Michael Rowlett

Michael Rowlett is Associate Professor of Clarinet and Music Literature in the Department of Music at The University of Mississippi, part of the College of Liberal Arts, where he has taught since 2002. He teaches clarinet at the undergraduate and graduate levels, chamber music, and music literature courses.

His educational background includes a D.M. in Clarinet Performance from The Florida State University, an M.A. in Music from The University of Iowa, and a B.A. in Music from The University of North Carolina at Chapel Hill. His principal teachers were Frank Kowalsky, Maurita Murphy Mead, Freddy Arteel, and Donald Oehler.

Rowlett is an active performer specializing in contemporary American music. His research and artistic interests focus on clarinet performance, music literature, chamber music, and the works of 20th and 21st century American composers. He is particularly known for championing diverse voices in American classical music, including composers such as Valerie Coleman, Jeanne Singer, and Eric Mandat.

His debut album, Close to Home (2012), released on Albany Records, exemplifies his scholarly-creative work, featuring compositions by Leonard Bernstein, Aaron Copland, Steve Reich, and other modern American figures. The album received praise for its clarity, precision, and expressive energy, reflecting a strong interpretive approach to contemporary repertoire.

• Performed as soloist with Memphis Symphony Orchestra, Louisiana Philharmonic Orchestra, and North Mississippi Symphony
• Featured alumni soloist with The University of North Carolina Symphony Orchestra
• Invited performer at International Clarinet Association, National Flute Association, International Double Reed Society, and College Music Society conferences

Rowlett has not been explicitly mentioned as receiving formal awards or leading structured research grants, but his sustained performance career and recordings represent significant contributions to music performance scholarship. He regularly mentors students through applied instruction and chamber music coaching, though specific advisees are not listed. He does not appear to be associated with a formal research lab or ensemble beyond his performance activities.