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Jose Luis Belmonte Postigo is an active researcher and faculty member at the University of Seville, specifically in the Department of American History within the Faculty of Philosophy, Arts and Humanities. His academic career spans over a decade, with research activity documented from 2010 to the present. He earned his doctorate from the Pablo de Olavide University with a thesis on slavery in Santiago de Cuba (1780-1803), supervised by Dr. Juan Marchena Fernández. Belmonte Postigo's research focuses on the history of slavery in the Spanish Caribbean and Latin America, with particular attention to Cuba, Puerto Rico, Peru, and the broader Atlantic World. His work examines the social, economic, and cultural dimensions of slavery, including enslaved people's resistance strategies, social mobility, and the complex relationships between masters and slaves. He has conducted extensive research on how enslaved individuals navigated systems of power, sought freedom, and maintained cultural practices across the colonial period. His publications reveal a strong interest in the microhistories of enslaved individuals and communities, analyzing how they negotiated their circumstances within rigid colonial structures. Belmonte Postigo has made significant contributions to understanding the regional variations of slavery across the Spanish Empire, particularly examining how local contexts shaped slave societies in different parts of the Caribbean and Latin America. Belmonte Postigo has received recognition for his scholarly work, with a substantial following on academic platforms like Academia.edu where he has 938 followers. He collaborates with scholars across Latin America and Spain, contributing to edited volumes and participating in international research projects focused on slavery and colonial history. In addition to his research, Belmonte Postigo has demonstrated commitment to academic service through peer reviewing and contributing to scholarly journals. His expertise in colonial slavery has positioned him as a key contributor to ongoing scholarly conversations about the legacy of slavery in Latin America and the Caribbean.

• History of Slavery
• Latin American History
• Caribbean History
• +3 more

Chang-Tai Hsieh is the Phyllis and Irwin Winkelried Distinguished Service Professor of Economics at the University of Chicago Booth School of Business. He is also a PCL Faculty Scholar with the university. His academic appointments include being a Research Associate for the National Bureau of Economic Research, a Senior Fellow at the Bureau for Research in Economic Analysis of Development, and a member of the Steering Group of the International Growth Center in London. His research interests focus on economic development, growth in Asia and Latin America, and applied economics, with particular expertise in macroeconomics. He has conducted extensive research on growth and development patterns across different regions, with special attention to China's economic transformation. His work examines resource allocation, innovation dynamics, trade policy impacts, and structural economic changes. Hsieh's recent publications reveal a strong focus on US-China economic relations, Chinese economic development, and the dynamics of innovation and growth. His research spans multiple subfields including trade policy, resource allocation, economic measurement, and the political economy of development. He has made significant contributions to understanding the economic transformation in East Asia, particularly regarding China's growth model and its implications for global trade. Alfred P. Sloan Foundation Research Fellowship Elected Member of Academia Sinica Two-time recipient of the Sun Ye-Fang Prize Fellow of the American Academy of Arts and Sciences Fellow of the Econometric Society Hsieh has been a visiting scholar at multiple Federal Reserve Banks (San Francisco, New York, and Minneapolis), the World Bank's Development Economics Group, and the Economic Planning Agency in Japan. He is also an active commentator on economic policy, with numerous opinion pieces published in Commonwealth Magazine, Project Syndicate, and other major outlets, particularly focusing on US-Taiwan-China economic relations and trade policy.

• Economic development
• Growth in Asia and Latin America
• Applied economics
• +4 more

