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Martin Kern is the Joanna and Greg Zeluck ’84 P13 P18 Professor in Asian Studies at Princeton University. He specializes in ancient Chinese literature, philology, and textual studies, with a focus on poetry, ritual, and cultural memory. Kern co-edits T'oung Pao and directs the "International Center for the Study of Ancient Text Cultures" at Renmin University, Beijing. Education: Ph.D. in Sinology, Cologne University M.A. in Sinology, Cologne University His research spans early Chinese rhetoric, authorship debates, manuscript analysis, and the intersection of writing/orality. He has led Princeton's "Comparative Antiquity" initiative (2018–2022) and co-directs the Princeton-Venice Summer School in Classical Chinese. Recent publications include studies on the Classic of Poetry , Chuci , and Zuozhuan , emphasizing newly discovered manuscripts and their impact on understanding ancient Chinese textuality. His work often bridges philological rigor with comparative theoretical frameworks. Scientific Awards: Member of the American Philosophical Society President of the American Oriental Society (2023–2024) Kern's editorial roles include co-editing the monograph series Studies in the History of Chinese Texts and the Handbook of Oriental Studies: Section 4 China . He has held leadership positions in major academic initiatives on ancient China.

• Ancient Chinese Literature
• Philology
• Early Chinese Poetry
• +7 more

Dr. Heather Inwood serves as University Associate Professor in Modern Chinese Literature and Culture within the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. She is also a Fellow and Director of Studies at Trinity Hall, maintaining dual institutional affiliations that support her teaching and research activities across undergraduate and postgraduate programs. Her educational background includes a BA in Chinese Studies from the University of Cambridge (Trinity Hall), followed by advanced studies at Tsinghua University and Peking University, culminating in a PhD in modern Chinese literature from SOAS, University of London in 2008. Prior academic appointments include Assistant Professor at The Ohio State University (2008-2013) and Lecturer in Chinese Cultural Studies at the University of Manchester before returning to Cambridge in 2016. Professor Inwood's research program investigates the dynamic interactions between digital media and literary production in contemporary China, with particular focus on poetry communities, genre fiction, and transmedia storytelling. Her work bridges traditional literary analysis with digital humanities approaches, examining how online platforms transform authorship, reception, and cultural value. She has pioneered scholarship on internet poetry scenes, demonstrating their vitality despite public perceptions of poetry's decline in modern China. Her publication trajectory reveals a clear evolution from early work on poetry communities ( Verse Going Viral: China's New Media Scenes , 2014) toward broader investigations of digital narrative forms, game studies, and Sinophone cyberspace. Recent publications increasingly engage with science fiction, transmedia storytelling, and the algorithmic structures shaping literary production, reflecting both the changing digital landscape and her expanding methodological toolkit. Professor Inwood actively supervises five PhD students working on diverse projects spanning Misty poetry, queer narratives, gender studies, and poetic animality, demonstrating her commitment to nurturing next-generation scholarship in Chinese literary studies. Her research has been supported by British Academy Small Grants and similar funding mechanisms that enable sustained fieldwork and publication. Her teaching responsibilities include undergraduate courses on East Asian media and popular culture, Modern Chinese texts, and Modern Chinese literature, connecting classroom instruction directly to her research expertise. She also maintains public engagement through Chinese-language columns for BBC China and other media outlets, bridging academic and public discourse on contemporary Chinese culture.

• Contemporary Chinese literature
• Poetry studies
• Digital humanities
• +5 more

