Charlie Rozier

Charlie Rozier is a Lecturer in Medieval Studies at the University of East Anglia, affiliated with the School of History and Art History and the research network Gender and Its Intersections. He holds a PhD from Durham University and has previously taught at Swansea, Durham, University of Wales Trinity St David, and Canterbury Christ Church University.

Education:

• BA in History, University of Kent (2006)
• MA in Medieval History, Durham University
• PhD in Medieval History, Durham University (2014)

His research focuses on medieval historical consciousness, particularly how communities between 500–1200 AD constructed and used historical narratives. He specializes in Anglo-Norman historiography, textual cultures, and the intellectual life of religious communities such as that of St Cuthbert. His work examines genres of history-writing, medieval constructions of time, use of sources, and engagement with the distant past through ruins and relics. He has a strong interest in gender studies and interdisciplinary approaches.

The 15 most recent articles (limited to 5 here due to availability) show a consistent focus on medieval historiography, particularly in Anglo-Norman England and Northern Europe. Keywords include Medieval History, European History, and Intellectual History, with subfields such as Norman Historiography, Temporal Concepts, Monastic Chronicles, and Hagiography. His publications span books, peer-reviewed chapters, and journal articles, reflecting deep engagement with primary sources and scholarly synthesis.

Scientific Awards and Recognition:

• AHRC Cultural Engagement Fellow (2016)

Charlie Rozier has advised on editorial projects and collaborative research outputs. He is Assistant Editor of the Journal of the Haskins Society, indicating scholarly leadership. While formal students are not listed, his editorial and co-authorship roles suggest mentorship and academic collaboration. He has contributed to edited volumes and special issues, demonstrating ability to secure and coordinate scholarly projects.

He has been involved in creative public engagement, notably through performances with Cantata Dramatica and the Durham Vocal Fest, based on medieval sources related to St Cuthbert. These projects represent interdisciplinary collaboration and knowledge exchange beyond academia.