
About
Hiro Cho is a cultural theorist and music historian affiliated with the University of Chicago's Department of Music. Their work bridges musicology, deconstruction, psychoanalysis, critical race theory, and queer theory. Current research includes a cultural history of affect, capital, and technology in Asian/American performances across classical piano and indie pop. Additional projects explore hyperpop's intersection with technology and identity, ADHD as a listening mode, postcolonial voice studies, and music's relationship with death.
Education: BA from Brown University (2023). Research interests emphasize interdisciplinary connections between art, technology, and sociopolitical issues. No formal academic awards or grants explicitly listed in provided text.
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