Edward L. Shaughnessy serves as the Lorraine J. and Herrlee G. Creel Distinguished Service Professor in Early Chinese Studies and Director of Graduate Studies in the Department of East Asian Languages and Civilizations at the University of Chicago. A renowned scholar of ancient China, he specializes in archaeologically recovered texts from the Zhou dynasty period (c. 1045-249 BCE), particularly bronze inscriptions, bamboo-slip manuscripts, and the classical texts Zhou Yi (I Ching), Shang Shu, and Shi Jing. His research interests focus on the intersection of archaeological discoveries and literary traditions, with particular expertise in bronze inscriptions and the Zhou Yi. Shaughnessy has pioneered efforts to bridge Western and Chinese scholarly traditions, publishing extensively in both English and Chinese. He has written seven volumes of technical scholarship in Chinese and is currently leading an international team translating Tsinghua University's fourth-century BCE bamboo-slip manuscripts. His recent scholarly output shows strong trends in paleographic studies, with numerous publications analyzing newly excavated manuscripts. His work demonstrates a consistent focus on textual transmission, historical context, and the relationship between archaeological evidence and received literary traditions. Notable patterns include systematic analysis of bamboo-slip manuscripts, comparative studies of textual variants, and interdisciplinary approaches combining philology, archaeology, and historical analysis. Shaughnessy has received recognition through his appointment as a Distinguished Service Professor, one of the highest academic honors at the University of Chicago. His scholarly contributions have significantly advanced the field of early Chinese studies through both original research and editorial work. As an educator, Shaughnessy teaches seminars on oracle-bone inscriptions, bronze inscriptions, bamboo-strip inscriptions, and courses on the Yi jing, Shi jing, and Shang shu. He serves as Director of Graduate Studies for the department and has supervised numerous graduate students. His current and upcoming courses include 'The Ji Zhong Discovery,' 'The Development of Early China Studies in the West,' 'Western Zhou Bronze Inscriptions,' 'The Shang shu,' and 'The Shi jing.' Shaughnessy maintains an active research program with current projects including the translation of Tsinghua University's bamboo manuscripts and serving as co-editor of the journal Bamboo and Silk. His scholarly network extends internationally, as evidenced by his 2013 lecture series at the Collège de France titled 'Unearthing the Chinese Classics,' where he presented on the Zhou Yi, Shang Shu, Shi Jing, and Laozi.

• Ancient Chinese History
• Chinese Archaeology
• Early Chinese Texts
• +6 more

Professor Alison G. Salvesen (University of Oxford, Asian and Middle Eastern Studies) is a leading scholar in Early Judaism and Christianity, affiliated with the Oxford Centre for Hebrew and Jewish Studies and Mansfield College. Her work bridges textual criticism, translation history, and reception studies. Current Projects: Hexapla Institute Executive Committee (electronic database of Origen's Old Testament), monograph on Jacob of Edessa (d. 708 CE) Teaching: Septuagint studies, Patristic texts, Textual criticism, Syriac literature Specializing in ancient Hebrew Bible interpretations, she examines Greek (Septuagint), Aramaic (Targums), Syriac (Peshitta), and Latin (Vulgate) traditions. Her research spans rabbinic Judaism and early Christian exegesis. Scientific leadership includes co-editing major reference works and directing the Polonsky Fellowship. Current DPhil students include Joel Bell, Yael Krämer, and Paul Ulishney. Key grants/awards: Polonsky Fellow in Early Judaism and Christianity

• Early Judaism
• Early Christianity
• Hebrew Bible Interpretation
• +5 more

Alexander Key is an Associate Professor of Comparative Literature at Stanford University, specializing in Classical Arabic literature and the intellectual history of Arabic and Persian-speaking worlds from the 7th century onwards. His scholarship focuses on the philosophy of language, literary theory, and cross-cultural translation. Ph.D. in Arabic and Islamic Studies from Harvard University (2012) Current research: Arabo-Persian linguistic intersections, poetics in translation, and pre-modern theories of syntax and affect His articles span diverse eras and topics, including: Medieval Arabic language philosophy (5th–11th century) Modern Arabic political poetry analysis (20th–21st century) Comparative methodologies bridging Islamic and Western traditions A key editorial role includes: Board Member of Stanford University Press Advisory roles at Habib University and Stanford’s Markaz Resource Center His work bridges academic publication with public discourse through: Contributions to Arcade Colloquy Interviews on poetics, religion, and contemporary politics Podcasts and literary salon discussions

• Classical Arabic literature
• Arabic philosophy of language
• Persian literature
• +5 more

