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Lillie Padilla is an Assistant Professor of Spanish Linguistics at Sam Houston State University's Department of World Languages and Cultures. Holding a Ph.D. and M.A. in Spanish Linguistics from Arizona State University alongside a Bachelor of Arts from the University of Ghana, her research explores interdisciplinary connections between: Afro-Latinx representation in educational materials Discourse analysis and language ideologies Sociolinguistic studies in Equatorial Guinea Critical race theory applications in language teaching Her work focuses on Spanish subject pronoun expression patterns in multilingual contexts and curriculum development for inclusive pedagogy. Recent publications examine: Representation gaps in Spanish language textbooks Methodological challenges in Equatorial Guinea research Critical discourse analysis of Netflix's Elite series Intersectional representation of Afro-Latinx women Scientific achievements include: Finalist for American Association of Linguistics 2025 award for co-edited volume Representation, Inclusion and Social Justice in World Language Teaching Padilla's research continues to shape conversations about linguistic diversity and marginalized voices in language education through both empirical studies and theoretical frameworks.

• Afro-Latinx Representation
• Discourse Analysis
• Language Ideologies
• +4 more

Prof. Ahmet Atay holds the rank of Professor of Communication Studies at the College of Wooster, serving as Program Chair of Global Media & Digital Studies and liaison to the Digital Visual Storytelling Pathway. His academic journey includes degrees from Marmara University (B.A., 1998), Ohio University (M.A., 2001), University of Northern Iowa (M.A., 2003), and Southern Illinois University (Ph.D., 2009). His research focuses on transnational communication, digital media's societal impact, cultural identity formation in global contexts, and queer diasporic experiences. He actively explores media representation of gender/sexuality, critical pedagogy, and autoethnography as research methodologies. Notable projects include editing works on millennial media ecology, intercultural communication pedagogy, and transnational queer cinema. Teaching responsibilities include courses on intercultural communication, mediated gender studies, and digital storytelling for social justice. He has held leadership roles in professional organizations like the National Communication Association and Central States Communication Association. Prof. Atay's recent publications emphasize digital ethnography, decolonizing communication studies, and queer pedagogy innovations. His work bridges theoretical frameworks with practical educational applications, addressing contemporary issues like diversity in academia and media's role in shaping cultural narratives.

• Transnational communication
• Digital media studies
• Cultural identity and globalization
• +5 more

David Glovsky serves as Assistant Professor of History and African and African American Studies within Harvard University's Faculty of Arts and Sciences, focusing on 19th-20th century West Africa with regional expertise in Senegal, Gambia, Guinea-Bissau, and Guinea. His research examines borderlands through lenses of mobility, citizenship, and alternative geographies, challenging state-imposed borders with community-driven spatial narratives. His educational foundation includes a B.A. in History and Human Geography from Dartmouth College and a Ph.D. in African History from Michigan State University. Prior academic appointments include the Department of Africana Studies at University at Albany and the Department of History at Boston University, following Peace Corps service in southern Senegal that redirected his career from sports media into academia. Glovsky's research program centers on social justice-oriented historical narratives of marginalized West African communities, particularly Fulbe populations. His work synthesizes oral histories and archival research across six nations to analyze how borderland residents construct fluid geographies that transcend colonial/postcolonial boundaries. Key themes include migration as resistance , gendered border experiences , and Islam's role in transnational community formation , with methodological innovation in spatial history and decolonial approaches. Analysis of his nine recent publications (2019-2023) reveals consistent engagement with West African borderland resilience , demonstrating how communities maintain cross-border networks despite state fragmentation. His work bridges historical scholarship and contemporary migration debates , employing interdisciplinary frameworks from anthropology, geography, and postcolonial theory to document alternative spatial organizations that challenge Western cartographic traditions. ACLS Fellowship supporting book project Borderlanders: Popular Geographies, Mobility, and Belonging in West Africa Glovsky actively mentors graduate students interested in African history, emphasizing pathways for underrepresented scholars into U.S. academia. His research has received competitive external funding including the ACLS Fellowship, while his collaborative work on the NEH ‘Ajamī Project advanced accessibility of Pulaar manuscripts through digitization and multilingual translation. He maintains strong community ties with West African scholars and institutions, particularly in Senegambia. Though not leading a formal laboratory, Glovsky collaborates with international research teams across West Africa on borderland studies and manuscript preservation, working closely with scholars in Kolda (Senegal), Dakar, and Guinea-Bissau to document community histories through participatory methodologies.

