Nicholas Dion

Nicholas Dion serves as a Full Professor and Graduate Program Director for Master's and Doctoral studies in Literary and Cultural Studies within the Department of Arts, Languages and Literatures at Université de Sherbrooke. His academic authority spans classical French literary scholarship and contemporary cultural analysis, reflecting deep institutional integration through roles like overseeing graduate programs and managing ancient book collections at the university library.

His educational trajectory includes a B.A. and M.A. in French and Quebecois Literatures from Université Laval, a Ph.D. in Literary Studies via cotutelle between Université Laval and Université Paris-Sorbonne, and postdoctoral research at McGill University followed by a Banting Postdoctoral Fellowship at Université du Québec à Trois-Rivières.

Dion's research centers on 17th-18th Century French Literature with specialized focus on Classical Elegy, Classical Theatre, and Rhetoric. His work bridges historical poetics with material book history, examining how elegiac forms evolved across centuries while analyzing Quebec's classical college libraries. This dual approach connects textual analysis with physical artifact studies, revealing how literary theory manifests in archival contexts.

Publication trends show consistent exploration of elegiac poetry from the 16th-18th centuries, with recent work expanding into zombie fiction analysis—a testament to his ability to apply classical rhetorical frameworks to modern cultural phenomena. His scholarship demonstrates methodological versatility across historical periods and media forms.

Major recognitions include:

• Prix jeune chercheur 2013 de l'Académie Montesquieu for Entre les larmes et l'effroi. La tragédie classique française, 1677-1726
• Banting Postdoctoral Fellowship, Canada's premier postdoctoral award

As Graduate Program Director, Dion shapes scholarly trajectories through curriculum development and editorial leadership. His direction of thematic journal issues like Plaintes, pleurs, et plaisirs for Tangence demonstrates commitment to advancing discourse in literary studies. While specific grant details aren't provided, the Banting Fellowship confirms significant research funding capacity.

Though no formal labs are referenced, Dion's collaborative editorial projects—including multi-volume works on the Republic of Letters—indicate active participation in international scholarly networks focused on French literary history and book studies.