Daniel Medin serves as Professor at The American University of Paris within the Department of Comparative Literature and English History and Politics, joining the faculty in January 2010 after teaching positions at Stanford University, Washington University in St. Louis, and Free University Berlin. His academic credentials include: PhD, Washington University in St. Louis MA, Washington University in St. Louis BA, University of Connecticut Professor Medin's research centers on contemporary international fiction and the global reception of Franz Kafka , with significant contributions to Central European literary studies. His scholarly focus extends to autobiographical writing , editorial practices for translated fiction , and small prose forms , consistently examining cross-cultural literary exchange through interdisciplinary lenses that bridge literature, history, and translation theory. Analysis of his recent publications reveals a pronounced trajectory toward edited volumes spotlighting global literary voices across European, Asian, and Latin American traditions. His work demonstrates sustained engagement with translation as cultural mediation and Kafka's enduring legacy in contemporary writing, frequently connecting literary analysis with musical composition through collaborations with composers and musicians. His distinguished recognition includes: Alexander von Humboldt Foundation Fellowship As director of the Center for Writers and Translators and editor of the Cahiers Series, Professor Medin cultivates transnational literary networks through institutional leadership rather than traditional grant-funded research. His extensive involvement with literary prizes—including the International Booker Prize and European Union Prize for Literature—complements his editorial work at publications like Music & Literature and Schreibheft. He actively shapes contemporary discourse through the Center for Writers and Translators, organizing events that connect authors, translators, and scholars across linguistic boundaries. His recent festival appearances at Cheltenham, Bergen, and Dublin highlight ongoing commitment to examining Kafka's relevance and fostering dialogue about global literary trends.

• Contemporary International Fiction
• Franz Kafka Studies
• Central European History and Literature
• +3 more

Andrew Ollett is an Associate Professor and Director of Graduate Studies in the Department of South Asian Languages and Civilizations at the University of Chicago , where he has taught since 2019. His research focuses on the literary and intellectual traditions of South and Southeast Asia, particularly through works in Sanskrit, Prakrit, Apabhramsha, and Kannada from the first millennium CE. Co-founder and editor of NESAR (New Explorations in South Asia Research) Director of NEH-funded edition/translation of the Kavirājamārga (earliest Kannada literary manual) Expert in Prakrit and Kannada literary traditions His work explores the 'question of language'—examining how language choice shaped cultural production and change in premodern India. Current projects include a monograph on context-sensitivity in Indian language theories and a study of manuscript technology's impact on early South Asian knowledge communities. He has authored The Mirror of Ornaments (Naples: Unior Press, 2025) and Language of the Snakes (UC Press, 2017), and co-authored Lilavai (Harvard, 2021). Recent publications include interdisciplinary studies on: Sanskrit-Prakrit campū genre reevaluation Pragmatics in Mīmāṁsā interpretive concepts Manuscript literacy's influence on literary forms Historical linguistics of Middle Indic syllable reduction Philosophy of language in Śālikanātha and Kumārila Bhaṭṭa Awarded the NEH 'Scholarly Editions and Translations' grant , he teaches classical South Asian literature courses covering Sanskrit, Prakrit, and Tamil traditions. He maintains digital resources including a Prakrit Digital Texts Project and Mīmāṁsādigdarśinī digital text repository, and actively contributes to open-access scholarship.

• Poetics
• History of Literature
• Intellectual History
• +9 more

Rachel Fell McDermott is Professor of Asian and Middle Eastern Cultures at Barnard College, Columbia University, specializing in South Asian religions, particularly the Hindu goddess traditions of Bengal in India and Bangladesh. Her work bridges religious studies, human rights, and comparative religion, with a strong focus on Kali, Durga Puja, and the literary legacy of Kazi Nazrul Islam. Education: A.B., Religious Studies, University of Pennsylvania, 1981 M.Div., Harvard Divinity School, 1984 A.M., Study of Religion, Harvard University, 1986 Ph.D., Study of Religion, Harvard University, 1993 Her research centers on the religious and cultural dynamics of Bengal, exploring themes such as goddess worship, ritual practices, religious poetry, and the intersection of religion with politics and identity. She is deeply engaged in comparative religion, examining how religious themes like suffering, sacrifice, and divine femininity manifest across traditions. Her scholarship also addresses diasporic religious experiences, digital religion, and interfaith dialogue, particularly between Hindu and Christian communities. The 15 most recent publications reflect a sustained scholarly engagement with goddess traditions, especially Kali and Durga, as well as broader themes in South Asian religion, including Tantric symbolism, festival culture, and the reception of Hindu deities in the West. Her work spans ethnographic, historical, and textual analysis, often highlighting the contested and evolving nature of religious canons. She frequently contributes to major academic anthologies and journals in religious studies, South Asian studies, and comparative theology. Scientific Awards: No specific awards listed in the provided text. As a senior professor and managing editor of major academic volumes, she has likely advised numerous graduate students and secured research funding, though specific names and grants are not mentioned. She teaches courses such as “Why Do Bad Things Happen to Good People?” that explore theodicy across religions. She is currently on leave for the 2024–2025 academic year, indicating ongoing active involvement in academic life. She is involved in significant editorial projects, including the third edition of The Sources of Indian Traditions , and is working on translations and a monograph on Kazi Nazrul Islam. Her scholarly presence includes invited lectures at institutions such as Princeton, the University of Connecticut, and the Bangla Academy in Dhaka, reflecting her international recognition in the field of South Asian religious studies.

