of Twente. His research focuses on video understanding, model interpretability, and spatio-temporal analysis. PhD from Utrecht University (2021) Postdoctoral work at VUB and University of Bristol Key research areas include: Action Recognition and Interaction Modeling Temporal and Motion Analysis Audio-Visual Recognition Deep Learning for Video Tasks Recent publications span large-scale benchmarks (LAVIB), temporal attention mechanisms, and motion consistency modeling. Awards include Outstanding Reviewer at ECCV 2022. Teaching roles: Course administrator for REDI and Deep Learning Guest Lecturer for INFOMCV

Martin BotteckView profile

Professor

• Multimedia Systems
• Embedded Systems
• Wireless Communication
• +12 more

Prof. Dr.-Ing. Martin Botteck is a faculty member at South Westphalia University of Applied Sciences, where he leads courses in the Department of Engineering and Economics. He holds a professorship in engineering disciplines, with a focus on multimedia systems and embedded technologies. Education: Dipl.-Ing. and Dr.-Ing. in Electrical Engineering from TU Dortmund Research Interests: Multimedia systems, embedded architectures, digital signal processing, wireless communication, and virtualization Recent Work: Developments in music data analysis frameworks, power modeling for embedded processors, and security through virtualization Publications: Spanning IEEE journals, international conference proceedings, and book chapters His academic contributions include peer-reviewed articles on mobile media search, music classification, and embedded device security. He holds the IEEE Senior Member distinction and has served on program committees for international conferences.

Sarah HogencampView profile

Professor

• Documentary Filmmaking
• Cinematography
• Media Communication
• +3 more

Sarah Hogencamp is a Professor of Media Communication at Asbury University since 2013, teaching courses in Cinematography, Documentary Filmmaking, and Faith-Based Media. With over a decade of global documentary filmmaking experience across 30+ countries, she combines academic instruction with practical production expertise. M.F.A. in Digital Cinema Production (National University, 2014) B.A. in Media Communication (Asbury University, 2003) Her research focuses on international documentary production , point-of-view storytelling , and faith-driven media narratives . Recent projects include Emmy-winning Superbowl coverage and documentaries addressing social justice issues. Key publication trends include cross-cultural media applications , innovative cinematography techniques , and sports data visualization . Collaborations with industry professionals like Nancy Stafford and Ryn Oostman demonstrate her industry connections. Scientific awards include: Emmy Award for Superbowl production in Los Angeles (2021) Multiple Emmy nominations for technical and narrative excellence Hogencamp actively mentors students through international field experiences, including Olympic coverage, underwater filmmaking in Mexico, and Central American documentary projects.

Paul VickersView profile

Professor

• Sonification & Auditory Display
• Network Security
• Cyber Security
• +4 more

Professor Paul Vickers holds the position of Professor of Computer Science and Sonification at Northumbria University since 2001, previously at Liverpool John Moores University from 1989-2001. He specializes in sonification, auditory display, cybersecurity, and interdisciplinary applications of computing. His research explores intersections between sonification, network security, and aesthetic computing, with notable projects including SoNSTAR (network traffic sonification) and SoniFRED (healthcare sonification). Education: PhD in Computing Science (2000), BSc (Hons) in Computer Studies (1989). Professional qualifications include Chartered Engineer (CEng), Fellow of the Higher Education Academy (FHEA), and membership of the Institution of Engineering and Technology (MIEE). Research focuses on sonification for cyber situational awareness, structural biology, and healthcare applications. His work emphasizes transdisciplinary collaboration, combining art, science, and technology. Key contributions include auditory monitoring systems for network security, sonification of biomedical data, and interactive tools for molecular visualization. Professional activities include organizing international conferences (e.g., ICAD), serving as a PhD examiner, and leading research initiatives such as the Leverhulme Trust-funded RADICAL project. His work is disseminated through academic publications, open-source software (e.g., GitHub repositories), and platforms like YouTube and ResearchGate. Current projects include the Northumbria University Sonification Network (nuson), exploring applications of sonification in healthcare, cybersecurity, and artistic collaboration. He actively engages in public outreach and STEM education initiatives.

