José A. Pérez DíezView profile
Lecturer
José A. Pérez Díez is a Lecturer in Early Modern Drama at the School of English, University of Leeds, where he also serves as Director of Postgraduate Taught Programmes and Programme Leader for the MA in English Literature. He is actively involved in major editorial projects, including The Complete Works of John Marston (OUP) and The Revels Plays , and leads the Playhouse Lab, a practice-as-research initiative. Licenciado, Complutense University of Madrid MA in Shakespeare and Theatre, University of Birmingham PhD, University of Birmingham PGCert in Academic Practice, Open University His research centers on Jacobean drama, particularly the works of John Marston, John Fletcher, and Shakespeare, with a strong focus on Anglo-Spanish cultural relations in the Renaissance. He investigates how Spanish imaginative literature influenced English drama through diplomatic, bibliographic, and performance channels. His Leverhulme-funded project traced the material circulation of Spanish books in Jacobean England, analyzing ownership, patronage, and intellectual networks. He also engages deeply with theatre history and performance studies, having worked as dramaturg for the Royal Shakespeare Company and participated in over twenty Shakespearean productions. The recent articles reflect a consistent focus on textual editing, performance, and cross-cultural literary influence. His publications span critical editions, scholarly editing, book history, and dramaturgy, emphasizing both philological rigor and practical engagement with early drama. The keywords and sub-fields highlight interdisciplinary work across literature, history, bibliography, and theatre practice. His scientific recognition includes the prestigious Leverhulme Early Career Fellowship (2020–2023). He is also professionally active as Joint Chair of the British Shakespeare Association and Events Organiser for the Malone Society. José supervises postgraduate research and teaches across undergraduate and postgraduate levels, integrating performance workshops into his pedagogy. He leads the Playhouse Lab, which hosts script-in-hand performances to explore early drama practically. His work bridges academic scholarship and theatrical practice, contributing significantly to both the study and staging of Renaissance drama.