• South Asian Religions
• Hindu Goddess Worship
• Bengali Religious Traditions
• +12 more

Dr. Apala Das is a Research Fellow at Bilkent University, specializing in 20th-century global anglophone literatures, modernist poetry and poetics, and postsecularism studies. Her academic work bridges postcolonial theory, South Asian literatures, and political theology within transnational frameworks. Her educational background includes a PhD from the University of Toronto, completed in 2024. Dr. Das's research centers on modernist asceticism as a critical lens for examining literary experiments by figures like Rabindranath Tagore, Hilda Doolittle, Aurobindo Ghose, and May Sinclair. She investigates how these writers negotiated ascetical ideals within colonial and postcolonial contexts, connecting literary form to biopolitics, secular citizenship, and ethno-nationalist ideologies. Her approach synthesizes postcolonial ethics, comparative literature, and political theology to analyze transnational modernist aesthetics. Her publications from 2018-2024 reveal consistent engagement with mobility, hybridity, and spiritual dimensions across literary traditions. Early work analyzed mobility in ethnography and Romantic-era travel, evolving toward contemporary meta-minimalist fiction and systematic studies of asceticism in global modernism. Dr. Das has received significant recognition for her scholarship: Ontario Graduate Scholarship (awarded twice) Chancellor Jackman Junior Fellowship from the Jackman Humanities Institute, University of Toronto Khashu Award for Tagore Studies from the Institute for South Asia Studies, UC Berkeley As a recent PhD graduate, she has not yet taken on formal graduate advising roles. Her research has been supported by competitive doctoral grants including the Ontario Graduate Scholarships and Chancellor Jackman Junior Fellowship, with current work funded through the Bilkent University/British Institute at Ankara Joint Fellowship. Dr. Das is actively developing her book manuscript "Modernist Asceticisms: Discipline, Form, and the Postsecular in the Transnational Twentieth Century" while participating in academic initiatives like the 2024 book launch for "Mind and Embodiment in Late Victorian Literature".

• 20th-century global anglophone literatures
• modernist poetry and poetics
• postsecularism studies
• +4 more

Professor Leigh K. Jenco holds the position of Professor of Political Theory at the Department of Government, London School of Economics and Political Science (on sabbatical during 2024/25). Her expertise spans Chinese Thought, Taiwan Studies, Political Philosophy, and Global Intellectual History. She previously taught at the National University of Singapore and has held visiting roles at Taiwan's Academia Sinica, National Taiwan University, and the University of Heidelberg. Education: B.A. from Bard College M.A. and Ph.D. from University of Chicago Her research explores late Ming neo-Confucian concepts of equality through literary theory and the 20th-century rediscovery of Chinese folksong compendia. She leads the £1.5M British Academy-funded 'Chinese Global Orders' project and was the principal investigator for the EU's 'East Asian Uses of the European Past' initiative. She served as associate editor of the American Political Science Review (2016–2020). Her publications include groundbreaking monographs like Changing Referents (Oxford UP, 2015) and Making the Political (Cambridge UP, 2010), which bridge political theory with Chinese intellectual history. Current projects focus on Ming dynasty poetics and cross-cultural knowledge transfer. Grants & Projects: Lead investigator for 'Chinese Global Orders' (£1.5M, British Academy) EU H2020 'East Asian Uses of the European Past' (€1.2M) She is fluent in Classical Chinese, Mandarin, and English, and her work emphasizes global comparative frameworks to challenge Eurocentric narratives. Her research often intersects historical texts with contemporary political debates, particularly around cultural borrowing and identity formation.