• African History
• West African History
• Borderlands Studies
• +9 more

Patricia A. Banks is a Professor in the Department of Sociology and Anthropology at Mount Holyoke College, with affiliations in Africana Studies and the Program in Entrepreneurship, Organizations, and Society. She holds a Ph.D. and A.M. from Harvard University and a B.A. (summa cum laude, valedictorian) from Spelman College. Her research explores intersections of culture, consumption, and race, focusing on African Diaspora dynamics. Key areas include cultural philanthropy, art collecting as identity practice, and corporate diversity capital. She authored Black Culture, Inc. (Stanford 2022), winning the Oliver Cromwell Cox Book Award, and Race, Ethnicity, and Consumption (Routledge 2020). Recent honors include ASA awards and fellowships from the CASBS (Stanford), Sheila Biddle Ford Foundation, and Harvard’s Hutchins Center. She co-edits Poetics and serves on ASA committees. Teaching awards include recognition from Harvard’s Derek Bok Center and Mount Holyoke’s Baccalaureate address. Her work spans books, peer-reviewed articles, and media engagements (NYT, Artnet). The African American Museums Database, her digital archive, catalogs over 300 institutions. Current projects address corporate diversity signaling, African art markets, and dress code discrimination.

• Sociology of Culture
• Sociology of Art
• Consumers and Consumption
• +3 more

Anna Morcom is Professor and Mohindar Brar Sambhi Chair of Indian Music in the Department of Ethnomusicology at UCLA's Herb Alpert School of Music. She previously held a professorship at Royal Holloway, University of London, and earned her Ph.D. from SOAS (School of Oriental and African Studies) in 2002, where she also completed her undergraduate studies in Ethnomusicology and Hindi (1993-1996). Her research spans music and dance in India and Tibet, employing ethnographic and oral historical methods to examine the intersections of musical culture with politics, nationalism, identity, gender, inequality, economic development, and media. Morcom's scholarship is notable for its interdisciplinary approach that bridges traditional and popular musics with contemporary theoretical frameworks. Her work demonstrates significant trends toward examining music within economic frameworks, particularly through her founding of SEM's Special Interest Group on Economic Ethnomusicology. Recent publications increasingly focus on cultural economies, performance labor, and the relationship between artistic practice and economic systems in South Asia. Society of Ethnomusicology's Allan Merriam prize (2014) Marcia Herndon prize of SEM's Gender and Sexualities section (2014) Morcom's research has been supported by multiple grants from the Leverhulme Trust and the British Academy. She has been interviewed by prominent media outlets including BBC Radio 4's Thinking Allowed, The Hindu, Tehelka, and Scroll regarding her influential work on Indian dance cultures. As founder of SEM's Special Interest Group on Economic Ethnomusicology, she has shaped scholarly discourse on the economic dimensions of musical practice. Her current projects include the monograph on Hindustani music and co-editing two significant volumes: Creative Economies of Culture in South Asia: Craftspeople Performers (Routledge) and the Oxford Handbook of Economic Ethnomusicology (OUP).

• Ethnomusicology
• Indian Music
• Tibetan Music
• +7 more

Alaina Lemon is a Professor of Anthropology at the University of Michigan, affiliated with the College of Literature, Science, and the Arts (LSA). She serves as Director of Undergraduate Studies in Anthropology and holds affiliations with the Center for Russian, East European, and Eurasian Studies (CREES), the Weiser Center for Europe and Eurasia, and the Interdepartmental Program in Anthropology and History. Her research focuses on socio-cultural anthropology, performance studies, and visual culture, with expertise in Russia, the Romani diaspora, and post-Socialist states. Education: BA in Anthropology (University of Wisconsin, 1987), MA (University of Chicago, 1988), and PhD (University of Chicago, 1996). Notable awards include the Wayne S. Vucinich Book Prize (2001), Heldt Book Prize (2001), and a 2023 visiting scholar position at the École des Hautes Études en Sciences Sociales (Paris). Her work bridges historical and contemporary issues, exploring themes like phatic labor, media infrastructures, and affective politics. Recent projects include editing the documentary Tremors (2023) and researching Soviet-era moral projects through studies of Moscow’s Metro and canine-human interactions. Lemon’s interdisciplinary approach integrates performance studies, linguistic anthropology, and critical race theory to analyze cultural dynamics in transitional societies. Grants include a 2019-2024 University of Michigan Office of Research grant for film collaboration and a 2002-2003 International Research and Exchanges Board fellowship. She has authored influential books such as Between Two Fires (2000) and Technologies for Intuition (2017), and her films document Romani experiences and urban cultural phenomena.

