Stefania Rimini

Stefania Rimini is a Full Professor of Cinema, Photography, and Television at the Department of Humanities, University of Catania. She holds the academic position of Full Professor in the disciplinary sector PEMM-01/B and is actively involved in research, teaching, and academic leadership. She supervises doctoral theses, leads the Catania Unit of the PRIN 2017 project 'Archives of the South', and coordinates the ARIE research project on opera and media. She also serves as the DISUM delegate for research coordination and is a member of several academic centers, including CRAD at the University of Turin and the Genus Center for Gender Studies. She co-directs the Class A journal Arabeschi with Maria Rizzarelli.

Her research interests include intermediality, cinema museology, acting, stardom, documentary film, film archives, and audiovisual heritage. She emphasizes interdisciplinary methodologies and the study of tangible and intangible cultural heritage. Her work often intersects with theater, visual culture, and national/international cultural production. As part of her Third Mission, she curates exhibitions and seminars with local and international impact.

The analysis of her recent academic output—particularly her supervision of student theses—reveals a strong focus on the intersections between cinema and other cultural forms such as sports, philosophy, music, literature, and digital media. Her research spans both historical and contemporary themes, from silent film comedy to modern music videos and biographical cinema. She consistently explores narrative, visual language, psychological depth, and cultural representation across genres and media.

She has no listed scientific awards in the provided text. However, her leadership in national research projects and editorial roles underscores her academic prestige.

Stefania Rimini advises numerous students at the master's level, covering diverse and innovative topics in film and media. Her supervision reflects a commitment to interdisciplinary inquiry and the exploration of cinema as a dynamic, evolving cultural force. She also participates in broader academic activities such as curriculum development and institutional research coordination.

She is involved in multiple research initiatives, including the PRIN 2017 'Archives of the South', which examines non-fiction cinema and southern Italian landscapes between 1948 and 1968, and the ARIE project on contemporary opera. These projects involve collaboration with national archives and interdisciplinary teams focused on remediation, iconography, and environmental representation in audiovisual media.