• Political Philosophy
• Global Intellectual History
• Chinese Thought
• +3 more

Remco Breuker is a Professor of Korean Studies at Leiden University’s Humanities Institute for Area Studies (LIAS), specializing in medieval Korean and Northeast Asian history, North Korean affairs, and contemporary issues. His research bridges historical analysis with modern geopolitical challenges, particularly focusing on marginalized voices and historical narratives. He leads ERC-sponsored and LeidenAsiaCentre-funded projects on Manchurian histories and North Korean forced labor in the EU. Breuker holds a PhD from Leiden University and has held post-doctoral and visiting researcher roles at institutions like the Australian National University. Education: MA in Japanese Studies (Leiden University, 1997) MA in Korean Studies (Leiden University, 1997) MA in Korean History (Seoul National University, 2001) PhD in Korean History (Leiden University, 2006) Research Interests: Breuker’s work examines medieval Korea’s Koryŏ dynasty, Northeast Asian historiography, and modern North Korean political dynamics. He translates modern Korean literature into Dutch, emphasizing marginalized perspectives and cultural hybridity. Recent projects include analyzing North Korean forced labor networks and reinterpreting ancient Manchurian histories’ contemporary relevance. Awards: 2010 KNAW Heineken Young Scientist Award Academy of Korean Studies Translation Grants (2010, 2008) NWO VENI Research Grant (2008) Advisees & Grants: Supervises PhD candidates researching Korean-Vietnam War linkages, Japanese-Korean relations, and North Korean forced labor. Secured grants exceeding €600,000 for translation projects and interdisciplinary research. Leads LIAS initiatives and serves on Leiden’s Slavery Studies Association. Labs/Teams: Coordinates the History as Social Practice project and the Slavery Studies Leiden network, fostering collaborative research on historical narratives and modern exploitation systems.

• Korean medieval history
• Northeast Asian history
• Korean cinema
• +4 more

Melissa McCormick, Andrew W. Mellon Professor of Japanese Art and Culture at Harvard University, holds a Ph.D. in Japanese Art History from Princeton University (2000) and a B.A. in art history and Japanese from the University of Michigan (1990). She has taught at Columbia University as the Atsumi Assistant Professor of Japanese Art (2000-05) and at Harvard since 2005, where she was promoted to Professor with tenure in 2009. She has held visiting professorships at the University of Zurich and Universidade Estadual de Campinas, Brazil. Education : University of Michigan (B.A.), Princeton University (Ph.D.), Gakushūin University (1996-98) Affiliations : Harvard Art Museums, Metropolitan Museum of Art, NHK Documentaries, Getty Foundation Her research explores the interplay of text and image in Japanese art, focusing on emaki (narrative scrolls), The Tale of Genji , and Buddhist themes. Her 2018 monograph The Tale of Genji: A Visual Companion and 2009 book Tosa Mitsunobu and the Small Scroll in Medieval Japan established new frameworks for analyzing scroll format and narrative. Current projects examine Buddhist nun-artist Ōtagaki Rengetsu and bridal manuscript traditions. Selected articles highlight her work on Hakubyō (ink-line painting), medieval Genji genealogies, and the poetics of chigo (novice) tales. She has contributed to exhibitions at the Metropolitan Museum of Art and Dartmouth College’s Hood Museum. Scientific Awards : Mellon Fellowship in the Humanities (1990) At Harvard, McCormick teaches courses ranging from introductory surveys ( Arts of Japan ) to advanced seminars on gender, tea culture, and museum research. She co-curated the 2019 Tale of Genji exhibition at the Met, which received critical acclaim, and developed an edX course with over 20,000 enrollments. Her consultancy work extends to opera and dance companies, including Japan Society and Asia Society of Texas.

