About
Dr. Oonagh Murphy is a Senior Lecturer in Digital Culture and Society at Goldsmiths, University of London, based within the Institute for Creative and Cultural Entrepreneurship (ICCE). She is a leading researcher on the application of artificial intelligence and emerging technologies in museums and cultural organizations, with a focus on ethical implementation and social impact. Dr. Murphy serves as a Member of the College of Experts at DCMS and is an Open Data Institute accredited Data Ethics Facilitator and Data Ethics Professional.
Her academic background includes:
- PhD in Museum Studies, University of Ulster (2014)
- Masters of Research, University of Ulster (2010)
- BA (Hons) Arts Management, De Montfort University (2008)
Dr. Murphy's research focuses on the intersection of digital culture, artificial intelligence, and cultural institutions. She is particularly interested in how museums and galleries can responsibly adopt emerging technologies while maintaining ethical standards and social responsibility. Her work emphasizes the importance of data ethics, digital leadership, and the societal implications of AI in cultural contexts. As a Churchill Fellow, she has conducted international research across more than 15 countries, bringing a global perspective to her teaching and research.
Dr. Murphy leads the Museums + AI Network, a significant research project funded by the Arts and Humanities Research Council that facilitates discussions about ethical AI implementation in museum contexts. Her recent publications demonstrate a clear trajectory toward practical frameworks for responsible AI adoption in cultural institutions, with increasing emphasis on policy development and international collaboration.
Her scholarly contributions have earned her recognition as:
- Member of the International Council of Museums
- Fellow of the Royal Society of Arts
- Fellow of the Higher Education Academy
- Churchill Fellow
Dr. Murphy actively contributes to policy development as a Member of the College of Experts at DCMS, supporting evidence-based policy making across digital, media, culture, and sport portfolios. Her work bridges academic research, practical application in cultural institutions, and policy development, making her a significant voice in the evolving relationship between technology and cultural heritage.
