Peter V. Swendsen

Peter V. Swendsen is an Associate Professor of Computer Music and Digital Arts at the Oberlin Conservatory of Music, part of Oberlin College. His work bridges music composition, digital arts, and interdisciplinary performance, often collaborating with dance and visual media. He holds a Ph.D. from the University of Virginia, an MFA from Mills College, and a BM from Oberlin Conservatory.

Swendsen's research focuses on soundscape composition, ecoacoustics, and interactive technologies. Notable projects include What Noises Remain (a multimedia piece with Jennifer Torrence) and scores for dance works like Valence and LUNA. His compositions blend live instruments with electronics, emphasizing spatial and environmental themes.

Teaching highlights include courses on electroacoustic music, real-time performance, and interdisciplinary collaborations. He has mentored over 20 students listed on his site, many of whom continue in music composition and performance fields. His work has been presented globally, including at the International Computer Music Conference (ICMC) and festivals in Europe, Asia, and the Americas.

Swendsen’s creative output spans film scores, chamber music, and installations. Recent works include Fireboys (2020 documentary soundtrack) and How Forests Think (2020 album liner notes). He actively engages with community outreach, including workshops for K-12 students and collaborations with institutions like the Cleveland Clinic and GroundWorks Dance Theater.