• Japanese Art History
• Visual Storytelling
• Text-Image Relationship
• +7 more

William H. Nienhauser, Jr. is the Halls-Bascom Professor of Classical Chinese Literature in the Department of Asian Languages and Cultures at the University of Wisconsin–Madison, College of Letters and Science. He is a leading authority on early Chinese literature, historiography, and poetry, with a particular focus on Sima Qian’s Shiji and the poetry of Du Fu. He has held visiting and research positions in China, Japan, Germany, and Taiwan, and remains academically active, including a 2018 appointment as Visiting Professor at Nankai University. His research interests include early traditional Chinese fiction, historiography, chuanqi and zhiguai tales, and the application of modern Western critical theories to Chinese literary texts. He is deeply engaged in the translation and annotation of classical works, especially the Shiji , often in collaboration with graduate students. His scholarship bridges philology, literary theory, and historical contextualization, contributing significantly to the global understanding of pre-modern Chinese literature. Nienhauser’s publications reveal a sustained focus on textual analysis, narrative structure, and the interplay between history and literature. His work spans from early Shijing poetry to Tang dynasty fiction, with a strong emphasis on Sima Qian’s historiographical methods and legacy. He has also contributed foundational reference works and critical editions, shaping the field of Chinese literary studies. His scientific awards reflect the international recognition of his scholarship: Woodrow Wilson Fellowship ACLS Fellowship NEH Fellowship Fulbright-Hayes Fellowship Japan Foundation Fellowship German Research Foundation Fellowship Alexander von Humboldt Foundation Fellowship Humboldt Foundation Lifetime Achievement Award (2003) Nienhauser has advised numerous graduate students in collaborative research projects, particularly on the Shiji and Du Fu. He has secured major fellowships and grants from prestigious organizations including the NEH, ACLS, Fulbright-Hayes, and the Humboldt Foundation, enabling extended research and translation work. His editorial roles, especially as a founding editor of Chinese Literature: Essays, Articles, Reviews (CLEAR), have been instrumental in advancing the field. While no formal lab or research center is mentioned, Nienhauser leads a major international collaborative translation project on the Shiji , involving scholars and students across institutions. His seminars and graduate courses foster a close-knit research community focused on classical Chinese texts.

• Classical Chinese Literature
• Early Traditional Chinese Fiction
• Chinese Historiography
• +8 more

Dr. Razak Khan is a Research Fellow in the History Research Group at CeMIS (Center for Modern Indian Studies). His academic journey includes a DPhil from Freie Universität Berlin (2014) and postdoctoral fellowships at the Max Planck Institute for Human Development and Friedrich–Alexander University Erlangen–Nürnberg. Research Focus: Early modern/colonial India, South Asian Islam, Urdu public cultures, history of emotions, Indo-German comparative histories, and global intellectual history. Key Projects: His Habilitation project explores 'Minor Cosmopolitanism' through Syed Abid Husain's writings, while his book Minority Pasts (OUP, 2022) examines locality and belonging in Rampur. Publications: 15 recent works span transnational Indo-German intellectual histories, emotional geographies, Urdu archives, and Indo-Islamic cultural studies. Collaborations: Co-edited The Incomparable Festival (Penguin, 2021) and contributed to interdisciplinary volumes on emotions and migration.

• Early Modern Indian History
• Modern Indian History
• South Asian Islam
• +7 more

Karen Thornber is the Harry Tuchman Levin Professor in Literature and Professor of East Asian Languages and Civilizations at Harvard University’s Faculty of Arts and Sciences. She holds leadership roles as Richard L. Menschel Faculty Director of the Derek Bok Center for Teaching and Learning and President of Phi Beta Kappa Alpha Iota. Her research spans environmental humanities, medical/health humanities, gender justice, climate justice, and transculturation, with expertise in over a dozen languages. Thornber earned her Ph.D. in East Asian Languages and Civilizations from Harvard (2006) and an A.B. from Princeton. She has authored six major monographs, including Ecoambiguity (2012) and Global Healing (2020), co-edited volumes, and over 80 articles. Her translation of Toge Sankichi’s atomic bomb poetry won the 2012 Sibley Prize. Her awards include the Charles Bernheimer Prize and John Whitney Hall Book Prize. Leadership roles include Director of Harvard’s Asia Center, Chair of Comparative Literature, and co-chair of FAS strategic planning. Thornber teaches courses on gender justice, environmental literature, and medical humanities, advising graduate students in Comparative Literature and East Asian Studies. Her recent projects include books on climate justice and global mental health, with research emphasizing transnational frameworks for Asian and global literatures.

• Environmental Humanities
• Medical and Health Humanities
• Gender Justice
• +5 more