Vicente Cervera Salinas is a Professor of Spanish Literature at the University of Murcia, affiliated with the Faculty of Arts and Humanities and the Department of Spanish Literature, Literary Theory and Comparative Literature. He has been a full professor since 2004 and specializes in Latin American literature, intertextuality, and literary theory. His research interests include: Spanish and Latin American Literature Comparative Literature and Intertextuality Poetry and the Essay as Literary Genres Classical Mythology and its Modern Reinterpretations Aesthetic Criticism and Cultural Memory Philosophical Dimensions in Literature His scholarly and creative work reflects deep engagement with figures like Jorge Luis Borges, Dante Alighieri, and George Santayana. His publications span poetry, critical essays, and editorial projects, often exploring the intersections between literature, philosophy, and cultural identity. The themes across his recent articles reveal a consistent focus on myth, authorship, and transatlantic literary traditions, particularly in Hispanic contexts. He has received recognition including the Second Prize in the America Poetry Prize (1993). He co-directs the journal Cartaphilus: Revista de investigación y crítica estética and has directed the Humanities Classroom at the University of Murcia. He served as president of the Association of Hispanic American Literary Studies (2014–2018). He has supervised at least one doctoral thesis and has been a visiting professor at institutions in Havana, San José (Costa Rica), Buenos Aires, and Vienna. His academic leadership includes editing multi-volume works on literary figures and movements, contributing significantly to the study of Hispanic intellectual and aesthetic traditions. He leads the research group Plural Scriptures: Intertextuality and Interdisciplinarity , continuing to influence both literary scholarship and creative writing in Spain and Latin America.

• Spanish Literature
• Latin American Literature
• Comparative Literature
• +7 more

Amir Sufi is the Bruce Lindsay Distinguished Service Professor of Economics and Public Policy at the University of Chicago Booth School of Business, where he has been a faculty member since 2005. He serves as a Research Associate at the National Bureau of Economic Research and co-director of its Corporate Finance Program. Bachelor’s Degree, Walsh School of Foreign Service, Georgetown University (1999) PhD in Economics, Massachusetts Institute of Technology (2005) His research focuses on finance , macroeconomics , and corporate finance . Key areas include household debt dynamics , credit market structure , income inequality , and interest rate impacts on productivity growth . Recent work examines customer capital investment and low-interest rate effects on market concentration . Selected scientific awards include the 2017 Fischer Black Prize, Econometric Society Fellow (2022), and American Academy of Arts and Sciences Fellow (2024). His peer-reviewed publications and working papers span topics from syndicated loans to global household debt cycles , with notable contributions to understanding credit-driven business cycles and government-led consumer credit programs . He teaches courses in leveraged finance , private credit , and corporate restructuring .

• Finance
• Macroeconomics
• Corporate Finance
• +9 more

Jose Antonio Hinojos Morales is a contemporary artist and researcher affiliated with Miguel Hernández University of Elche, where he completed his PhD in 2020. His academic work focuses on contemporary painting practices within the broader context of visual arts research. His research interests center around pictorial languages and procedures in contemporary contexts , with particular emphasis on the relationship between landscape, nature, and culture. He investigates how landscapes function as cultural constructs and explores innovative methodologies in the representation of the human face through art. His work also engages with decolonial thought and aesthetics, media archaeology, and expanded painting techniques. Hinojos Morales' artistic output demonstrates significant trends in contemporary Spanish art, particularly in the exploration of spiritual, philosophical, and scientific concepts through visual media. His work often challenges conventional perceptions and hegemonic epistemological positions, creating dialogues between traditional and contemporary artistic approaches. Second place, VIII International Painting Competition 'Miradas 2018', Chicago (USA), 2018 Second Prize, XIX Pastor Calpena Painting Prize, Aspe (Alicante), 2015 First Prize, XLVI National Painting Contest Vila de Sant Joan d'Alacant, 2013 First Prize, III National Painting Competition No to Fear, La Nucía (Alicante), 2013 Third Prize, XVII National Painting Competition City of Antequera, Antequera (Málaga), 2013 As an educator and researcher, Hinojos Morales has coordinated the Altea Artistic Residency program, directing multiple landscape-focused scholarship-residencies that support emerging artists. His work bridges academic research with professional artistic practice, contributing to both scholarly discourse and the contemporary art scene in Spain.

