Sara Garzón

Sara Garzón is a Colombian curator and art historian affiliated with the School of Visual Arts (SVA) in New York City, where she serves as faculty in the MA Curatorial Practice program. Her research focuses on Latin American contemporary art post-1990s, emphasizing decoloniality, temporality, and ecocriticism. She leads projects exploring intersections of technology, cosmology, and territory, such as the 'South to South: A Meeting on African and Afro-Diasporic Technologies' exhibition (2023-2024).

• Education: Ph.D. (specific institution not stated).

Her work bridges curatorial practice with academic research, including contributions to exhibition catalogs, peer-reviewed journals, and anthologies. Notably, her 2020 article on Indigenous futures won the LASA Best Essay award in Visual Culture Studies.

• Grants/Fellowships: Andrew Harris Postdoctoral Fellowship (2021-2022), Jane and Morgan Whitney Curatorial Fellowship (2020-2021), Lichez/Stronach Fellowship (2014-2015).

Garzón’s projects often address decolonial methodologies and global Southern perspectives, reflecting her commitment to recentering marginalized narratives in art history.