• Socio-cultural anthropology
• Performance and language
• Historical narrative
• +5 more

Jennifer Gómez Menjívar is Professor and Director of the M.A. in Media Industries and Critical Cultural Studies at the University of North Texas. Her research examines historical and ethno-linguistic movements influencing text production, circulation, and reception across print media, screen cultures, and digital communities. With over 18 years of teaching experience, she previously held positions at international organizations including the UNECE and UNDP. Her scholarly interests span media linguistics, film adaptation, digital activism, hemispheric animation histories, Indigenous sovereignty media, and Spanish-language media. Her publications demonstrate interdisciplinary work bridging media studies, cultural history, and postcolonial theory. Her extensive publication record includes books such as Tropical Tongues: Language Ideologies, Endangerment, and Minority Languages in Belize (2018) and Black in Print: Plotting the Coordinates of Blackness in Central America (2023), as well as co-edited volumes on Indigenous technology and hemispheric Blackness. She received a Senior Research Fellowship at Freie University Berlin for her upcoming work on Indigenous sovereignty media. Gómez Menjívar teaches courses including Introduction to Graduate Studies in Media Arts, Women in Film, and Global Media. She also mentors students in critical media analysis and serves as faculty advisor for media research projects.

• Media Linguistics
• Film Adaptation
• Digital Activism
• +3 more

Salikoko S. Mufwene is the Edward Carson Waller Distinguished Service Professor of Linguistics at the University of Chicago. He holds additional appointments on the Committees on Evolutionary Biology, Conceptual and Historical Studies of Science, and African Studies. His research integrates ecological perspectives into evolutionary linguistics, focusing on language contact, creole genesis, language endangerment, and the impact of colonization and globalization on linguistic diversity. Education: PhD in Linguistics, University of Chicago (1979) Key Themes: Language evolution, creole languages, population structure, decolonial linguistics, language policy Mufwene’s work emphasizes the role of population dynamics in language change, drawing parallels with biological evolution. His recent articles examine topics such as the cultural-artifact nature of language, the ecological drivers of creole hybridization, and the decolonization of linguistic paradigms. He has also contributed extensively to debates on language endangerment and multilingualism in super-diverse societies. Scientific Awards: Fellow, Linguistic Society of America (2018) Fellow, American Philosophical Society (2022) Fellow, American Academy of Arts and Sciences (2023) Collège de France lectures (2003, 2023-24) Summer Institute of the Linguistic Society of America (1999, 2005, 2015, 2017)

• Evolutionary Linguistics
• Creole Languages
• Language Contact
• +9 more

Engseng Ho is a Professor of Cultural Anthropology and former Professor of History at Duke University's Trinity College of Arts & Sciences since 2008. His work focuses on Arab/Muslim diasporas across the Indian Ocean, global transregional dynamics, and historical interactions between empires and local societies. Education: PhD (2000), MA (1990) in Anthropology from University of Chicago; BA (1986) from Stanford University. Research interests include mobility studies, transregional legal frameworks, and the intersection of Islam with imperial and postcolonial contexts. Notable projects involve Inter-Asia collaborations and studies on China-Africa relations, oil economies, and Malay sovereignty. Recent grants include funding from the National Science Foundation for research on refugees, Azerbaijan's oil-driven geopolitics, and a global religion dissertation fellowship program. Teaching spans courses on imperialism, mobility, global culture, and anthropological theory. His expertise spans Africa, India, Indonesia, and Yemen.

