
About
Maja Michalska (born 1994) is an active faculty member at the University of Arts in Poznań, serving as an assistant in the 2nd Graphics Studio – Digital Graphics and Screen Printing. She graduated from the same institution and earned recognition for her artistic work through the 2019 Maria Dokowicz competition Grand Prix in the artistic category for her diploma project.
Education
- Master of Arts (MA), University of Arts in Poznań
Her practice critically engages with graphic design, textile art, art books, and graphic novels. She deliberately integrates humor, hidden anecdotes, and wordplay to dissect contemporary social issues, generational shifts, and mass media influence. This approach manifests through interdisciplinary techniques blending traditional screen printing with embroidery and digital media, creating layered commentary on cultural and political narratives.
Recent projects (2019-2022) reveal consistent exploration of digital printing for wearable art and posters alongside serigraphy-embroidery hybrids. Key thematic threads include Polish historical reinterpretation (PRL era), local Poznań identity, social connectivity, and satirical engagement with current events – often using generational perspectives and media critique as lenses. Her output demonstrates evolution from book-based narratives toward digital textile applications while maintaining core commentary.
Scientific Awards
- Grand Prix in the artistic category, Maria Dokowicz competition (2019)
Michalska's role as studio assistant implies student mentorship responsibilities, though no specific advisees are named in the source material. No grant funding details are provided, but her competition award and project outputs suggest institutional support for creative practice. Artistic production appears central to her academic contribution rather than traditional research grants.
She is embedded in the 2nd Graphics Studio at the University of Arts in Poznań, which specializes in digital graphics and screen printing techniques. This studio functions as her primary creative and academic unit, though no broader laboratories or collaborative teams are referenced beyond her individual projects.
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