• Pictorial languages and procedures
• Landscape theory
• Nature and culture relationships
• +5 more

Jordi Claramonte Arrufat is a Spanish philosopher and university professor at the National University of Distance Education (UNED) in the Department of Philosophy and Moral and Political Philosophy. His work centers on Modal Aesthetics , a theoretical system analyzing the relationships between necessity, contingency, possibility, and impossibility in art and sensitivity. He has authored six major essay works, including the foundational Estética Modal: Libro Primero (2016) and Libro Segundo (2021). PhD in Philosophy from UNED (2006) Visiting professor at MIT, Yale University, and Chicago Arts Institute His research bridges aesthetics with political and social self-organization processes, focusing on contextual art practices and the breakdown of artistic representation in favor of direct action. Collaborations include groups like Fiambrera Obrera and Sabotaje Contra el Capital Pasándole Pipa (SCCPP). In 2022, he delivered the talk Art to the Limit at Valencia's 1st Biennial of Thought, addressing creativity in times of social crisis. Publications include analyses of censorship, relational aesthetics, and applications of modal theory to cinema, architecture, and sculpture. Claramonte's work has inspired academic research across disciplines, including studies on: Modal applications in audiovisual media and cinema Architectural modal analysis Scultptural modal strata Tradition in modern aesthetics He has supervised 17 doctoral theses and contributed to critical dialogues on autonomy, precariousness, and the political dimensions of sensitivity.

• Modal Aesthetics
• Art Theory
• Political Philosophy
• +5 more

Juan Francisco Jiménez-Alcázar is a Professor at the Universidad de Murcia, affiliated with the Department of Prehistory, Archaeology, Ancient History, Medieval History and Historiographic Sciences and Techniques within the Faculty of Arts and Humanities. His research focuses on Medieval History, Digital Humanities, and the intersection of history with video games and digital media. He holds a Doctorate from the Universidad de Murcia (1993) with a thesis on 'Espacio, poder y sociedad en Lorca (1460-1521)'. His work explores historical representation in modern media, particularly analyzing how video games depict medieval soundscapes, warfare, and cultural frontiers. Key themes include the study of linguistic diversity in medieval Spain, governance structures in frontier regions like Murcia, and the impact of historical epidemics such as the 1507-08 plague in Murcia. Recent publications include books on Digital Humanities and video games (2020), medieval warfare simulations, and interdisciplinary studies on migration and historical identity. He collaborates with institutions like CONICET and the CNR in Italy, and his research contributes to both academic and public understanding of medieval history through digital tools and cultural analysis.

• Medieval History
• Digital Humanities
• Historical Representation in Media
• +3 more

Pedro Sangro Colón serves as both Vice-Rector of Research and Degrees and Titular Professor of Language and Audiovisual Narrative at the Pontifical University of Salamanca's Faculty of Communication since 2008. His academic home is firmly rooted in the Audiovisual Communication and Advertising department where he has established himself as a leading scholar in film theory and audiovisual narrative. Dr. Sangro Colón earned his doctorate from Universidad Complutense de Madrid with his thesis "El concepto de 'montaje cinematográfico': una revisión de su formulación teórica" (2000), supervised by Dr. Manuel Alonso Erausquin. His research interests span cinematic montage theory, Spanish cinema history (particularly during the Francoist period and democratic transition), audiovisual narrative structures, documentary film analysis, and the intersection of cinema with psychoanalysis. His work demonstrates a consistent focus on how film constructs meaning through editing techniques and narrative frameworks. An analysis of his 15 most recent publications reveals a scholarly trajectory deeply engaged with Spanish cinematic history and theoretical film studies. His work frequently examines how film represents historical memory, particularly regarding Spain's transition from dictatorship to democracy, with special attention to montage techniques as tools for constructing historical narratives. More recently, he has expanded his scope to include contemporary media phenomena like the Marvel Cinematic Universe, analyzing how superhero films represent national security apparatuses and historical trauma. His extensive publication record includes numerous books, articles, and book chapters, with notable works such as "Escenas de cine, Guión y análisis" (2017), "La estética televisiva en las series contemporáneas" (2018), and "El clasicismo en el cine Una mirada Intergeneracional" (2015). His research demonstrates both theoretical sophistication and practical application to screenwriting and television production. As Vice-Rector of Research and Degrees, Dr. Sangro Colón oversees academic programs and research initiatives at the university. His leadership role complements his scholarly work by providing institutional perspective on academic innovation and research management. His recent publication "Introducción: la innovación en la Universidad Pontificia de Salamanca" (2021) reflects his engagement with contemporary challenges in higher education. His academic collaborations are extensive, with frequent co-authorship with colleagues like Juan Medina-Contreras and Miguel Ángel Huerta. His work appears in both Spanish and international journals, demonstrating his ability to engage with global film scholarship while maintaining a strong focus on Spanish and Latin American cinematic traditions.