• Indian Ocean Studies
• Diaspora Studies
• Global History
• +6 more

Leo J. Garofalo is the Virginia Eason Weinmann '51 Professor of History at Connecticut College, where he joined in 2002. He coordinates the Social Justice and Sustainability Pathway and co-directs the Mellon Mays Undergraduate Fellowship program. His scholarship focuses on colonial Latin America with emphasis on racial dynamics and cultural exchange. Education: B.A. in History and Hispanic Studies from Brown University M.A. from Boston College Ph.D. from University of Wisconsin at Madison Research Focus: Garofalo investigates the intersection of African and Indigenous cultures in colonial Peru, examining how marketplaces, taverns, and religious practices shaped Afro-Andean identities. His current work traces West African diaspora routes to the Andes and analyzes Afro-Iberian influences on witchcraft traditions. He utilizes Inquisition records and Spanish imperial archives to reconstruct transatlantic cultural networks. Awards: Virginia Eason Weinmann '51 Professorship (endowed chair) Social Science Research Council Grant Fulbright-Hays Research Grant Academic Leadership: Garofalo has organized campus events featuring Afro-Peruvian performers (Negrura Peruana) and activists like former Colombian Governor Luis Murillo. In 2010, he co-led a Study Away Teach Away program in Oaxaca, Mexico, examining immigration and indigenous rights movements.

• Latin American History
• Caribbean History
• History of Race and Ethnicity
• +6 more

Matthew Valnes serves as a Visiting Assistant Professor of Musicology in the Department of Musicology & Ethnomusicology at the University of Maryland School of Music, appointed in Spring 2022. His academic work centers on the intersections of music, identity, and social structures within Black American musical traditions. Education: Ph.D. in Musicology, University of Pennsylvania (2012) Valnes specializes in African American popular musics with concentrated expertise in jazz and funk traditions, particularly examining how post-1965 Black popular music constructs race, gender, and sexuality through what he terms a 'post-civil rights era Black popular music aesthetic.' His research methodology combines critical race theory, gender studies, and performance analysis to interrogate sonic expressions of identity. Valnes actively contributes to public scholarship through commentary on Musiqology.com and the Switched on Pop podcast, bridging academic research with broader cultural discourse. Professional engagement includes presentations at the Society for American Music, Society for Music Theory, Experience Music Project, and Dayton Funk Symposium. His scholarly publications appear in African and Black Diaspora: An International Journal, American Music, and Journal of Popular Music Studies.

• African American Popular Music
• Jazz
• Funk Music
• +5 more

Asef Bayat is Professor of Sociology and the Catherine and Bruce Bastian Professor of Global and Transnational Studies at the Department of Sociology, University of Illinois, Urbana-Champaign. He has held previous academic positions at the American University in Cairo, Leiden University (where he held the Chair of Society and Culture of the Modern Middle East), and visiting appointments at UC Berkeley, Columbia University, Oxford, and Brown University. His research interests include: Political Sociology Collective Behavior and Social Movements Sociology of Religion Urban Life and Politics Islam and Modernity Contemporary Middle East Bayat's research focuses on the role of ordinary people and subaltern classes in social and political transformations, particularly in the context of the Arab Spring and Middle Eastern urban movements. His work bridges comparative and historical sociology with global and transnational perspectives, emphasizing everyday forms of resistance and the reconfiguration of political Islam. He has extensively explored the sociological dimensions of revolution, modernity, migration, and loss of home. His recent publications, including articles in International Journal of Urban and Regional Research and Journal of Democracy , reflect a sustained engagement with urban politics, revolutionary dynamics, and youth activism in the Global South. The recurring themes across his work include the agency of marginalized populations, the transformation of public space, and the evolving nature of political engagement in non-Western contexts. Bayat has received numerous honors and fellowships: Guggenheim Fellow Ford Foundation Fellow MacArthur Fellow Open Society Fellow Wissenschaftskolleg Fellow, Berlin He has been actively involved in academic leadership, having served as director of the International Institute for the Study of Islam in the Modern World (ISIM) and elected to the Board of the UN Research Institute for Social Development. He has taught key courses such as Global Social Movements, Global Religion and Politics, and Middle Eastern Societies. Though specific students are not listed, his role as a full professor and author of major works indicates extensive mentorship and academic advising. He is affiliated with multiple interdisciplinary centers, including the Center for African Studies, Center for South Asian and Middle Eastern Studies, European Union Center, and Center for Global Studies.