Marzan Tasnim OyshiView profile

Researcher

• Immersive Visualization
• Virtual Reality
• Augmented Reality
• +12 more

Marzan Tasnim Oyshi is a Research Associate at the Leibniz Institute of Ecological Urban and Regional Development (IOER) and a Doctoral Candidate at the Chair of Computer Graphics and Visualization, Technische Universität Dresden, Germany. Her research focuses on immersive visualization, virtual reality, and data-driven decision-making for sustainability and environmental challenges. Education: Master of Science in Computer Science & Engineering, Daffodil International University, Bangladesh (2017–2019) Bachelor of Science in Computer Science & Engineering, Daffodil International University, Bangladesh (2013–2016) Erasmus Mundus Undergraduate Mobility Exchange, Information Technology, Lodz University of Technology, Poland (2015–2016) Her research interests include immersive visualization, virtual reality, IoT, machine learning, and environmental data analytics . She develops tools that support decision-making in climate resilience, flood risk, and urban sustainability using VR-based visual analytics. Her work bridges computer science with real-world environmental and societal challenges. The recent publications demonstrate a strong trend in immersive data visualization for environmental science and machine learning support . Oyshi’s work applies VR to visualize extreme weather, flood projections, and biological datasets, while also contributing to IoT-based monitoring and gamified education. The interdisciplinary nature of her research spans computer vision, sustainability, and human-computer interaction. Scientific Awards and Scholarships: 300 Army Scholarship (2017) Erasmus Mundus UG Mobility Scholarship (2015) Government District-Level Scholarship (2010) Best Debater, Transparency International Bangladesh (2010) Multiple Government Academic Scholarships (2005, 2008) Oyshi has actively contributed to academic advising, having supervised 2 Master’s theses, 2 Bachelor’s theses, 3 team projects (15 students), and 9 Hauptseminar students . She has also served as a reviewer for prestigious conferences including CHI, IEEEVIS, and ICAITA. Her research is supported by institutional affiliations with IOER and ScaDs.AI, focusing on systemic sustainability and data science. She is a key member of the Leibniz-Lab 'Systemic Sustainability' , where she contributes to developing dashboards that communicate science-society challenges related to climate change, biodiversity loss, and food security. Her projects like ExtremeWeatherVis, FloodVis, and VRCellLabeler exemplify her commitment to creating immersive, interactive tools for complex data understanding.

Sofia CavacoView profile

Assistant Professor

• Speech Therapy
• Serious Games
• Multimedia Computing
• +3 more

Sofia Cavaco is an Assistant Professor in the Department of Informatics at the Faculty of Science and Technology (FCT), NOVA University Lisbon. She teaches core computer science courses including Algorithms, Multimedia Computing, and Serious Games across undergraduate and graduate programs. Her academic background includes: Bachelor's in Computer Engineering, NOVA University Lisbon Master's in Artificial Intelligence, University of Edinburgh Master's in Informatics, Carnegie Mellon University (equated to Master's in Applied AI at NOVA University Lisbon) Her research pioneers the application of computing technologies to healthcare challenges, with emphasis on speech therapy systems and cognitive rehabilitation tools. She develops multimodal frameworks and serious games for Alzheimer's therapy, speech disorder assessment, and assistive applications for visually impaired users. Her work integrates music information retrieval, audio-visual processing, and interactive design to create clinically relevant solutions. Professor Cavaco actively mentors graduate researchers, supervising over fifteen Master's and PhD theses on topics ranging from automatic musical instrument recognition to voice therapy platforms and educational games for blind students. Her collaborations with CMU and M-ITI demonstrate strong international research engagement despite no specific grants being documented in available sources.

• Human-Computer Interaction
• Machine Learning
• Sonic Interaction Design
• +3 more

Dr. Baptiste Caramiaux is a researcher at Goldsmiths, University of London specializing in human-computer interaction and machine learning applied to musical expression. He serves as a key member of the Computing department and has made significant contributions to sonic interaction design and gesture recognition. Major Research Themes: Machine learning for musical gestures Expressive human-computer interaction Sonic affordances and memory EMG/MMG sensing in performance Archaeological VR interfaces His 15 most recent publications (2013–2018) demonstrate expertise in gesture variation analysis, motion modeling, and algorithmic composition. Notable collaborative works include co-editing the NIME 2014 Proceedings and developing the Gesture Variation Follower algorithm for immersive archaeological interaction.

• Electro-acoustic music
• Audio engineering
• Sonic art
• +8 more

Mr. Philip Phelps is a Lecturer in Music Technology at the Faculty of Environment and Technology (FET) - Computer Science and Creative Technologies department at the University of the West of England. His work spans electro-acoustic music, audio engineering, and sonic art, combining technical expertise in C/C++ programming for embedded systems with creative applications in virtual reality and interactive soundscapes. Research interests include: Interactive sonic art and augmented aurality "Sound you can walk inside" spatial audio experiences Sound design for games and audio software programming Retrocomputing and lo-fi digital aesthetics His publications focus on educational technology solutions like automated transcription systems and virtual reality audio reproduction. Scientific awards include being shortlisted for the 2010 PRS Foundation New Music Award. He co-leads creative projects such as The Quantock Poetry Trail and Virtual Avebury , and collaborates with artists like Luke Reed and Luke Child in the Dorkbot Bristol community, exploring hacker-maker-space culture and digital preservation techniques.