• Film Theory
• Cinematic Montage
• Spanish Cinema History
• +5 more

Sonia Machause López is a Lecturer in the Department of Prehistory and Archaeology at the Faculty of Geography and History, University of Valencia. She is a member of the GRAM Archaeological Research Group on the Mediterranean and holds a PhD from the University of Valencia (2017) on ritual caves in the Iberian Iron Age. Her work bridges archaeological theory, landscape analysis, and sensory studies, focusing on ritual practices in natural spaces. PhD in Mediterranean Prehistory and Archaeology, University of Valencia (2017) Thesis: Caves as ritual spaces in Iberian Iron Ages: the cases of Kelin, Edeta and Arse Supervisors: Dr. Consuelo Mata Parreño, Dr. Carmen Aranegui Gascó Her research centers on Iberian Iron Age ritual practices, particularly the use of caves as sacred spaces. She integrates GIS, archaeoastronomy, and sensory archaeology to explore ritual landscapes, territoriality, and embodied experiences. Her work emphasizes multisensory dimensions, ritual journeys, and the symbolic role of water and darkness in underground spaces. She has published extensively on sites such as Cueva del Sapo, Sima de l'Aigua, and Cova de les Dones. Her recent publications reveal a strong trend toward interdisciplinary methodologies, combining material analysis with spatial and sensory modeling. She frequently collaborates with experts in archaeozoology, geophysics, and ethnography. Her work challenges elite-centric models of ritual, emphasizing community participation and variability in religious experiences. Enduring Sacred Places: The Astronomical Orientation of the Iberian Cave-Sanctuary of Cueva Santa del Cabriel in Spain (2019) Caves, Senses, and Ritual Flows in the Iberian Iron Age: The Territory of Edeta (2022) Delving into the Iberian rituality of the Sima de l'Aigua (2024) Sonia Machause López actively mentors early-career researchers and participates in academic dissemination, including public talks and gender studies in archaeology. She has contributed to projects on women in universities and archaeological outreach. While no specific grants are listed, her sustained research output suggests active funding support. She is affiliated with the GRAM research group, which focuses on Mediterranean archaeological dynamics, ritual landscapes, and material culture. Her work often involves field prospection, laboratory analysis, and collaborative interpretation across disciplines.

• Archaeology
• Iberian Iron Age
• Ritual Practices
• +12 more

Armando J. Pego Puigbó is a Professor at the Faculty of Philosophy , Universitat Ramon Llull (La Salle-URL), affiliated with the Department of Philosophy and Humanities and the Hall Research Group on Smart Society . His work intersects philosophy, cultural studies, and technology, particularly examining postmodern and postsecular paradigms. Key Projects : FILOCULTURA (2017–2021): Philosophy and culture in Catalonia Transformacions metadiscursives (2024): Metadiscursive interactions in philosophy and literature Research Trends : Recent articles explore intersections of religion and modernity (e.g., El estallido del cristianismo , 2024), existential themes in Qohelet (2024), and foundational philosophical concepts in postmodern contexts (2020). Publications span critical theory, literary analysis, and cultural philosophy. Contact : armandojesus.pego@url.edu

