
About
Baptiste Bacot is a Researcher at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo. His work focuses on electronic music production, groove design, and the intersection of music technology with creative practices. He holds a PhD in Music, History, Society from EHESS and IRCAM in Paris, with prior roles at CNRS labs in Lille and Paris.
Education: PhD in Music, History, Society (EHESS/STMS-Ircam, Paris), Masters in Art/Music Theory (EHESS), Bachelors/Masters in Philosophy (Grenoble University).
Research interests revolve around how sound technologies reshape music creation through material and digital mediums. Current projects include studying bass music producers' rhythmic approaches and the 'Groove design in Bass music' project exploring electronic music production practices. Methods include fieldwork, interviews, and digital data analysis.
Publications span topics like electronic music instrumentation, hacking in music tech ethics, and historical acoustic research in Marseille. His work bridges musicology, technology, and philosophy, with a focus on interdisciplinary approaches.
Advising and grants: Postdoctoral fellowships at CRIStAL lab (Lille) and STMS lab (Paris), supervised by Prof. Marc Chemillier and Dr. Nicolas Donin. Active in collaborative projects like the Dezrann music corpus platform.
Labs/Teams: RITMO Centre, Algomus team (Lille), Analysis of Musical Practices team (Paris), and STMS lab collaborations.
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