Antonio Castells-DelgadoView profile

Senior Lecturer

• Acoustics
• Composition
• Music Technology
• +3 more

Antonio Castells-Delgado is a Senior Lecturer in Music Technology (Acoustics) at the University of West London's London College of Music. He also lectures at Imperial College London in Sound Technology, with expertise spanning acoustics, composition, and electronic music. A cum laude Electronic Engineering graduate from La Salle Barcelona and holder of an MA in Music Business Management from the University of Westminster, he employs a student-centric teaching approach to develop critical skills in diverse educational contexts. Education: BEng/MEng in Electronic Engineering (1999), MA in Music Business Management (2006), Certificate in Teaching and Learning (Imperial College) Teaching: MA Advanced Music Technology, MA Record Production, MMus Electronic Music Composition, BA Electronic Music Production, BMus Performance and Recording His research and artistic practice explores universal human themes through compositions like '2045: The Year Man Becomes Immortal' and 'Life from Light,' blending technology with classical motifs. He has performed at iconic UK venues and received international media acclaim, including a Guardian 2016 feature. Key trends in his 15 most recent works include interdisciplinary fusion of acoustics and digital audio, exploration of futurism and ethics in '2045'-themed projects, and emotionally resonant sound design in pieces like 'Forgiveness V6' and 'Syria V8.' His output spans studio/live albums, video documentation, and venue-specific performances. Scientific Awards: The Guardian's 'Five of the Best Classical Concerts' (2016) He contributes to open-access repositories and collaborates with artists like Cyril De Commarque (Saatchi Gallery 2019) and Tereza Duchlevova (LSO St Luke's 2019). His work bridges music technology, acoustic engineering, and conceptual art.

Justin PatersonView profile

Professor

• Music Production
• Audio Technology
• Extended Reality Systems
• +3 more

Justin Paterson is a Professor of Music Production at the London College of Music , University of West London. He combines academic research with professional music production, focusing on interactive music playback , haptic audio , and extended reality sound design . His research explores innovative audio technologies for immersive experiences, including projects like the HAPPIE consortium (haptic authoring pipeline) and the variPlay system for interactive music. He has developed AI-driven audio tools while emphasizing responsible AI (RAI) principles. His scientific publications (2007-2024) cover topics like multimicrophone phase coherence , interactive 3D audio , and haptic feedback systems . He actively participates in audio engineering conferences and innovation in music symposiums . As a professional music producer , he has worked with international artists like Ofenbach and Ximena Sariñana . He chairs the Innovation in Music conference series and teaches postgraduate programs in Advanced Music Technology and Creative Practice .

Angela McArthurView profile

Lecturer

• Spatial Audio
• Sound Art
• Anthropology of Sound
• +5 more

Dr. Angela McArthur is a Lecturer in Designing Audio Experiences at the Department of Anthropology, University College London (UCL), and is affiliated with UCL's School for Creative & Cultural Industries at the Stratford campus. She leads the interdisciplinary Master's programme 'Designing Audio Experiences' and serves as co-chair of the department's EDI committee since October 2024. Her work bridges art, technology, and anthropology with a focus on spatial sound's societal impact, championing diversity in access and representation through initiatives like Soundstack. Her educational background includes a PhD supervised by Becky Stewart (Imperial College London) and Mark Sandler (Queen Mary University of London), and a Master's degree from the University of Kent's School of Music & Fine Art under Claudia Molitor and Sarah Turner. Dr. McArthur's research centers on materiality in sound, underrepresented onto-epistemologies (including other-than-human), and ocean environments. She investigates spatial sound's aesthetic and ethical affordances through sound-led sensory ethnography with elderly Nepali wives/widows of Gurkha veterans, IKO loudspeaker-driven artist development, spatial sound for health/embodiment, and societal impact initiatives. Her work consistently addresses diversity and underrepresented perspectives. Her publications reveal strong interdisciplinary trends spanning spatial audio technology, sound art ethics, and social impact. Recent work explores ambient intelligence in music ecology, ethical spatial practices, browser-based 3D audio implementation, and IKO's role in diversifying sound art. She also investigates auditory distance perception in cinematic VR and linguistic frameworks for spatial sound description. Dr. McArthur has not listed any scientific awards. As an educator, she founded Soundstack—an annual workshop/masterclass/concert series—and secured funding for UCL's IKO loudspeaker. She mentors through the 'Designing Audio Experiences' Master's programme and BBC Young Composers collaborations, where she re-arranged classical works for spatial audio. Her grant acquisition focuses on artist development resources and diversity initiatives. She actively collaborates with the Ocean Memory Project (an international interdisciplinary collective exploring ocean memory), the University of Greenwich's IKO research group, and institutions like Graz's Institut für Elektronische Musik. Her residencies and fieldwork—from Venice soundscapes to Gurkha veteran communities—form dynamic research ecosystems integrating technology, ethnography, and artistic practice.

• Visual Communication
• Digital Culture
• Educational Innovation
• +11 more

Dr. Antonio Fernández Coca is a Senior Lecturer in Graphic Expression at the University of the Balearic Islands (UIB) . With a PhD in 2003 focusing on user experience (UX) for web-based communication, he has pioneered the integration of digital tools and transmedia strategies in architectural education since the late 1990s. Education: PhD in Graphic Expression (UIB, 2003). Research Interests: Digital visual communication, educational innovation, UX design, and AI integration in teaching. Leadership: Served as Vice Rector for Digital Campus (2013–2021), redesigned UIB's Digital Classroom, and currently directs staff training programs aligned with Sustainable Development Goals. Publications: Authored Production and Graphic Design for the WWW (1999), The Art of Illustration (2013), and Selfie: Academic Self-Portraits (2021). Coordinated transmedia books and over 3 million educational video views. Projects: Led initiatives like Juguema (multimodal serious games), ZombUIB, and Genius-Up! (VR/AR educational games).