• Political Sociology
• Collective Behavior and Social Movements
• Sociology of Religion
• +8 more

Eric Beeko is a Teaching Assistant Professor in the Department of Africana Studies at the University of Pittsburgh, affiliated with the Kenneth P. Dietrich School of Arts and Sciences. His teaching focuses on African studies, including courses like African Civilization, Liberation Movements, and Music in Africa. He holds a Ph.D. in Ethnomusicology from the University of Pittsburgh (2005), alongside advanced degrees from institutions in Ghana. His research explores African musical traditions, cultural practices, and performance aesthetics. Current projects include studies on Neo-Pentecostal/Charismatic church music in Ghana and the interplay between tradition and modernity. Future research plans involve multi-volume studies on African linguistic-cultural distribution and Black performance practices globally. Publications include analyses of Akan music rights, Ghanaian choral innovations, and African cultural heritage. He is developing works on Neo-Pentecostal worship aesthetics and the role of music in identity expression across the African diaspora. Advising and grants are not explicitly listed, but his scholarly activities emphasize collaborative research in ethnomusicology and cultural studies. He is based in Posvar Hall, Office #4152.

• African Music Traditions
• Cultural Studies
• Ethnomusicology
• +3 more

Prita Meier is an Associate Professor of Art History at New York University's College of Arts & Science , affiliated with the Department of Art History & the Institute of Fine Arts. Her work bridges African art history, Indian Ocean world studies, and global modernity frameworks. Education: Ph.D. (2007) in History of Art, Harvard University M.A. (2000) in History of Art, University of Iowa B.A. (1996) in Art History, University of Florida Research Interests focus on the visual and architectural cultures of Africa, particularly Swahili Coast port cities, exploring globalization's cultural dimensions, Islamic art, and photography histories. Her work interrogates spatial-temporal dynamics in African modernity and colonial art frameworks. Scientific Awards include CASVA Senior Fellowship, NEH Implementation Grant (with Allyson Purpura), Mellon Collaborative Grant (with Kenny Cupers), Clark Art Institute Residential Fellowship, and Andrew W. Mellon Postdoctoral Fellowship. Notably, she declined the National Humanities Center Fellowship and Stanford Humanities Fellows Program. Publications highlight Indian Ocean trade networks, Swahili Coast architecture, and photography's global circulation. Recent works (2020-2017) examine infrastructure as identity, oceanic materiality, and itinerant art historiography. Earlier articles (2016-2009) analyze porcelain trade, modernist discontents, and Swahili funerary practices. Contact: spm9@nyu.edu | 100 Washington Square East, New York, NY 10003

• Art and architecture of Africa
• Port cities and visual cultures of the Indian Ocean world
• Comparative urbanism
• +4 more

Kristin Schwain is a Professor in the Department of Art History at the University of Missouri's School of Visual Studies. She holds a PhD in Art History and Humanities from Stanford University and a BA in Art History and Humanities from Valparaiso University. Her interdisciplinary research examines marginalized objects and practices in American art history, emphasizing their cultural significance through lived experience. Her educational background includes: PhD in Art History and Humanities, Stanford University BA in Art History and Humanities, Valparaiso University Dr. Schwain's research centers on American Material and Visual Culture, Art and Religion, Arts of the African Diaspora, and Public Humanities. She investigates overlooked artifacts to reveal their influence on everyday life, challenging assumptions about modernization's impact on religious expression. Her work bridges historical analysis with contemporary relevance through studies of traditional craft, artist books, photojournalism, and mass-produced objects as lenses into social practices. Her recent publications demonstrate consistent focus on art-religion intersections in American cultural history, from Henry Ossawa Tanner's biblical paintings to Afro-Cuban religious themes in Ediciones Vigía artist books. This body of work reveals evolving methodologies for uncovering marginalized narratives through interdisciplinary frameworks spanning visual culture, material studies, and diaspora scholarship. Her scholarly recognition includes: First Biennial National Basketry Association Book Award for Rooted, Revived, Reinvented: Basketry in America Dr. Schwain has secured major grants from the Smithsonian Institution, Luce/American Council of Learned Societies, Center for the Study of Religion and American Culture, and Georgia O’Keeffe Museum Research Center. Her collaborative public humanities projects with the Missouri School of Journalism's Pictures of the Year International and Scruggs-Vandervoort-Barney department store collection demonstrate institutional partnerships that translate academic research into community engagement. She actively collaborates with the Museum of Art and Archaeology at the University of Missouri on exhibitions like Rooted, Revived, Reinvented: Basketry in America and Juan Roberto Diago: Foraged Materials, Assembled Histories , fostering cross-generational dialogues through multi-venue traveling shows and digital initiatives including The iCatalog .

• American Material and Visual Culture
• Art and Religion
• Arts of the African Diaspora
• +3 more