Patrick Stone

Patrick Stone serves as Associate Professor and Technical Director in the Department of Theatre & Dance at Otterbein University, where he has held his position since Fall 2014 after seven years as Faculty Technical Director at the University of Arkansas. His expertise bridges academic instruction and practical theatre technology implementation across regional performance venues.

Education

• M.F.A, University of South Dakota, Vermillion (2007)
• B.A., Doane College, Crete, Nebraska (1998)

Stone's research centers on innovative stagecraft methodologies, with current emphasis on integrating blacksmithing techniques into props construction. His work spans metalworking, motion scenery engineering, and technical direction, emphasizing hands-on solutions for theatrical production challenges from junior high to professional levels. This applied focus manifests in practical publications addressing real-world stage mechanics and safety systems.

His three most recent publications demonstrate consistent innovation in solving mechanical challenges for theatre, progressing from foundational caster jack systems (2009) to advanced wireless automation (2011) and sophisticated victim control mechanisms (2017). These works collectively advance the field of theatre technology through accessible engineering solutions that prioritize both creative expression and performer safety.

Professional Recognition

• Project Co-Leader, USITT Technical Production Commission: Fundamentals Group (2010-2014)

Stone actively mentors through course instruction in properties design and technical direction while extending his expertise to regional theatres. His leadership in the USITT Technical Production Commission demonstrates significant professional impact beyond campus, though specific grant funding details aren't documented in the source material. The Scenic Studio in Cowan Hall serves as his primary workspace for developing these practical theatre technologies.

His work exemplifies the integration of traditional craftsmanship with modern engineering, particularly evident in his exploration of blacksmithing applications for theatrical props, reflecting a commitment to preserving artisanal skills within contemporary performance contexts.