• Philosophy
• Humanities
• Cultural Studies
• +5 more

Miriam Lorente Rodriguez is a Professor in the Department of Comparative Education at the Faculty of Philosophy and Educational Sciences, University of Valencia, Spain. She is an active researcher in the GRECIA Comparative Education Research Group, focusing on global citizenship, educational rights, and policy in Latin America and Central America. Research Interests: Her work spans Comparative Education , Global Citizenship Education , Education as a Human Right , Teacher Induction , and SDG4 (Quality Education) . She critically examines educational policies, digital transformation in higher education, and teacher professional development, particularly in Latin American contexts. Her recent publications (2021–2025) reflect a strong trend toward analyzing UNESCO’s global citizenship agenda, the impact of digital tools during the pandemic, teacher coordination roles, and educational equity in Latin America. These works demonstrate a consistent focus on policy critique, comparative methodologies, and sustainable development in education. Scientific Awards: No awards mentioned in the provided text. Advising and Grants: While no formal list of advisees or grants is provided, she completed her PhD on children's rights and education in Central America under the supervision of Dr. Luis Miguel Lázaro Lorente. Her research suggests active involvement in academic mentoring and collaborative projects, particularly within the GRECIA group. Labs and Teams: She is a key member of the GRECIA Comparative Education Research Group , contributing to collective research on international and comparative educational policies, with a focus on Latin America and global frameworks.

• Comparative Education
• Global Citizenship Education
• Education Policy
• +7 more

Ricardo Piñero Moral is a Professor at the University of Navarra, affiliated with the Faculty of Economics and Business Sciences and the Faculty of Philosophy and Letters. He holds positions in the Economics and Philosophy departments, and is part of the research group 'Estética y Arte Contemporáneo'. He earned his Doctorate from the University of Salamanca in 1994 with a thesis on Plotinus' aesthetics and contemplation, supervised by Dr. Mariano Álvarez Gómez. His research focuses on aesthetics, art theory, medieval studies, and the intersection of art with theology, mysticism, and philosophy. Key interests include medieval bestiaries, Spanish Golden Age art theory, contemporary art metaphysics, and the symbolic roles of animals in religious and cultural contexts. Recent publications explore themes like the transformational power of art, the aesthetics of evil in medieval contexts, and the philosophical underpinnings of artistic creation. His work bridges historical analysis with contemporary debates, emphasizing the role of beauty in ethical and existential frameworks. He has not been explicitly noted for scientific awards, though his prolific academic output and scholarly contributions are widely recognized. His advising and grant activities remain unspecified in available texts, though his involvement in interdisciplinary research groups suggests collaborative projects. He is associated with the 'Estética y Arte Contemporáneo' research group, focusing on contemporary aesthetic challenges and cultural dialogue.

• Aesthetics
• Art Theory
• Medieval Studies
• +6 more

Juan Manuel Monterroso Montero is a Professor of Art History at the University of Santiago de Compostela (USC), affiliated with the Department of Art History within the Faculty of Geography and History. He holds a Ph.D. from USC (1995) with a thesis on Baroque Painting in Galicia (1620-1750). His career includes roles as Dean of the Faculty of Geography and History at USC (2008–2016), Director of the Department of Art History (2003–2008 and 2016–2021), and President of the Commission for the University of Santiago de Compostela’s Statutes (2009–2012). Monterroso leads the Iacobus research group (GI-1907) and coordinates the doctoral program in History, Geography, and Art History. His research focuses on Galician modern-era art, iconography, and cultural heritage management. He has coordinated the Interuniversity Master’s in Architectural and Artistic Heritage Management with the University of Las Palmas de Gran Canaria. His work spans academic leadership, exhibition curation, and international collaboration, with a strong emphasis on Galician cultural patrimony. Monterroso’s publications include the Opus Monasticorum series exploring monastic heritage in Galicia, studies on Santiago de Compostela’s architectural and artistic legacy, and analyses of Baroque and modern-era religious art. His research bridges historical analysis with contemporary heritage preservation, reflecting his dual role as scholar and institutional leader.

• Art History
• Cultural Heritage Management
• Iconography
• +3 more

Gerardo Boto Varela is an Associate Professor in the Department of History and Art History at the University of Girona, where he has been a faculty member since 1995 and holds the title of 'Professor Titular d'Universitat'. He earned his PhD in Art History from the Universitat Autònoma de Barcelona in 1998 and currently serves as Director of the School of Doctoral Studies. His academic affiliations include the Institute of Historical Research and the Research Group in Cultural, Artistic, and Political Studies (9th–21st centuries). His research focuses on medieval religious architecture, particularly Romanesque cathedrals and monastic cloisters in the Iberian Peninsula. He investigates spatial organization, visual programs, liturgical practices, and memorial discourses, combining architectural archaeology with theological and historical analysis. His work emphasizes materiality, perception, and the symbolic function of sacred spaces. Boto Varela's recent publications and edited volumes explore themes such as cathedral urban contexts, episcopal memory, emerging naturalism in sculpture, and the ritual use of space. His research is supported by major grants from the Spanish Ministry of Economy, La Caixa, and the European Union (Marie Curie Project), and he leads the recognized research group 'Edificis i escenaris medieval de la Corona d'Aragó'. He is a leading figure in medieval art scholarship, serving as scientific editor of Codex Aquilarensis. Revista de Arte Medieval and on the editorial boards of several international journals. He has organized numerous international conferences and collaborative research initiatives across Europe. Scientific Editor, Codex Aquilarensis Member, Scientific Committees of Medievalista , Quintana , Cahiers de Saint Michel de Cuxa , and others Principal Investigator, TEMPLA Research Team Principal Investigator, SGR 110 Research Group Member, Catalan Society of Liturgical Studies Boto Varela has supervised interdisciplinary research projects involving scholars from Spain, France, the Netherlands, and beyond. He promotes knowledge transfer through public engagement, digital documentation (3D scanning, georadar), and the integration of technology in heritage studies. His work bridges academic research and cultural preservation, contributing significantly to the understanding of Europe’s shared medieval architectural heritage.

• Medieval Art History
• Romanesque Architecture
• Cathedral Studies
• +7 more

Joan Nogue i Font is a Professor at the Department of Geography of the University of Girona , and founder-director of the Cátedra del Bosque since 2022. He served as Dean of the Faculty of Arts (1996-2004) and former director of the Catalan Landscape Observatory (2005-2017). A specialist in Landscape and Human Geography , he has authored and edited numerous influential works, including Nacionalismo y territorio (1998) and Geopolítica, identidad y globalización (2001). Education: PhD in Geography (Universitat Autònoma de Barcelona), studies at University of Wisconsin-Madison under Yi-Fu Tuan Advisory roles: Member of Advisory Council for Sustainable Development (CADS), full member of Institute of Catalan Studies (IEC) Editorial work: Co-editor of Documents d'Anàlisi Geogràfica , co-director of Paisaje y Teoría book series International experience: Adjunct Professor at Western University (Canada), visiting scholar at Harvard University (2022) His research integrates Landscape Analysis with Societal and Environmental Studies , focusing on territorial identity, sustainability, and the interplay between culture and geography. He has pioneered methodologies for landscape cataloging and participatory management, emphasizing intangible values and citizen engagement. His work bridges European landscape policies with Catalan rural transformations. Recent publications like The other rural world (2022) and Paesaggio, territorio, società civile (2017) reflect his focus on civil society and contemporary spatial dynamics. His scientific awards include: 2009 Rei Jaume I Award for Urbanism, Landscape, and Sustainability 2010 Joan Fuster Essay Award 2022 Sylvester Baxter Lecturer at Harvard University He has served on editorial boards for journals such as Bolletino della Società Geografia Italiana and Punto Sur , and collaborates with La Vanguardia and Ara media supplements.

• Human Geography
• Landscape Studies
• Environmental Planning
• +3 more